Omaha daily bee. (Omaha [Neb.]) 187?-1922, November 13, 1904, Page 2, Image 18

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    fOTembr 13, 19M.
TIIE OMAnA I LLU STRATEDREE.
About Plays, Players and Playhouses
IMAHA In Just now rtuna th ben
efit of soma Kaleldfmcoplc changes
in ths booking arrangement for
th big attractlrfna. The change
In the route of "Woodland" la an
kutnple. The rce vu to have been given
hor during tho latter part of the present
week, bat hurry call waj sent out from
' New York and all western date cancelkd.
On day waa left for Omaha, and this had
to be puttied up on the calendar. Fiom
here tho company flit to Broadway, where
It will likely aupplant the F.ngllsh "Parsl
' Ml," on which Mr. Bavago boned uch high
hope and which ha proven such a failure.
Thu leave another gap In the bookings at
tha Boyd, which will be filled In later on
'in th. Mon. Pajalfal" I to go on the
tm'?h of realism the charaoter, making
It a moat effective presentment of a typo.
Her Joy ends when the arm of the law
reaches out for "Bkinny" and he I
natrhed awny from her Just at the
moment when her Joy seemed most super
nal. He hadn't told her how he got the
flowers, but now he knows. The flKht be
tween her love an th policeman, merci
fully left to the Imagination, given her a
moment of fierce excitement. Then the
awful "soak" the officer deals his strug
gling prisoner ends her dream, and she Is
brought back to a full realisation of her
sordid surroundings. Again the conflict of
emotions rages; she exults In "Sklnny's"
devotion to her. In his daring to combat
th burly officer, a aln regret because she
didn't get sufficient of a "hurry on," all
road. But the good time Is surely coming, . this In Just a moment, proving again th
nd busy days at the theater are In pros
pect. In the meantime th Krug Is Jogging
along with It two or thre a week, and
all of them getting good patronage, while
th vaudeville house 1 doing betler than
ever In both attractions .and patronage.
.Now and then on encounter 10 a short
acting sketch at a vaudeville houae evi
dences of ability beyond th ordinary. Not
that good actors and actresses never re
ort to vaudeville, for th contrary I the
case, bbt even tries do not frequently get
abov a oertain mark in their effort in
a sketch. Th opportunity for working up to
a dramatic climax is so much lens, because a
sketch for vaudevlil puipose Uoc not
give th time and rarely the Inspiration
essential to th mental condition called for
to produca th effect demanded By what
is commonly called a "eUma." It 1 a
recognised law of th drama that th In
cidents must be arranged to gradually ap
proach the catastrophe, and with this In
view th aeUon of the piece is always
based on th effort directed to the excita
tion of the needed exaltation of mind and
body to produce th reujt. . Actors know
this as' well as authors, and the capablo
performer recognizes It by sinking hi
Identity In that of th part he Is playing,
and for the time at least living all the
experience ef the character. Indeed, this
is about the' oply way that acting can
b made' acceptable. It will thus be ap
parent that' trio way to good acting on
the' vaudeville stage is not easy, and that
the limitations to endeavor ure rather nar
row. Whenever a performer Is able to
get Outside of these narrow conilnes and
succeeds in giving a character life ' and
convincing verisimilitude a real triumph
has been won,
Such a triumph is that aohleved by Hiss
Eva Willlums, who was on th bill at
the Crejgliton-Orpheum last week. .She
presented ths character of a girl of tha
slums of a great city, not a bad girl, but
one who had not had th opportunity for
learning what iff has In store tor those
who are more happily- situated. Th dif
ficulties in the way ot property delineating
such a oharaoter are not readily understood
Infinite capacity for unrest of the un
trained mind. At last th realisation comes
and tear, real tears, course down her
cheeks, and th sobs that choke her as she
buries her face In her arms are those of
genuine grief. This one thing the girls of
her class do know; they have a definite
understanding of what It Is to be disap
pointed. It may be only for the moment,
but It 1 keenly felt while it lasts. M ig rnd
relief for her wrecked anticipations In
tears, and hers are not th only dry eyes
In th nous a the curtain goes down on
the scene. Her vtrtner's share In the
ketch Is to furnish the comedy, end he
doe It very satisfactorily, but his con
tribution has no artistic merit whatever,
while Miss, Williams has proven thnt she
has abillU of real histrionic worth, the
capacity to thalyx and Illuminate charac
ter. Women like her are needed on the
American strife nowadays, and she should
not be restricted to vaudeville.
