The courier. (Lincoln, Neb.) 1894-1903, March 20, 1897, Image 1
VCL 12 KO 13 ESTABLISHED IN lose PRICE FIVE CENTS ...;! ! ' 0& LINCOLN. NEB., SATURDAY. MARGH 20. 1807. 1 :f$rtr nmron omciw AM UCOVD-CIAM UA.TTMM VUBLMHED ITHT 8ATDKDAT BT CMBIER PRINIIIG UlNlliSMI Office 1132 N street, Up Stairs Telephone 384. SARAH if. HARRIS. DORA BATCAELOR Editor. Business Manager Subscription Rates In Advance. Per annum 82 00 Six months 1 00 Three months 50 One month 20 Single copies 03 2 OBSERVATIONS. : f vrm Wednesday, March 1". St. Patrick's day, Corbett and Fitzsimmons fight Mosher released from prison, and the greatest or the three is Mosher. It i3 dangrrous to say that C. W. Mosher has good qualities, that the law would not have been able to reach his case if it had not been for his own confes sion, and that he is credited with fidel ity.and loyalty to the unnamed friends who got into the scrape with him. He .has taken his punishment as stoically .and recklessly as he kppt books. The suspicion that he has money put away somewhere or that now that he is out of prison the confederates, whom he protected, will protect him and help him into a paying job. is the main reason that keeps his real virtues from leceiving the recognition they deserve. His crimes were of the audacious, "nothing venture nothing have kind." He counted upon taking his punish ment for them, if luck went the other way, when he committed them. When hte doors of the bank closed and the rapers announced that the Capital Na tional had suspended, it will be re membered that Mr. Mosher assumed the whole blame and insisted that he be sentence d to the penitentiary for the term that his offense demanded. It may be that he alone was to blame. At any rate, no one rise in any of the bank failures which succeeded the Capi tal National epoch has suffered the ig nominy that Mr. Mosher has. He was self-condemned. The other bank presi dents and cashiers laid the blame on the hard times, and the hard times bore the blame so long as sympathy is the only circulating mrdium that the cashiers and the hard times have left in the city the unfortunate bank officials aie not denied a portion of it. Every bankrupt in the city has the air of not being the only bean in the sdup, excepting Mr. Mosher. He has done no more than some. He confessed his sins. He has received a long, severe punishment of which he has already ac knowledged the Justice. Why not con sider him as the first victim of hard times instead of the cause of all our woe? We have lost just as much by other guardians of trusts, Treasurer Bartley and Auditor Moore for in stance, yet men do not hear curses as they pass by. In spite of the unpopu larity of anything like impartial justice when considered in connection with Mr. Mosher, I think that according to the scale of punishments applied to ether malefactors of the same class, he has received punishment and ig nominy enough. The indictments presented against him in exact justice are doubtless cor rect, but until a few are prepared against a large proportion of the popu lation of the state who have gone out of business for various very ingenious reasons, which appear to satisfy the law, those against Mr. Mo3her should be quashed. Du Maurier's new story, "The Mar tian" 13 not so interesting as either the story of "Peter Ibbetson" or "Tribly." The new glory that he was able to shed on "la chass. aux souvenirs d'en fance" has faded. The fear as well as the hope that "Tribly" and "Peter Ib betson" were, to a great extent, auto biograhpical has been realized. "The Martian" is the tale of an old man who has lived his life, and whose pleasant est memories are of the three years of his early boyhcod when he saw the most of his school mate, Barty Josse lin. More than in either of the other two stories the lack of constructive skill is apparent. Trivial details, which have apparently nothing to do with the story, the unfolding of the plot or influence upon the characters, fill the chapters up to the present time. The atmosphere cf reminiscence is fascinating and Du Maurier is an old master at reproducing it. Fiction, as well as history, must use the past tense, yet Du Maurier, by introducing the hero's widow and children, with reference to his own loneliness, im presses the fact that these people are a long time dead. Such treatment substitutes a liter ary, historical interest for that which kind has for kind. All. of Du Maurier's stories tell of past joys, and of a pres ent that is endurable only because of the light from the past. He even more than Thackeray or the poor "Duchess" apotheosizes his hero or heroine. Barty Josselin, "Trilby" and the peerles3 countess of "Peter Ibbetson" are wraiths in a double- sense, separated from today by time, by unheard of vir tues and by a heavenly and enslaving beauty too perfect to awaken desire. But the drawings of "The Martian" have not the anatomical impossibilities of "Trilby." Barty, though a trifle emaciated and with an expression too flcwer-like for