12 D
THE OMAHA SUNDAY BEE: SEPTEMBER
5,
192Q.
11
lU.
Screen Shapes
Future Lives of
; w ' Young Girls
Between the ages of 15 and 21 the
, future character of young women is
being moulded. It is also during
this period in the life of the average
American , girl that the motion pic
ture occupies its most important
place in her mind. '
v What, then, is the effect of motion
pictures on young girls between 15
and 21? '
mTsJuU Xeilan, youthful clirec
, in reply to this question, recently
aid: "There is no doubt in my
ind that to most girls between the
xges of 15 and 21 there is no greater
influence tending to affect their fu
ture character than the motion pic
lure. The greater percentage of mail
coming from women and received by
motion picture stars is sent by girls
at these years.
.'"An" example of how this effect on
young ladies works out is disclosed
in the discussion one hears on all
sides concerning the clothes worn by
the leading ladies. Another example
is the wave of "Mary Pickford curls"
that swept the country soon after
Miss, Pickford became popular.
Screen mannerisms in social de
portment arc copied extensively
throughout the country by young
ladies budding into womanhood.
From the dramas of life unfolded on
the; screen before their eyes they
form their own conceptions and
ideals. . ' .
, Morality of Screen.
"This "brings up the question of
the ' morality of the screen.' There
has always been good and bad iii
cvervthir.e and, perhaps, always will
be. To sSy that motion .pictures are
"A Lodger for ;the Night"
By JAMES J. MONTAGUE.
. Some people can run a car into a
perfectly strange garage, pick out,
a narrow space between two expen
sive limousines, back into it, missing;
each car by a hair and stoo. Somej
people can't do anything like that at,'
all. I'm one of the Jattcr kind.
I'm always embarrassed in a I
strange garage, anyway. I feel over
awed in the presence of head waiters
and hotel clerks, who merely glare
at me with silent, subtile sneers. The
country garage proprietor isn't silent,
sneers.
He says frankly what he thinks.
And he always thinks unkindly, not j
to say brutally. In fact country
garage proprietors are the most bru
tal thinkers who have lived in this (
world since the days ,of Captain'
Kidd. They' can't make you walk
the plank, of course, like Captain
Kidd could. But they can scare vou
just as much. I don't know why,
but they can..
y Led by Phat Ads.
I've just got back frem one of
those little journeys that people take
after they've been looking too long
at automobile ads. Vou know the
kind, the ones with pictures bf beau
tiful new cars, bowling along over
country roads, or stopping in front,
of magnificent summer hotels. Just'
look at dhat sort of picture steadily
for a week, and you'll gp on a tour,
too. Vou won't be able 'to help it.
The journey ..itself was all right. It
wasn't exactly what you'd call rest
ful but it was generally satisfactory.
Nobody ran into us, and we didn't
run Into anybody on the hard high
way at least. ""We didn't have to
be. lo s.ly tliat motion pictures a, e Jn tMe rain am ,ch tireg aml
the exception would be toohsh. lliere i oun Mldren 1)avc oi,g CPasc(i
'have b?en a few producers m the ,0 gjt on fnce aiu, jecr. "Get a
past mat nave aiiempicu io L.niiuic.- jJOrse.. wjicn a raotonst stops to
cialize sitggestiveness in pic"1"? I ctean the mud off his windshield.
just as there have been publishers
wlio have tried to do tue same in tne
-way of books and stage producers
who have tried it in the 'legitimate.'
"I have always urged the guardians
of young girls particularly to watch
, "their girls' selection of motion pic
ture entertainment , just as they
should oversee the selection of their
friends and the books they read.
"The real answer to the question
- . of the morality of the screen is an
swered to, the type of pictures that
have beeiii the greatest successes.
"The Birth of a Nation," "Civiliza
tion' "The , Miracle Man" and
"Daddy Long Legs" are only a few
of the most successful pictures. In
these productions there is no trace
of suggestiveness. Producers have
come to realize that clean pictures
pay and that the -biggest financial
uccesses are clean pictures.. Thus
from the. 'rnost mercenary' viewpoint
. the producer realizes that it is to Jiis4
advantage to make clean pictures
if he really wanjs - to achieve big
success, i ,M j"
JC.VU OKITCB.
f'Of course, there are a few pro
' ducers, just as there are few pub
lishers, who still have the feeling
'that the public wants entertainment
- bordering on the semfoous and to a
certain limited extent; fhey are right
in their supposition. ' There is a
'.lass of people that seeks such en
tertainment. However, the returns
on such an investment are so hm
;ted that even these producers are
brginning to realize that , to get the
most "but of a production t must
have universal appeal, and to have
universal appeal a picture must bj;
dean.
