The courier. (Lincoln, Neb.) 1894-1903, August 24, 1895, Image 7
tt; ut THE COURIER: de floor, fur dey was painters, an hail evidently been on a strike an were makin' up fur lost time. De uex' feller dat cum in seemed ter be a misfit, fur dey called im Little Billy. Wen he cum in I saw der wuz ter be sum actin', fur ho looked as if he had a pain an kept snappin' his fingers. He held his conk in his paw, an kind o moaned like, and I tot der wuz trouble, but it seemed ter be love dat wuz preyin- on his vitals. Some one hollered 'Milk below! 'Wofs dat,' says I ter Chim mie, 'de milk train comin' in?' 'Xaw.' says e, Mat's Trilby!' In cum a blond beaut wearing de uniform uv de First Regiment, wid nostockins, but a pair o' skates a mile too big. Gee, but she wuz a doisy! I wuz clean paralyzed-. I'd seen nothin' Iike'er since Louise Montague rode de elephant as de ten tousand dollar beaut. But she could give Louise cards an' spades an' beat her banes down, an Louise wuz a tor-rowbred.- 'Her handle's Miss Crane,- said Chimmie. I tot he wuz trying ter string-mewid de Lincoln Park avery joke, an' said: 'Crane be blowed. She's a bird o paradise.' Well, me heart wuz tumpin terribly; ibut de play went on. Nobody ever has heart failure in de gall'ry; but goodness knows, der's reason 'naff. His whiskers put wood on de fire an' Billy kept on bavin' growin' pains, an' de Laird kept paintin' pic tures to a dry finish, an makin' cracks in his own peculiar style. Den de music kinder brightened up a bit, de door opened and a big beak, followed by a man wid a laugh cum in. Dat's Sven gali, said Chimmie. 'To 'ell wid 'im,' said I, 'fer he's a dead bad mug.-' I wuz onto his curves in a minnit, but it took de audience tree acts ter get de tip. Svengali's got a voice as big as Bob Downing, but he don't pad his head like dat tra-gedian. He's got wot dem critic blokes call modulation. Oh, but his mug! To tell de truth, it's a wonder, wid a 'normous beak, snaky whiskers, an' glims dat stick out like doorknobs. As ter his laugh, it's mild compared ter a riot in a drum factory, an' its wonder fully endurin. He needed a bath pow erful bad, but 'es an actor from way bck, an' don't yer forget it. Well, wen he gets on der stage de monkey an' par rot ain't in it for trouble ho kin make." I have been a raving lunatic for a week, writes a young Chicagoan, and my wife is sick in bed, all because of a party of "forfeits" at our house one evening a week ego. We compelled a young man to pay his forfeit by re peating a verse of poetry. But I don't think he will repeat it i.ny more. Here it is: Antony and Cleopatra stood on the burning deck, Their feet wore full of blisters She put her arms around his neck, While a Kyrle Bollew through his whiskers. Some of "The Merry World's" adver tising material consists of miniature gas balloons bearing the impress of the at traction onthebag. Hundreds of them are sent up daily from the roof of the theatre where the performances are given, and attached to the balloon is a ticket for admission to the theatre, good only on presentation of both balloon and ticket. Being inflated with gas gener ated by a combination of sulphuric acid and zinc, the balloons ascend to great heights, and are carried by the wind currents long distances. One of the lot that was sent up from the New York Casino, where the attraction is now running, landed somewhere in Dakota. A few dayB subsequently Manager Led erer received the following missive: Bismark, Dak., July 20, "95. ' Manager Lederer: Sirr The balloon and ticket came down here all right, but how in am I to get to Jew York to see your show? Respectfully, W. F. Daxgburjj. .y. : KUi, .t i. , The Creighton theatre, in Omaha, opened this week, is a beautiful piny house. The acoustic properties of the theatre are excellent, a conversational tono carrying perfectly to the topmost seat in thogallery and tho loudest Bounds from the stage creating no unpleasant echo oven with an empty auditorium. The horseshoe curvesof tho balcony and gallery are brought unusually close to the stage, a featureof construction agree able alike to speaker and hearer. The stage space, forty-one by seventy-six feet, is all available for the purposes of dramatic representations, none being taken up by tho dressing rooms. These apartments, thirteen in number, are furnished with a completeness seldom found even in the best appointed thea tres. The four allotted to star perform ers are just oil the stage behind the boxes . They are tastily carpeted, and fitted with gas and electric light, hot arid cold water and individual closets. The Temainder of the dressing r toms are on the two floors of the little annex adjoining the stage westward and reach ed by the stage entrance on Harney street as well as the door from the alley and the archway leading from the stage. These rooms are of good size, and each is provided with an outside window. Ihey are carpeted, well light ed, plentifully supplied with shelves and each has its hot and cold water bowl; with a closet on each floor. The fact that the first floor rooms are level with the alley and the second floor windows are only ten feet above, taken with the further assurance that three exits are provided from this supplemental struct ure, would seem to show that the danger from fire has been as well guarded against here as elsewhere. From the foyer, uninterrupted save by the pillars of the graceful arches overhead, a view is had of stage, par quet and circle. A drop curtain from the pen of William Grabach is perhaps the most striking single object in sight. Departing from the usual custom, the artist has produced not the shocking daub which too often stares theatre audiences in the face and harrows up their artistic souls, but a representation of drapery, severe in dis position anil in tone harmonious with the dominent tints of the interior. This curtain, the sombro beauty of which will grow upon the public, is reinforced by another, a massive structure of sheet iron, braced and riveted, and so accur ately balanced that a minimum of force, lightly directed will move it in its ap pointed channel. By means of this ponderous wall of metal an impervious barrier may be instantly set up between afire on either side of the footlights and the other regions of the theatre; and the entire construction of the building, both in point of materials em ployed and in respect to the number and convenience of exits provided in ail parts, has been wrought out to the end of assuiing absolute safety, so far as might be, to audiences and players. Augustin Daly's company is taking a vacation after a short season in London. William Farren, of celebrity in England as an actor of old men, will come here with Olga Nethersole. The London Garrick Company, to come with John Hare, contains Fred Terry and Julia Neilson. A new American play will be used by William H. Crane when he begins his next New York season. Will iam F. Hoey gives up "starring" and goes into a farce called "The Globe Trotter". Louis Harrison, not forgot ten as a dioll comedian, will be in "The Stag Party." Richard Mansfield will shorten his season in New York to aboi't six weeks, and devote the rest of the winter to a tour. Chas. H. Hoyt has three bran new farces ready. Min nie Palmer and Mrs. John T. Raymond will return to" the stage. The old min strel, Dan Emmetti author of plantation melodies, writes that it is true enough that he is poor, but ho isn't dependent yet on anybody but himself and will join a troupe for next season. Rose Coghlan, Maurice Barrymore and Henry E. Dixey are members of a San Fran cisco stock company. Maud Harrison has left and Rose Eytingo has joined Mr. Mansfield's forces. Marie Bur roughs, unable to obtain a promising play, has given up her projected tour. Sara Bernhardt is writing more mem oirs. John Drow has gone to California where he will start iu with "An Impru dent Young Couple." Henry Irving has chartered a whole steamer to bring his company and a great quantity of scenery to New York. At Haltnorth's Garden Theatre, Cleve land, Ohio, recently a gentleman of Teutonic origen had two lithographic admissions and presented them to the ticket taker, "Colonel" Will Moxon, for himself, wife and son. The son was about 15 years old. Moxon pointed to the boy and said he would have to get a ticket for him. After considerable dis cussion on tho subject Moxon announced emphatically: "If you want tho boy to see tho show you will have to get a ticket." 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