THE OMAHA SUNDAY BEE: OCTOBER 24, 1920.
5 D
Season's Third
Cohan Venture Is
Marked Success
By BURNS MANTLE.
NEW York-(Spu! Corre
spondence.) After two Un
promising starts this year
" n independent producer.
George M. Cohan was not of a mind
to tane any unnecessary chances with
nis third venture, which is "The
Meanest Man in the World." Both
"Genius and the Crowd" and "The
xavern' tailed to live up to his ex
pectation. and after trying "The
Meanest Man on the roar! firat with
Alan Dinehart and then with Frank
l nomas in the principal role, he de
cided at the last minute to play the
part himself, at least until the play
got under way in New York.
As a result he has promising
success to his credit so long as he
is willing to play in it. There is no
questioning the personal popularity
of this lad. He is, I believe, the best
liked, partly because he is the best
known, player in the American thea
ter. In this pleasant little comedy the
part 'he plays is that of a college
man, a graduate of a law school.
And he ia not at all the type, which
he himself would be the first to ad
mit. But that fact does not in the
least interfere with his success. His
audiences love him for himself alone,
and he can cock his hat over the
corner of his right eye the while he
is addressing the heroine in her own
home with absolute impunity. Any
other college man would be laughed
out of the theater for so doing, but
not George M. Even as captious a
critic as George Jean Nathan will
readily forgive him.
"The Meanest Man in the World"
has to do with a young sentimen
talist who is a failure as a lawyer.
He hasn't the heart to serve a dis
possess notice. And if he earns a
tee to which he feels he is not en
titled he straightway gives it to the
misjudged client of his adversary.
Finally, after a five-year struggle,
when he is about to lose his offices
for nonpayment of rent, he is given,
one more chance by a friendly
client. If he will go to a small town
in Pennsylvania and collect a long
overdue account, and prove by the
collection that he can be "hard ' and
"mean" as mean as the meanest
man in the world he will be given
another chance.
He accepts the challenge, goes to
the Pennsylvania village,- and then
discovers that the firm from whom
he is to make the collection is rep
resented by the orphaned daughter
of. the man who established the
business. He also learns that she
is the owner of certain abandoned
acres which are likely to produce
oil, and that the village usurer is
about to cheat her put of them. So
he straightway engages himself to
her as her lawyer, and by the time
the last act is reached has been
able to turn "a ,bum town into a
boom 'town," in which everybody
has become wealthy enough to sup
port evening clothes. Meanness, he
preaches, never pays for long, and
the really successful man must be
ruled by his heart rather than his
head. .
Another of the "Get-Rich-Quick
Wallingford" series, this three-act
combination of wholesome hokum
and snappy dialogue. The first act
is particularly racy and delights its
audiences. After that the descent
toward the expected conclusion is a
little disappointing, but no one seems
to mind. Cohan's performance is
replete with those convincing touches
of genuineness in character accen
tuation which endear him to his
following, and is technically, over
looking his fitness for the type, as
nerfect as any actor is able to give.
He is ably assisted by Marion Coak-
ley and Ralph Sipperly.
Without lifting the "S" volume
of the encyclopedia, can anyone
present tell teacher who Haym
Salomon was? Or what he did for
his country? No? Well, teacher is
not surprised. He wasn't so very
sure himself. Haym Salomon, chil
dren, was the patriotic Jew who
loaned George Washington money
with which to finance the revolu
tion during and following the re
treat of the continentals across what
is now Washington Heights and was
in 1776 a wooded wilderness to the
north of New York.
Louis Mann knew about him. Or
heard of him last season when a
play with Salomon as the hero was
submitted to him by Samuel Ship
man and Victor .Victor. And he
promptly elected to play him part
ly because he liked the clay and
partly because Louis, being a JewA
has a pardonable pride of race.