Coining? Events.
Once) upon a time there were two little
children, Alan and Jane, wno were under
the care ot a very wicked old uncle who
gorgeously costumed in becoming taste.
"A Pair cf Pinks." Ward and Voks and
their merry crew of fifty-five people, open
at the Krug this afternoon. The "Pinks"
In this case will be a couple of Plnkerton
detectives who attempt to Insiitqte a new
regime In conducting a prison of their own,
admission to which is by card of invita
tion only, and talented Indetd must be
the Individual who qualifies as worthy
a cell in "Percy and Harold s" Jail. Of
course the whole thing Is for fun It has
grown to be a habit of Ward and Vokes
to make fun at anything they attempt.
Every particle ef muslo and all the songs
are entirely new, having been expressly
composed for this production. JB. V. Btalr
has given "A Pair of Pink" a rich set-
be glitter snd glamor and ,Jng of sc.nlo and ; """"J"'
to feast th eye ot "
ment to in ivrug mai.
Her Flrt False Step" come to th
Krug theater for three night and on
matinee, starting Thursday, November 17.
It conuln tsveral Inteiestlng character
type and an abundant lot of good comedy.
It I from the pen of Josepn L Brandt
and dai with th trial of a young man,
Jack Walters, and hi wsetheurl, dua
Allen, children of sturdy Nw Ungiand
parents. Dan Matthews, th son cf th
country minister, is also a suitor for tSdna1
hand. Th night of th wedauig between
Jack Walter and Edna, Matthew openly
accuses Jaek of untalthfuinsss. liMna be
lieves the accusation and tor revenge elopes
with and marries Matthew, It is then a
battle between Dan Matthews and Jack
Walters, and the many scene that follow
show plainly the sunaring of a young and
Innocent girl at the hnu of a villain,
who proves to be on of New York' most
famous crooks.
wished to get them out of the way and
thereby gain the fortune whloh was right
fully theirs. He came to a sudden nd
timely end by drinking a draught of polon
Intended for Alnn. Thus frefd from the
persecution of the wicked oil man, the
children were at liberty to follow their
heart' desires and they lived happily
ever after. This Is the basis of the story
which Is to be told in "Ba'es In T;land,"
which eotnea to the Boyd theater for four
nights and a Wednesday matinee begin
ning this evening. Alan and Jane will be
surrounded with numberless character
taken from fairyland; there will be hots
of pretty girls, costumed In artlstlo taste,
with comedians to make It merry, with
sweet music to charm the ear, and an
environment of strange and pretty en.
eryj there will
everything necessary
both the old and young. There are a oor
of musical numbsrs in "Babe In Toy
land" that r wll known- to all thos
whs keep In touch with what I going on
In th world musical, and some of thm
ar gem that will long be remembered.
Among those that In other cities hav
been liked th best ar "Don't Cry Bo
Peep," "Mary, Mary," "I Can't Do th
Bum," "Slumber Deep," "Bock-a-By,
Baby" and "Toyland." A very larg com
pany I concerned In the presentation of
'Tabes In Toylond" and each snd every
one of them has been selected by JulUn
Mitchell on account of personal flint for
the character aeslgned. Among the prin
cipal member of the cast are Ignaclo
Martlnettl, who will be well remembered
as a most capable comedian, singer and
dancer, Mabel Harrison, John F. Ward,
May de Bousa, Bessie Wynn, Nellie
O 'Nell, Mao Naudain, Katherlna Bell, Jo
seph Qreeft, Charles Quyer. 3us Plxley
and the eccentric dancing comedians, Gas
ton and Stone. The chorus, an extraor
dinarily large one. Is said to be the pret
tiest to be found in any of the Hamlin and
Mitchell productions, and they have been
Music and Musical Notes
. Golden text: "Ye peddlers In art, do ye
not sink Into the earth when ye are re
minded of the words of Beethoven on his
dying bed? I believe I am yet but at the
beginning." Schumann.
