stx IWf ' l ' THE COURIER 3 crltluMB 'K.i M' vHUP B&5 It was a good Iioubo that witnessed the third presentation or "The Charity Ball" at the Lansing theatre opei a house Saturday night. He must bo an unfeeling person who .can seo this play and not feel that there is that in it wnicn puns at his neart strings, it is a story so true to life, its sorrow is so real, its Joy so natural, that one is engrossed in its gradual xnfolding; and the lessons it teaches are most wholesome. It is fortunate that "The Charity Ball" has always been in good hands. First sent out on the road by Daniel Frohman, it is now in the hands of Gustavo Frohman's company, which s as well qualified to present it as was its predecessor. The cast is a large one, and all the characters must be well sustained to preserve the harmony of the piece. Credit for the best work must be given to Mr. Gibney, in his assumption of the part of Judge Peter Gurney Knox; Mb char acterization is said to bo of his own creation and is certainly finished. Next should bo mentioned Miss Mabel Strickland, as Bess Van Bnren; as the ingenue she has a part prone. to be overdone one way or the other, but her acting is pretty and natural. B. Howard, as the rector; Dorthea Usner, as Mrs C. De Peyster; and Bernice Wheeler, as Ann Cruger, all perform their parts accept ably. It must bo said that the Dick Van Buren of J. Francis is not up to the average of the others in the cast. His poses are too stagy and his effects too studied to agree with the naturalness of the others. The thread of the story is carried largely by the rector, Dick, Phyllis Lee and Ann, some of the scenes being particularly strong and almost provocative of tears. Sol Smith Russell, or cs he now calls himself. "Mr. Russell, comedian," must have been highly gratified with the reception which he received in this city last week. Indeed, hs he appeared before the curtain and made his exultant little speech, the immense audience and the enthusiastic plaudits may have caused him to forget for the time being that New York and other hypercritical communities will have none of him, and he may have deluded him self with the fancy that the Lincoln commendation was but a speci men of the universal tribute of an appreciative people to the only "legitimate successor of Joe Jefferson." But Mr. Russell, however great his success in the west and south, and we read only the other day that he has already accumulated several hundred thousand dollars, can never forget, for any considerable period, that in New York city the people smile at his most serious efforts, and what is wor6e, stay away from his performances. Every year ho has made a determined attempt to compel favorable recognition in Gotham, and it is said he annually loses many thousands of dollars in these attempts. He has invoked the aid of the cleverest playwrights in the country in trying to find a play in which he could appear to the satisfaction of the people of New York. Boucicault did his best f Russell, but he did not attain success, and Kidder's cleverest work fell Hat. The question is, can an actor whom New" York refuses to approve, be great? The case of Richard Mansfield may lie cited. He is probably the most unpopular actor in the ountiy with the press and critics of New York; but Mansfield gets abuse, not ridicule, and his unpopularity is known to be due to his disagreeable per sonality but with all the abuse the people of Gotham patronize him fairly well as long as he sticks to rational plays. Many intelli gent and well informed people maintain that S1 Smith Russell is great, no matter what New York or any other effete eastern city may think, and they go to see him every year, and each time an; more delighted than before. He has admirers among people ivhn seldom go to the theatre, and to whom the advent of bI Smith Smith Russell is an event of big importance. On tho nth r hand there are people right here in Lincoln who are unable to take Russell seriously, and who regard this comedian who is waiting for the descending mantle of Jefferson, as a presumptous pretender. It can be said of Russell in all fairness that he is absolutely lacking in originality. Ee admits this much himself. Gifted with a some what remarkablo voice which ho uses with an artist's skill, he is an admirable mimic, and his close study of the methods of Jefferson has enabled him to oxhibit that peculiar mellow quality of humor, that mingling of comedy and pathos, that are so characteristic of Jefferson. In his earlier plays, "A Poor Relation," "Peaceful Valley," etc., ho gave almost perfect reproductions of Jefferson's subtile comeny; but the pluyH were not like Jefferson's plays, and the studied imitation was not so apparent as now, when ho has givon himsslf over wholly to the presentation of tho plays in which Mr. Jefferson won fame. Russell said in his remarks before tho curtain at the Lansing last week that as Dr. PamjlosK he woro tho same wig Jefferson himself woro in that character. Not content with presenting Jefferson's play and wearing Jefferson's wig. ho used Jefferson's voice, and Jefferson's laugh, and Jefferson's walk. In fact tho Jefferson business was very much overdone. Next year, it is said, Mr. Russell is to appear in Mr. Jefferson's famous char acterization. Bob Acres in "Tho Rivals,'" and wo exrect to seo a startling reproduction of tho leg shaking with which Mr. Jefferson; has made us familiar; and "Cricket on tho Hearth." and "Lend Mo Five Shillings" will probably be added to his repertoire, and event ually wo shall seo this "legitimate successor of Jefferson," as a second-hand Pij) Van Winkle. The public will never see Mr. Rus sell except as an imitator no one can deny that as an understudy to the greatest living American comedian ho is moro than passably effective. Mr. Charles Dickson gavo his first presentation in this city of his new play, "A Jolly Good Fellow." at the new Ftinko Thursday evening. In his new role Mr. Dickson presents, with tho aid of a very competent company, a play entirely different from any of his former efforts, in fact the tone or "A Jolly Goo 1 Follow" is ono that up to tho present time, has been laid before the American audionce with the qualification adapted from the French. A goodly portion ot American theatre patrons never mis3 an opportunity to see plays of this character but como away apparently shocked at what thoy have witnessed and piously advise their friends to remain at home on such occassions. Wo are reminod of an oft repeated World's Fair story which wo will risk again. "A certain minister of tho gospel visited the fair and upon his return home advised one of his brethern to avoid tho Midway Plaisance and especially the theatre at tho end.of the streets of Cairo. The second ministerial brother solemnly received this good advise, but immediately iion reaching Chicago repaired to tho aforefaid theatre to see what he had been advised to omit. Upon his return home the first brother said to brother number two, of course you followed my advice?' Where upon number two spoke and said 'not by a jtigfull, I took it all in, and do you know the moment I entered that large fleshy girl with the short hair beckoned me to her and whispered in my ear, where is the Rev. Brother number one." So with Dickson's play they are all horrified yet they all attend. MILTON NOBLES.