fOTembr 13, 19M. TIIE OMAnA I LLU STRATEDREE. About Plays, Players and Playhouses IMAHA In Just now rtuna th ben efit of soma Kaleldfmcoplc changes in ths booking arrangement for th big attractlrfna. The change In the route of "Woodland" la an kutnple. The rce vu to have been given hor during tho latter part of the present week, bat hurry call waj sent out from ' New York and all western date cancelkd. On day waa left for Omaha, and this had to be puttied up on the calendar. Fiom here tho company flit to Broadway, where It will likely aupplant the F.ngllsh "Parsl ' Ml," on which Mr. Bavago boned uch high hope and which ha proven such a failure. Thu leave another gap In the bookings at tha Boyd, which will be filled In later on 'in th. Mon. Pajalfal" I to go on the tm'?h of realism the charaoter, making It a moat effective presentment of a typo. Her Joy ends when the arm of the law reaches out for "Bkinny" and he I natrhed awny from her Just at the moment when her Joy seemed most super nal. He hadn't told her how he got the flowers, but now he knows. The flKht be tween her love an th policeman, merci fully left to the Imagination, given her a moment of fierce excitement. Then the awful "soak" the officer deals his strug gling prisoner ends her dream, and she Is brought back to a full realisation of her sordid surroundings. Again the conflict of emotions rages; she exults In "Sklnny's" devotion to her. In his daring to combat th burly officer, a aln regret because she didn't get sufficient of a "hurry on," all road. But the good time Is surely coming, . this In Just a moment, proving again th nd busy days at the theater are In pros pect. In the meantime th Krug Is Jogging along with It two or thre a week, and all of them getting good patronage, while th vaudeville house 1 doing betler than ever In both attractions .and patronage. .Now and then on encounter 10 a short acting sketch at a vaudeville houae evi dences of ability beyond th ordinary. Not that good actors and actresses never re ort to vaudeville, for th contrary I the case, bbt even tries do not frequently get abov a oertain mark in their effort in a sketch. Th opportunity for working up to a dramatic climax is so much lens, because a sketch for vaudevlil puipose Uoc not give th time and rarely the Inspiration essential to th mental condition called for to produca th effect demanded By what is commonly called a "eUma." It 1 a recognised law of th drama that th In cidents must be arranged to gradually ap proach the catastrophe, and with this In view th aeUon of the piece is always based on th effort directed to the excita tion of the needed exaltation of mind and body to produce th reujt. . Actors know this as' well as authors, and the capablo performer recognizes It by sinking hi Identity In that of th part he Is playing, and for the time at least living all the experience ef the character. Indeed, this is about the' oply way that acting can b made' acceptable. It will thus be ap parent that' trio way to good acting on the' vaudeville stage is not easy, and that the limitations to endeavor ure rather nar row. Whenever a performer Is able to get Outside of these narrow conilnes and succeeds in giving a character life ' and convincing verisimilitude a real triumph has been won, Such a triumph is that aohleved by Hiss Eva Willlums, who was on th bill at the Crejgliton-Orpheum last week. .She presented ths character of a girl of tha slums of a great city, not a bad girl, but one who had not had th opportunity for learning what iff has In store tor those who are more happily- situated. Th dif ficulties in the way ot property delineating such a oharaoter are not readily understood Infinite capacity for unrest of the un trained mind. At last th realisation comes and tear, real tears, course down her cheeks, and th sobs that choke her as she buries her face In her arms are those of genuine grief. This one thing the girls of her class do know; they have a definite understanding of what It Is to be disap pointed. It may be only for the moment, but It 1 keenly felt while it lasts. M ig rnd relief for her wrecked anticipations In tears, and hers are not th only dry eyes In th nous a the curtain goes down on the scene. Her vtrtner's share In the ketch Is to furnish the comedy, end he doe It very satisfactorily, but his con tribution has no