:' 1- - 6 D THE OMAHA- tfUwuAY nEE: ADGUsf 29, 1920. Programs , for the Week Moon "Trumpet Island." I Cast of Character. l-e Am Mrlncourt Marguerite Da La Motte I r hard Bedell Wallace MacDonald Un Marsh WaMam Cooler equen de Merlncourt. . . .Joteph Swlckard imry Caron Arthur Hoyt 'ilda Marcelle Daly allntky Percy Challenger As the first anniversary attraction lis, week, the management of the loon theater could have booked no etter picture for character work, frateeic incidents and human inter- st than is "Trumpet Island, a Tom erriss production. A series of surprises in the way f special entertainment awaits the atrons of the Moon. The story breathes strictly of -imance and adventure. Time after time Eve de Merin iurt and Richard Bedell are drawn igether as if by a whimsicality of estiny. 'But, each time there is mething standing between a wall. irentaj duty, a loathsome suitor she fnrriA in marrv. Thev se Mrh her with growing interest but go 1 their, separate ways, never meet 's. Finally fate having brought therh ose to death and to life worse than tath. relents, and in a manner dram atic yet realistic and logical, act implishes their joint salvation anq ernal happiness. It is a powerful story and a pro tetion worthy of it in every par- cular. Romantic adventure has no ttter delineator today than Gouver ur Morris, and in "Trumpet stand" the noted author has writ- n one of his most gripping tales, has the intertwining of tragedy id lighter moments, the revelation f human character in the making, e vivid progress of the lives of its tiaracters towards the end. Whether at end will be doom or happiness revealed, just as in life, only at e finish. A novel act of singers and players igments the Moon s anniversary ogram. -Little expense has been ared in celebrating the theater's rst birthday, with decorations and ecial. attractions. Rialto "Go. and Getvlt." rk Connelly .". Pat O'Malley nty . . .'. . . . .'. Wealey Barry ien Ajren .. Agnes Ayres hut the Poor -Gordon" .J. Barney Sherry li. Rich 1..C. Mallles hctor Ord - Noah Beery hrre the Gorilla Bull Montana kn Hogan, the Gangster... Walter Long niv nnmlv . . .. Lvdla Yeamans Titus homas Hlcksorr- George C. Dromgold , W. Crocker .y Asmey cooper llm" Hogan Charle West "Go Get It," a city editor's by- . 'ti. ord ot progress, was responsible innumerable exciting incidents t shaped the Jreportorial success Kirk Connelly in the picture to m a t 1 . h-Tfl :er.. lit mm;:- - 1 - - i I 1st''" '- yM ' 111 Ma found Aer warn kSrt ( jv ) ; Al SV 'Vov ' - Jj siwutv MASN E r'rtx -sla mtm- t I MARfiUEWTtOEU MOTTE1 be shown at the Rialto this entire week. Except for several implausible thrills that enter the reporter's series of escapades, the picture is a thor ough success' for interest. The' storjr is based on newspaper work, in which an energetic team of reporters unearth a mystery of start ling nature. Back of the entire mys tery, plot is the pertinent question of the day: Is the substitution of new human organs practicable so far as the prolongation of life is concerned? The audience will be mvstihe and thrilled by the unusual events that line the path of the reporter.'who ia told to . "Go and Get It" The entire plots of the story is based On this scientific phenomen, although the story is a mpst truthful picture of a newspaper reporter's work. The title is taken from a quartet of'words that strike home in the heart of every newspaper man "Go and Get It!" j " p Sun "rVrlor, Bedroom and Bath." Cant of Characters. Reggie Irving...,, Eugene Palletto Polly Hathaway Ruth Stonehouse Angelica Irving Kathlenn Ktrkham Jeffery Haywood. ..... .Charles H. .West Virginia Irving...... TDorothy Wallace Leila Helen Sullivan The title of the attraction at the Sun theater this week speaks for it ftvslanc slipping j Aar pins, shidaedj because Aer Hair pms. aii over fete p face ) J(9 wanted a gir uAo aas near J. So sAe plcued a naadricA Von him , An ro4jAAim hack io the . road o skid no more! A cUigAifid domes' tic drama 4tai) shows Enid Bennett ajtcrjesj , "Also, skovm (C!lQg.KlA?y P3, in & rtviua of Ais Aes comedy rectnfy Brasented 'or two weeks a Graumans, miHonVotlarTheatra mlosAnyeiesi THE CHAMPION" -4 Days self. "Parlor, Bedroom and Bath," what may be called the locale of the play, is replete with sheer nonsense, sheer joy and sheer pajamas. No doubt the pictjure is funny. A re view emphasized that. 