The play is called "The Unwrit
ten Chapter," and it begins with a
prologue in which one ot Haym
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Salomon's descendants, a hero in
the recent world war. has been in
vited to the home of a wealthy New
York bounder who boasts that no
Jew has ever broken bread with
im, or ever will. The bounder's
son has done the inviting, because
young Salomon is the boy who saved
his life over there, but father , in
sists the invitation shall be with
drawn. Whereupon the son offers
to wager his proud pater that, if he
will agree to meet the unwelcome
guest, he will not only suffer an im
mediate, change of heart toward the
Jewish race, but will himself insist
that the invitation hold.
The war hero comes: the snob
bish father engages him in conver
sation and during their talk hears
the story of Haym Salomon's sac
rifices for America. As the story
is begun the scene darkens and the
ncidents attendant upon the great
Jew's revolutionary record are en
acted. Haym is shown in his home,
as a patriotic supporter of General
Washington, when , the American
congress was treating the father of
his country rather roughly. There
is a Sabbath eve meeting of wealthy
Jews whom Salomon induces to
loan their gold to the cause ot lib
erty, culminating in his' imprison
ment by Oeneral Howe ot the Brit
ish army and his sentence to be
shot at dawn. ,
Then back to the- scene in 1920,
the conclusion of the story and the
account of Salomon's escape. By
this time father is convinced that
"we are all Americans after all,"
young Salomon is urged to stay to
dinner and the son wins his wager.
It isn't much of a play, being
slow-paced as drama and rather de
liberately studded with patriotic
speeches in defense of loyaltists of
all creeds. But it serves a purpose
in reminding the forgetful that there
was such a man as Haym Salomon.
Mr. Mann, without his dialect and
with little chance to employ his tal
ent as a comedian, gives a con
ventionally sympathetic perform
ance as the hero, and is capably
assisted by a cast that includes Lu
cille Watson, Arlcen Hackett nad
Frank Kingdon.
Another new play of the week
was "The Outrageous Mrs. Palmer,"
a frank study of the temperamental
actress as represented by Mrs. Pat
rick Campbell. Mary Young, a
popular player .in Boston and a
gifted actress, plays the Campbell
role and is amazingly like the Eng
lishwoman in vocal intonations and
in those fascinating characteristics
that have stamped Mrs. Pat as an
outstanding personality of the
theater. It is so good an imita
tion, in fact, that it weakens e
character's effectiveness in the
drama. '
The story has to do with Mrs.
Michael Palmer's loyalty to her
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Queen of "The Royal
Vagabond' Has Studied
Real Royalty Close Up
Barry Melton, whose regal char
'actenzation 01 he stately queen
soldier son-the one person in the r0'."" in "The. R?yal Vagabond-
world for whom she cares. So
strong is, her love for him that it
breeds arf unreasoning jealousy, and
she is tempted to boast of his al
leged illegitimacy in order to sep
arate him from his fiancee. When
she is beaten she admits the boast
to be a lie.
The play has had a considerable
success in Eoston, where the excel
lent performance of Miss Young
carried it. In New York, where she
is not at all well known, the play's
future is still in doubt. ,
"Kissing Time," a new musical
comedy, is the conventional assem
bling of those features that go to
make up the average entertainment
of its kind a hook in which the
humor is mure or less deadly, and
the tunes passing fair. At stated
intervals, the chorus girls place their
hands on each other's hips and
weave the familiar snake figures
about the stage, after which the
hero and the heroine sing a duet
and the comedian enlivens the pro
ceedings by insisting that chicanery
is afoot and the "cure for chicanery
is chicory," whatever that means.
There are a half dozen songs that
earn encores and a cast that in
cludes William Norn's, Edith Talia
ferro, and Dorothy Maynard.
Vessel to Be Burned.
. Tom Terriss is taking a rest from
hs arduous work of directing his
latest production, "Dead Men Tell
No Tales," although the big picture,
based on E. W. Hornung's famous
novel, has not yet been completed.