A
RE WE musicians to blame for th
fact that muslo Is not supported
as it should beT
This Is not merely a Iceal ques
tion. It Is not merely a
national question, although It is
nearly o. It Is an International ques
tion. Who 1 responsible for the large au
dlenees and vigorous enthuslnsm at a con
cert of light and trivial music t
Are the musiclana, who are really con
scientious, to be blamed for this 7
Much a I dislike to say It. I believe we
are to blame In a very large measure.
We are giving allopathic doses of music
bV art ; who ha never come' In contact to th people and we are all too anxloua to
with the type, and, unfortunately for the
thorough 1 appreciation -ot Miss Williams'
achievement, not enough of th people who
applauded her and laughed with her have
ever had the opportunity or taken th time
to tudy th character she so capably and
truly presented. Ta begin with, it U one
of elementary emotion. Mag never had
i a chance to re tine nel impulses, for she
was In th hurly-burly of a world to whloU
' th 'sun of ' prosperity rarely penetrate,
and where Joy exist rather by the ab-
show what we can do, rather than what we
ean make men feel. We talk virtuosity,
and kill the virtue of good muslo. We
prattle about technique, and produce tares
Instead of wheat. W stand by the canont
of art, and starve the people who hunger
for It. We carry our atudlo habits into the
concert room, and expect the publlo to com
and take lessons.
We have gone mad on the subject of
"educating fne public."
Our first objeet must be to interest tne
s.nce ot misery thsn tha preseno ot any public and leave the education to the lawt
real causa ror happiness, in the very of unconsclou absorption.
opening scene this feature of the girl's life I heard the other day of a splendid musl-
i U brought out strongiy.- She is expeoting Cale which was given last Tuesday morning
i visit from "Bkinny," and ha prepared Mrs. Cudahy' residence. Mrs. Cudahy,
ta entertain him a she thinks her hero
1 should be entertained. To this end she
i ha provided -two red rosy apples. Not
i much, but amid the squalor of her sur
rounding those two apple meant more
z thin any feast Luoullua ever spread. A
touch of tragic resignation tinges her
r vol eo a h lay the apple away after
ttiey hav been bitten into by an Impudent
: Intruder, ud confesses that the feast is
, no longer possible. Her concern for the
Safety pt "Bkinny" on receiving a note
; telling her he ha been hurt I touching,
. for th reason that it I not overdone at
': any point, It 1 a nervous, excitable, sltua
; tlon, during which she oscillate between
. laughter and tears, turning from one toplu
to . another without relevancy, changing
J- fittr attitude and expression with almput
kaleldoauoplo rapidity, and giving a super
flolul Impression of Insincerity. In this
t She ha attained the refinement of dramatic
i expression, for her conception of the char
i aoter I exact and her presentation I al
' tnot ' perfect.
. Te girl Mis William present I In
t. tensely feminine, but In the elementary
f- Sense. She has not the development ot
ttiorel nature that enable the woman of
refinement to support calamity phlloophc
t ally and endure mental suffering with
ealmnass. She 1 but a child grown tall,
with stunted perception and undeveloped
capacity for appreciating her position, yet
t '. thoroughly emutivd win the naiurn, ten
I. OeraesS and sympathetic desires that murk
woman In whatever place or station she
i way b found. Th ridiculous costume she
aatume In her preparation to go to thd"
l theater with "Bkinny Indicate her asplra-
Ooa lq the direction of adornment, and
' (how how crude her conception of what 1
la good taste. And when "Bkinny" finally
come and hands to her a little bunch of
i pink, h receives them with a glad smil
of gratification, which la turned to genulno
s amaiameht s she gasps, "Gee, Skinny,
de ar reell" Many laughed at thl.
