T 1 ITi TV, . (O A D 1 fl" IHw i i 1? i f 1 rHE Interest ing and on- usual photo graphs reproduc ed on this page shed a new light on methods used by devotees and teachers of clss lU dancing In pro caclng their CAarmlng effects of naturalness and sponanelty In rythmic motion of the entire body. They are 'labor atory material," ao to speak. In the tudlo of MlSS Helen Moller, the American priest ess of "natural dancing" who, with her pupils, has become an es Ubllsliod feature In the art life of New York City. "In teaching the natural physical xpresslonof emotion In rhyth mic movement," says Miss Moller, "you can't escape a certain amount of scientific atudy. The rudl menta of anat omy, to familiar ize you with each aeparate muscle, sinew and Jblnt, must enter Into your scholarly equipment. But bare theory Isn't enough. The pupil roust be enabled to see those mus cles, Joints and -sinews In action under the brain's command. , "Of course ! am always illus trating for my pupils, dancing for and with them, but that shows lit tle more than the general effect the constantly changing motion presents only a Cash of each de tail. I found It desirable to con struct a sort of Alphabet of pos tures In which essential details would be prominent and could be fixed for deliberate study. Natu rally it was photography that solved the problem." i . ''V . - J- r 1 t r fir pi' I' I,' i ij. I; i i i , ' v II- ; : ft . ' ; T . ' i 1 1 i ; - : . ; hv- 1 - ' ' N f i -'it t v - ; ' . " 1 . ' . , j v ' ; I i .,'.. ,.k I- i: .''; f M i. r ! - j - ( 1 x 7 ,-" ' f ;. ! is? A r v - . ' i. ', I i ! 'I . " : -i ' ; ; i m : ; ......... J J 77re Ingenious System of Camera Silhou ettes Devised by Helen Moller to Enable Her Pupils to Study Details of Muscular Action in Classic u Natural Dancing" 1 -.r" ! ii i 1 5! 4 i A Camera Silhouette Fixing for Deliberate Study th Correct Poiee of Arm and Hand to Expresa Admiration of a Growing Plant in Flower. . Being herself a capable amateur photographer, familiar with most of the possibilities of that art, Miss Moller decided that photographlo silhouettes,, "snap shots" of the dancing figure, would best serve the purpose she describes. The figure "snapped" against a back ground of strong daylight would give a clearness of ; outline not otherwise to be obtained. Fortunately for this emergency, Miss MolIere dancing studio bae broad windows fronting on Central Park high up In a towering build lag. So she was able to use those windows for the background of her poses before the camera without danger of challenging the admira tin of multitudes outside. And sev eral examples of the result are pre sented on this page. One charming pose Is by Miss . Emily Illlngworth, the most ad- Miss Helen Moller Poised at the Window Ledge in Her Studio Ready to Begin Her Series of Illustrative Shadow Dances to Instruct Her Pupils in Details of Muscular Action in "Natural Dancing." 1 vanoed of Miss Moller' s pupils, who appears with her at the Del- monlco dinner danoes, at the Bllt more, the Paderewskl Tollsh Fund ' benefits and elsewhere. This pos ture Illustrates the technique which enters Into the management of the shoulders, neck and head. The full-length silhouette of Miss Moller with the flower fixes by photography the recognized prin ciple that the true physical expres sion of any natural emotion flows from the upper torso the heart. "As a little girl out on the Mln- t J . Four of Miss MolIer'a Pupils Observe Her Management of the Entire Figure in Expressing Pleased Wonder at Sight of a Young -. Plant Pushing Its First Shoots Through the Soil. nesota prairies." laughed the dancer, "where I was always danc ing like a wild, free creature, I used to call this my 'great secret.' I could not endure the sight of arms and legs flinging themselves about like mere appendages while the body Itself remained