The daily Nebraskan. ([Lincoln, Neb.) 1901-current, January 23, 1981, Page page 9, Image 9

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    friday, january 23, 1981
daily nebraskan
page 9
Exhibition . . .
Continued from Page 8
The one photographer of the exhibition is Doug Read.
Read emphasizes spatial divisions in his photographs
which lead the eye in directions. For example, he has two
photographs of three people going in different directions
as possible trails for the eye to follow.
David Seyler exhibited the plans for his tapestries
commissioned by the Grace United Methodist Church. He
employs both abstract and chromatic symbolism in his
work.
Dan Howard's paintings also arc on large canvases.
Howard possesses a rich sense of color and humor which
is exhibited in such works as k'A Difference of Opinion in
Fans...
Continued from Page 8
"I'm going to have to watch my diet very closely
then," I said.
"Yes you are," said my doctor. He scanned a couple of
pages of forms that I had filled out in the lobby.
"I see by your profile here that there is a pronounced
beer-and -potato chips deficiency in your diet."
"I've been very careful about that," I said, a hint of
pride sneaking into my voice.
"And you're going to kill yourself if you keep it up,"
said my doctor harshly. "If you go into this thing alert,
healthy, attentive, and stone-cold sober, you're not going
to last through the rej ,y of Super Bowl VII. Sit there
and try to digest every comment from every retired play
er and every broadcaster and every analyst who will be
on the t, be this week, and by the time the game comes
around you're going to have the IQ of an after-dinner
mint.
"The human brain can only take so much abuse.
Starting today, I want you on a strict diet of salty rtacks
and alcoholic beverages. All of the potato chips, pretzels,
cheese puffs and beer you can stand." He waved his fore
finger in my face for emphasis. "And if I so much as hear
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MARVELOUS,
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Roger Ebert
Chicago Sun-Times
the Democratic Process," where politicians seem to be
sublimating off the canvas in a kinetic frenzy of bargain
ing and protest.
Kay Miller, on her large canvases, is a minimalist of
bright colors and symbolism. Keith Jacobshagen is an oil
and water color painter whose small works belie their size
because of the vastness they portrary. His paintings arc
ol wide skys and tiny, almost invisible landscapes on the
horizon in a Thomas Hardy fashion.
Michael Nushawg's intaglio and oils have an abstract
impressionism and a sense of watery depths that hypno
tize and draw the viewer into the canvas.
a rumor about you eating a vegetable or drinking a glass
of milk, I'm forgetting I ever gave you permission to do
this."
After I promised to follow all of my doctor's direct
ives, he grudgingly consented to let me watch the Super
Bowl. I went home and started experimenting with mara
thon television viewing, which I knew would be necessary
if I was going to survive the game. At first I was pathetic,
unable to sit still for more than an hour at a time without
wanting to go do something else. Lately I have made it
to three hours without a break on two occasions, and I
have watched replays of three Super Bowls, complete with
expert analysis. But I can feel myself starting to tire, and I
don't think I'm going to be ready in time for Super Bowl
Sunday. So, I am thinking about hiring somebody to
watch for me, and tell rne about it. I mean, the important
thing is not that I watch, but that I be able to make
everyone believe I did.
Super Bowl XV, in all of its Roman-numeralled grand
eur and pompous overstaging, is the most American pres
entation of the most American game I can imagine, and
hiring somebody to watch it for me seems the most Am
erican way of getting out of watching it myself.
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