J sever thinking of th ragedy of a life In
whlah real tlower are slmost a rare a
'angel' visits. All th way through the
5 Sketch Mis William gives these little
Uricsol the Only
CurdtgrRhsumatism
' If you r suffering 'front rbcutratlsm
J there I a cbanca for you to btcotn ab
solutely cured. You way cure yourself
. find do it quickly If you will lay ssltlo
your prejudice nnd skepticism.
. Sumunn & McCoiiiihII, the Oinalia
druKKlsta, Kltb nnd Dodire St., carry
; Urlesol, the Cullforn: rehietly, and we
hereby authorize theui to guarantee
curt.
Uricsol cure riieumntlxm In the only
ioalblo wny it can to curel.
T'r'c .Nr'ii nnd Untea fir tb cause
of rif.nmntlsrn.
Tbeso are deposited In the tissue,
"blotHi vessels nnd Joints of llio body,
TUeaQ dt'posltg must be dissolved nnd
ejiiu.uuica nwui tiitt tystem la'foro a
euro bo uc'coinill8licd.
trk-sol la a solvent of these and tone
lip tho ryotein, Ftimuhitca the Utdneyt,
liver dnd bowels and thai ilrlveg ttiern
from tbe system. .
Vrlcsol la harpies and no Injurlou
result can pofflbly come to nuy part
of your body.
Write us today for booklet, contain
Ins recommended diet for rheunuitlea.
URIQ30L CHEMICAL CO.,
AnAwles, Cat.
tike several other prominent society women
of Omaha, is always ready to lend a help
ing hand to the cause of music in Omaha
by giving over her home to musical events,
by supporting subscription affairs gener
ously and by promoting and fostering all
musical enterprises. Well, this musicals
tpok place, and Miss - Elche came up from
Loncoln with her celo and Mrs. Hugc
now whom ilncoln loaned us fpr a few
months and then took back again, naughty
Wncoln came Up and brought her violin
with her, and Mis "Paulson of Omaha
played upon the pianaforte, and to say
nothing of the vocalists who assisted ad
mirably, these three Interesting women
played trios and played them well. And
that Is the placo for the heavier forms of
musical production. The muslcales of this
qvoal-prlvate nature' are attended by those
Who have much knowledge .of the art of
muslp and who enn study and work out the
more difficult problems, 1 But, for the pres
ent, let U leave them out of the concert
room.
For my part, I do not believe In educating
the publlo at a concoi t, in the modern '
method of so doing. '
And the method of the bond master of
the day (who call themselves conductors)
Is execrable. There was a time whe.i I
thought that It was a pretty good thing
to Introduce the best music at the band
concerts, because there wao no clunce In
many place fur orchestral concerts, and
tho best music could be p'.aycd by the
bands. But the band masters, who prom
ised great thlnss. have betrayed their
trust. They promitsed us that they woull
All the long-felt want between the orches
tra, and the ordinary military band. But
they have fallen prostrate before the god
Mammon, and the attendant princes
thereof, namely, towlt, the last popular
song, and the most recent outpouring of
the vulgar mualo (?) manufacturer. Tes,
Indeed, they have come with drum and
tambour and cymbal and shells, and sand
paper, and gongs, and guns and things,
and hav played Lohengrin vorsplel a a
prelude to the strains of "Bsdella," and
ao on, so that th people tolerate the good
thing, with the sure and certain kn wl
edge that the encore will oa a eakewulk!
Why I thl thus? What ar you mu
sician giving to the people In the way of
music that Interests then? What am I
doing to show th people what (here Is in
music T We are
ever. Are we not
terested In good muslo before It Is ready
tor in very nest.
Many people who love music feel like the
poet Longfellow, when he speaks the lines
of "Th Pay la Don."
Not from tne grand old masters,
Not from th bards auMlute,
V lictHj dii-tnnt footh.ie.s eclio
Through the corridois of time.
For. Ilk strains ef martial music,
Their mighty thuufclits eiiggeiit
Life's end;-ss toll unci endeavor;
And tonight I long for rrst.
" Rod from some buml ler noet.
Whoa song gufhtd from his heart
As showers f.om the clouds of summer.
Or tears from the eyelids si irt.
Who, through long lny of labor,
And nlirhta devoid of e e.
