The Omaha morning bee. (Omaha [Neb.]) 1922-1927, October 07, 1923, HOME EDITION, PART THREE, Page 11-C, Image 31

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    OF HIGHER COSTS AND RELATION TO ADMISSION PRICES
MUSIC 1
*, Giovanni Martinelli to Open
Local Concert Season -Friday
Metropolitan Opera Company
Tenor to Appear at Audi
torium With Flora
Greenfield, Soprano.
Operatic arias and lighter song
groups will be offered by Giovanni
Martineili, tenor of the Metropolitan
Opera company, when he appears in
concert at the Auditorium tho night
of October 12, Columbus day.
lie will be assisted by Flora Green
field. soprano, Salvatore Fuclto is the
accompanist.
MartinalU made his debut with the
Metropolitan in 1915, after a meteoric
opera career In Italy, his birthplace.
Hia earliest musical inclinations
were instrumental. He was clarlon
etlst in a regimental band, before the
bandmaster one day discovered that
he could sing. Followed a course of
training at Milan, and later an en
gagement In Puccini’s "Girl of the
Golden West.” Martineili sang in
this opera all over Italy and ap
peared at Monte Carlo and Covent
Gardens, London.
Following is Friday night's pro
gram:
Aria: "O Paradiso” from L'Africans
.‘.Meyerbeer
Olovannl Martineili.
fai Anpalaentent .Rabey
(b) Oh al lea fleura avaient dea
SbpwPr
yeux.Maasenet
(c) Over Hill Over Dal*;.Cook
Flora Greenfield.
(a) The Jasmine Door .Alice Scott
(b) Tes yeux .Habey
to Laaclati nmar .Leoncavallo
Giovanni Martinelll.
Aria ‘‘Balatella” from Pajrliacci
...Leoncavallo
Flora Greenfield.
(a) Your 8rntle a Pearl... .Ward-Htehens
(b) Le Baieer .Thomas
(c) Aprils .Tostl
Giovanni Martinelll.
(a) Ea Bltnkt der Thau .Kubenstein
(b) Elaine’s Song .Foote
tc) Sing to Me Sing .Homer
Flora Greenfield.
Duet: "Tomb Scene” from Alda... .Verdi
Flora Greenfield and Giovanni Martinelll.
Aria: "Vestl la glubba” from Pagll
accl .Leoncavallo
Giovanni ^Martinelll.
Appearance in concert at the Bran
dels theater Sunday afternoon, No
vember 4, of Mme. Sigrid Onegin, con
tralto of the Metropolitan Opera
company, will open the coming season
for the Tuesday Musical club, under
the auspices of which Mme. Onegin
comes to Omaha.
Tickets Are on Sale at
Box Office for
OCT. 12 FRI.
Columbus Day
8:15 P. M.
MARTINELLI
SuccMior to Caruso
Leading Tenor Metro
politan Opera Co.
and
FLORA GREENFIELD
Soprano
AUDITORIUM
91, 92 and 93, plus tax
The glut) has contracted With an
imposing array of artists for the com
ing winter. Including Jacques Thi
baud, French violinist, and Pablo
Casals, violoncellist, who will appear
in joint recital at the Brundeis the
ater March 6.
Twelfth sacred concert at St. Ce
cilia cathedral will be given this
afternoon at 4.
Two numbers from the celebrated
Missa Eugo Bone by Christopher Tye
will be heard. This composition was
sung at Westminster cathedral, Lon
don, last Christmas, at the midnight
mass.
An added feature of these concerts
in the future will be Improvisations
on themes by Omaha musicians.
This afternoon It. M. Silby, director,
will use themes by Stanley Letovsky
and Mrs. Louise Shaddock Zabriskie.
The program follows:
‘‘CommiHsa mea . Palestrina
‘‘Benedictun" .Christopher Tyo
"Agnus Dei" .Max Kllko
Gallery Choir.
Improvisation on themes composed by
. Stanley Letovsky !
Dr. Silby.
"Kyrie" (Kyrie Rex Bplendens).
... Gregorian
"Cor Jesu" .R. R. Terry
Sanctuary Choir.
"Juatorum animae" .f. . .Stanford
"Laudato Dominum".Sweellnck
"Kyrie" .Christopher Tye
Gallery Choir.
Iprovisatlon on themes by.
.Mrs Isoulse S. Zabriskie
Dr. Silby.
"Olorla” .Pietro Ton
Galtery Choir.
Benediction of the most bleased sacra
ment will be sung by.
