leer - .K s& . 4V fr jr iCf J k .c r THE COURIER. IMC i I H ' -. S -iJ " anvLHonoHvL nhoi jsm xi;2 ai uo auxus panuoo pun daojs aq; ja.upp Aipujjl piaui sprab t: pus 3jia Add-ci n 4auioq Addi:q n aura o; Aiunpoddo 04; pai -San odoad Hvrnw os j-cift japnoA. v Apu-ejjaa si i 4a.os sv3 v ni paniqiuoa sSuissaiq aift uo soauaa uaift put juapuja pu-e wns ireap 'saqsi: oj MaSu-ep ojj 4ajpras o 'rp.p o 'asujiid s(uej su) am saapisuoo auo uatA ajiAv a"ui joj ;nasaad sBrasiaiQ -c su jaj-cau, j3;t:av ifliAv apidiuoo saAOJs shq 9I8T 'K awospireii jiioa jo ano asviprid oj papnpnoD aABij j 4noi;sa&3ns jno iiay aouBpaoDau aj rxattaiixao , a3N : : : : 'NICONTI 3HN ! : : 'NICONTI aaj;s O Oil iruiHonoHi 'i NHor tio arMao" ! MIMflfllO(llOMlllttttl MttIT ' ble share of bia fortune to Mrs. Edger ton Spong, and, though it be unconven tional of her to accept, this makes it possible for her to wear smart frocks throughout the play. In the first act we find her in Mr. Lee Fanahawe Mason's house. They are to dine at a restaurant, and she has dress ed early and stopped for him, bo they may hare a "little time longer together,' and incidentally tell the audience all about the tea room days and the miss ing husband. Mrs. Edgerton Spong has gowned herself carefully, though a trifle ex travagantly, for her tete-a-tete dinner. She wears a frock of cloth of gold, veil ed with bronze chiffon until it assumes an evasive hue, and there are as many bronze shadows as there are golden lights that glint mysteriously as she moves. It has white Ghantilly lace ap plications, so arranged that they mount nearly to the waist line in the back and graduate in depth toward the front, where they reach the knee. The lace is so outlined with gold and silver threads, silks of various shades of bronze, and sewn with capucho topaz that it would be impossible to recognize it as being lace, were one not told. The gown is Princesse, and has no more fullness at the back than last sea son's gowns. The top of her gown is all but covered above its waist line with the embroider ed lace. There are little eleaves of the embroi dered lace that end above the elbow, and are finished with a twist of bronze meline. This bronze mehne also out lines the bodice, and accentuates the whiteness of the white neck. With tbie gown she wears a cloak of bronze crepe de chine, that is a loose, flowing affair, falling in most artistic lines with every motion. It has loose Chinese sleeves, that have undersleeves of bronze chiffon. About the neck is a soft ruche of bronze chiffon, with long, soft ends that falls to the feet. Mrs. Edgerton-Spong is certainly "a thing of beauty" in this odd frock, and one does not wonder that Mr. Lee Fan ahawe Mason is determined to marry her. Mr. Lee Fanahawe Mason has one child, a fascinating girl of eighteen, who till mourns for her dead mother. He lavishes his wealth on her, too he real ly is just the man to hare inherited that money and has bought her a house, a carriage and a horse and a bicycle, and gives her erer so much monoy for her frocks. In the first act she has just arrired from a sea voyage, and appears in a beige colored erepe de chine. The skirt is quite simple, with a few tiny tucks at wide intervale, running horizontally, and a four-inch insertion of Renaissance lace, placed some six inches from the edge, that outlines the bottom of the skirt. The little coat of crepe de chine and lace.ia to the waist line in the back, and somewhat longer in the front. It is mostly of lace and fits loosely. Under it is an unlined blouse of tucked chiffon, the same color as the crepe de chine. The collar of the blouse is of the Renaissance lace, transparent. Her hat is a toque of gold tissue not very bright gold roses and green leaves. Mrs. Portman Tyree in rather a sport ing lady, fond of playing the races and Mr. Lee Fanshawe Mason. She is not lucky, for she wins neither. In tact, ebe loses 750. But 6he evi dently knows, too, what kind of a mil lionair Mr. Lee Fansha-ve Mason is, for she promptly goes to him and asks him to lend the money, which he does pleasantly, so there is no reason why she should not have some smart frocka. Mrs. Portman Tyree wears in the first act white liberty gauze over vivid yel low chiffon. It has applications of white Chantilly lace on the gauze that form a border' about the hem of the gown and outline it on either side up the front, where it opens slightly and shows the underskirt of yellow chiffon. This effect is continued on the bodice. The sleeves, which end at the elbow, are mostly of the lace. In the second act Mrs. Edgerton Spong wears a gown of pale green liber ty gauze. The skirt has a yard wide insertion of white lace outlined in shadeB of green. The bodice baa a loose guimpe of this lace, and the long sleeves are made entirely of the lace over the green gauze. With this gown she wears a large hat of pale green embroidered gauze, with one large pale green ostrich feather across the front. Mrs. Edgerton Spong's irresponsible husband has turned up by now, and he says rather nasty things to her about her smart frocks; but he is an evil-minded wretch, who would think horrid things of anybody. In this act Mies Lee Fanshawe Loftus wears a simple little gown of white crepe de chine, mousseline de soie tucking and narrow entreJeux of yellow lace a large white hat with a pale yellow ostrich feather. All of Miss Lee Fanshawe Loftus gowns are simple; having so -much money has not turned her pretty head or warped her sartorial judgment. In the third act Mrs. Edgerton Spong wears another dinuer gown a white Bilk, shot with gold and brocaded with pink roses and green leaves. It is fashioned somewhat on Louis XV lines. The bodice ends in a sharp point in front and the skirt opens over a petti coat of tucked white chiffon. The square neck is outlined in heavy old gold lace, which also forms the plastron on the front of the bodice and outlines the edges of the brocaded skirt open over the chiffon petticoat. The sleeves are to the elbow and have cuffs that turn back over a tiny underaleevs of white chiffon, and are edged with the gold lace. Miss Lee Fanshawe Loftus wears a pale blue chiffon covered with flowers sewn with pale blue paillettes. Mrs. Portman Tyree, who Btops in to see Mr. Lee Fanshawe Mason, to gain some response to her misplaced affec tion, weara a white gown that glittera and shimmers, and a gorgeous cloak of white dotted net edged with ermine. It is lined with rufli s and rurtilea of pink chiffon, and has a high collar of pink In the last act, where all the tangles are straighteded out and everybody gets happy somehow -except, perhaps, Mr. Edgerton Morgan, who haa had to die Mrs. Edgerton Spong wears deep black, which is nice for her, for quite eix months have passed. It is a plain little frock, its only claim to originality being the stitched bands of the cloth or net, and a Iarje flat toque ot tucked black net. Mrs. Portman Tyree wears a cloth gown of ruby red. with strappings ot velvet of the ame color. Mus Lee Fanshrwe Loftus receives her father's friends in a gown of pink chiffon and lace. The skirt is accordeon pleated quite simple again and the bodice is a little "tea jacket" of Rus sian lace embroidered with pink che nille and thickly sewn with coral. Is