Cjllll hesrd In his eeul the muelo
Of wonderful melodies.
i"h soncrs hive tower to nulet
The relentless pulse of rate.
Ara comu like I lie tenxulctlon
That follow after prayer.
Th muilclan, w. all of us, should look
after the people who want to be fed wlt'.i
tnuslaal neurlshrr.eBt, who want In be min
istered unto, from tho bent music of thuve
composer who will Interest them. And
we hsv many moat Interesting thing In
Mendelssohn, Chopin, Mosurt, Handtd,
Haydn, yea, Beethoven, ach, If you like,
Schubert, Schumann, Grieg, Brahms, and
hosts of others. And Richard, the great
and good, wrot com thing beside the
"Ring of the Nlbttlungen" and "1'arslfal,"
After all, suppose we should educate.
Granted, for th sake of; argument.
Do we give our Intelligent student In
the schools, th highest culmination of th
university, the theological seminary, ' the
law school, ar th medical colleges? Do we
teach botany, of the highest type at a
flower show, or "entire anctlflcatIon'' at
Sunday school or in the Bible class?
If we must educate the people, let the
education begin at th proper point. Let
us And out where the people stand In their
tat for good music and begin thsre.
8om Innocent ou will perhaps ask:
"Should you begin, thsn, with ragtlm
and popular thing?" To which question
there is only on answer, towlt: "There
will probably be snow tomorrow; we are
talking about good muslo and nothing
else."
Let ua not starv th pcopl -fho really
love a good thing and would pay to hear it.
Let us be ministers of tho art and not sem
inary "professors" in our public concerts
and musical affairs. We owe,lt to the music
lovers who are Interested. We owe it to
the cause of the art. . We owe It to our
selves and we owe It to posterity.
Music is, If anything, a holy art, and let
ua see to it that we. Its ministers, will not
be met with the awful accusation, "For I
was an hungered and ye gave me no meat;
I was thirsty, and ye gave me no drink; I
was a stranger, and yet took me not in."
THOMAS J. KELLY.
With a alngl exception th vaudevlil
bill that begin the week with a matine
toduy at he orpheum I mad up of fea
ture that com her for th lint Urn and
even the act that ha been her previously
has undergone change. Mr. and Mr. How
ard Trueauell and company will be th
"top line", oard. They wM present a sketch
entitled, "Aunt Louisa's Advloe," said to
reigte a coherent little atory which de
velops soma complications that ar humor
ously climaxed. Th Benton brothers oora
from Berlin, imported by the Orpneum Cir
cuit company They ar acrobat. "A
Night in Venic Trio" furnish a Venetian
carnival In poetry and music, Each of th
trio I an accomplished instrumental! and
vocalist. Howard's ponies and 4 piayed
here several seasons back. They perform
a variety of quit remarkable and cut
"stunts," exemplifying an animal's ability
to interest and entertain. "The Whang
Loodie Comedy Four" Is a quartet of lively
colored entertainer that alug, danc and
play on tha risible with antics and saying
unique and characteristic, "Th Two
fuck" ar- Juvenile, on a boy, th other
a fclrl. Both sing and dance, whll th
litue girl alao give some Imitations, among
others being one of Henry La Clair, who
Is well known here. Hammond and For
rester com under the head of refined
Inger and dancer, and to complete the
program entirely new motion picture will
b projected by th klnodrom.
Mr. George F. Gellenbeck has engaged
Mr. Alfred A. Farland. the celebrated
banjolst, to appear here In a en- :ert and
recital f December 1. Mr. Fr! ,i$ plays
selections from the classics with an In
terpretation and lechnlca. skill that Is mar
velous. He la a virtuoso pf the banjo,
quaint and odd-sounding a the title seems.
Maslcal Noteu.
Mr. Lee G. Kratx has begun his annual
series ot pupils' recitals. Last Monday
evening the first one was given at the resi
dence of Mr. and Mrs. W. H. Gates.
The name of the society of slngere which
is Delng conducted by Mr. Slmms Is the
Musical Art society. This organization
will rehearse weekly and will give concerts
during the Benson, the first being scheduled
to take place early In December.