.Cathedral Girls' Song Club
O Sahitaris . West
Taut uni ergo.Tartlnl
Adoremus in aeternum.Gregorian
D. Kenneth
Widenor
A. A. G. O.
Organ Instruction
Rialto Thaater JA Oil!
GRACE ABBOTT’S
New York School of Dancing
Stage
Dancing
Ballet,
Oriental,
Toe, Eccentric,
Claaaic,
Muaical
Comedy
Dancing
Clog,
Soft Shoe,
Jazz Singing
and Dancing
221 S. 19th, JA 0981
Social
Dancing
Tango
Fox Trot
Waltz
One-Step
Register for
Class and
Private Work
40% Lyric Bldg., 19th and Farnam
IT'S COMING!
The Picture you have read about—
The Picture you have heard about—
The Picture you have taltu^l about—
The Picture you have united to see—
i
<L.—w
FEATURING
MARY PHILBIN
The New Screen Seniation
ST ARTS NEXTSUNDAY
al the
For Two Week*
—
Stanley Letovsky, Omaha pianist,
will appear In a benefit concert Fri
day night, October 19, at the Benalto
theater, Benson, under the auspices
of a boys’ club, Knights of the
Round Table. Money derived from
the concert will be used to furnish
club ropms.
The program is promising in the
extreme. Mr. Letovsky has included
a group of his own compositions, and
will also play a group by Chopin and
another group by Liszt.
The program follows:
Etude No. 2 in E Flat. . . . Pagantnt-Lisst
The Mfcid of Ganges. . . Mendelesohn-Liszt
Impromptu .Schubert
Prelude In C Sharp Minor. .Rachmaninoff
La Cathedral#* Engontie.De Buasey
Country Gardens .Grainger
Songs, Mother Taught M#» •
. I.Dvorak-Letosvky
Strolling Minstrels.
English Dance.
Sunday Morning Romania .
Tribute to Daniel Boone (Melodie
Caprichoso) .Letovsky
Nocturne ...
Revolutionary Etude ...
Black Key Etude . Chopin
Dreams of Love ....
St. Francois de Paule ......Liszt
Alice Davis Berryman and Cecil
Wells Berryman will appear In pri
vate recital for their pupils and the
pupils’ parents next Monday at i the
Biltgess-NaBh auditorium.
The program follows:
Sonata. B minor .Ll.it
Mr. Berryman.
Suits for Two Pianos.Arensky
Mr. and Mrs. Berryman.
Dane* of the Doll; The Girl With the
Flaxen Hair . Debunsef
The Pensive Spinner .Ganz
Nocturne .Cicil Berryman
Toccata .. Salnt-Saena
Mrs. Berryman. •
Henry Cox, violinist, and Martin
W, Bush, pianist, will play the Mo
zart sonata in G major for piano and
violin on a program sponsored by the
Monday Musical club at the home of
its president, Mrs. Leo Hoffman, next
Monday night.
They will also play the romance
from the Grieg C minor sonata.
Song groups will be offered by Mrs
Verne Miller and Fred G. Ellis.
The program follows:
Sonata in G major (for piano and
violin) .Mozart
Mr. Cox and Mr. l)u«h.
Song group:
(a) Heart of Me ......Frank Butcher
(b) In the Silent Woods .
... RiitlNky-Koreakoff
(c) Tree* .riecar-Raebach
Mrs. Verne Miller.
Song group:'
ta) Where'er Te Walk .Handel
(b) Hear Me, Ye Winds and Waves
. Handel
(c) Thought* Have Wings. T.Ua Lehman
Mr. Fred G. Kills.
Romance from C minor sonata... .Grieg
Mr. Cox end Mr. Rush.
Lena Ellsworth Dale, vocal In
structor and soloist, his reopened her
studio at 516 Karhach block for the
1923 1924 season Studio classes will
lie held for high school girls, and
classes for choir singlers and a grand
opera study club will be maintained
during the year.
Mrs. Dale has announced four
widely differing recital programs dur
ing the year.
E. Dewar Challinor, director of
the Amphlon chorus, has been ap
pointed choir director of the Trin
ity Baptist church, Twenty-fifth and
H streets, for the 1923 1924 season,
by the church trustees.
Date of the Letovaky Spillman con
cert, to be given for the benefit of
the public school musio department
of the University of Omaha, has been
set for Thursday night, October 25.
The Evening Bee is the only
Omaha paper printing International
News Service dispatches.
Pussy Purr-Mew’s Feline Perversity
Baffles the Rescuing Fire
Department.
An Inch of lace showed below her
mauve organdy. The underellp was
too long.
Would she have time to shorten It?
