The daily Nebraskan. ([Lincoln, Neb.) 1901-current, September 24, 1987, Page 6, Image 6

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    Bronzed and
Beautiful...
That’s what you can be at Command
Performance. Stop in and get a healthy
looking tan and a great looking hair
design that matches your active lifestyle
Visit us today for a more bronzed
and beautiful you.
Free consultation with every visit.
No appointment necessary
10 visits for $20.00
$10 off perm and cut
reg. $45.00 good thru Oct. 10th
Please Call For Appointment Command^
474-0281 Performance
2nd levetceZm STYLING SALONS
Open M-F Til 9 Sat. 9-5:30 Sun. 12-5 Wf vegol the style for you.
Old black-and-white shows are fine,
but nostalgia needs to be good, too
] he Glassy
Eye
By Dave Meile
The problem with the current nos
talgia trend in television (such as the
Nickelodeon Channel’s “Nick at
Nite” block) is that it often gives tele
vision programmers an excuse to
throw any lame old black-and-white
TV series on the screen in the name of
sentimentality and chccsiness. Not all
shows were created equal. Addition
ally, time is not always kind to
yesteryear’s programs.
There’s a real art to watching tele
vision (this advice coming from a poor
schmuck who reads TV listings for a
living). Selectivity is in order. An
acquaintance of mine, nicknamed
simply “The Chair” or “Lazy-Boy,”
gazes for hours on end at anything, be
it “Gimme a Stroke,” “Hazel” or a
documentary on ring-tailed lemurs.
This must stop. Here’s a look at some
old TV, good and bad.
“Car 54, Where Are You?” star
ring Joe E. Ross and Fred Gwynne.
At last, an old show for Blatz
guzzlin’ working-class Joes in loud
Hawaiian shirts at Yankees’ games.
Shot on location in the Big Apple,
“Car 54” is the story of two dopey
cops: Gunther Toody, a moronic,
adenoidal little pudge who utters the
immortal “ooh-ooh” whenever ex
cited, and Francis Muldoon, a tall,
long-faced Irishman who still lives at
home and has milk and cookies every
day after work.
“Car 54,” created by Nat Hiken of
“Sgt. Bilko” fame, is low-brow humor
but consistently charming. The police
precinct is actually integrated (rather
daring for its time) and features the
immortal Nipsey Russell (didn’t you
ever watch the “$20,000 Pyramid”
and wonder exactly what it was that
Nipsey did?). It’s weird to see A1
Lewis (as Sgt. Schnauser) and Fred
Gwynne in pre-”Munsters” days sans
makeup. The theme song rates a 10.
“Perry Mason,” weekdays, 11
a.m., ch. 4; noon, ch. 9.
Probably the brunt of more lame
variety-show skits than any show in
history, but still the granddaddy of
courtroom dramas. Reports differ as
to how many cases the big guy actu
ally lost, but most triviaphiles say four
out of 400 shows. Highlights include
Perry browbeating the witness into the
obligatory crybaby confession and
Hamilton Burger’s “Your honor, the
prosecution is tiring of Mr. Mason’s
sideshow tactics.” This show is great
for film buffs playing “spot the star.”
Perry, Mason trivia: The last epi
sode aired in 1964, and the murderer is
... Dick Clark. The best argument for
capital punishment I can think of.
“The Monkees,” weekdays, 1:30
and 5:30 p.m., ch. 16.
Somewhere in the Monkees’ saga
lurks the epitome of capitalism. Des
picable hack Don Kirshner created the
legendary prefab four, and then when
they wanted to actually write and play
their own instruments, he refused to
See OLD on 12
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| EXPIRES!? H E? • | EXPIRES 11-31 *7 ^ EXPIRES I? 31 »> f
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