It still remains for the "Lady
Jerrayn," a big sailing vessel, to be
burned to the water's edge and then
destroyed by gunpowder, but this
important scene will not be taken
until it is certain that the ship will
not be needed for further scenes.
at the Brandeis theater for the week
beginning Sunday, October '24, in
the delightfully entertaining Cohan
ized opera comique, has had the
rare advantage of studying real royal
personages at very close range.
Prior to her appearance in "The
Royal Vagabond" Miss Melton, who
is an American by birth, spent many
years in London. During her emi
nently successful career in the Eng
lish metropolis she won enviable
fame in many leading dramatic
roles, notably with Sir Henry Irv
ing and Sir Herbert Tree, as, well as
in the society dramas of Pinero,
I'f rie, Tones and Chambers. Miss
Melton has appeared "by royal com
mand," as the court term is always
quoted, upon several occasions, both
at Windsor castle and at private per
formances before a royal audience at
various times. Frequently, during
the height of the season, the royal
box at one or another of the leading
playhouses has been graced by
members of the royal family while
Miss Melton strode her stately
Thespian way just the other side of
the footlights. Everyone who has
enjoyed the very artistic portrayal
of the queen which Miss Melton
so ably visualizes in "The Royal
Vagabond," will readily agree that
this painstaking and talented actress
must have profited by close study
of royalty in real life in order to
give so realistic, lifelike and human
characterization, with such stately
dignity and queenly deportment as
is invariably made manifest in her
lovable and convincing portrayal of
the queen' mother in Mr. Cohan's
greatest satirical musical comedy. ,
Edward Burns once sold some
thing that went under the slogan,
"There's a Reason." Now he's
leading man for feminine film stars.
His latest assignment is with Mary
Miles Minter.
What the Theaters Offer
GEO ROB M. cohan'e romaHlana In "Tha
Royal Vagabond," will b the attrac
tion at tha Brandola thrater tot ona
week, oommanolng tonight Tha mmlo of
"Tha Royal Vagabond" la tha Joint work
f Anaoim Ooctal and Oeorgs M. Cohan.
Mr. Oostil wrote tha mualo for "Tha Wan
deror" and oompoaad the mualo for many
light oparaa that have bean produred In
Buhnmla, Tha book and lyrlra ara by
Stephen Ivor Balnnyay, Oeorga M. Cohan
and William Cary Dunoari, tha latter be
ing the author of "Flddlr-re Three" and to
author of "Hie Little Widow", and "The
Purple Road." Mr. Frank 8ha, tha prin
cipal comedian. Is ably aMlaiad by a com
pany of players, Inoludlng Jaaale Robertson,
George Klnnear, Vara Baylea Cola, Edmund
Fltipatrlok, Km. ShMly, Edith Jane,
Eddie Glrard, Barry Melton, Harry Jans
wlok. Betty Loughney, Frank Bertrand,
Anna Pauley and other cleyer principals
whose Individual artlatry, together with
the Sensational dance creations of tha be
witching Edith Jane, Hatty Loughney and
Harry Janswlck, and tha famoua "Quesn'a
Guard," make an entertainment that la
Irresistible.
PRETENTIOUSLY staged. "Little Mlaa
Vamp" is to be the headline attrac
tion at the Orpheum thla weak. This
la a sprightly musical comedy In one act
with a company of 11 people, presented by
the Llghtner sisters and Newton Alexnn
der. The principals ara all vaudeville
ravorltea firmly established. One of the
featured acta on the bill la the skit.
"Smiles." to be presented by Bob Nelson
and Frank Cronln, billed aa "Home run
hlttera In the game of aong." Six players
are required for the presentation of
"Help," the Jack Lait playlet of business
life, which Is to be preaented by Jack
Trainer. Charlee Kenna la to appear In
his original character monologue, "The
Street Fakir." "A Barnyard Episode," la
to be presented by John Orren and Lillian
Drew. She la a whistler and he Is a
mlmlo. Teschow's cate display an unusual
degree of feline Intelligence, The trlcka
they perform are exceptionally Interesting.