'yThe situation or at least the cen tral situation, for there are any num ber of them deals-with Reggie Irv ing who for . many years had sought to win Angelica. This young woman wanted a man just the op posite of what her own name im plied. She wanted a wild one, and since Reggie had no idea of how to be wild," had no inclinations toward sowing even a little patch' of the un tamed oats, he perforce sought out side aid. He went to Polly Hath away, society reporter' on the scan dal sheet, and asked her to use dark polish on his reputation. Ruth Stonehouse enacts the breezy, resourceful girl reporter; and Eugene Pallette, who was the in nocuous Billy Bartlett in "Fair and Warmer," starring May Allison, and who later was seen with Bert Lytell in "Alias Jimmy Valentine," plays Reggie. The part of Angelica is deftly and delightfully enacted by Kathleen Kirkham who, after this production, will form and appear in special pictures made by her own company. Henry Miller, jr., son , ; ' ":V . 'Sh frX--i !,, AV""- 'iilayf S 'kiJU aj eALTO of the famousi actor-manager, has also an important part in "Parlor, Bedrcom and Bath." v Strand "Hairpins" - and Jhe Jackknife Man." "Hairpins," a light comedy-drama, is the attraction at the Strand thea ter the first four days, of this week. "The Notorious Miss Lisle," a story of comedy, completes the program the latter half of the week. Enid Bennett, star in "Hairpins," has the role of Muriel Rossmore, married for on!ya few years, but so thoroughly domesticated that she neglects her personal appearance and will not desert the kitchen for the opera or other entertainments that her young husband offers. Feel ing an aversion to her slovenly ways, he seeks solace with his pretty, dain ty stenographer. Muriel becomes in formed of the state of affairs and blossoming over-night jnto a social butterfly, she soon brings her erring spouse back to the straight and nar row. Matt Moore is the leading man in 'tht play. , ' Probably no more entertaining pic ture has been produced than "The Notorious Miss Lisle." Katherine MacDonald is the star. The plot deals with a girl's love ambitions. Empress "The Little Wanderer" and "The Week .End." Petite, charming Shirley Mason is the star in "The Little Wanderer" at the Empress theater the first four days of this week. Th story is of a poor girl who, to escape from in tolerable conditions, dons a disguise and, as" a boy, boards a coal train bound for the city. Her experiences in the crowded town are many and Tajried and the cloudp which hover over her are first pierced by the-un-light of unselfish friendship and fi nally dispelled by the gentle breezes of love. It is a character which fits finely the unique personality of the charming young star. Refined hu- ' J "Tr"i"" " " 1 " " wLJIi Liy A-' anytime A KbsoturdayhiteMI f ; - - . i - : i ' : - ' Vt ' 'J- ' ' ' ' Downtown Programs Rialto "Go Get It," a story of newspaper life. Sun "Parlor, BedroonTand Bath," a farcial comedy. Strand Today until Thursday, Enid Bennett in "Hairpins." Thurs day until Saturday, '-'The Notorious Miss Lisle." ' Moor "Trumpet Island," a Tonr neur production. . v Empress Shirley Mason In "The Little Wanderer." today until Thurs day. "The Week-End.", a ' Cosmo Hamilton production, latter half of week. Muse Today. "Parlor. Bedroom and Bath;" tomorrow and Tuesday lack Gardner in Open Places; Wednesday and Thursday, Clara Kimball Young in "Trilby;" Friday and Saturday. "The Desert Scor pion," starring Edmund Cobb. . mor and delicious romance mark the tale from start to finish. Miss Ma sen's support includes Raymond McKee as leading man, Creil Van- Huker, Alice Wilsoa and Jack Pratt, 'he direction is by Howard M. Mitchell. ' n A screen version of "The