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About The daily Nebraskan. ([Lincoln, Neb.) 1901-current | View Entire Issue (Aug. 31, 1992)
Arts@entertainment •* Fans are fascinated by Faulkners’ line fortepiano, four-hands finesse Recital has harpsichord, organ songs By George K. Stephan Staff Reporter __ Mary Murrell Faulkficr and Quentin Faulkner entertained < and educated about 80 people in a concert Sunday featuring sel dom-heard works for organ, harpsichord and fortepiano. The couple performed pieces lor twoorgans, organ four-hands, harpsichord four-hands, and harpsichord and piano — all vvilh virtuosity and visible de light - at St. Mark’s-on-thc Campus. ' Quentin paused between pieces — a variety of renais sancc, baroque and classical compositions — to provide his torical information on each. One of the highlights included a duct by Wilhelm Fricdcmann Bach performed with Quentin Faulkner on fortepiano and Mary Murrell on harpsichord. The fortepiano, a copy of one of the pianos Mozart owned, sounded interestingly delicate in comparison to modem pi anos. The contrast in sound from the harpsichord gave the audi ence a rare opportunity to hear the differences between these two instruments. Another pleasant moment in the concert came when Quentin the concert came when Quentin, , before performing a work by Mozart for organ four-hands — two people playing at the same keyboard—with Mary Murrell, explained to the audience the reasons for his odd recital attire. Quentin said the reason he was not wearing a jacket with his suit was that the jacket made it difficult to cross hands over Mary Murrell’s. He wore slippers, he said, because he is taller than his wife, which creates a problem when playing at a stand-up organ. Quentin remarked to the audience’s delight that this was ‘the most comfortable concert I’ve qver given.” Quentin Faulkner, professor of organ and music history, speaks with audience members after he and his wife, Mary Murrell Faulkner, performed Sunday at St. Mark’s-on-the Campus Episcopal Church. * Blood, guts on the menu for thriller King sequel “Pet Sematary II” By Stacie Hakel Staff Reporter_ ' Gruesome isputlingitlighily when referring to Stephen King’s sequel, “Pet Sematary II.” The film continues the story of Stephen King’s “Pet Sematary,” re leased in 1989. .. The grueling story begins when Jeff Matthews’ (Edward Furlong) mother dies. His father, veterinarian Chase Matthews (Anthony Edwards), decides to rebuild their lives and move to Ludlow, Maine. But unfortunately, the Matthewses know nothing aboui the town’s past. Jeff finds companionship with the chubby Drew Gilbert (Jason McGuiFc), while being bullied by his new schoolmate, Clyde (Jared Rushton). But it’s not long before the story starts to fall into place. Drew’sevil stepfather, Gus (Clancy Brown), who is also the town sheriff, brutally shoots Drew’s beloved dog. Devastated, Drew knows of a way to bring his dog back. The answer lies in the Pet Sematary But there is a terri lying twist, which sparks off a series of scream-filled, horrifying events. With a cast consisting of famous stars such as Furlong (“Terminator 2: Judgment Day”), Edwards (“Top Gun,” “Miracle Mile”), and Rush ton (“Big,” “Honey I Shrunk The Kids”), “Pet Sematary II turns out to be an exciting film. This nail-biting thriller consists of tortures: a bunny slaying, cute little kittens being devoured (with a mess left behind), eyes being gouged out, and lotsof blood-filled,open wounds. It’s enough to make you lose your lunch. Mary Lambert, who has directed Turner Entertainment’s “Grand Isle" and music videos with Madonna and Janet Jackson, has made successes with both “Pet Sematary” and its se quel. So if you’re looking for entertain ment with blood, guts and gore, “Pet Sematary II” will make your skin crawl — maybe on all fours. Rare Earth still together after thirty years COJK^rt By Jill O’Brien Staff Reporter Four hours before Rare Earth’s Friday concert, saxophonist Gil Bridges sal in a booth at Rockin’ Robin, 1435 O St., wailed for his steak, and talked casually about the ups and downs of a band that has spanned nearly three decades. Still living in Detroit, Bridges,48, with thick white hair and a demure smile, is one of the co-founders of the group. Rare Earth’s funky rock and soul roots date back to the. 1960s. They disbanded in 1975, and have regrouped since then, Bridges said. “I tried real hard for that not to happen,” he said, “bul it still hap pened. Not just through the group’s fault, bul outside influences, and that means the record company, the man ager and the accountant." Bul the third lime was a charm. Percussionist Ed Guzman, lead guitarist Ray Moncltc and Bridges have been together since Rare Earth’s second album. Four members have been added in the last six years, Bridges said. “We’re solid as a group now,” he said. “Our personalities work good, and that’s half the battle; because if the personalities don’t work, it doesn’t matter how good everybody is. 11 won ’ t work as a group. I learned that from the first lime.” * These days, Rare Earth lours Eu rope almost as much as the United Slates. “The kids over there had never seen us until three ycarsago,” Bridges said. “We were surprised when the audience was all between 15 to 22 years old.” But Rare Earth’s audience is not limited to one age group. When the group plays in the United Stales now, it plays to loyal fans — and their families. “We have our Vietnam vets bring ing their children,” he said. “Our au dience is running all the way from 12 to 55 years old.” Fans can' look forward to a new album in January to be released on a European label. Besides the remakes of “Lady Madonna” and “Reach Out. I’ll Be There,” all the group’s material is fresh, Bridges said. Rare Earth usually plays festivals and fairs on weekends to allow time with lamil|es and friends. \ ' Some weekends arc longer than others, said bassist and road managei Randy Burghoff. “Last week we traveled 2,000 miles in four days, played three shows and slept 10 hours,” he said. But the tough schedule didn Tshow at Friday’s concert. On a ’70s song, “Bom to Wander,” Bridges alternated from flute to the alto sax while drummer Dean Boucher backed uppercussionislGuzman, who awed the audience with his bongo blasting solos throughout the set. On the second song, “Hey Big Brother,” with Bridges on vocals, Rare Earth warmed up the packed house. A tighter, more professional sound couldn’t have been found when “To bacco Road” started. Rick Warner blew the blues away with his key board runs. For a while, the only available space lo stand was the dance floor. But when the band jammed on “I’m Losing You,” fans clambered to dance as Warner stretched out more runs on the keyboard. Movement slopped tong enough for drinkers and dancers lo cheer and howIGu/.man on as he flayed the skins. Outstanding lead singer/guilarisl Wayne Barakes teamed hcark with soul on each song he sang. And then came the 20-minulc rendition of “Get Ready.” Whew! The encore, “Celebrate,” con cluded with an excellent, hypnotic lead guitar solo by Monette. Jim Calloway, owner of Rockin’ Robin, said Rare Earth might return in about six months. So, funky blues, soul and rock fans “Gel Ready” and get your tickets early.