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About The daily Nebraskan. ([Lincoln, Neb.) 1901-current | View Entire Issue (Oct. 10, 1974)
3 - x V V V' V- V V t - f 'f- If ' - rendevous 1 & li I All can relate to Tiny Alice I -m 9. Pnotai iron! RENDEVOUS I PRESENTS THE FINEST IN CONTEMPORARY ROCK MUSIC featuring "TOGETHER" OCTOBER 7 thru OCT. 19th . Seatlnq for bOO! RENDEVOUS LOUNGE AND RESTURANT PARKING FOR OVER 500! RENDEVOUS II Featuring Luncheons each & every day 1 1-2, Dinner 5-1 1 closed Sunday Presenting Don Bind on Piano Football Sat. Luncheon 10:30 - 12:30 Take a bus from here to the. game and Dack with no parking worries. Call for reservations. yiKic m Kth 464-0264 ."w v--5v If L !?OLLANO J CSTIVAL OF MUSIC fANTANA AL STEWART , x , , i if" AT T. ritA ' 1 1 1 1 t FRIDAY NiTE LATE SHOW at 9:45 and 11:45 p.m. ABM. $1.00 m By Dennis Ellermeier The University Drama Dept. opens its 1974-75 season with the Studio Theatre' p-eduction of Edward Aibee's "Tiny Alice." "Tiny Alice" premiered in New York City in 1964. The play confounded and delighted critics then and has stirred much discussion since. , . UNL senior Glenn Cox, director of the play, said he always has had an interest in the show first as an actor and now as a director. He said the challenge of producing the play is presenting the many themes expressed in the script. 1 f .v t v v ' I ' . . ( I f i i George Hansen in "Tiny Alice.' o "It's like an onionjust layers and layers," he said. In his research, Cox said he found many productions had emphasized one particular theme St the expense of the others. To solve this problem, he said, "What I've had to do as a director Is put It together with a logical sense . . . dealing with the action of the play. "You can't play the themes" you must let them emerge from the action, he said. In "Tiny Alice" Albee delves into the. themes of faith, corruption, sociall institutions, sexual ascendancy, the power of money and the metaphysical dilemma of what is real and what is not. According to Cox, the play "deals with things that in one portion or another relate to everybody." The story revolves around a $2 billion grant to the Catholic Church by a wealthy woman. The details of the grant soon result in some bizarre happenings and disquieting conditions. The cast features UNL students Doug Brissey, George Hansen, Mitch Tebo and Cindy Wallis and UNL drama instructor David Bell. Designers for the show are: Dan Stratman, sets; Dee Amerio, costumes; and Dan Poett, lights. "Tiny Alice" plays Oct. 10 through Oct. 13. Curtain time is 8 p.m. in the studio Theater, Temple Bldg. Tickets are $2. asis provides relaxation Marie's Oasis is one of a vanishing breed of drnking establishments that once constituted the majority of booze outlets in any city the workingman's comer bar. oqvio wore Strike up the band Making no pretensions to any kind of cU:s, other than working, Marie's is a Ihiowback to the legendary English pub, whore theie are no gimmicky qowquwr, to detract from the pleasure to be found in either the companionship or the beer. Marie's clientele spans, a wide age group, ranging from late-teens truck drivers to what might be called, with a large dollop of charity, habitual drink ers. There are none of the coolly cut businesswomen that one sees at Cliff's, but rather working-class vomen, ones wtio appreciate the taste of the brew as it cascades down the throat, washing the dust of a day's work out of the craw. Of course, one can order something a bit fancier than the standard draw, and stili walk away with the shirt on his back. One may eat lunch there, and it is ro better nor no worse than any other standard bar fare to be found in the city. However, the primary attraction of Marie's Oasis, as with any bar of the genre, is the properly relaxing atmo sphere. A draw consumed In Marie's has roughly the same effect as attending a Merie Haggard Concert, or driving on country back roads accompanied by a six-pack in a '55 Chevy saioon. At Marie's, there is no need to put up a false front, since no expectations ar placed upon yu, save that of honesty. You can loosen your belt, spread your legs, guzzle your beer and speak your piece it's that kind of place. ', 4! is i -.1 !i : il 1. .) it ii ,k v i j : f a.. is, it F1 J r, n rrn p ii t L if-. ,(5.1. IH1 4I fw jH warn Ta-ifj una -v,i-i uum wsot uif fV A (PIT QJ r ,'i - 'I ! ."'J 1 'I V it " -I ! I it rHurnnrr mnMrnm a Spodi! Go8t Star :Zfc r - V .v CXE F1ERA, fad guitarist cf the l3endiry iEOM EDTTEFJLY, :r,d EiUES IMAGE, chims he wil take the titla away fro TED KUfBT is!n csfy hit TEETS2!!! K'-tsnt ACCEPTS ths !n, zri wil ttb en Ffcew and Trapais in a side-by-sida SHOVsSOViH CUEL C? EIESTH'3 CUITAE3 to cbsa tho shsw. 4 Qpm PERSHING AUOlTORlUiVI dady nobraskan thursday, October 10, 1974