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About Omaha daily bee. (Omaha [Neb.]) 187?-1922 | View Entire Issue (March 12, 1922)
Tilt: CKK:. OMAHA. SUNDAY. MARCH ' i1 1 a t Shaws Latest Effort Toward Great Reform By JAMES WMITTAKER. NLW YORK. Ope ciI ) It woul4 t tme toint to tie ride nhnlicr lit Thrjier iuM, uniKKliHB In the Carrkk ilira'rr with Uroott Armani Miaw't- nie of iiaioKtie .niophir turned "fUtk la .Mrtliiisrlah." i doing ihf Hmg a a Uhor ot lovf or (or the Ute of labor. It houM It a tii.f point n decide whrihrr Muiurrt Wychrrly'a voire " I He oice ol the hrrprnt," in ilir rvrle'i first part, i the "strange, rdmiivrly tmiual whi-cer uhicli Miaw Jinnh In (lie play.cript, or jwm pMin i4iKiii out lotm. It oull be a nice point to decide whether the guild hut created the ptay Miaw imended, or omctlitng rle. Hut the nice point are puimlen oon it i acrrt4ined thai Mir never intended a play ut all. 'thi fan le done by buying the Muw book at a More and discover in? that all the actable drama in it i the uncatalocued 101-page preface. The Guild produced the wrong end the book. A balancing of the tUgr tai:e of the five dull "Pack to MethtHrlah" ptayi itli the 50 bril liant hit of dynamic proe in the Hdare leave the scale distinctly tipped toward the Utter. Tor in Dtances: The most eventful thing which bai so far happened on the Mace of the Oarrick where the first week of the play lu been devoted if) its tirst two division -ha been an incident in Shaw i apocryphal le Kend of the Garden of Eden, show mar us Cam jhotit to hit Father Adam with the flat of a lath whittled lo represent a tword. Hut, in the preface, we have a M-ene wherein Ood is about to hit Shaw with a thunderbolt. A rev erend had been relating to Shaw mmhc instance! of miraculous divine wrath and was particularly positive that blasphemy could call down a thunderbolt on the head of the blas phemer. Up got Shaw in the Lon don parlor, blasphemed, and held his watch on God for five minutes, while the Iir-rified hot-gospeller hid underneath thr'furniture. Which is the more dramatic' There can be no doubt about it. A thunderbolt is bigger than a lath word. Also you never can tell it might actually fall, as the. theater management, having no control over deities, could not be sure whether the scene would end in applause or a dead actor. In the preface, Shaw, getting into a towering rage about the crimes of vivise ctionists, unburdens himself forthrightly: "I really do not wish to be abusive; but when I think of these poor lit tle dullards, with their precarioiu bold of just that corner of evolution that a black .beetle can understand with their retinue of two penny-half Torqucmadas wallowing in the in famies of the vivisector's laboratory, and solemnly offering us as epoch making discoveries their demonstra tions that dogs get weaker and die it you give themi no food; that in tense pain makes mice sweat; that, if you cut off a dog's leg, the three legged dog will have a four-legged puppy, I ask myself what spell ha3 fallen on intelligent and humane men that they allow themselves to be im posed on by this rabble of dolts, blackguards, imposters. quacks, liars and worst of all, credulous, con scientious fools. This is language an actor can bite into.' Here Mr. Shaw said a mouth ful. In all the pages of his five plays he never does better than say a pageful. The plays are 'a little bit more amusing than they are exciting. In the last part of the evening in the Garrick there is some clever lam pooning of Lloyd George and As quith, of whom two of the characters of the cast are counterparts. A great deal of this amusement, by the way, comes from the actors, who have improved on the Shaw text by going outside of it for two cartoons in makeup and gesture of the English man. But here again in matter for mirth the preface is