V 6, -. A VOL. XV., NO. Ill ESTABLISHED IN 1880 PRICE FIVE CENTS m LINCOLN. NEBR., SATURDAY. JANUARY '20. 1900. Bmm BXTHBDIN THE POSTOVTIC AT LINCOLN AS SECOND CLASS MATTES. ed and hammered into, be sure it will always be a stovepipe and nothing else, yielding to a stovepipe's tempta tions and putting up a stovepipe front. A sod house or the little frame shanties of a new western town are more to be respected because they do The term 'ittakkiri,' meaning 'all gone,' or 'utterly vanished,' in the sense of 'ail told,' is contemptuously applied to the verses in which the verse-maker has uttered his whole thought. 'Like the single stroke of a temple bell, the perfect short poem not pretend to be anything but a should set murmuring and undulating vaal means temporary loss of prestige to the whole of Anglo Saxondotu of which America is an important mem ber. It seems to me that it is both shortsighted and unpatriotic to ex tend our sympathy or help to the Boers. They are fighting against the principle of the representation of tax THE COURIER, Official Organ of the Nebraska State Federation of Women's Club. PUBLISHED EVERY SATURDAY BI THE COURIER PRINTING AND PUBLISHING CO Office 1132 N street, Up Stairs. Telephone 384. 8ARAH B. HARRIS. Editor Subscription Rated In Advance. Per annum $100 Six months 75 Three months 50 One month 20 Single copies 05 The Courier will not be responsible for vol untary communications unless accompanied by return postage. Communications, to receive attention, must be signed by the full name of the writer, not merely as a guarantee of good faith, but for publication if advisable. : o 'f00 OBSERVATIONS. The Stovepipe in Architecture. The galvanized iron trimmings, cornices, and ornamental corner tow ers that mark the revival of building in Lincoln are ugly, insincere, and un-time-worthy. Instead of finishing a building these trimmings disfigure it. Tne winds play with them as with paper. Of frail and flimsy construc tion they cannot be securely fastened to roofs and corners which their own ers have been told they will ornament. A high wind tears them loose and the streets are littered for days "with the impossible "ornaments" which are a libel on architecture. The in fluence of noble masses and piles of brick and stone is easily demonstra ble. A counterfeit cornice crowning a building of honest brick or stone discredits the whole, and has a bane ful influence on those upon whom it casts its unworthy shadow. There are a few blocks in Lincoln, notably the Richards building, the telephone building and the State university li brary that possess this priceless char acteristic of sincerity. There are others also which are equally worthy of respect. There is no real economy in the use of a material so sensitive to wind and time as thin sheets 'of iron rolled into funnels and cornu copias. There is no economy in using a material for a building that was manufactured for stovepipe, for whatever form the stovepipe is twists- temporary shelter. Nevertheless there are many buildings here finished with this unfortunate material. They have served a good purpose and were erected by good citizens who believed in Lincoln. But I believe it is not too early to discard make-believes and expedients. We are better off without them and their continuous use is a reflection on our taste and good judgment. Write a Poem! In "Ghostly Japan," Lafcadio Hearn's new book on that country, Mr. Hearn expatiates upon the in tensity and power of the poetry writ ing habit. Tor centuries poetry has been a universal fashion of emotional utter ance in Japan. It is everywhere; sung in the fields and in the streets; engraved on the domestic utensils, even on the toothpicks. 'It were a hopeless effort,' says Mr. Hearn, 'to enumerate a tithe of the articles dec orated with poetical texts. You might wander as I have done into a settlement so poor that you could not obtain there, for love or money, even a cup of real tea; but I do not believe that you could discover a settlement in which there is no "body capable of making a poem. "Of the short poem which is the principal subject of his essay, Mr. Hearn notes the curious fact that the writing of this particular form of Japanese verse has been practiced more as a moral duty tnan as a mere literary art and he quotes an old ethical teaching. 