a man, is still, take him for all in all. a man. In the December number of Harper's Monthly, in wh'eh the story is appearing, there is a quite wonderful picture of a dream that the old boy has who tells the story. The roots and branches of a tree kept him from moving on the solemn, ugly little boys who bear a dream-likeness to his former school mates, and on the mock ing usher who orders him about with the old malignity. The picture has the impotence and dumbness of a dream. Did anybody ever feel the flesh creep with horror, or contrariwise, a worship ing gratitude for the beauty of char acter, when looking at one of Gibson's irreproachable pictures? Du Maurier, with dimmed vision, sometimes draw3 poor torsos, and sometimes legs are dislocated. When he was a little boy he had an idpal of what a I eautiful woman should b,andnoeub sequent work on the model was able to get her back into drawing. My self, it does not matter. No one can so atmosphere a drawing and produce in effect like Du Maurier. Not every one admits the beauty of his ideal wo man, but he produces the effect of be ing in a most lovely and gracious pres ence, and that is much more than splendid drawing. Gibson is Gibson, and we cannot be too greateful for him, and he can beat Du Maurier drawing a thing, but the latter's work effects the imagination and recalls experience wi h unmatchcl power, lfo.vev.jr, to he failure'in the btler press of "The Mar tian," t? jeach the level of "Trilby" rathy than to the effect of the popu larity of "Triiby." Du Maurier's death is due, if there were a sentimental ressjn for it. .Try does not even kill the a:ed and sick, but defeat take3 away the reason for living. The people who live in a town as in land as Lincoln who keep track of the price of corn and who are trying to keep the state cut cf the rule of the ropulists, who take the eastern papers only for thp market reports, political news and funny pictures, are not fa miliar with the reputations of treatrical companies who play only one night here. Some very respectable companies have had pesters no more risque than Cissy Fitzgerald. There is nothing especially sktc'-twir about ths corps du ballet, gauze skirts, tights, masculine attire and bloomers. Mercuries. Di anas naiads are not shocking to end of the century eyes. There was an outcry among the Romans while the toga was going out of style. Thy thought any other dress Immoral. Mod esty Is not a question of dress, but of speech and action. Modjcaka and Julia Marlowe In boy's suits are funny and awkward, never immodest. So long as the posters, then, cannot be accepted as a sign of the respectability of a play, there should be some means besides the announcements or an exhaustive re search into contemporary dramatic criticism of knowing the character of a play before the company arrives. Sissy Fitzgerald hers If was not so bad as the play of "The Foundling." though she was depraved enough. The play was the thing. It could not be printed in the newspapers or sent through the mails legally. Then why should it bo allowed dramatic representation? In view of the event in Carson City en last Wednesday, the following prophesy from Town Topics last week indicates a promising young writer on art: I pick Prof. Robert Fitzsimmons for the winner of that little scientific argu ment in Nevada on March 17. I may be wrong in my selection, and Ir events prove me to be c. I shall cheerfully make my ob Isance3 to Professor Cor bett and acknowledge that I have un derrated his capabilities. But I do not think I am wrong. My present opinion, that Professor Fitzsimmons will ham mer Professor Ccrbett In a most un merciful and heartrending maner, if. indeed, he permits him to leave tha ring alive, is based upon the most logi cal reasoning in the world. In all of his earlier fights Prof:s?or Fitz3iinmon3 has proved himself a whirlwind and a wonder. In times more recoat h licked in about ninety f-cont'i Profes sor Maher, the really cl-ver fighter to whom Professor Corbett z-v fit to pre sent the world's championship on a sil ver plate. He made what gentlemen cf sporting proclivities call a "holy show" of Professor Shark' y, the mus cular sailor who nearly slew Professor Corbett in San Francisco. In iself. the red-topped processor's pTonality is a terrific one. A blacksmlih. who loves a fight for amusement's sike. and selects lions and bloodhounds for pliy mates. is not the sort of per-on mo men wuid choose for an anta?on'?" ia a battle to a finish with fist. Profes sor Corbett i3 a strong man and has been a mighty gladiator ia his day. and I hope he realizes that he is going into the most ser!oii3 situation of his life I expect to see him beaten en March 17 that is, if thp fight i? a fair one. I am rather surprised to "bser thit no serious outcry has so far been in dulged in by eithor pulpit or press on the subject of this fight. This should t? regarded as a feather in the cap of the state that has had the mirage to legalize this form of entertainment. I