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About The daily Nebraskan. ([Lincoln, Neb.) 1901-current | View Entire Issue (Feb. 5, 1990)
I FOR LOW PRICES ON ALL YOUR GROCERY NEEDS...SHOP econofoods! At econofoods, it has always been our commitment to do everything we can to help you save money. At the same time we bring you the best possible quality, variety, and freshness. So shop econofoods where you get warehouse prices and a full service store. r — —— — — — — — 1 903 ■ Coke $ 98 I 12 packs I 12 oz. cans I INCLUDES ALL COKE PRODUCTS ■ ^ I LIMIT 1 WITH COUPON AND MINIMUM $5 PURCHASE ^OUPON GOOD THROUGH 2/13/90 ©conoSfoods "The Big Name For Val_ye" v Centro Plaza Shopping Cenler' I48th&i’R'Street Lincoln, NE 467-1188 7 j The Hooters Hooters’ blend of rock, reggae to visit Omaha’s Ranch Bowl By Michael Deeds Senior Editor The Hooters will bring iheir musical blend to Omaha’s Ranch Bowl, 1606 S. 72nd St., tonight. The Philadelphia-based band recently re leased “ZigZag,” their third album on Colum - bia Records. The Hooters blend folk and rock music with a diverse set of outside influences like Jamaican reggae and ska. Most of the musical world discovered the quintet in 1985, after the rclcaSI of "Nervous Night,” when they loured with Don Henley, Squeeze, Loverboy and the Outfield. Singles like "AH You Zombies” and "Day By Day kept the Hooters on the charts ana also helped them earn gold and platinum awards in the United States, Canada, West Germany and Australia. Today, the band is an evolved and seasoned set of musicians who arc proficient live and in the studio. They utilize many ingredients, from the mandolin, recorder and accordion to the dulci mer, guitar and trademark Hohncr “hooter,” or mclodica. On “Zig Zag,” the Hooters have stepped into the new decade with the traditional folk element — they invited Peter, Paul & Mary to make a special guest appearance on vocals. The album has won early acclaim from musical publications like Spin magazine. Tickets for tonight’s show are $9.75 in advance and $10.75 at the door. Doors open at 7:30 p.m. Exhibit assembled exclusively from Sheldon’s collection By Matt Burton Senior Reporter Early 20th century art forms arc being show cased at the new exhibition ' ‘Of Time and Jtc City” at the Sheldon Memorial Art Gallery. The collection of works was put together by Daphne Deeds, curator/assistant director at the Sheldon Memorial Art Gallery. It marks the first exhibit to originate from Sheldon’s collec tion exclusively. ‘‘Of Time and the City” will be traveling for two years to nine different locations throughout the nation. ‘ ‘The pieces share a very positive approach to reality, a very optimistic understanding of what’s possible,” Deeds said. “The Pianist” by George Ault is a dark, image-laden tone. A dim light creates a shadow of a pianist, which invokes a feeling of isola tion. A white doorway is in the background creating a symbolic notion of hope. The bronze statue of horses entitled, ‘‘On Parade,” shows two horses walking proudly. The horses have exaggerated neck sizes and appear to be grinning with their upright stride. A society woman of the roaring ’20s is portrayed in ‘‘Female with Chin in Hand,” a silver point sketch by John Storr. The woman’s blank eyes seem to be showing a sense of emptiness, perhaps from the economic chaos that reigned over America in the early ’30s. ‘‘The Gate” is an elaborate etching by Lionel Fcinengcr. Many straight lines create a complex shading as the sun shines brightly above the gate. Small figures appear to be approaching the gate, unaware of what lies on the other side. Many of the paintings arc extremely ab stract, consisting of various shapes and tones such as Henry Fitch Taylor’s “Cubist Still Life.” “New York Night” by Georgia O’Keefe is a dark, yet exciting, oil painting. Traffic lights line the streets, as the focus of the painting is a tall, imposing skyscraper. Other visions of New York City are seen in -l * The pieces share a very positive approach to real ity, a very optimistic understanding of what's possible. Deeds curator of the Sheldon Memorial Art Gallery -9 ♦ John Marino’s etching of the Brooklyn Bridge and the bright, abstract “Battle of Lights, Coney Island.” Deeds said she is proud to have the art at the University of Ncbraska-Lincoln. “I reviewed the collection, which is very strong in early modernist works, and I was looking for works between 1910 and 1930 because those arc the years when the most advanced and innovative undertakings were made by various artists,” Deeds said. “It was a period of great experimentation and a time of independence among the artists that kind of waned after 1930 and the deDrcs sion,” she said. F “Of Time and the City” will be at the Sheldon Memorial Art Gallery until March 11