richer than the work. Again such sly and meager laughter from playgoers who are well up on the international gossb as may greet Shaw's digs, in the lat ter, at the hen-pecked Asquith or the vote-pecked Lloyd George. I put the rih-sptittine spectacle, in the for mer, of Mr. Shaw learning how to ride a bicycle. To quit this process of proof by pieces and come to a summing up, the matter of both the preface and the plays is the storv of the theory of evolution, since the days it was science to the dav it became religion. And. in the preface, Shaw tells dra matically how it happen :d, in the plays undramatically why. Clearly the nrodtiction of "Back to Me thuselah" in the Garrick leaves an awful opening for some rival enter prisea play which can be titled 'The Front to Methuselah." Shaw calls his latest opus and he refers to it once or twice, with sen ile melancholy, as a possible last opus a "contribution to the modern Bi ble." The dogma he advances is that humankind has an expectation of longer life. Three score and 10, he argues, is a baby span, and civiliza tions, politicians, artists, messiahs and laborers die before they have struggled out of swaddling clothes. Let humanity extend the liie span to 1 000 years and it will get astonish ing results. Projects that now die be cause one generation cannot com plete them and the next generation cannot remember them, will materi alise. , , The trouble with the earth, Shaw decides, after looking at it from the eminence of his talent and the re moteness of his 70 years of age, is r.ot that humans can discover no ways and means but that' they exert nolwilt. . He goes into the matter of human will at length. Its existence is proved, he ventures, by the biologic phenom enon of "conscious , evolution." Of this term, having no. confidence in the. reader's powers of understand ing' he gives a whole play and half a ffreface of explanation. It is evo lution backed by will God helping thc monkey who helped himself to become a man and willing now to i Tlvt Upper t,me; Peek A Uoo Chorl3iea jh 7 ' " ' T I Y r- J...V II A ww I V: vh Ptfil Lillian GisH in'Orphans of Lidta Edtrrtf I ! .. . , I p j lZ t I What. Theaters Offer; f ( ItSkl ((fTIHE r.int Sho of Ml." ninth- I !i id J .The-ManluIIcr-.L Lillian (', iih h of- - I uhru I'jirr iysrily, jr4, Imjl to Jd, iliit. then lurnrJ Oliver.' Oil I xtr re4ihernJr-.hr iMlIi'4!d i4ble j "That tlhtr." W ripliified, 'Tfir cue I oituitfd iroiii,!!! lloiioulile Cecil'' thumb," iif added unplra anily. ' "Well! What abutit mapped Vrr. :. : . "It wa painted red. .iimii! Thf ,4ie pu'e Hhue. "Well! WrIIJ" iurle.l r , "I looked for foiiiethiiuf reil," kiiid Oliver. "I found it. 'I fine it i! lliat maul! I'jnin bun! he ludtd the horehie ta it and Jv'iheralc'y liramed the fxtor devil vkitli ft, in cold blood. Tjien tje tacked the' horeliPe hvk tnt'j place! Ilinh Gun an't the ino liillerl Thert your man killer Hint nimelieg wretch in the corner." Oliver made an filoit to control himelf, ."If. von doi't believe we,", he cried, "look at that maul. You can,re the, v.tT h even if he did try 'to batier'tlieiii' out." A jhiicle came from the cmner. " "It was that wonuii he made me do it he hvnnotied me!" A ghastlv i fence followed thi outburst. Mrs. Jtmmie roe quietlv. ith tmger that did not tremme she cxtini!uilied 'c live coal of her cigarct in the the ahe of the tray heule her. This done to her tw faction, he daintily brushed her hands and looked expectantly at l'arr. 1'arr gave her credit for ticrve. Mie could gaze without a tremor at the hideous weapon 'that had redurcd the stalwart man to a blubbering roiliesion. :N 1 "Ve)l,' In - l"oiniiskvicr,' he cai'd in level toucs. "what are . we, waiting for? Ulhy. prolong it?". ' . b ' Zabriskie drew the abwuimali.Cr cil to his feet and led him down the room. As he passed the woman the man