"The days of anyone who trie to'
make pictures involving 'unclean
I stories that have been published
with a degree of success are num
bered. There is always an clement
that must be' convinced through sad
experience, and this is coming to all
who think that a stnsuous story can
be successfully screened.
"It is therefore through a natural
evohttioa thatthe screen has been
cleansed, v (To point to an occasional
pictuat as. an example detrimental
' i, to allmotion pictures is foolis,h just j
as it is to say uecausc a certain dook
or article in a newspaper is sugges-
tive, all ; publisher should be con
demned. , ' 0 ' ,
. Fanatics in Cells.
'. "The fanatics, who condemn mo
tion pictures because they have once
or twice seen pictures that do riot
come up to their standards of mor
ality should be placed in paddedcells
where they can do no harm to. them
selves; nor others. To say. all mo
tion pictures should Ac seen by girls
is just as foolish as to say.. that girls
can safely -walk on the most exclus
ively i esidential 'street in town with
out hearing words that they should
not hear. A girl's s,ta,te or mind h'as
much to do with the impressions she
gains from everything" in life," in
cluding motion 'picture classics just
as they wilL from works in otler
arts. What might prove entirely in
offensive and harmless, to 99. girls
out ! 100, might have the opposite
effect to the 10th. , ,
See Proper Plays. 1
. It therefore, behooves, as I have
stated before, the guardian of every
young girl to kaow first her state of
mind and then encourage her in the
right direction as far as motion pic
tures are concerned and as far as
anything else affecting her state of
mind is concerned.
"I do not want my opinions mis
interpreted. " I would say the same
things were I-in the publishing bus:-11
nes3. in aiy heyl ot art or in any, en
terprise affecting the growing char
acter of young ladies. ,
"The best way to select the proper,
entertainment is to patronize the tlie
- "slsr that shows the proper kind of
entertainment. 'No established thea
ter will ever show pictures that ar:
anything but what their patrons de
sire in the way' of clinl:ness.' You
cannot go, wrong if you go to the
right theater. - '
"Then again producers are known
bv the type ti their works just as. I
-. 1 1 14.. - f
. AVinuis Kiiuvtu-' try die iju ui
their books. No established pro
. ducer will jeopardize his reputation,
and those who have none to jeopard
ize soon realize they will never gain
success on any1 but the clean route."
Chaplin's Troubles.
Charlie Chaplin has sought refuge
in Salt Lake City, Utah, from pro
cess servers and newspapermen. He
says he, will remain until b,e has
sold his big picture. "The Kid."
which his wife, Mildred Harris Chap
lin, now suing for divorce in Los
Angeles, seeks to restrain him from
selling. '
. - A certain Utah law now protects
Charlie from the process servers as
long as he remains in the state. He
is making his home in the Hotel
Utah. Chaplain said that hr had
pent two rears on "The Kid" and
does not pfopost to' lose it. . ' ,
The trip, as a lijip. was all right.
Even the hotels could have been
worse. AVhat brought uie back with
shattered nerves., and a predisposi
tion toward violence, was the gar
age proprietors. Yet they behaved
toward me much the tame as they I had room.
cio toward everybody. us their
nature to behave that way. ft was
apparently predestined from the be
ginning of time that they should
snarl at you and browbeat you and
say all manner of evil against you
falsely,' just' because you are the
sort that gets nervous while trying
-to back a car into one of the tin
plated shacks that they call fireproof
garages.
However, let's go cm with the
story. ,
1 Follow the Signs.
We followed the red posts and the
hotel sign boards till wc got to the
town where we meant to stop for
the night. It was around 10 o'clock
when we got there, and dark very
dark.
We petitioned several giy-agc pro
prietors to let otiwcar abide with
them for the night, but they saitl
indignantly that their- accommoda
tions were all taken, and wanted to
know what the place of torment we
meant by. coming into a "town at
hat time of night. :
'The fifth place that we" applied to
Tne boss was irritated
I knew because the' boss told me so
in set terms.
. Turns Wrong.
I backed to a post I felt to bo
opposite the spot where I was to
pocket my tar and started to turn
to. the right. But I didn't. I turned
to the wrong.