An anxious glance at her dressing
table clock. Ten minutes of six!
With nervous haste, Helen got out
of her gown, three a kimono about
her bare shoulders, and sat down to
run a tuck in the new white silk slip.
Beside her in the open window sat
Pussy Purr-Mew. With absorbed, tail
switching interest, she was peering
down at some twittering birds.
"Never mind those sparrows.”
Helen stooped for her spool, swept
from the window-sill by the agitated
tail. "Come back In her, you might
fall out"
But with feline perversity, Pussy
Purr-Mew crouching low, leaned far
ther out. Her back twitched excited
ly at the tantalizing chirps below.
The tuck basted, Helen waa getting
into the slip when from the window
came a muffled, terrifying sound.
In the mirror she caught a disap
pearing flash of gray fur.
Then silence—and an empty win
dow-sill!
Her hand over her eyes, Helen
shrank tremblingly back.
She could not look down at that
mangled bit of fur on the pavement
eight floors below.
“Nora! Nora!” Screaming she
flew out to the kitchen. "Pussy Purr
Mew! She—Hhe’s fallen out the win
dow!”
"Where? What window?” dropping
the ricer with its half-crushed potato.
"My room — quick! I—I couldn’t
look down."
Sobbing convulsively she ran In af
ter Nora who dashed to the window. A
breathless moment as the girl leaned
uut.
"She's all right! She ain’t hurt.
She’s on this ledge!"
The next second Helen was at
the window staring down at Pussy
Purr-Mew, huddled on the narrow
stone ledge about six feet below.
“How you gonna get her hack?”
"Go for the elevator boy! Qulfk—
it's so narrow there! Oh, if she should
slip!''
As Nora bolted out, Helen glued
to the w'indow, called down tremul
ously, "Pussy Purr-Mew! Poor Pussy
Purr-Mew!"
Too frightened to cry out, Pussy
Purr-Mew huddled close against the
brick wall, while an impudent spar
row hopped jeerlngly along the ledge
close by.
"I can’t get her." was the elevator
boy's unsympathetic verdict. “No way
to reach down there."
“Get a rope or a ladder—or some
thing! Oh, you must! You must!”
“Nothin' to stand on,” his pimply
face stolidly indifferent.
In the excitement they had not
heard Warren's entrance. A cry of
relief from Helen as he loomed In
the doorway.
“Hello, what’s up"”
"Quick—quick! Pussy Furr-Mew's
fallen out—she's on this ledge!”
“Get me a sheet!" was his brisk
command as he reached /he window.
*'A sheet?" quivered Helen. "Whrft
can you do with a sheet?”
‘‘Don't stop to argue. Get a sheet, I
tel! you!"
Out In the hall closet Helen
snatched a sheet from the linen shelf,
shaking out its crisp folds as she ran.
Slashing the hem with his knife,
Warren tore the sheet in half and tied
it together.
Intent only on the rescue, Helen,
heedless of the mutilation of one of
her best sheets, watched with breath
less anxiety while he lowered it.
“You’ll frighten her!" as Fussy
Purr-Mew shrank back. "She’ll fall
off!"
“If she’s got any sense, she'll climb
up."
‘‘She's too terrified—she’ll never
climb up that!"
"She won’t with all this hubbub!
Here, get away! We’ll leave her
alone.”
Moving the dressing table nearer
the window, he tied the sheet to it.
Retreating to the dining room win
dows w hich commanded a view of the
name ledge, they watched for Pussy
Purr-Mewr's ascent. But ignoring the
rescuing sheet, she still crouched mo
tionless against the wall.
"Come on, let's have dinner,”
grumped Warren. "She’ll climb up
when she’s good and ready."
‘‘8tt down and eat dinner with her
out there?" anguished Helen. “She
may slip off any moment!”
“Heluva lot of good does to stand
here calling ’Kitty, Kitty. Kitty’!"
"Oh, I know,” Helen clasped her
hands with sudden Inspiration. “A
box! Shs loves to get Into a box.
We’ll tie a rope around a bandbox!”
Darting to her closet, she tumbled
her best hat from Its smart striped
box.
"Wouldn't hold her.” Warren felt
the thin pasteboard. ‘‘If that bottom
fell otK—good night cat!”
“A basket!” she quavered. "Oh,
why didn’t we think of a basket?”
Out In the kitchen Helen caught up
the basket under the sink.
•‘What're you goin’ to put them
potatoes in?" Nora had followed her
out. “Walt, I’ll get the washboiler.”
Not waiting for anything, shs
dumped the potatoes on Nora's spot
less floor.