turiicd on her one, 'beseeching look. She. drawing back, as 'if afraid her garments would touch him, gave him back a glance of unutterable dis trust. "It" was not Ihe foul murder of her husband, for which she' must now stand accused before a court of justice, that daimtcd her; it was the shaming realization, that, one of. her blood had been brought .to the mire with such a yellow, cur avthe Hon orable. Cecil (Copyright help man to become superman.' It is disagreement, within tne camp ot evolutionists with the Darwinian legend of automatic, selective evolu tion. It is shortly Shaw's "survival of the tightest" erected to combat Dar win s survival of the fittest. The plays are part, with H. G. Wells' earliest and latest' works and (cm this side of the Atlantic) with Roosevelt's "strenuous life,"1' of that system of living the over-full life which has fascinated the contem porary Anglo-Saxon, The world, for Shaw, Wells, Roosevelt and all their unconscious disciples Edison, with his four-hour sleeps, the above-average American business man with his 14-hour days is so full of a number of things that they; are all as unhappy as kings, The philosophy of achievement, is to me antipathetic. I 'take myself as a standard instance. I. believe I could set myself up as an anti-Shaw with an anti-Bible if I had. any tal ent for preaching a gospel of non achievement. Such a Bible would be founded on the premises that humans achieve too much that the trouble is not that they live so. short that they have no time to get ouS of troubles, but that they live so long that they have time to. get into .them; that too many books are written,' too many fortunes made and lost, too many battles lost and wop, too many civilizations started and ended, all for the one reason that too much life is lived. In the ideal world this Bible would etch, there would be short and much less active .'life, at least half spent in charming leisure and given to labor only when there was true occasion for such unnatural effort. Human achievement. :;wculd be then reduced to an important minimum, restrained and winnowed by a maximum of philosophic iner tia, and mercifully stopped- by early demise. Shaw is fantastically old and this one of his . admirers .fantastically young. On the verge of a grave, Shaw finds that he has a lot to do and no time to do it in. On the verge of the thirties. I find nothing to do and a lot of .time to do it in. , Skinner may have a new dress suit. That is to say, Bryant Wash burn is considering a reproduction of the popular magazine' story that raised him to stardom' a few years ago and started the vogue of light comedy dramas on the screen. There is a new heiress to the con siderable estate of Thomas Mix. She arrived the other day and has al ready, been named. Thomasina. The child's mother is Victoria Forde, who retired irem me screen when sue married the star of western pictures. 1 mi!E rnsin Show nf U21." ninth" I ot lh Herlea, which comes to the Hranduli nejt Sunday nlKht, la hpraldrd aa another of thoae anurtalii menia fabricated at th New Tork Winter - Garden. Willie and Eugena Howard are thA ntnra Thora a tu... acta of 26 aeeneo, In which are promised aDunnani comeay. Hinging ana (Jane-Inn. together with large chorus of belles, and. numerous eya smiting- sets. Among tne principals ara Cortex and Peggy, Magtera ami Brown, Bchrodo and Aron son. Will Phllbrick. May Boley, Ina Hayward, " Emily Miles, Dolores. John Quintan and Jack Rice. Harold Atterliige wrote the book. The muslo waa written by Jean Schwartz with Incidental music uy Al Goodman and Lew Pollock. The acenery waa designed by William Weaver ot ths Gaiety theater,. London. FJIXOWINC.'