"Here!" said the boss, "don't do
that! You'll knock them cars all to
" and he mentioned a destination
I couldn't possibly have knocked
them to even in my nervousness.
I swung around the other way.
"What the deuce are you goin
THAT way for?" he inquired.
"Haven't vou ever druv a car be
fore?" I told him that I had, but not in
that garage, and craning my neck
backward discerned as I suposcd my
error and tried to correct it.
"No. No. Stop! Stop! I tell
you."
1 stopped.-
"Now go ahead."
I went ahead. t j
"Now around to the right. No,
not that way, to the right. To my
right, not yourn." ,
Goes to the Right.
I went to his'- right. There was a
to think that we needed shelter, but
he agreed to provide us with it for wmAmg sound, followed by a rend
$100.
"And Jf you don't like the price,"
he said, "you can go on."
We assured him that far from not
liking the price we were positively
fanatical about it. Wc felt, in fact,
that he was practically forcing his
roof on us. Two dollars for: 25
square feet of tspace for six hours
seemed the merest trifle,
t "All right," he said, "back her in,
and be dern careful, for there's a
lot of GOOD cars in here."
Affecting not to be hurt by the
emphasis on GOOD, I started to
m..i. t'.
back her in
And right there is .where my em
barrassment began to make trouble
for me. The inside of the garage
was utterly dark. ,, The rear .light
supplied but little guidance. And
the place the boss indicated was a
mere, black crevass between two al
most equally black masses, which
I knew to be very high-priced cars.
i ;np one. I clapped on 4ne drakes.
I The boss however did not burst
I into the mad fury I supposed he
would.
"Back her again." he commanded.
"What did I do?"
"You ripped off a mud guard on
that post. But it ws on your car."
Of course that was nothing to
worry about. The mud guard was on
my car. I proceeded to back her
again.
- This time there was an explosion
a verbal explosion.
"Don't do that, you dum idiot.
You'll ram Doc Smither's Ford and
he'll raise tunket around here. Stop!"
I stopped.
"Now back her again."
I started to obey orders. But be
fore I had gone six inches the boss
leaped . on. the running board,
wrested the wheel from my grasp
and twisted it violently to the left.
"Now, back her," he ordered.
T backed her. He neglected to
tell me when to stop, but I. found
Melody of Life and Love, Intermingled With
Laughter and Sobs, Depicted in "Humoresque"
i
A'-kS- 1 1
Booth Tarklngton
Has Very Definite
Ideas On Pictures
Booth Tarkington, whf recently
joined the ranks of out-and-oit play
wrights for the screen when an
nouncement was made that he was to
write a number of feature plays, has
some very definite ideas about pic
tures as they are and as they will
be. When asked for an interview k
modestly said that as a newcomer
his opinions could not be of value,
adding that it was difficult for him
to make statements after work and
impossible before. Then he dis
proved his own words by making
some pertinent remarks.
"I've, felt, with so many others,"
he said, "that the pictures are the
possible means of a new art that's
great and startling thing to see in
one's own generation, under our very
eyes. Those yivho work in pictures
so far, rapid as advance has been,
are the preprimitives. Mechanically,
the great day of the new art will be
very different from ' this day, of
course. Color and stronger form
will come; the flatness and grayness
will be gone. But the more impor
tant difference, naturally, will be in
quality-rthe quality of the thought
expressed. 1
I think that nowadays we are
pretty crudely struggling to get a
little upward in the new expression.
In the nature of the- business the
quality is still kept under; the neces
sity of entertaining the stupidest
parts of audiences tends toward tim
idity. 'People hate to think.' it is
said. But that isn't true. They do
. - . ' 1 hate, anything they catch trying to
without touching so much as a door make them think."
Elements of human interett stand out strikinslv in "Humoreiaue."
playing at the Strand thii week. It is story of human beings as Uiey
are, their deep characteristics clearly drawn out by Farnie Hurst, well
known woman writer. The parts played by Vera Gordon as Mama Kan
tor and Bobby Connelly as Leon Kantor portray a silent drama of
love and tear.
out. The wall was there, and the
law that no two bodies can occupy
the same space at the same time has
never been repealed.
The damage wasn't much. The
garage man said he could fix it all
lip in a couple of days for $80 or $90.
But he didn't. And the reason he
didn't was that I stepped on the
gas and drove right , out -of there.
jamb when I Jctt.
