friday, january 23, 1981 daily nebraskan page 9 Exhibition . . . Continued from Page 8 The one photographer of the exhibition is Doug Read. Read emphasizes spatial divisions in his photographs which lead the eye in directions. For example, he has two photographs of three people going in different directions as possible trails for the eye to follow. David Seyler exhibited the plans for his tapestries commissioned by the Grace United Methodist Church. He employs both abstract and chromatic symbolism in his work. Dan Howard's paintings also arc on large canvases. Howard possesses a rich sense of color and humor which is exhibited in such works as k'A Difference of Opinion in Fans... Continued from Page 8 "I'm going to have to watch my diet very closely then," I said. "Yes you are," said my doctor. He scanned a couple of pages of forms that I had filled out in the lobby. "I see by your profile here that there is a pronounced beer-and -potato chips deficiency in your diet." "I've been very careful about that," I said, a hint of pride sneaking into my voice. "And you're going to kill yourself if you keep it up," said my doctor harshly. "If you go into this thing alert, healthy, attentive, and stone-cold sober, you're not going to last through the rej ,y of Super Bowl VII. Sit there and try to digest every comment from every retired play er and every broadcaster and every analyst who will be on the t, be this week, and by the time the game comes around you're going to have the IQ of an after-dinner mint. "The human brain can only take so much abuse. Starting today, I want you on a strict diet of salty rtacks and alcoholic beverages. All of the potato chips, pretzels, cheese puffs and beer you can stand." He waved his fore finger in my face for emphasis. "And if I so much as hear TONIGHT AT: 7:15 & 9:20 SATURDAY & SUNDAY AT 1:00-3:05-5:10-7:15-9:20 MARVELOUS, SURPRISING A TERRIFIC FILM. Roger Ebert Chicago Sun-Times the Democratic Process," where politicians seem to be sublimating off the canvas in a kinetic frenzy of bargain ing and protest. Kay Miller, on her large canvases, is a minimalist of bright colors and symbolism. Keith Jacobshagen is an oil and water color painter whose small works belie their size because of the vastness they portrary. His paintings arc ol wide skys and tiny, almost invisible landscapes on the horizon in a Thomas Hardy fashion. Michael Nushawg's intaglio and oils have an abstract impressionism and a sense of watery depths that hypno tize and draw the viewer into the canvas. a rumor about you eating a vegetable or drinking a glass of milk, I'm forgetting I ever gave you permission to do this." After I promised to follow all of my doctor's direct ives, he grudgingly consented to let me watch the Super Bowl. I went home and started experimenting with mara thon television viewing, which I knew would be necessary if I was going to survive the game. At first I was pathetic, unable to sit still for more than an hour at a time without wanting to go do something else. Lately I have made it to three hours without a break on two occasions, and I have watched replays of three Super Bowls, complete with expert analysis. But I can feel myself starting to tire, and I don't think I'm going to be ready in time for Super Bowl Sunday. So, I am thinking about hiring somebody to watch for me, and tell rne about it. I mean, the important thing is not that I watch, but that I be able to make everyone believe I did. Super Bowl XV, in all of its Roman-numeralled grand eur and pompous overstaging, is the most American pres entation of the most American game I can imagine, and hiring somebody to watch it for me seems the most Am erican way of getting out of watching it myself. 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