artistic merit whatever, while Miss, Williams has proven thnt she has abillU of real histrionic worth, the capacity to thalyx and Illuminate charac ter. Women like her are needed on the American strife nowadays, and she should not be restricted to vaudeville. Coining? Events. Once) upon a time there were two little children, Alan and Jane, wno were under the care ot a very wicked old uncle who gorgeously costumed in becoming taste. "A Pair cf Pinks." Ward and Voks and their merry crew of fifty-five people, open at the Krug this afternoon. The "Pinks" In this case will be a couple of Plnkerton detectives who attempt to Insiitqte a new regime In conducting a prison of their own, admission to which is by card of invita tion only, and talented Indetd must be the Individual who qualifies as worthy a cell in "Percy and Harold s" Jail. Of course the whole thing Is for fun It has grown to be a habit of Ward and Vokes to make fun at anything they attempt. Every particle ef muslo and all the songs are entirely new, having been expressly composed for this production. JB. V. Btalr has given "A Pair of Pink" a rich set- be glitter snd glamor and ,Jng of sc.nlo and ; """"J"' to feast th eye ot " ment to in ivrug mai. Her Flrt False Step" come to th Krug theater for three night and on matinee, starting Thursday, November 17. It conuln tsveral Inteiestlng character type and an abundant lot of good comedy. It I from the pen of Josepn L Brandt and dai with th trial of a young man, Jack Walters, and hi wsetheurl, dua Allen, children of sturdy Nw Ungiand parents. Dan Matthews, th son cf th country minister, is also a suitor for tSdna1 hand. Th night of th wedauig between Jack Walter and Edna, Matthew openly accuses Jaek of untalthfuinsss. liMna be lieves the accusation and tor revenge elopes with and marries Matthew, It is then a battle between Dan Matthews and Jack Walters, and the many scene that follow show plainly the sunaring of a young and Innocent girl at the hnu of a villain, who proves to be on of New York' most famous crooks. wished to get them out of the way and thereby gain the fortune whloh was right fully theirs. He came to a sudden nd timely end by drinking a draught of polon Intended for Alnn. Thus frefd from the persecution of the wicked oil man, the children were at liberty to follow their heart' desires and they lived happily ever after. This Is the basis of the story which Is to be told in "Ba'es In T;land," which eotnea to the Boyd theater for four nights and a Wednesday matinee begin ning this evening. Alan and Jane will be surrounded with numberless character taken from fairyland; there will be hots of pretty girls, costumed In artlstlo taste, with comedians to make It merry, with sweet music to charm the ear, and an environment of strange and pretty en. eryj there will everything necessary both the old and young. There are a oor of musical numbsrs in "Babe In Toy land" that r wll known- to all thos whs keep In touch with what I going on In th world musical, and some of thm ar gem that will long be remembered. Among those that In other cities hav been liked th best ar "Don't Cry Bo Peep," "Mary, Mary," "I Can't Do th Bum," "Slumber Deep," "Bock-a-By, Baby" and "Toyland." A very larg com pany I concerned In the presentation of 'Tabes In Toylond" and each snd every one of them has been selected by JulUn Mitchell on account of personal flint for the character aeslgned. Among the prin cipal member of the cast are Ignaclo Martlnettl, who will be well remembered as a most capable comedian, singer and dancer, Mabel Harrison, John F. Ward, May de Bousa, Bessie Wynn, Nellie O 'Nell, Mao Naudain, Katherlna Bell, Jo seph Qreeft, Charles Quyer. 3us Plxley and the eccentric dancing comedians, Gas ton and Stone. The chorus, an extraor dinarily large one. Is said to be the pret tiest to be found in any of the Hamlin and Mitchell productions, and they have been Music and Musical Notes . Golden text: "Ye peddlers In art, do ye not sink Into the earth when ye are re minded of the words of Beethoven on his dying bed? I believe I am yet but at the beginning." Schumann. A RE WE musicians to blame for th fact that muslo Is not supported as it should beT This Is not merely a Iceal ques tion. It Is not merely a national question, although It is nearly o. It Is an International ques tion. Who 1 responsible for