On the slack wire Miss loleen presents
many difficult feata of balancing. She la
also a pleasing vocalist. Clavernesa ot
the newspaper humorists will be displayed
on the screen In "Topics of the Day." Newi
events will be ahown plctortally by Kino-grama.
ALEXIS RULOFF and Shura Rulowa
and Imperial Russian ballet, come
aa the atelier attraotlon of tha new
show opening at the Empress today. They
posseea youth, beauty, personality and
thorough conception ot every known etyle
cf dancing. "Pretty Soft' a comedy
sketch by WllUard Booth, and In the
handa of Cato 8. Keith and company, will
be one of the featured acts of the bllL
Tyler and St. Clalr, who specialise on
xylophone, marlmbophone and Hawaiian
steel guitar, will preaent their musical
number. Mra. Stan Stanley aaslated by
Jimmy Rvan and James Graham will Of
fer a song and dialogue conceit entitled,
She Makes Faces and
Gets Well Paid for Her
Talent in This Line
20 Minute of Tour Life."
EDDIE VOOT comes to the Orpheum
next week In "The Love Shop."
Other prlnolpela ell be Harry and
n ra...,ih. Written bv Fred de
Qresao, thla musical comedy ha been de-
ecrlbed as a snapatoy in vivi. "
lace, Thla la the atellar offering, but
there are to be two featured acta. One a
"Comedy MIx-Up, ' will be the aklt pre
sented by Jsok Cahlli and Don Romlne.
Sidney Phillips, In song and stories, will
itkewls be featured.
At WOODB presents "Business Be
fore Pleasure," at the Brandel
- theater, four day, utartlng Sunday,
October it, with matinee Wedneaday.
WINNIE Lightner, Orpheum
star, does not agree with Sir
Bulwcr Lytton that "the face
is the infallible index of the mind."
She says the face is used to fib just
as is the voice sometimes, but that
dissemblers usually find it more dif
ficult to manage the facial expres
sion thftn the voice. The face is
affected much by mental process,
but many learn to control the facial
expression and can direct it almost
at will.
Facial expression is a vocational
attribute with Miss Lightner, as it
is with all trained actors, but grim
acing to make others laugh was a
schoolday habit with her. Miss
Lightner says:
"Making faces is a source of gen
uine pleasure to me, because I find
it easy to make people laugh', and I
do now, and always did like to
make people laugh. When I was a
slip ot a girl at school I used to
make funny faces when the teacher
was not looking. Many and many
a reprimand have I received for
making funny faces and clowning
in places where decorum and disci
pline were first essentials. I enjoy
hearing the laughter of others and I
am greatly depressed by the tears
of others. '
"On the trains and in other places
part of my pastime is making people
laugh and I find it easier for me to t
make them laugh by making funny i
faces than in any other way. Strange.
but a girl may distort her pretty
features as a poke-fun at others and
will create laughter, while a man
doing the same thing would enlist
resentment , -
"Of course making faces on the
stage has taken on a commercial
significance with me. Now if I sue-,
ceed in keeping my audiences con
vulsed in laughter, I experience the
complacency that comes from know
ing my services will continue in de
mand, which is very nice. Girls, I
wish to say it is particularly nice
to have your own income, all made
by yourself, amply large to gratify
all reasonable desires, and be free
from the feeling of dependency on
anybody. Grimacing has been one
of my chief assets on the stage and
I would not take a small fortune
for my capital stock in this partic
ular line." . ,
Vivian Martin in "Peter Pan."
Vivian Martin, who is the star in
"The Song of the Soul," a forthcom
ing production, was once Feter Pan.