- its . triumphs at the Brandefs theater during the past two weeks. D. W. Griffith's "Orphans of the Storm" ' wlif "he ' continued a third and positively last week, beginning with to day's ma.t!nt performance. At nearly, every presentation of this acreen -epic, last week, enthusiastic onlookers, enthralled by the marvels of the picture that. -wlth the famous old - play- "The Two Orphans" as the' basis.- had as .picturesque background the Fr-ench- Revolution,, cheered and ap- plauded . during the tremendous exciting and emotional scenes brought before their eyes and Imagination by Griffith's wia ardry. The mob scenes Including the storming- of the Baatlle and trials before the people's tribunal, are Griffith at his best. The magnificent settings show ig' the interlbr of the-king's palace,-the -gardens of the Marquis de Praille during a night fete, the quaint streets and buito irigs of old ParJs, are all so realistic-', substantial and 'authoritative aa to make one doubt that they could have t been speclally constructed for a mero .screen -production, however, ambitious. .In "Orphans, of the Storm," Mr. Griffith has Indeed surpassed all his former triumphs on the screen. . Emilif Miles Tdi$3irigShou IQZl coming io .Grandeis OSEPHrNE VICTOR, one-of the most popular -star, ef the vaudeville stage, comes to head the show which opens thia afternoon at the Orpheum; She Is making this her first appearance in Oma ha. Supported .by a company of unusual merit,-she is to appear in the four-scene romance. "Juliet and Romeo," The sketch Is by Harry Wagstaff Gribble, who has provided Miss Victor a role In which her grace and attractiveness may be best dls-. played, Johnny Muldoon, Pearl Franlt lyn. said. Lew Rose present one of featured 'attractions, described as ai revelry of song, dance and music. Ly dia Barry is also to be featured. As a comedienne and . vocalist she is' one of the established favorites of the ' vauder vllle stags. "Listen, Bertie," is the title of the act" of the "nut" variety to be contributed by George Lane and Byrd By-; ron. Raymond and Schram call their song offering "A Syncopated Cocktail' Fink's mules accomplish a series ot unusual feats, Jim Dump, the urirldable member of the troup, is also the clown. He provides hilarious amusement. Beautiful gymnas tics are displayed In the act of Beatrice Sweeney on the traneae ami flying rings. Aesoiki Fable, the cartoon tixiita.' Is to be a screen feature. Topics -of the- fay. also will be shown, ' and likewise the Paths Weekly. . . - , . ..... TOPPING the kilt .at: the- Knipress" for the first half or the week Is Fran ces Parks and 'company, presenting" "An Electrical Kevue."' surhcihinB.ew to vaudeville, and -beautiful -find sp"f taoular. sent their new vehicle, replete with Tim and laughter. The act has many comedy situations, mirth provoking palter and Kinging. Bill Pruilt. "The Cowboy Ca ruso," Is gifted with a besutlfnl -vo,lc, and is also very-clever vflth lassd.-fcndi gun. Jlayre -UeHght,'' and- bny? present "Clever Bits ot Minstrelsy.".. Many ojt the, old songs are sung, as well as the lute ones. and. m'any new a'nd -original jolces";' together' with clever and humorous.hfU-, .ten- .. . ,v -.,., Corinne Says She Wants a Heal Man . ' ('.;.' !' fajUiiri Schooler ha tUol Wizard in. Vt, . . Jtvalin of Munfc I , i''" a imiivijiit, puiut rpe !VI,t a l a cur K'ai'id the .iude. Ufi;ie iiiJife, ,i PjviiI Sthoolei, who li timing tit the Orpheum theater ' m-vt rrW 'iniiic.. act, rtitilld tMiltcti tv linn ainl.lIcriiMii Tim'J It'll, , Tljre,ii a comiMnvkof ltv-l -ntptioriiiig Air, ruiituiicr, ami ,ni'r 'picrnce and lli' paiU thev play add rtinidrfahte ol.ir n- UivtrMiv1 to tlte (tiM uig.. bti) is t.tr a" Dav ill chiddi-r i ftiiueriird it i hii ia Icriiil interpretation of il.iii that i. the krytnite 'ot any at I in whnfi lie U a'emted." - Mr. . Schooler, i-.