What Pres't Francis Says About
PETERS SHOE CO.'S
HTaer t, UO.
rXTXBS BBOB CO,
fM. Lonla,
Pear Sirs t
la answer to yonr Inquiry ef this date, I beg to refer
yo to ArtloJe B, fteetloa 1, of the General Kale and
Regulations of tb Exposition Company, and also to
Btetloa W. of the Bptelal Kul and Regulation govern
ing th yitem ef Award.
From ths yea will observe that tb HIGHEST
AWARD MADS BT TBE LOUISIANA PURCHASE
ICX POSITION IB A GRAND PRIZE, th next a Gold
Medal, la azl a Silver Medal and th next a Bronx
Medal Tear truly,
President Louisiana Purchase Exposition Co.
THIS IS CONCLUSIVE EVIDENCE THAT
DIAMOND
bran:
SHOES
Recaivs;! Tha HIgtisst PossiI)l9
Al Tha World's Fair
Hward
OUR. TEN THOUSAND DOLLAR OFFER. TO CHARITY
if anyone can prove that any concern has received a Higher
Prize on Shoes than was awarded us, STILL STANDS GOOD
PETER.S SHOE CO. ST. LOUIS
. irii ilsWi
few
. .-
Klaw lc Erlanger's great spectacular
niece, "Humnty Ijumpty, will be given Its
first New York performance un Monday
evening.
Gossip from Staireland.
Helen Grantley i promised a New York
date In the spring for "Her Lord and
Muster."
Amelia Bingham Is to revive "The Mod
ern Magdalene," "The Frisky. Mrs. John
ston" and "The Climbers."
Israel ZanewlU has been asked to write
a play tor Wilton Lakaye's use after he
has hnished with "The JPlt."
It-adnre Rush Is making a tour on the
count in "Glittering Gloria." The company
with her Ih said to be very strong.
Philadelphia people didn't take kindly to
"Itesurrectton. Blanche Walsh wan much
f iulsed for her performance of Maslova,
ul this didn't bring the people to the
theater. Maybe the Quakers prefer to
study that sort of problems first hand.
AMUSEMENTS.
AMUSEMENTS.
I
BOYD'S
ft
WOODWARD and
BURGESS, Mgrs.
4 Nights, Commencing Tonight.
Matinee Wednesday.
Fred R, Hamlin, Julian Mitchells.
Massive Musical Extravaganza.
BABES IN
TOYLAND.
250 Nights in New York.
100 Nights in Boston.
175 Nights in Chicago.
Original Cast of 100 People.
Coming: TIM MURPHY.
hi
mm
1m
b4f
xcwsioas
UTM
Round Trip Rates From Omaha
-VIA-
ILLIN
(MS
CENTRAL R. R.
ri
New Orleans, La $24.40
McComb, Miss $24-00
Jackson, Miss $2215
Holly Springs, Miss .,.$17.95
Jackson, Tenn $16.20
Vicksburg, Miss $22.1 5
Natchez, Miss $24.00
Baton Rouge, La .$2440
Birmingham, Ala $20.80
Montgomery, Ala $22.70
Mobile, Ala $22 70
Decatur, Ala rf $19.25
Nashville, Tenn $17.20
Chattanooga, Tenn $2080
Knoxville, Tenn $22.00
Asheville, N. C $25.20
Raleigh, N. C. .$27.45
Wilmington, Is. C $31.05
Columbia, S. C (.$27.65
Charleston, S. O. $28.60
Spartansburg, S. C $25 40
Atlanta, Oa $24.10
Macon, Ga $2620
Brunswick, Oa $27.90
Jacksonville, Fla ....$28.80
Tampa, Fla $3 .85
Ocala, Fla $31-25
Tallahasee, Fla...; $28.15
32
N The above list shows only the prominent points. Remember, this rate of 20 per
cent less than one fare for the round trip applies to nearly all points in Kentucky, Ten
nessee, Mississippi, Louisiana, Alabama, Florida, Georgia, North and South Carolina
and Virginia.