And for the rest of the trip I had
no trouble with garage men at all.
I always left the car out in a field
over night.
(Copyright, 19:4, Hell Syndicate, Inc.)
The iron workers in Pennsylvania
ate 80 per cent organized. . -
Helen Raymond, English com
edienne, who created the role of
Signora Monti in the original Lon
don production of "Twin Beds,"
also portrays it in the Carter De
Haven celluloid version now being
made under the direction of Lloyd
Ingraham. ,.
'
Omaha
joins in the third annual drive for better
motion pictures
X7E prophesied, that 1920 would be the'
vv
Paramount has 104 e'ven finer pictures Jn store
for you in the new season that opens on Septem
ber 5th. . The theatres that will show these new
Paramount Pictures 'in the twelve months o
come are inviting you to join in the celebration.
?
f 1
SEPTEMBER 1920
JMII XssmX l3iS& F Itwas-andis!
iJlSSWnl !SriyIl!l-M I 1)1 uoPm Never before were there such pictures as:
SSft' Bl T Vt nV " 1 1 IW&Skw Cecil B. DeMille's "Male and Female" and
wv u i l i in tr 4 1 iirjr i . iuu. v iir.T-in t r i
SSStRl YjS- rWfti. Sw'S 5!!! tlnlh,WiiSnthfttb hot weather!, JHW rf
lOlT.lOD , over d, he h,!t.ho..ime of,., thesis 3 .i.'"
Slfdal .THlll, I' lltSSSEW dWimmS. Hart in "Sand". here .gam. ... , . MtMI llflM -
siAHLnii . m4 llT 2SVifT "'"s HH5 ,uu"i J"" M 8WU' i Pictures mis weeK. eieorate oy going: T V tneatre s tdi
y
At all these theaters, all this week Paramount Pictures will be shown
OMAHA
TVO PARAMOUNT
REASONS WHY YOU
SHOULD GO TO THB
THIS WttEK
AVIUA05JIEUTM'
Nov t Vedneidsy
Ooroily
in
MAUP AW HOUR
Thofs: to Saturday
SL'BUKBAK 1
Sept. 6 rh Girl Dodsrer" Ray
Sept. '. S-T "Mors Deadly Than the
Stain" Clayton
Sept. Si-Venu In the East" Washburn
Sept. 9-10 "23 Houra' Leave"
' Mckean and May
Se 9-10 "His Last False Step"
Bennett Comedv
i Sfept. 11 -Th Source" RcJd
CPAND
j Pept. 6 'Easy to Get" Clark
I Sept. -7 "Let's Be. Fashionable"....
McLean ana May
Sept. 8 ."Those Distant,- Couslna". .. .
k 'Brtirgs Comedy
Sept. 9-10 "The Life Line"-,..Tourneur
' Sept. 11 "Mrs. Temple's Telegram". .
Washburn
A POLLO
Sept. 6 'Let's Be Fashionable"......
McLean and May
Sept. 6-7 "The False Boad". .. .Bennett
8ept. S 'rMrs. Temple's Telegram"...
Washburn
Sept. 9-10 "The Dancln" Fool". ...Held
1 Sept. 11 "Easy to Jet" Clark
MC8B
Sept. -7 "Excuse My Dust" r.eld
Sept. 8-9 "Away Goes Prudence"....-
i Bufke
Sept. 10-11 "Homer Comes Home"..
r iy.
.MAnYLAXD , :
Sept. 6 "Hired Man" Kay
Sept. "Ship-A-Hoy"
i Al St. John Comedv
. Rept. 6 "Rlmrock Jones" Held
" Sept., 7-8-T-"Th Miracle Mau"
, Special (.'ast
Sept, 9 'Out of the Shadow" Frederick
Sept, 10-1! "It Tays to Advertise"...
Washburn
i ' I BENSOX.
BKNALTO-7 , .
Theater. Plar Date. Subject. Star.
Sept. S "Man From Funeral
HaE;e" Held
Sept. 7-4-"Th Hope Cltst"...D. ish
Sett.-9-18 "Law of the North". ...Kay
Sept -10 "The Cook" Arbuckle
Sept. 11 "The Squaw Man". ... .DMllle
DESSB SOrTH OMAHA
Sept. 8. "Trearare Island".. .Toomror
Sept. o- "Cleanlnir Ip"
! Al fit. John Cenirdy
Kept. 1-8-J-"The Cost" V. Hrmlns;
Spt. - 9 -Th Amutear Wife". . .i'astle
,Spt. 10 The Kalse Koad" DenneK
'Sept. 11 "Sheriff M's Taule"...k.