What that favorite play of Barrie's
via first put' on with Maude Adams
as the' little boy, who didn't want to
grow up, Miss Martin (only no one
called her "Miss" then), was one of
the children of the play. She played
with Miss Adams for several years
and then when she was "almost
grrwn up," but still In her teens, she
waj cast for Peter, himself. For two
years she played the part, touring
tha country.
Heard in Lob Angeles.
"Try some of this.- It's the nearest
beer in the city." The speaker was
John MacCortnick.
"Nope. Never touch the stuff l"
protested Jerry Farrar, his compan
ion. "What! Jerry Farrar don't drink
Leer? Quitcha kiddin," returned
MacCornnck. They were seated at
a table in a Los Angeles jazz parlor
exchanging pleasantries and savage
ly masticating the ends of big black
cigars.
But wait a minute! If you think
tnere's a scandal brewing, you're aU
wrong. The Jerry Farrar in ques
tion is a perfectly masculine prest
agent, who sings only the praises oi
Mayflower. John MacCormick it
the West Coast publicity purveyor
for First National. Messrs. Farrat
and MacCormick are close friends-
which is the closer ot tne two is na
argument of ours.
Husband Directs Wife.
Mae Murray, on her return from
a vacation in Europe, signed a con
tract to appear as a star in Para
mount pictures to be directed by
her husband Robert Z. Leonard.
"OMAHA'S FUN CENTER"
Daily Mat., ISc to 78c
Nitea, zsc io i.o
The Shoai That Sunrise Wise Broadwsy
FOLLY TOWN ,MS
with ths Nl V. Cart Olrsct from the All-Sam.
mtr Rua at the Btiutllul Columbia Thtatsr.
Broadway sad 47th Sts.
Blgoett Muilc.l Revua We Ever Played.
Selling Out Twice Dully. No Advtnce la PHmi.
LADIES' DIME MATINEE WEEK DAYS
9m
I?
P r-t ..i ia.t. tjfj
'DAHCING1
' 1 J
RaflV
n
JA SB
SODA FOUNTAIN
REFRESHMENTS
NOON DAY LUNCHEONETTE
SUPPER LUNCHEONETTE -
Dancing Matuiee Thura.-Sat.-Sun.
Matinee 2S Admission Night SOc
,
GRAND OPENING n.mt Thur.
day, October 28th
"This is My Second Piece"
Give the ChildretrAll They want Because it' Good for Them
WIS
A. Hal a
Nut Fats
0'LFOMAI
Sweet
Fresh
Pure
Your Grocer Knows ? Ask Him
THE D. E. WOOD BUTTER CO., V
Evansville, Wisconsin
Distributed by
THE CUDAHY PACKING CO.,
OMAHA
(if BIG TIME VAUDEVILLE j
I ALEXIS RULOFF SHURA RULOWA
IMPERIAL RUSSIAN BALLET
in "An Artistic Series ot Terpelchoreem Uees"
I I TYLER AND ST. CLAIR "PRETTY SOFT"
"Vaudeville' Claeaieet ' Comedy Satire with ,
Xylophone Act" Cato S. Keith Co.
MRS. STAN STANLEY & CO.
in "20 Minute of Your Life" , j
with Mrs. Stan Stanley, Jimmy Ryan and James Graham , ,
-ffiiuS V" PkotopUy Attraction
"SUNSET V
pl' SPRAGUE"
BUCK JONES I
KM I '5 iff' A Lively Romance) of thai Great In
IseisiiiifsiV Outdoors I
' I Christie Comedy ' ' .. . FOX H CVj
rr I "s"an B1J pt"" I NEWS I $!PI
1 yTSw JrV. t) ft - "l
Ik
Week Starting Sunday, October 24
The
LIGHTNER GIRLS
and
NEWTON ALEXANDER
Present a One-Aet Musical Comedy ,
LITTLE MISS VAMP"
Featuring Winnie Lightner A Co.
