The Omaha Sunday Bee Magazine Page Sow J cience s Surprising Illusion of Height and Slenderness That Can Be Given Men and Women of Too Generous Proportions by a Skilful Arrangement of the "Lines" of Their Clothes eople Ily Albert Malnin, M. E. (PolyUchnlo Institute, Gothen, Anhalt, Germany) TO make rlotblng for stout pnople that will conceal Uie (Infects of their too Keneroua figures and accentual tha good point does not require the discovery of any new acfcntlflc principles, Moat of tha principles Involved are a old aa science Itself, and many of the in have long been laccMsriiiijr employed ) If - 4 In painting, rauilc, aculpture, architecture nd other arts and sciences. When a composer alts down to write a 11k lit, graceful piece of mimic tin selects an entirely different type of melody and rhythm from that whlrb be would two if he were writing a ponderous funeral march. In similar fuslilon the architect knows how to arrango his ma terials so as to give even a very large bull.llng an effect of airy (trace, height and slenderness. I can think of noth ing better for the de signer of clothing for stout people to keep conHtantly In mind than one of the great O'rthlc cathedrals. As plratlon, the reartilng for something higher, Is the fundamental principal of Oothlc architecture, and very line from the cornerstone to the topmost peak of the spire Is designed and constructed with this effect In view. It Is exactly the same effect which stout women must constantly strive for In their clothes. As I explained In this newspaper last Sun day, aclence knows that for some reason not yet thoroughly understood It Is natural for the human eye to try to make every thing that comes within Its range of vision look taller than It really Is. This Instinct to overestimate height Is so universal that If the designer of clothes foe the stout woman will give only a half- ir Yf 7? i ,( I , hearted obedience to certain well-knows laws of optics, color and psychology he can make her create a pleasing llluHlon of height and slenderness and at the same time dress her In the height of fashion. The common habit of referring to a man's silk hat as a "hljfh" hat Is as good an Illus tration as can be found of the tendency of me nunian eye to overestimate the height of everything It sees. As a matter of fsct, a silk bat Is no higher than most derbies. In the psychological laboratories of the University of Iowa some Interesting ex periments were con ducted recently In the effort to find out why It Is that a silk hat looks so much taller than It really Is. A number of students profoftsors were asked to agree upon the height to which a silk hat would correspond K It were placed against the wall of the window sill. t i ft i X, t , t I I 5v'yv t I W. 164 1 i i ICipilMJlOLill ' f e1 "' 1 f . IV t ' v ! S fir , , ' '' ' . " - '' J- A I :l ' y . . ; .--m , ft)7 f i r: . . Li. , ,W "The architects of the great Gothic cathedrals have produced in mason ry the same effects which 'stout' people should strive to produce in their clothes height, slenderness and airy grace." A point was agreed upon, and when the hat ws Hct up It fell short of the mark by fully 25 per cent of Its actual height. In oth er words, every man taking part In the ex periment had Judged the hat to be one fourth higher than It really was. Those In the labor atory were then asked to Judge Individually the ratio of the height to the diameter, tha diameter b?lng cousld as representing ten unit. The Judgment of height ranged from twelve to sixteen units, but actual measure ment of the hat showed that Its height and diameter were exactly equal. This tendency of the human eye to over estimate height Is of the greateHt Importance to the stout woman who wishes to have her clothes conceal the defects of her figure and emphasize its good points. The problem she has to solve Is how she I 1 .5 x r ' In 1 1 I h 1 y I ' . . . , . - - 1 " '.',.: , je "T, f7i " PeBPWBgBPBj(iBs-e)wasSB)a sjBjwwswswwppsjsssasB , can best encourage this natural tendency on the part of those who see tier. This Is all a matter of the selection of the proper lints and their proper application to ber clothes. With the right lines rightly applied, she cn create as deceptive an Illu sion of height and slenderness as the architect does with bis buge structures of brick and stone. The trouble with tbe stout woman's clothes In the past has been tbe utter dis regard which (heir maker have shown for certain well known scientific laws. They have Insisted that because a woman was siout she could not dress la the prevailing styles without look ng ridiculous. Thty inad ber dr es a scrlee of broad, perfectly plain stretches of fahrlo unrelieved by any frills or furbelows, Tbie could be no greater mistake than this. The plslner a stout womsn'e dres fa, the more unrelieved Its expenses of fsbrle, the broader and shorter It makes ber look. I!, me explain brlnfly whsf lines the stout woman should avoid or subdue in her dress, and what line she should emphasise. Ilorlwuitsl line are never good for the stout women. If they munt be used, they must be broken or relieved In some wsy. All lines that (end toward the borlxontal should have a dowriwsrd curve If the stout woman I to look her best. There Is nothing better to counteract the bad effect of the heavy nHe