the large au dlenees and vigorous enthuslnsm at a con cert of light and trivial music t Are the musiclana, who are really con scientious, to be blamed for this 7 Much a I dislike to say It. I believe we are to blame In a very large measure. We are giving allopathic doses of music bV art ; who ha never come' In contact to th people and we are all too anxloua to with the type, and, unfortunately for the thorough 1 appreciation -ot Miss Williams' achievement, not enough of th people who applauded her and laughed with her have ever had the opportunity or taken th time to tudy th character she so capably and truly presented. Ta begin with, it U one of elementary emotion. Mag never had i a chance to re tine nel impulses, for she was In th hurly-burly of a world to whloU ' th 'sun of ' prosperity rarely penetrate, and where Joy exist rather by the ab- show what we can do, rather than what we ean make men feel. We talk virtuosity, and kill the virtue of good muslo. We prattle about technique, and produce tares Instead of wheat. W stand by the canont of art, and starve the people who hunger for It. We carry our atudlo habits into the concert room, and expect the publlo to com and take lessons. We have gone mad on the subject of "educating fne public." Our first objeet must be to interest tne s.nce ot misery thsn tha preseno ot any public and leave the education to the lawt real causa ror happiness, in the very of unconsclou absorption. opening scene this feature of the girl's life I heard the other day of a splendid musl- i U brought out strongiy.- She is expeoting Cale which was given last Tuesday morning i visit from "Bkinny," and ha prepared Mrs. Cudahy' residence. Mrs. Cudahy, ta entertain him a she thinks her hero 1 should be entertained. To this end she i ha provided -two red rosy apples. Not i much, but amid the squalor of her sur rounding those two apple meant more z thin any feast Luoullua ever spread. A touch of tragic resignation tinges her r vol eo a h lay the apple away after ttiey hav been bitten into by an Impudent : Intruder, ud confesses that the feast is , no longer possible. Her concern for the Safety pt "Bkinny" on receiving a note ; telling her he ha been hurt I touching, . for th reason that it I not overdone at ': any point, It 1 a nervous, excitable, sltua ; tlon, during which she oscillate between . laughter and tears, turning from one toplu to . another without relevancy, changing J- fittr attitude and expression with almput kaleldoauoplo rapidity, and giving a super flolul Impression of Insincerity. In this t She ha attained the refinement of dramatic i expression, for her conception of the char i aoter I exact and her presentation I al ' tnot ' perfect. . Te girl Mis William present I In t. tensely feminine, but In the elementary f- Sense. She has not the development ot ttiorel nature that enable the woman of refinement to support calamity phlloophc t ally and endure mental suffering with ealmnass. She 1 but a child grown tall, with stunted perception and undeveloped capacity for appreciating her position, yet t '. thoroughly emutivd win the naiurn, ten I. OeraesS and sympathetic desires that murk woman In whatever place or station she i way b found. Th ridiculous costume she aatume In her preparation to go to thd" l theater with "Bkinny Indicate her asplra- Ooa lq the direction of adornment, and ' (how how crude her conception of what 1 la good taste. And when "Bkinny" finally come and hands to her a little bunch of i pink, h receives them with a glad smil of gratification, which la turned to genulno s amaiameht s she gasps, "Gee, Skinny, de ar reell" Many laughed at thl. J sever thinking of th ragedy of a life In whlah real tlower are slmost a rare a 'angel' visits. All th way through the 5 Sketch Mis William gives these little Uricsol the Only CurdtgrRhsumatism ' If you r suffering 'front rbcutratlsm J there I a cbanca for you to btcotn ab solutely cured. You way cure yourself . find do it quickly If you will lay ssltlo your prejudice nnd skepticism. . Sumunn & McCoiiiihII, the Oinalia druKKlsta, Kltb nnd Dodire St., carry ; Urlesol, the Cullforn: rehietly, and we hereby authorize theui to guarantee curt. Uricsol cure riieumntlxm In the only ioalblo wny it can to curel. T'r'c .Nr'ii nnd Untea fir tb cause of rif.nmntlsrn. Tbeso are deposited In the tissue, "blotHi