Week End," 'adapted from Cosmo Hamil ton's novel of .the sameiame, is the chief film, attraction at the Empress the latter half of this weeTc. ' It is a highly entertaining production, sparkling with wit and humor' and abounding in glorious California scenery. Margarita Fisher is the star. The story is of a week-end party and to mention that it was lively is tame. .Neighbors of the girl in the story talked too freely. Their gossip and her family's pride were a bad c6mbination which nearly fin ished the tender love chapter which opened on her first week-end cele bration at "Hide-Away-by-the-Sea." But the plucky girl won out in the end. Muse "Parlor, Bedroom and Bath," "Open Places," "Trilby" and "The Desert Scorpion." A varied program of jollity, trag edy, romance and adventure mark the entertainment at the Muse thea ter this week. Featuring "Parror, Bedroom and Bath" today, the management of the Muse offers a lively picture of jaded incidents. Critics say the picture is a greaterssuccess" than was the stage production. t "Open Places" is the story of the wilds of the great northwest where live the men of deed and action. Plenty of adventure intermingled with human tragedy is worked through the plot. The. picture will be shown tomorrow and Tuesday. "Trilby," a reissue, is the chief booking at the Muse on Wednesday and Thursday. The story centers about an artist's model, played by Clara Kimball Young. The picture is "a masterpiece to those who aire nof prejudiced against the general events incidental to an artist's life. Edmund F. Cobby a newcomer in the niche of film stardom, is t the luminary in "The Desert Scorpion." featured the last two days of this week. - Cobb's easy-going manner has won for him his success, critics say. In "The Desert Scorpion" he plays the role" of a voung westerner on desert plains. The. picture is re plete with feats. - r'BulT a Gorilla. . "Bull" Montana of the Marshall Neilan company carries off the laurels for marvelous make-up in his role in Nei'an's latest picture "triumph, "Go And Get It," showing at the Rialto this week. vIn his comedy drama Mr. Montana, makes up' as a huge gorilla. When Carter De Haven, Film Star, and C. E. Holati Meet, One May Expect a Pop-Pop of Jokes De Haven, stopping off at the Union station last week enroute from Los Angeles to New York, couldn't make "Chollie" Holah, his former side-kick, enter the movies as a lightweight comedian. "With them glasses and those mustache," , the diminutive star heckled, "Holah, .you would make Bill Hart laugh. But ya oughta watch me play pinochle Louie Mayer taught me On the train." And here, Carter pulled out a peck of Apparently Feminine (Star Has No Great Fear of "Bull" Montana, Gorilla of Movies rwh-a fcriK Ay Ferre, the ape-man, "Bull" Montana in "Go and Get It," at the Rialto this week, enact tome weird, scary incident that rival the work of the gorilla iifPoe' "The Murder in the Rue Morgue." It took much persuasion and more courage' for Agnes Ayrei, feminine star, to stand laughing before the human gorilla, chips from his pockets to the appar ent chaerin of friend Louie. Holah promised to open something with a pop" if De Haven would re main in Omaha over night. can tr can't do it, Chollie. I'm sleeping on twin beds." jChollie grunted. "I mean the film, the'olav. the picture. "Twin Beds." old man. I'm takin' it to N'Yawk." . Whereupon. Carter and his travel- no- partner hoooed to their Pull man, j . as shown in the still. Newspaper Work . Typified in New 1 Play at Rialto The sporting instinct . and the goodfellowship of the newspaper man is proverbial. Even the lay man is familiar with it, for American fiction is filled with records of it. In no other profession does this friendly rivalry exist iir any measure to the exteniJhat it does in the puri v suit of a story. A town must be small indeed that doesViot bbast of at least two news- , papers and there is no sheet in the country that does not have- its "star reporter." Therefore it is only too ' evident that nearly every town has at least one pair