'Are you very angry? Do not say any.ihing un kind, but compose a poem. Is your best beloved dead? Do not yield to useless grief, but try to calm your mind by making a poem. Are you troubled because you are about to in the mind of the hearer many a -payers, ghostly aftertone of long duration.' Ilere are two of Mr. Hearn's transla tions of short poems, illustrating the power of suggestion: A Mother's Remembrance. Sweet and clear in the night, the voice of a boy at study, Reading out of a book, . . . Ialsoon:e had a boy! Happy Poverty. Wafted into my room, the scent of the flowers of the plum tree Changes my broken window into a source of delight. "As showing the ingenuity of the Japanese in composing impromptu short poems Mr. Hearn cites one which is intended to portray the last degree of devil-may-care poverty perhaps the brave misery of the wan dering student. It is translated as follows: Heavily pours the rain on the hat that I stole from the scarecrow. The English vs. the Dutch. The defeat of English arms in the Transvaal would be an interruption to civilization and to progress. Whatever our political sympathies may be, whatever our inheritance, whatever our prejudice, the indis putable effect of English administra tion is before our eyes and is a mat ter of history. Whatever is best in law, in literature, in institutions is English. For this reason, if for no other the success of England in the Transvaal was assured with the es tablishment of the law of the survival of the fittest. The world is under no obligations to Hollander, to German, to Italian, to Frenchman, to Span iard, to Russian, and to no inhabi tants of North Europe nor of the They, precipitated tiie war; they tired the first shot and made it impossible for England to maintain her self-respect without fighting. The Dutch are subtle, sullen, hard fighters, but they have not developed South Africa. On the contrary, they have been worse than negative and have hindered and obstructed Eng lish enterprise there. The Boer's claims of devotion to the Bible and his profession of a servile Christi anity have elicited sympathy for him in this particular war that he decs n)D deserve. His profession of re ligion is only an extra condemnation for refusing representation to that part of the population which pays nine-tenths of the taxes. His re ligion is a formal verse committing, queer sort, like no other religion any where else. It leaves him as gross and as leathery as it finds him. It does not reach the head and if. it touch his heart it does nut soften it. It is a religion ol the mouth. It has made the speech of the Boer a col lection of cant phrases and ill-fitting, archaic parables. Moreover, he pa rades his religion, as a beggar ex. hioits his sores, for sympathy. There Is no depriving him of it, as there is no way of depriving the beggar of the alms the exhibition of his self-inflicted wounds elicit. Nevertheless it would be better for the beggar better for civilization worse for pauperism and a blow to bigotry if our alms and our sympathy were more worthily bestowed. Enemies of the English insist that Ooni Paul Kruger has a right to deny representation to the English and to oppress them with sumptuary laws, that the English in the Transvaal have the power of locomotion and can move if they do not like it. This is ever the reply of a tyrant to appeals die, leaving so many things untinish- Orient. Constitutional law came for redress. ed? Be brave and write a poem on from the Romans through the Eng- Singularly, the wealthiest and death! Whatever injustice or mis- lish to the world. In literature be- worthiestor the English in the Trans fortune disturbs you, put aside your sides Shakspere there are only Dante vaal are Irish. They have been fore resentment or your sorrow as soon as and Homer. In the arts Italy, France ed in their work of developing the possible and write a few lines of sober anr Germany have made notable and elegant verse for a moral exercise, contribution?. The world owes Hol land some hne examples or genre painting and some fine laces. The modern impetus to trade and the methods of commerce, nearly every thing that made the nineteenth cen tury modern came from England. In in , 'I "The custom of writing verses times of ill fortune still prevails. have frequently known poems,' says Mr. Hearn, 'to be written under the most trying circumstances of misery orsuffering nay, even upon a bed of death; and if the verses did not dis play an extraordinary talent they at least afforded extraordinary proof of self-mastery under pain.' "Another-curious fact concerning Japanese poetry is that a poet would be condemned for attempting any completeness of utterance in a short poem, the object being to stir the imagination without satisfying - it. country to coniorm to rules so tyran nical that were they applied to Irish men in Ireland, would set Ireland ablaze with insurrection from Bel fast to Cork. In her Majesty's army the Irish generals and the duty bound Irish soldiers are fighting with might and main for England and the establishment and growth of na- Irish, English American and all kinds tions there is no question of right or of rights In the Transvaal. All loyal wrong. A weak nation is broken up and replaced by a strong because the latter is stronger. The Lord is on the side of the strong because, in the long run, the strongest are the most obedient to its laws which are the laws of nature and truth. The defeat of English arms in the Trans- American citizens, all true philoso phers, all believers In progress and evolution, all opponents of cant and hypocrisy, all believers in education are, because of these principles, on the side of the English. The insin cere and undemunstrable sentiraen talism which effects to believe that V