Tickets on nale Nov. 14th and 15th to points on Illinois Central R. R. and to all
points on Nov. 15th. Limit 21 days. Stopovers allowed.
Call at City Ticket Office, 1402 Farnam St., Omaha, or write for full particulars.
W. H. BRILL, Dist. Ps. A ent JHinoit Central R. R., Omaha, Neb.
4 o
wp!Si
tin, wiiii. iimwil'
iMsKMatWsili
ESssi
a
i. 101 J. KELLY
Artistic Sinjfin?.
Interpretation,
Correct Breathing
Studio in tbe Davldjr Building,
18th and Parnum streets.
Mr. Kelly uses the Stejrer Piano
3S&
AHISEMEST.
HTJ
ma
IT Th riple must fc In- H Tf JT 1
..KRUG THEATER..
Prices, I5c-25c 50c-75c
Sunday Wat, I0c-25c-50c
4 Nights tvrid Two MatUeei, TJ
Starting with Matinee 1 OCiay
E. D. Stair Prnt th Ftvorlt Print HlnlsUra
ot KuaUod
Ward Vokes
And 55 Clever Fun Maltera,
PERCY HAROLD a two Plnk.rton Detsctlv In tb niw
aeon Million of t tlf musical frolic.
A Pair Pinks
A Bl Ct. Including tl'CT DALY and MARGARET
DALY-VOKto. Hlg 8uw Qirl Chorus, Preltlsst and Uvtl
Coned In Am.rlca.
20 MUSIOAL HITS.
YOU'LL BE DETECTED BUYINO BEATS
EARLY.
Nov. 1748.19
MR. C P. WHITAKER Presents tha New Holo
dramic Pare Cuuiejy
Her First
False
Nevv Sontfs. New Specialties
30 People in the Cast 30
Hr th Orrwan Band. Th Rub Qunrtett. Bt th
Great Clrau 6ci. Th Daring Bank Hobbery. A I'Uy
Depicting Ih Buffering ot a Wayrd' Girl. t
Step
ZS f pmmtm
HIT a. I V
KBW PUOSE 404.
Week Commencing
Sunday Matinee, Nov- 13
Matinee Today 2:13, Tonight 8:13.
MODERN VAIMVILLF.
AMISEMENTS.
COMINC!
FRITZ KRIESLER
The Renowned Violinist.
Management; Henry Wolfaohn, N-Y.
art. V I ATta IK 1L' II T'-Kr S 1 " " -llti n JiLi
e
S3BS
Mr. an3 Mrs, Howard
Truesdell & Co.
Prentlng "Aunt Louisa's Advice."
The Boston Bros.
In their New Sensational Acrobatic Act.
A Night in Venice Trio
A Venetian Carnival In Poetry and Song
Howard's Ponies and Dogi j J-
Th Feature Anl -vl Act of hJ ! -P P r ""'
Vau-Ji v.il .
Wang Doodle Comedy
Four .
Fun Makers Supreme.
The 2 Pucks
America's Foremost Juvenile Artists.
Hammond & Forrester
Iletlnfd Singing and Dancing.
The Kinodrome
Presenting Only tho Newest Scene In
Animated Photography.
Prices 10:. 25c, 50
a IK f
it'LViVoP U I fill
I fi n a si ,rtr
-,utm riiiii ii iin ir r r ;7dVaiawi J
r. r-i- inrrr ti n
IDLAFiD HOTEL
1GIII AND CHICAGO STS.
125 steam lii-uted outside, rooms,
American plan, f I SO. $2.(W and up pr
plan, fiOc. 7.0, $MiO and
npul.-ir prico emfo hi con-
uoi-tloti, rpecliil rale l)y the V't't'k.
7 . KL:. ti
,e.:evc iviv.1
& t ladder;
l.i.ulk' l '"ice.
cuice In
:CiHcurc!
UKirARY
UKPL'TV BTTK VRIlniv'iP.iAS,
tin vie rr.nnnu,
H. L RAVTACCIOTTI D. V. S.
OaIAHa. StLi. riMinnn m.
Cltic 4. 1 luhiynHi Wta auU Uv i
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