of these "Friendly Enemies.", vbout the first thing a "cub" reporter 'learns upon embark ing on his career of journalism is the "code oi honor." And while this . has never been framed to speech its phrasiology if it were would be about this "Fight like hell when you're after your story, but forget it and be a good fellow with your rival when your work is done.". Rival reporters when on the scent of "scoop" vill fight each other like demons. They will fcse every device in tHeir power to beat the other fel low. They will even become bitter in their rivalry, but at the end of the day's work will walk arm and arm down the street together. It is the spirit of the game and any man who is not ' quickly' influenced by it as indeed hopeless. . , And this spirit being so prevalent in that world's greatest institution the press it is strange that until the ' presen time no motion picture pro ducer has utilized it as a theme for a pictore. Marshall Neilan seems to have been the first to realize its possibilities and the keenness of his judgment is most eloquentlyxproven in the success of his tremendously powerful picture on this subject, "Go arid Get It," just leleasecl through First National. In this fascinating photoplay not only the rivalry of two star report ers of opposition, newspapers is told in a graphic manner, but the en tire workings of a big daily sheet, the gathering of the news, through the copy desk, tp the composing,, room and on to the presses and later to the streets is shown in its every detail. In "Its making one of the largest newspaper plants in this country was photographed from the huge presses in action to the sane- tity of the publisher's palatial pri- -vate office. And so truthful is this screened reproduction that it has elicited the spontaeonus approval of every newspaper man from the man aging editor down to the copy boy .Matt Moore Reticent. A good actor on the screen, it fi doubtful if Matt Moore, w'ho ap pears with Enid Bennett in "Hair- pins," would ever succeed on the stage. Matt doesn't like to talk. He's the man who put the "silent" ' in "silent drama." At work on a picture, he never says a word and between scenes, instead of mingling with the other folks in the studio, he just goes off by himself and reads a book or a magazirtt. Not that Matt is a snob. He simply likes to be alone. Matt broke into motion pictures with his brothers, Tomand Owen, at the same time with Mary and Jack Pickford and the rest of the old Biograph players. He makes an excellent impression in the Thomas H. Ince picture. "Hairpins," in which Enid Bennett will be seen at the Strand theater today until Thurs day. Piquant Enid Bennett , In Odd Character Wort .Face cream, rouge, lip-stick, paste, curls and other necessary evils of , women's make-up all add to chang ing pretty Miss Enid's appearance to a spoiled small-town girl in "Hair pins," showing at the Strand theater; this week. , ; Suburban Programs, j Grand. Today "The Garter Gin," with Corinne Griffith, news and comedy. Tomorrow and Tuesday William Farnum in "Heart Strings." Wednesday "Pirate Gold." No. 2, and Frank Mayo in "The Red Lane. Thursday and . Friday bhirley Mason in "The Little Wanderer,'" and a Sunshine comedy. Saturday Douglas Fairbanks in "Headin' South." v Hamilton. , Today "In Walked Mary." star ring June Caprice. Tomorrow and Tuesday Clara Kimball Young in "Forbidden Woman." Wednesday Rhea Mitchell in Social Ambition." Thursday Madlaine Traverse in "Lost Money." Friday Frank Mayo in "The Girl in Koom is; Saturday Pauline Frederick in "Bond of Love." v Apollo. " Today Olive Thomas in "The Flapper," and a comedy. Tomorrow and Tuesday Anita Stewart in "Mind the Paint Girl." Wednesday Mitchell Lewis in" "Nine-Tenths of'the Law," and com- . edy. . Thursday and tnday Kathertne MacDonald in "Passion's Play- ground. news and comedy. Saturday-v-tdythe sterling in Tne Girl AVhoDared." ahd "The Silent.. Avenger." Katherine MacDonald's next mas terpiece in pictures will be released soon under the caption, "The See- ond Latchkey." . ' i i C 1