- witbchevaujv luituiii lor the avtuiie (audrvilie ! patron, but the VO'lii nf l'i iiuj';,v lliei, llialeLirrll ii( lietif,' '.Hfe vfr .iChniM tUX ap'l'3U' , repertoitf ,i r ui h tij.it)dunl ichlotii attttiiptnl tnitule a Cimicil hall. ' ; To bring hi eitr.irtidm.il y piani lie ufnit to.vattUndle ami to prove volatility. rM-tiilrv lliftn, hi' and Mr. 1 inilierg' luiiT "fihionrd an itt lli.tt rmbiat v. .tuiiiiiig. .dancing uuJ. tomedv. .In hi l.wt.w'UicU.in.wiidr- ville'.-When Arf, VViOv!rr- 'a ' rwtf int. he Itkrd it t.0 well lmt be h.ul .1 slmi Uf 'frMfife iiii;rt-f'niiid' , ii'y 'Iji irernt aft, "' ijl li IV ''ii.tfti jiuiiinrt are the kiml tli.it Lave In be bj,itil fit be fttllv aiiiVei;eil ' I he Tliin.M .II, , lut f rtmhrt i hif;V Mi-tuttii)fc a .it f''f (lie next ii;e,--wiieii -m, M'jiuv-rr a aj" wte wpll 1ur"H'ii tji-f'i'. W noved-t1i.it he'iVjJ .' iiAvKJ nt.t a dance with ikcsf iyinidixtimJ erinii..niiii,lr,l '.int who tr:i. lii't l't.iro to lic'dinvV 4 liv' J.tltn-1 .1 1- '-i.rtrinneli.-iuliiii in lii u.irW. I'he.,-i'lln A tav. . Jl i..,,,. I.i r. H.l iti, ,ti u.si.ttil I MWedo'tiirter' and lii faultier. t.;rU,- 'iiiJu'd-i''j' 'i-WAtf j'vetal ( niiltie i. . k'tiireiiiie. Thi alone L l''iii( b.ue. 'i;'JI'y,,l, V.r'"''.r I-T' .would prove a hiKh'.v eutertaiiiing at-' tion'- ' ' I'ke, -i;iU AVrav. , tU- nitM ','l;iiiding' .ix a If""'"'." anr (o'.irii bide a di-lin- The family narne bf Lillian Gikh'' ancestors 'was de.- Guiche, according, to investigation into Jutr. . ancrstty. Lillian was born in Masillon, O., and entered picture when nhe was 14 year old. 'She vvaa-called by Paul Helleu, the Krench paimer. ''onei of the .five most beautiful women in Amerio.".. This dernure star appear j with her aiater,' Dorothy, in "Or-! pham of the Storm." a Griflith mas-1 terpiece adapted-from "The, . Two Orphans. The picture ta in its third , week at the Brandeis theater. ! ' . e I'Vitlr.HuberN' nt'Xt'iipin'irrancc i ull Til doubt, ow-inti-M thi; rmt:i'Ui'd illrti-K pr'.thc ihtril. director, Cecil' Jt. rc "Alillc, who' ri'turiud fioln-' Kurtititf in suiliMioor health th'at' he ! will lie, unable til pick up bi work ' for several week, according to iiurd from l-o. 'ViRrlcs. .. . ...... M J Practically no ftmlKti automohilcs' , are bcin-f imported into tierniany. . i( ' . The Tuesday Musical Cfu& fitacijl k . .v . . J- - COSTRALTO ' -.'...! ;A uditgriuvi, Mar...2i at S;l'5: j?.:wr; 1 ' Price $1.00 to $2.50 no war tax p v Mcrnbeiahip'seut'sali- Tutwlay, March'K. Public 'alo-March 17. ' IXax office ope-h's at" 9 A. M- -.. ., ....., ' v . ., .............. If .' . .First Tims-in Omaha for Tliia Ninth Annual Production (. SEAT SALE OPENS TOMORROWlOlA. M. Broad-shoyldcrcd, ' ..dctp.-chcVteoY rounded and supp,lc.'a. clear peacfies-and-crcain ,compIrt'CjnV soft.y.e'fflavh-' ing browneyes,ano:a 'aee whose ex pression changes rapidly with her mood; that ..is M,iss .Corinne Ar bucklo, prima donna of the "Fcck- a-Boo'' company., at : the Hayety theater this week, who bewails the fact that of all her admirers, not one seems to understand .hor-or take her seriously. . ' . ' "Whatf is the matter- with' -them.-'she asks. "oV is it niyself?" 'Ant P Hifferent from other women? I rc-1 act. The motto of these, artists is ''do nj Ceive innumerable' ' attentions,- and. electrically." Al Beatty and Kvelyn pre.1 le innu c i . -.,,, r .... to reciprocate, no one takes me seri ously. 'Ah. Woe-Is me! Unless some thintr tihforseen- oecra.- I'-feat- that I , am doomed to an unwedded' exts-H tence for the rest ot my days, un, Romeo. Where art thou?"- .,-"; (tr KEK-a-Boo."- featuring, pors Cnr r; roll apd Sam Bennett, ' is. . at the .' Oayety thate?r for ib4 .'tafttat week." Twd ;H'teifng fomedlans, Oaorge. .Carroll and -Soto... Bennett, and the,..cst supporting them are Steve Balzer, Billy Wallace. Al Dayton, Balaef Trio, Corrinne Arbuchle, Margie Uatlln, . JHarry vviine, Pierrette and a chorus ef. protty gfrls. who sing and dance in a mahneV- wnlrh establishes them as a feature bf h slm. Them will Ke a., ladies1 matinee .