' . Sennet t
.MAGIC OCTH OMAHA N -'
Sept. 6 "Thinn We It" Weld
Kept. ( "The t.rini (inme" Houdinj
f Kept. 7-S "Jflmcle ot Lore"
., All Star t
Rpt. 9 "Ploiinc the (ieme". . . .Ray
Sept. 19-11 "Thou Art the Mun'f...
nnrmcK
( OI NCIL BLl'FFS. IOWA.
MAJESTIC '
Theater. 1 v Date. Sub.iect. Star.
Sent, s-s-1;- "Sick Abed" Reid
Sept. 5-B-7-8 Paramount Mataiinr
Sept. 9-10-11 ".adder of Lies" C layton
Sept. 9-10.11 "Sprins"
DeHaven Comedy
Sept. 8-10-11 "Tjavelorae"
Burton Holmes
AIROKA, NEBRASKA.
MAZDA
Theater. . PlaT Date. Sublect . Star.
Sept. 0-7 "Hawthorne of U. 8. X."...
Reld
Sept. 8 "His Wife's Friend" .... Daltoa
Sept. 9.10-11 "Male and Female"... ,
. . . . , DeMills
FRE5IOXT. "EDRASKA.
EMPRI3HS '
Sept. 6-7 "Dr. Jekyll and Mr. Hyde"
v J. Barrymore
Sept. 8-9 "Let's Bo Fashionable"....
McLean and May
Sept. 10-11 "Sick Abed" Reid
-NEBRASKA CITY, NEBRASKA.
PARAMOUNT ,
Sept, 5 "Black Is White".. Dalton
Sept. 6-7 "Mrs. Temple's Telegram"
Washburn
Sept. 6-7 "Tou Wouldn't Believe It"
Sennett Comedy
S"pt. 8-9 "Cinema Murder"
Special Cast
Sept. 10-11 "A Lady In Love". .Clavton
AVBl'RN. NEBRASKA.
IDEAL -
Sept. 6-6 "Lottery Man"
Sept. 7 "Stepping: Out"
Sept. 8-9 "John Petticoats"...
Sept. 10-11 "Crooked Straight'
TEKAMAH, NEBRASKA
LYRIC .
Sent.- 6 "Partners Three"
Sept.:' "His Parisian Wife". .FerrusoB
sept, "Daughter or the Old South'
'. Frederick
Sept. 9 "For Better, For Worse"....
, .! DeMllle
'Sept. 10 "Tho Sheriff's Son" Raj
Si-PL 11 " Arizona" Fairbanks
FALLS CITY, NEBRASKA.
Sept 6-7 "Tho Dancln Fool" Held
. pt. 8 "Remodeling; Her Husband"
D. Gish
Sept. 9-10 "Sand" Hart
Sept. 11 "Guilty of Lore" Dalton
PLATTSMOVTH, NEBRASKA.
PARME1.LK
Sept. f "City of Masks" Warwick
Sept. 6-7 "MalA nd Female", .i ... .
Special "Cast
Sept. 8-9 "Hairpins" w Bennett
Sept. 10.11 "On With tho Dance"....
Special Oast
Sept. 10-11 "Skinny School snil
' Scandal" Briggs
TBCOISKH, NEBRASKA.
WONDERLAND
Sept. 6-7 "Roaring Road" Reid
BeDt. 8-9 "Mlrnndr Smiles" Marttn
Sept. 10-11 "The Girl Dodsrer" ... .Rat
Reid
.Bennett
....Hart
' . . . Ray
Bennett
COLVMBTCS, NEBRASKA.
SWAN , .
Theater. Play Date. Sub.iect. Star.
sept. 6-6 "Egg Crate Wallop" Hay
vi. iunj uur. or tne Kitchen"
Clark
pi. nny emita j.ett Home"....
Washburn
Sept. 10-11 "Valley of tho Giants"..
Reid
SCHUYLER, NEBRASKA.
DOME
Sept. 7 "Why Smith Left Home" . . .