of fleh found over tbe shoulder blades of many wom-n than lines curving downwsrd snd toward the front. Horizontal lines, of course, cannot be en tirely avoided, but wherever they appear they must be broken or softened. The em pilaris must always be placed on the ver tical, The unpleasant effect produced by undue fullness through the back, an effect very common among American women, Is success fully overcome by a liberal use of psnel pleat snd broken belt effects, f'anel seam are excellent for making the bust appear smaller than if. really Is, and so are revers If long snd pointed. The sclent Ifla designer of clothes for stout women uses buttons liberally. No other simple mods of trimming a dress will do more to make Its wearer look tall and slender. They are employed In various ways to relive the belt, and a long line of them down the front of a skirt will often make a woman look six Inches taller and fifty pounds lighter. The Irre hipped woman should shun plain tight fitting skirts as she would the plague, .ft her try soft pointed pleats over the hips and she will bo pleasantly surprised to see that Inntead of their making her figure larger, they seem to reduce Its elxe. Home of the more elaborate draperies which are now so popular may be worn without hesitation by the large hipped woman, provided they are cbosen In ac cordance with the principles which I am outlining In this serle of articles. But these draperies should always be carried below the hip line and their effect will be greally enhanced by tbe skilful use of pointed panels. Kach and every part of a gown must he made to HHlnt In creating the desired Il lusion. Kveti the pockets can be made to play an Important part In producing the de sired effect If they are given the proper curve or angle. It Is surprising to see how much can be iRcompIlshed by a proper handling of tbe to Look it if "The tendency of the human eye is always to overestimate the height of anything it sees. A silk list looks at least 23 per cent taller than its top Is wide, but as a matter of fact the two measurement are preclnely the same. The optical illusion explains why silk hata are called 'high when they are really no higher than most other hats." most trivial details about a drees. Cascade revers will work wonders In giving a soft line to tbe watst and In accentuating Its length. Just a touch of soft white mate rial Is often all that Is needed to make a gown that would otherwise ha quite us suitable, just tbe thing for tbe stout woman. Pointed effects are employed everywhere, Just as tbey are In Uothlo architecture. Pointed panels In the beck reduce He width. They are also quite necessary when drap eries are to be worn on the hips. Until recently it would have been thought absurd for any stout woman to attempt to wear ruffles. These, however, are well within the bounds of possibility for her If they are broken by curves, which give them an up and down Instead of a borlxontal ef fect. Kven horizontal stripes can be safely worn by tbe stout woman when skilfully treated In panel effects. Let me repeat that the secret of go4 dressing for the stout woman lies In the) choice of tbe proper lines and their applica tion to ber gowns In accordance with scien tific principle. To attain tbe proper lines a good corset Is tbe first essential. And the stout woman roust never forget tbat tbe function of tbe corset Is not merely to sup port the figure but to give It harmony. The lines of tbe etout woman's clothes should always taper toward tbat part of her figure which she wishes to mske appear smaller. These line, remember, do not necessarily have to complete themselves In the garment. Tbey may be only carried a little distance, but in even that short length they furnish a suggestion which the eye is able to complete so tbat It gets tbe dealred Illusion, In this Magaxlne Section next Sunday Mr. Malaln will explain what colors and me terlals the stout woman should aelact, and how she should combine thsm In hsr gowns. f21, r a ' XT " On the left, a "stout" woman appearing ''"htouier" than ever In it plain, unadorned gown. On the ilht, the same woman in gowai constructed on scientific principle. Note what a pleas ing effect of height and slcndcrncs- U created in each of the four gown on the right by the skilful uie of vertical and Wanting linen, pointed panel, hroken belt line, curved bodices, etc. A Good Example of tha SurpriKing Effects Which Can He Produced by the Applica tion of Scientific Principles to the Design of Clothing. In This Gown the Long Itow of Muttons Up and Down the Front Creates An Illusion of Added Height and Slender nt'Ng. The Upward Slant of the Converging Lines Ilelow, and the Downward Slant of Thoae Above the Waist Mne, Add to the Illusion of Height and AIho I.'mpliuile tha Snuillnt'M of the Wnlst. ''y-1 tlf tbe ataman SrlmMSralliF rrt !! In ' lunl ' Muwaii', !! aa4 .,, full J t urtla Hiiuaia ta Mr. aalrl M4 Mm larhra llrf tvi,,l Uriah! aa aoatrari tlaaf wl'uxiti lrM Mrr 4trl Welakl. ftalr On Mb ltd Trl4 Wilt AaprtM-lata W bat a rMaaalaa ! turwailMH I aa II t rl.4 I a 'aioHl Utaali AHaa,aar br tiiraklaa tha I air Hailoalal I la, a f a Mrlt aa tha I antr I 4aa af tba taal aa Mae llaaa llaaa la tha laa aa Iba itiabl. A a la.aala.a A. 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