Including William Taylor, The Daneinf
McDonalds and 10 Vampe
CHARLES KENNA
' Presenting
His Oringinal
Character Monologue
"THE STREET FAKIR"
John Lillian
ORREN & DREW
Presenting Their Original
Novelty
"A BARNYARD EPISODE"
Home Run Hlttera in tha Ceme of Song
Bob Frank
NELSON & CRONIN
in "SMILES"
TESCHOW'S CATS
A Remarkable Exhibition
of Feline Intelligence
MISS
IOLEEN '
The Petit Entertainer
JACK TRAINOR
And Company in Jack Lait'a Laughing Playlet
of Business Life
"HELP"
Staged by Nat Phillips
"Topic of tho Day" Kinofraou
Matinees, ISc, SSc and SOei some at TS, II Sat. and
Sun. Nights, ISc, 2Ss, 0c, 78a, $1 aome at flS.
WEDNESDAY
NOVEMBER 10TH
AUDITORIUM
MATINEE AND
EVENING fT 8:30
THE I'ORliS GREATEST
MUSICAL
ORGANIZATION
ZAHilUALTOURj
AMI1 mic. yJ2
I w aa I
Mil rv III n I
V seaaaaaatatM BBsl B BJBM M
XM II U Us?
AH
PHILIP
SOUSA
conductor
LieutCommander US.N.RJ
BAND OF 100 SOL6lSTS
Miss Mary Baker, Soprano) Mls Florence Hardeman, Violinist;
Mlsi Winifred Bambrick, Harpist; Mr. George J. Carey, Xjlophunl.tr
Mr. John Dolan, Comet.
MAIL ORDERS SOW BEL'G RECEIVED.
' Prices Matinee, 75c, 11.00, flJffl and Mar Tax.
PrlcesETenlng, 11.00, $U0, $2.00 and War Tax. ,
and ALL WEEK
Mat. Waft. Sat.
Tonight
I "IT IS COHAN GENIUS, COHAN SERVED"
GEORGE M. COHAN'S COMEDIANS IN
"FULL of the PEPPIEST KIND of PEP"
ONE-SOLID YEAR IN NEW YORK
COMPANY TWENTY-FIVE I AUGMENTED I A DISTINCTIVE CAST
Ot TS I SONG HITS I ORCHESTRA ICAPTIVATING CHORUS
THE BIGGEST MUSICAL SUCCESS SINCE "THE MERRY WIDOW
EVE'S, and SAT. MAT. SOc te $M. WED. MAT. SOc to 2.00
FOUR DAYS STARTING SUNDAY, OCTOBER 31 MATINEE WEDNESDAY
?;.JSDSBusiness Before Pleasure
POTASH AND PERLMUTTER IN THE "FIIXUM" BUSINESS
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aver before, and your hair will tak. en a E& yw-ittn,i:
very marked sheen of vigor and , health, us anything else at all tor wrinkles, an1
You can get enough tggol for twenty-five tf ,',.u will use this liberally you will.
,.t. !. . . "U,CI"T wonaertui smprovoment In
hed-washs.
rour appearance of age. Get th eptol
from your druggist
COMBFUtk
-The length
of the hair
MRS. G. K. Jut aprinkle a little
neroain An a wS ninth snil Mik . u
oan be Increased very peroeptlbly within heada with this. In a few minute yon
month, by th us of th following for- wl", " blackheada will be en-
readily absorbed by th hair roots, and a Th neroxin it to b had at tha drug
quick result la obtained. Bald spot will t',r.
fill in rapidly and th. hair will atop fall- MIsa K j(. D. An exquisite face paw
ing. Mix one ounce of betaqulno, which der, excelling la quality many of the rm
you ean obtain from the drug store, with 5al!,a Prwluets. j, 8e,uty tow.
. half Pint of wat and . half pint of t"?' .old' .'t
bay rum, or if preferred, with a full pint store ia any tint. Just try tt.