- at-' fl-: 15 dally all week, starting . tomprrmv. . To-. day s matinee begins-at o TANK aU 'Kathcrine tee -are 'the Uesf , known juvenile stats of th& screen.- v They-have- been seen-In anynumnei, of featured Dictures. and indeed they.. have a company ot their own. At the OrpheunV for the week opening March -is. ttiey win be seen In the comedy -skif. "The' f.Ie'eW' Director," whldi was: written' for- them; by Thorn as ; J. Uray, . The.. Lee.. chil.urj;n have starred in . such ' welt known, films as :TU It to .the Marines.": ' "Smiles,"' "The .Two Imps". and "A'merloa's'-tBudsV' American-made' passenger autoftio-' biles are selling . at.; prices, ranging from $319 to $'11,000. . ' '. . . OMAHA'S FUN - CENTER" . ' Mat. ' and -Nite" 'today Good Res'v'd Seat, 30c Craftily Wlthhtld for Auto' Show Week JEAN BtDINI S SUPERB OFFERING ' '' " "PEEK-A-BOO" "JS GREATEST SHOW 0M EARTH FOR-THC MONEV MATINEE EVER. OA Yr IT'S HERE WEEK STARTING SUNDAY, MAR. 12 , Mstines Every Day 2:15 Every Night 8:15 AUTO WEEK SPECIAL MISS JOSEPHINE VICTOR And Supporting Company . in ,. ' "JULIET and ROMEO" A Romanes In Four Scenes George ' Byrd LANE & BYR01 in . "Listen, Bertie Al . ''Tom RAYMOND & SCHRAM. "A Syncopated Cocktail" LYDIA BARRY Lyrical Raconteuse In a R-tportoire of Sonffs FINK'S MULES Vaudeville's Equin Joy Feast BEATRICE .. SWEENEY In Dainty Diversions -of Beautiful Gymnastics f Johnny Pearl - Lew MULDOON, FRANKLYN & ROSE in A Revelry ef Sonf, Dane and Music Topic et ths Day . Aesop's Fables Paths Weekly Matlate I5e te 5oe: sesie at 7Se: 91 Satsrday asd ivntay. . Nltllts ISO ts $1.00: msio li.JS Satardsy ssd Sunday . ' (Patress Pi U. 8. War Tss) Today's winner of two free Boats is Auto Number 10o75 I - .... .. ... 0 Latest Addition - A f. t' ' To the y itrola Several - x IT' New Models Mahogany; - 0ak Walniil; Tills lype "Avill tie rec'bgiiizeff and welcomed., jnstanjly by the .discriminating purcha.sci;.. They Bear This Trade-Mark A Guarantee of Musical Quality ( - -,.-.', r AVe kriow-tlus- .Vietrola M'ill-i please you. C6riie:Itl atfd let ' lis Tilnv for x-n.ii ' ' '- ' r.- f-t .;'.-,i,- i- I - - . 15th .and Harney Streets. .'V.' Vj uJv!!fe ( Pic turn . Two shows in ont. NtW SHOW TODAY MAYRE DELIGHT &' CO." In "Clever BiU of Minstrelsy" i ,,,t. i, . -. . , FRANCES PARKS. & CO. Electrical Revue . .. AL BEATTY & EVELYN. In "ChrVntmu'ms' ' " .-. BILL. PRUITJ. h. . "The Cowboy Caruso" Phtttoplay" ' -. VXONT TELL EVERYTHING" Featuring Gloria Swanson Wally ' Re'id and Elliott. Dexter .. loO. Stage. Stars 26 Scenes 2J00 Costumes; 75 Famous Winter. Garden Beauties NOT-E Owlnf -to ths imporlancs of this engagement and the unprecedented, .demand lor. seats, refular pstrons are urged to make reservations esfly. Prices Nights 50c-$3; Pop. Mat. Wed. 50c-$2; Sat.' Mat. 50e-)2.50 ' NO PHONE;"oRDERS ACCEPTED-1-NO SEATS LAID1 ASIDE When Ordering by Mail Add 10 for War Tax. ' 1 MARGOT ASQUITH-: Wife of the former British Premier, who. has startled the civilized ... .. world by her lectures and writings To Lecture at the Brandeis Theater . ; ., 4 P. M, Thursday, March 23 . .,, : ' " 'Ticteta on Sale' Thursday; March' 1G. . v. . . 13 -' i nn ei eft ti nn 1 r r . i utEMf.uv, fiuut .fi.vvranu due, . . s .,r- A Matinee at '3:00 ' Evening at 8rl5'; -- -'- ' . vVeek Day Matinees, ?:15" P.' M- Twite Daily Every Evening, &:.$... ..-. .: Breaking, Ail Oinaha. Runs at Advanced Prices t " A Storv X A r '.--i.J-X. ". " Act ,or L.ove: , , .. yr r Play-of: 4 ion Thriils A irS. f 'R Ais'taVvr.- !!T Mt!.Be" E"CP Sat.) 25c, 50c, 75c. $I,0ol'' All .OeIS ieSer.VeUe, Ni,ht. and Sat. Mat 50c, 7Sc, r.OO, Jl.Str.' - 'l . 4 . T. EVERY-NIGHT" . ..... Entire Proceed Thursday . Evening Performance, to Drill Corps,. Mi Call, vary Commandry, Knights -Templarv T asha I-'.