vessels nnd Joints of llio body, TUeaQ dt'posltg must be dissolved nnd ejiiu.uuica nwui tiitt tystem la'foro a euro bo uc'coinill8licd. trk-sol la a solvent of these and tone lip tho ryotein, Ftimuhitca the Utdneyt, liver dnd bowels and thai ilrlveg ttiern from tbe system. . Vrlcsol la harpies and no Injurlou result can pofflbly come to nuy part of your body. Write us today for booklet, contain Ins recommended diet for rheunuitlea. URIQ30L CHEMICAL CO., AnAwles, Cat. tike several other prominent society women of Omaha, is always ready to lend a help ing hand to the cause of music in Omaha by giving over her home to musical events, by supporting subscription affairs gener ously and by promoting and fostering all musical enterprises. Well, this musicals tpok place, and Miss - Elche came up from Loncoln with her celo and Mrs. Hugc now whom ilncoln loaned us fpr a few months and then took back again, naughty Wncoln came Up and brought her violin with her, and Mis "Paulson of Omaha played upon the pianaforte, and to say nothing of the vocalists who assisted ad mirably, these three Interesting women played trios and played them well. And that Is the placo for the heavier forms of musical production. The muslcales of this qvoal-prlvate nature' are attended by those Who have much knowledge .of the art of muslp and who enn study and work out the more difficult problems, 1 But, for the pres ent, let U leave them out of the concert room. For my part, I do not believe In educating the publlo at a concoi t, in the modern ' method of so doing. ' And the method of the bond master of the day (who call themselves conductors) Is execrable. There was a time whe.i I thought that It was a pretty good thing to Introduce the best music at the band concerts, because there wao no clunce In many place fur orchestral concerts, and tho best music could be p'.aycd by the bands. But the band masters, who prom ised great thlnss. have betrayed their trust. They promitsed us that they woull All the long-felt want between the orches tra, and the ordinary military band. But they have fallen prostrate before the god Mammon, and the attendant princes thereof, namely, towlt, the last popular song, and the most recent outpouring of the vulgar mualo (?) manufacturer. Tes, Indeed, they have come with drum and tambour and cymbal and shells, and sand paper, and gongs, and guns and things, and hav played Lohengrin vorsplel a a prelude to the strains of "Bsdella," and ao on, so that th people tolerate the good thing, with the sure and certain kn wl edge that the encore will oa a eakewulk! Why I thl thus? What ar you mu sician giving to the people In the way of music that Interests then? What am I doing to show th people what (here Is in music T We are ever. Are we not terested In good muslo before It Is ready tor in very nest. Many people who love music feel like the poet Longfellow, when he speaks the lines of "Th Pay la Don." Not from tne grand old masters, Not from th bards auMlute, V lictHj dii-tnnt footh.ie.s eclio Through the corridois of time. For. Ilk strains ef martial music, Their mighty thuufclits eiiggeiit Life's end;-ss toll unci endeavor; And tonight I long for rrst. " Rod from some buml ler noet. Whoa song gufhtd from his heart As showers f.om the clouds of summer. Or tears from the eyelids si irt. Who, through long lny of labor, And nlirhta devoid of e e. Cjllll hesrd In his eeul the muelo Of wonderful melodies. i"h soncrs hive tower to nulet The relentless pulse of rate. Ara comu like I lie tenxulctlon That follow after prayer. Th muilclan, w. all of us, should look after the people who want to be fed wlt'.i tnuslaal neurlshrr.eBt, who want In be min istered unto, from tho bent music of thuve composer who will Interest them. And we hsv many moat Interesting thing In Mendelssohn, Chopin, Mosurt, Handtd, Haydn, yea, Beethoven, ach, If you like, Schubert, Schumann, Grieg, Brahms, and hosts of others. And Richard, the great and good, wrot com thing beside the "Ring of the Nlbttlungen" and "1'arslfal," After all, suppose we should educate. Granted, for th sake of; argument. Do we give our Intelligent student In the schools, th highest culmination of th university, the theological seminary, ' the law school, ar th medical colleges? Do we teach botany, of the highest type at a flower show, or "entire anctlflcatIon'' at Sunday school or in the Bible class? If we must educate the people, let the education begin at th proper point. Let us And out where the people stand In their tat for good music and begin thsre. 