’’Get mo a rope! Where’s the
clothesline?”
"Ain't seen none sines I been’
here,” sulkily. "Sho dries in the
basement.”
Helen s Ingenuity, always equal
an emergency, sha flew Into Warren’*
room—to trie drawer that held hi*
pajamas. Jerking out two of the
pajama cords, she knotted them to
gether, then tied them to the basket
handle.
“Now let this down,” dashing back
to Warren. “No, I will—you'll
frighten her.”
Cautiously, coajctnglv, Helen low
ered the basket.
The cushion-lined, catnip-scented
basket proved no lure to Pussy Purr
Mew. She still crouched on th* nar
row ledge, too frightened even to
"meow.” But the appeal In her gray
green eyes brought the tears to
Helen's.
“'If I could slip a noose over her
head,” suggested Warren, “I could
yank her up.”
"Yes, and choke her. Bear,
couldn't you let me down by my feet?
I'm so light—I know you could hold
me. I wouldn’t be afraid?'
“Risk your neck for a cat? I gues*
not. Now. see here, this Is all non
sense. Hhe'll climb up that sheet If
you let her alone. Nora, you pM din
ner on. I've had enough of thle ”
“No. no, T won’t leave her there."
The Modern Babylon
The most j
fascinating I
city in the j
world 1
today is
New York.
Visit it
through the
eyes of
O. O. McIntyre
I 0.0. McIntyre
t knows every
# nook and
f corner of
New York
and he writes
about it with a
style that is
both
interesting and
k entertaining.
O O M^lNJTVRt
“New York Day by Day”
Read It Every Day In
The Evening Bee
sobbed Helen. "Call up the humane
society. They may know some way.”
"There’s just one way. After din
ner, if she hasn't sense to climb up.
I’ll get the fire department to bring
around an extension ladder."
"Get them now—right away” What
do you do? Turn In an alarm?”
“‘Not much you don’t. After din
ner I'll go around to the engine
house.”
“Walt all that time—risk her fall
ing off? Where’s the nearest engine
house? If you won't go I'll send the
hall boy or go myself.”
"Oh, all right, I’ll go,"Irately.
"Know what It'll cost for a fool job
like this? I’ll have to give those men
a good stiff tip.”
As with a muttered growl Warren
■lammed out, Helen flew back to call
down soothing encouragement to
Pussy Purr-Mew.
An anxious 15-mlnute wait before
Nora came running In.
"They’r^ out there now, takin’ the
ladder through .the basement.”
“Como up slower! Don't frighten
her,” called Helen as a burly fire
man ascended. ‘‘Oh, If she should
jump off!”
"Don’t worry, miss; I’ll get her all
right," he shouted back.
Crouching lower, Pussy Purr-Mew
was watching every move of the ap
proaching fireman. Now he was half
way up! Hand over hand he was
climbing fast. Another moment and
he would reach the ledge.
For a heart-stopping second Pussy
Purr-Mew Heemed about to spring off.
A flash of gray fur! She was on
the sheet, climbing up with nimble
speed.
A roar of laughter from Warren
and the firemen below.
Ignoring their boisterous merri
ment, Helen caught Pussy Purr-Mew
as she reached the window.
"Oh, oh," hugging her hysterically
with sobbing relief. "How could
you?”
She wa» still crooning over her
when Warren strode in.
"Well, that little part cost me just
$10. And that damned cat could have
climbed up any old time she wanted
to!"
‘I don't care! I don't cart what
It cost. She's safe." hugging her
closer. "Shi 's safe!”
"Safe?” with a snort. ' Knew all
along she was safe—that she'd shinny
up that sheet when she got good and
ready! But you set up such a howl
you had me rattled. Huh, you don't
have to worry about that cat! I'd
like to wring her blooming neck! Sit
ting out there giving us the laugh
while you were throwing hysterics
all over the place."
Abie the Agent. A scream! In The
Evening Bee.
AMERICA'S BOY OF JOY J
I
I
AllVeek.
LLOYD
JOHN AASON JOBYNA RALSTON
S&te C?uxrci:- Cril'l,
in his greatest feast oF fui%^
WHY WORRY ?
Lyman Howe
HodgePodge
Fun From
the Press
I Rialto Symphony Orchestra
21 /Art.isxs '21
Jtarrj/ 'trader '7)irecto>~
pu*4//ri^
.. " Lo\'o Tale a" and ..
Five Minutes vithOeaM.Coh.rn
(rrartifcct by Jack 7/inj//
Bruce
Scenic
Widenor
at the Organ