The daily Nebraskan. ([Lincoln, Neb.) 1901-current, September 19, 1994, Page 10, Image 10

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    ‘Northern Exposure’ to lose Rob Morrow
RADNOR, Pa. (AP) — Rob Mor
row will leave “Northern Exposure”
in the middle of the new prime-time
season, TV Guide reports.
Producers of the Emmy-winning
CBS show have denied reports of
Morrow’s departure, but the maga
zine said in the Sept. 27 issue that
Universal would let him out of the
rest of his contract without a fight.
The report is based on a source
close to the series, TV Guide spokes
woman Rachel Breinin said on Sun
day. The magazine didn’t identify the
source.
Morrow plays Dr. Joel Fleischman
on the TV show and co-stars in the
new movie “Quiz Show.” He appar
ently wants to pursue more film work.
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Garden
Continued from Page 9
Mary brings Lily’s garden back to
life. In doing so, she rejuvenates the
entire house, casting off its aura of
death.
This transformation from death to
life was brilliantly illustrated. As
Archibald tells Mary, dead people
remain ghosts as long as the living
hold on to them. And so, in many
scenes, the dead outnumbered the liv
ing on stage.
Mary’s parents, the Indian ser
vants in their household who also
died of cholera, and — most dramati
cally — Lily roam the house.
Some dramatic scenes were inter
cut with scenes from the past, such
as the night Lily and Archibald met
and the night before Mary’s parents
died.
At the show’s end, the ghosts fi
nally leave the stage. Mary has helped
the house let go.
Every scene of “The Secret Gar
den” wa% entertaining. The show
didn’t suffer from first-act drag,
which seems to strike many musicals.
Although adapted from a
children’s book, the musical de
lighted the largely adult audience.
Most gripping was the love story
of Archibald and his dead wife.
Whenever Archibald was on stage,
Lily (played by Rebecca’s mother,
Carolyn Stevens) was usually there,
too, watching him, singing to him,
even dancing with him.
Most of the songs were simple, but
haunting (appropriate since many
were sung by ghosts).
The show’s only weakness was
that it was sometimes hard to under
stand. Many times, the characters lay
ered different songs over one another.
Although the result was dramatic and
often beautiful, the content was lost.
One character was difficult to un
derstand because of the actor’s ac
cent. Mary befriends Dickon (Jeremy
Webb), who works on her uncle’s es
tate. Webb’s voice was beautiful, but
his version of the English accent was
much different from that of Becca
Daniels, who played his sister,
Martha.
He sometimes sounded like a cross
between Ringo Starr and Crocodile
Dundee, and much of his dialog was
unclear.
Every other element of the perfor
mance — the acting, the singing, the
sets and costumes — was delightful.
The door has closed again and the
company has moved on. But if you
ever have a chance, treat yourself to
a night in the garden.
“Natural Born Killers: A
Soundtrack”
Produced by Trent Reznor
Nothing Records
Rating: A
The deep, grainy voice of Leonard
Cohen blankets the 75-minute expe
rience that is the soundtrack to “Natu
ral Bom Killers.”
The album travels through differ
ent music environments at speeds
ranging from the froggy drawl of Bob
Dylan to the speed metal tracks of
Nine Inch Nails.
Trent “NIN” Reznor has produced
a first-of-its-kind soundtrack. The
bizarre effects coupled with the vari
ety of artists make this album the bas
tard child of Pink Floyd’s “The Wall”
and the Forrest Gump soundtrack.
The variety is seemingly endless.
The strong rap of Dr. Dre and the
Dogg Pound intertwine with Patsy
Cline, Lard and “A Night On Bare
Mountain,” performed by the
Budapest Philharmonic Orchestra.
Oliver Stone personally asked
Repior if he would be interested in
doing the soundtrack for his new
Film.
Reznor captures the dark and dis
turbing satires in sound that Stone
has presented on the screen.
Reznor has taken 27 of the 75
musical selections that were used in
the film and meshed them into a ca
cophony of sound effects, complete
tunes and meshed songs.
His track “Sex is Violent” is a
twisted entanglement of Jane's
Addiction's “Ted Just Admit It” and
Diamanda Galas' “I Put a Spell on
You."
In addition to Nine Inch Nails'
songs “A Warm Place” and an ex
tended version of “Something I Can
Never Have,” NIN recorded an en
tirely new song, “Bum,” solely for the
soundtrack.
The soundtrack contains enough
clips from the film that the listener
can follow the warped path of the
movie while taking another journey
through a dream (nightmare?) of
sounds, holding the cold hand of
Trent Reznor.
Joel Strauch
Attention
December 1994 Graduates
Your Degree Application is Due
September 23, 1994
Apply at 107 Administration
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