8om Innocent ou will perhaps ask: "Should you begin, thsn, with ragtlm and popular thing?" To which question there is only on answer, towlt: "There will probably be snow tomorrow; we are talking about good muslo and nothing else." Let ua not starv th pcopl -fho really love a good thing and would pay to hear it. Let us be ministers of tho art and not sem inary "professors" in our public concerts and musical affairs. We owe,lt to the music lovers who are Interested. We owe it to the cause of the art. . We owe It to our selves and we owe It to posterity. Music is, If anything, a holy art, and let ua see to it that we. Its ministers, will not be met with the awful accusation, "For I was an hungered and ye gave me no meat; I was thirsty, and ye gave me no drink; I was a stranger, and yet took me not in." THOMAS J. KELLY. With a alngl exception th vaudevlil bill that begin the week with a matine toduy at he orpheum I mad up of fea ture that com her for th lint Urn and even the act that ha been her previously has undergone change. Mr. and Mr. How ard Trueauell and company will be th "top line", oard. They wM present a sketch entitled, "Aunt Louisa's Advloe," said to reigte a coherent little atory which de velops soma complications that ar humor ously climaxed. Th Benton brothers oora from Berlin, imported by the Orpneum Cir cuit company They ar acrobat. "A Night in Venic Trio" furnish a Venetian carnival In poetry and music, Each of th trio I an accomplished instrumental! and vocalist. Howard's ponies and 4 piayed here several seasons back. They perform a variety of quit remarkable and cut "stunts," exemplifying an animal's ability to interest and entertain. "The Whang Loodie Comedy Four" Is a quartet of lively colored entertainer that alug, danc and play on tha risible with antics and saying unique and characteristic, "Th Two fuck" ar- Juvenile, on a boy, th other a fclrl. Both sing and dance, whll th litue girl alao give some Imitations, among others being one of Henry La Clair, who Is well known here. Hammond and For rester com under the head of refined Inger and dancer, and to complete the program entirely new motion picture will b projected by th klnodrom. Mr. George F. Gellenbeck has engaged Mr. Alfred A. Farland. the celebrated banjolst, to appear here In a en- :ert and recital f December 1. Mr. Fr! ,i$ plays selections from the classics with an In terpretation and lechnlca. skill that Is mar velous. He la a virtuoso pf the banjo, quaint and odd-sounding a the title seems. Maslcal Noteu. Mr. Lee G. Kratx has begun his annual series ot pupils' recitals. Last Monday evening the first one was given at the resi dence of Mr. and Mrs. W. H. Gates. The name of the society of slngere which is Delng conducted by Mr. Slmms Is the Musical Art society. This organization will rehearse weekly and will give concerts during the Benson, the first being scheduled to take place early In December. What Pres't Francis Says About PETERS SHOE CO.'S HTaer t, UO. rXTXBS BBOB CO, fM. Lonla, Pear Sirs t la answer to yonr Inquiry ef this date, I beg to refer yo to ArtloJe B, fteetloa 1, of the General Kale and Regulations of tb Exposition Company, and also to Btetloa W. of the Bptelal Kul and Regulation govern ing th yitem ef Award. From ths yea will observe that tb HIGHEST AWARD MADS BT TBE LOUISIANA PURCHASE ICX POSITION IB A GRAND PRIZE, th next a Gold Medal, la azl a Silver Medal and th next a Bronx Medal Tear truly, President Louisiana Purchase Exposition Co. THIS IS CONCLUSIVE EVIDENCE THAT DIAMOND bran: SHOES Recaivs;! Tha HIgtisst PossiI)l9 Al Tha World's Fair Hward OUR. TEN THOUSAND DOLLAR OFFER. TO CHARITY if anyone can prove that any concern has received a Higher Prize on Shoes than was awarded us, STILL STANDS GOOD PETER.S SHOE CO. ST. LOUIS . irii ilsWi few . .