Wsshhurn
Sept 8 "Told In tho Hills". . .Warwick
repi. -Misleading widow"... Burke
Sept. 10 "Stepping Out" Bennett
svii. 41 iiiuu jiiai .......... Martin
NORTH BEND.- NEBRASKA.
lj I K1U
Sent. 6 "Greased T.!rhtnlti"
Sept. 7 "Homo Town Girl"..
) Sept, 8 "The Dub".,
Sept. 9 "Putting It
...Ray
Martin
Reid
Over". . .Washburn
uept. 10 "True Heart Buale"
....D. W. Griffith
Sept. 11 "Poppy Girl's Husband". .Hart
Sept. 9 "Country Hero" Arbucklo
WEEPING WATER, NEBKABiA.
ELITE .i
Sept. 6 "Turning th Tables'
Kept. 8 "The Life Line"..
Sept. (10-11 "Double Speed"
LOGAN. IOWA.
PASTIME
Sept. 6 "Misleading WMow'
Sept. 7 "In Missouri'."
Sept. 8-8 "Widow by Proxy".
oepc. lo-ii "Lottery Man'
. . . D. Gish
. .Tournwir
Reid
Burke
. .Warwick
.Clerk
. . Reid
SHENANDOAH. IOWA.
ZENITH ' 1
Sept. 6-6 "A Lady In Lova".. Clavton
Sept. 7-8 "Dark Minor" Daltou
Wept. S-10 "Parla Green" Ray
' Sept. 7-8 "By Golly". Sennett Comedy
, Sept. 11 "Wolves of tho Rail" Hart
CLARINDA, IOWA.
ARMORY
Sept. e-7 "Llttlo Women" Special Onat
Sept. 8 "You're Fired" Reid
Sept. 9 "Tho Home Breaker". . .Dalton
Sept. 10-11 "Greased Lightning". .Ray
Sept. 10-11 "Tho Butcher, Boy"....
Arbucklo
RED OAK. IOWA.
BEARDSLEY
Sept. 6-7 "Counterfeit" Ferguson
Sept. 1-9 "Bhlnd tho Door". .Bosworth
tept. 8 "Clfy Dude".. ..BrlgRS, Comedy
ept. 10-11 "Six Best Cellars".
Washbutn
COLLEGE SPRINGS, JOWA. .
PARAMOUNT THEATER
Sept 7 "Mystery Girl" IClavton
Sept. 11 "Poor Boob" Wnsbburn
VALLEY. JTEB. BYAR THEATER.
BELDEN. NEB. PRINCESS THEATER.
STEWART. NEB.-JIKM THEATER.
NEWPORT. NEB.JftPERA HOI SE.
MINUKN. IOWA RK.Y. THEATfR
QvmmowlQfchin
tf fAe y&ar io
6e shoun at ikf
TODAY AMD
ALL WEEK
A real story
boutreal people.
Some of the coming
PARAMOUNT
PICTURES
Listed Alphabetically
Sivs this list and aik your theirre when
Ithey will show thus pictures!
Rucoe r Fatty") Arliocllt la
"Tb. Round Up" v
Enid Bennett in
"HerHulnd'rrlefid" .
Billis Bofle In
" Ftiily M:i. JcliBwn"
Ethel Omen ia '
"A City Spirrow" V
Ethel Qivton In .
" Sins of Rezsans" , '
A Cosmopolitan Trodurtion 1
"Humoretquc"
A Cosmopolitan Production
"The ReitleM Ss"
Dorothy Djlron in
"HalfAnHout" ,
Dorothy Dalton
"A Romantic AdTentureM- '
Cecil B. DeMille'l Produrtion
"Something To Think About
Elais Ferguson in ,
"Ladj Rose's Datthie.-"
George rit7maurice's Troductioa
" Idols of Clay"
George fit7mauriret Production
"The Right To Lots"
Dorothy Gish in
"Little Miss Rebellion"
William S. Hart io
"The Cradle of Courage"
'Douglas McLean In
"Thejailhird"
Thomas Mrighan in
"Civilian Clothes"
George Melfbrd't Production
"Behold My Wile!"
A Paramount Special Prodocrloa
"Held By the Enemy "
, 'Charles Ray in
"An Old Fashioned Vouog Man"
'Charles Ray In ''
"The VilUge Sleath"
Wallace Reid in
"Always Audacious"
Wallace Reid in
" What's Yonf Harry I
Maurice Toumeurs Production
"Deep Waters"
Bryans Washburn in
"Burglar Proof
Bryant Washhum Jn
"A Full House"
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