- Klaw lc Erlanger's great spectacular niece, "Humnty Ijumpty, will be given Its first New York performance un Monday evening. Gossip from Staireland. Helen Grantley i promised a New York date In the spring for "Her Lord and Muster." Amelia Bingham Is to revive "The Mod ern Magdalene," "The Frisky. Mrs. John ston" and "The Climbers." Israel ZanewlU has been asked to write a play tor Wilton Lakaye's use after he has hnished with "The JPlt." It-adnre Rush Is making a tour on the count in "Glittering Gloria." The company with her Ih said to be very strong. Philadelphia people didn't take kindly to "Itesurrectton. Blanche Walsh wan much f iulsed for her performance of Maslova, ul this didn't bring the people to the theater. Maybe the Quakers prefer to study that sort of problems first hand. AMUSEMENTS. AMUSEMENTS. I BOYD'S ft WOODWARD and BURGESS, Mgrs. 4 Nights, Commencing Tonight. Matinee Wednesday. Fred R, Hamlin, Julian Mitchells. Massive Musical Extravaganza. BABES IN TOYLAND. 250 Nights in New York. 100 Nights in Boston. 175 Nights in Chicago. Original Cast of 100 People. Coming: TIM MURPHY. hi mm 1m b4f xcwsioas UTM Round Trip Rates From Omaha -VIA- ILLIN (MS CENTRAL R. R. ri New Orleans, La $24.40 McComb, Miss $24-00 Jackson, Miss $2215 Holly Springs, Miss .,.$17.95 Jackson, Tenn $16.20 Vicksburg, Miss $22.1 5 Natchez, Miss $24.00 Baton Rouge, La .$2440 Birmingham, Ala $20.80 Montgomery, Ala $22.70 Mobile, Ala $22 70 Decatur, Ala rf $19.25 Nashville, Tenn $17.20 Chattanooga, Tenn $2080 Knoxville, Tenn $22.00 Asheville, N. C $25.20 Raleigh, N. C. .$27.45 Wilmington, Is. C $31.05 Columbia, S. C (.$27.65 Charleston, S. O. $28.60 Spartansburg, S. C $25 40 Atlanta, Oa $24.10 Macon, Ga $2620 Brunswick, Oa $27.90 Jacksonville, Fla ....$28.80 Tampa, Fla $3 .85 Ocala, Fla $31-25 Tallahasee, Fla...; $28.15 32 N The above list shows only the prominent points. Remember, this rate of 20 per cent less than one fare for the round trip applies to nearly all points in Kentucky, Ten nessee, Mississippi, Louisiana, Alabama, Florida, Georgia, North and South Carolina and Virginia. Tickets on nale Nov. 14th and 15th to points on Illinois Central R. R. and to all points on Nov. 15th. Limit 21 days. Stopovers allowed. Call at City Ticket Office, 1402 Farnam St., Omaha, or write for full particulars. W. H. BRILL, Dist. Ps. A ent JHinoit Central R. R., Omaha, Neb. 4 o wp!Si tin, wiiii. iimwil' iMsKMatWsili ESssi a i. 101 J. KELLY Artistic Sinjfin?. Interpretation, Correct Breathing Studio in tbe Davldjr Building, 18th and Parnum streets. Mr. Kelly uses the Stejrer Piano 3S& AHISEMEST. HTJ ma IT Th riple must fc In- H Tf JT 1 ..KRUG THEATER.. Prices, I5c-25c 50c-75c Sunday Wat, I0c-25c-50c 4 Nights tvrid Two MatUeei, TJ Starting with Matinee 1 OCiay E. D. Stair Prnt th Ftvorlt Print HlnlsUra ot KuaUod Ward Vokes And 55 Clever Fun Maltera, PERCY HAROLD a two Plnk.rton Detsctlv In tb niw aeon Million of t tlf musical frolic. A Pair Pinks A Bl Ct. Including tl'CT DALY and MARGARET DALY-VOKto. Hlg 8uw Qirl Chorus, Preltlsst and Uvtl Coned In Am.rlca. 20 MUSIOAL HITS. YOU'LL BE DETECTED BUYINO BEATS EARLY. Nov. 1748.19 MR. C P. WHITAKER Presents tha New Holo dramic Pare Cuuiejy Her First False Nevv Sontfs. New Specialties 30 People in the Cast 30 Hr th Orrwan Band. Th Rub Qunrtett. Bt th Great Clrau 6ci. Th Daring Bank Hobbery. A I'Uy Depicting Ih Buffering ot a Wayrd' Girl. t Step ZS f pmmtm HIT a. I V KBW PUOSE 404. Week Commencing Sunday Matinee, Nov- 13 Matinee Today 2:13, Tonight 8:13. MODERN VAIMVILLF. AMISEMENTS. COMINC! FRITZ KRIESLER The Renowned Violinist. Management; Henry Wolfaohn, N-Y. art. V I ATta IK 1L' II T'-Kr S 1 " " -llti n JiLi e S3BS Mr. an3 Mrs, Howard Truesdell & Co. Prentlng "Aunt Louisa's Advice." The Boston Bros. In their New Sensational Acrobatic Act. A Night in Venice Trio A Venetian Carnival In Poetry and Song Howard's Ponies and Dogi j J- Th Feature Anl -vl Act of hJ ! -P P r ""' Vau-Ji v.il . Wang Doodle Comedy Four . Fun Makers Supreme. The 2 Pucks America's Foremost Juvenile Artists. Hammond & Forrester Iletlnfd Singing and Dancing. The Kinodrome Presenting Only tho Newest Scene In Animated Photography. Prices 10:. 25c, 50 a IK f it'LViVoP U I fill I fi n a si ,rtr -,utm riiiii ii iin ir r r ;7dVaiawi J r. r-i- inrrr ti n IDLAFiD HOTEL 1GIII AND CHICAGO STS. 125 steam lii-uted outside, rooms, American plan, f I SO. $2.(W and up pr plan, fiOc. 7.0, $MiO and npul.-ir prico emfo hi con- uoi-tloti, rpecliil rale l)y the V't't'k. 7 . KL:. ti ,e.:evc iviv.1 & t ladder; l.i.ulk' l '"ice. cuice In :CiHcurc! UKirARY UKPL'TV BTTK VRIlniv'iP.iAS, tin vie rr.nnnu, H. L RAVTACCIOTTI D. V. S. OaIAHa. StLi. riMinnn m. Cltic 4. 1 luhiynHi Wta auU Uv i 1