rigid, especial ly the region of the chief vital or gans, taking no part in the joyous manifestations. I thought that this was my own priceless discov ery that the heart region is both the psychic and the physical cen tre of gravity, and that there can be no true and graceful physical expression of mind and soul which does not spring from that centre. "Later, of course, I learned that Francois Del Sarte had pre ceded me with that discovery by more than half a century. When you consider that, and the Influence of the Delsartean philosophy ahd system upon the modern art of act ing, especially In Europe, it seems astonishing that so many famous dancers appear to have rigid, wood en chests." i This . priestess of "natural danc ing," with feet bare and body and limbs unfettered by unnecessary draplngs, is care ful to explain that very young chil dren require the very smallest amount of techni cal st u d y and training. "They have no self-consciousness" s be says. "Out of doors, relieved of needless clothing which all chil dren instinctively detest they are as naturally graceful as are all ybung animals. But, different from their four footed friends, they have com plex emotions and are easily taught to give them rythmic physical expression. "With older pupils, having fixed physical habits and mannerisms, a large amount of technical detail has to be gone through. With such pupils I find my silhouette alphabet of fundamental movements very useful." J Ml- . ! r- ... iMlBiatiWlMViWIi- -if,. l," ' f 1 1 : 1 c- 1 1 i : 'hi i : . . . - I - t i: h i 'mi 'Mrs:. I . . ... V. II i i j I v . i i .. a- - 'X. " - " f a..M:,afcjraaeK'aisa'V.V,;,:il r 4 - f 4, . .. 4 V - '! - .... . i. , ' . , i-"'t ' ' : -" - ' r - - - , . , , L - t - V V . ,1 !. , I 7 " :? I ?. - :' : i a ' - i ; s ; :,. r - . I a & H .ill. 3 l M 'If I- H ?... 1 I v -e ). - , V-'. 1 .( ,:"- t 'J ' ,Tt, la TkU SkUoyti Mix MolUr's PupiU Are Able to Not Jut What , MutcUa Cooparata in Sua tunic Parfscl Belanca of tha Fifur in a Diffi cult Poa. YtWa Mlaa Emily llUn-worth, an AdvancaJ Pupil n4 Aaalatant Clvaa a Shadow poaa Illustrating the DUtrlbutioo of Muaeular Action . in tha Figure of a Nymph Drinking from a Shell. Miss MolUr la a Trying Momant of tha Shadow Dane, Showing tha Tanae Muaclae of tha Sup. porting Lag Contraatad with the Airy Grace of Uplift 4 Arms. Anothar Silhouatta by Mias lilingworth Illuatrat ing a Momant in tha Dane When tha Arms and Torio Are Fre and Muscular Energy It Cos ceatrated in the Legs and Feet. Hara Mita Mollar Fixaa in a Silhouatta Detailed Manag omant of All tha Muaclea and Articulations in a Trying Moment of a Dance Expreeaing Joyoua Abandon. How Neglected Teeth or Bad Dentistry Are the Cause of Many Diseases By W. F. Johnston, D.D.S. tCt F. a tooth offend thee, pluck it out." This I ' was quite true centuries ago; even a dec . JL ade or two beck. Dentietry then. If we may style it such, consisted principally of "tooth pull ton" . . This operation, as a rule, was performed by the vllUft barber or the nearest blacksmith the suf ferer could find. Later dentistry grsdually arew apace and was recotnUed as a profession. To-dny dentistry and medicine are eo closely allied that dentlatry Is really a specialty of medicine. tor many years physicians bsve realized that diseased teeth and poor health are associated. It Is impossible to successfully treat dyspepsia, anae mia (poor Mood) or malnutrition unleas the teeth and gums have been properly attended to and put in a sanitary condition. The relation between such conditions and bad r missing teeth la readily understood. Sufficient chewing aad mixing of the food with the saliva, necessary for stomach digestion, Is sn utter Im jwsBlrillty If the teeth are mlsnln or deficient Not only Is tbe food under these cimtt- taken into tbe stomach in aa unlit conditio . mit It ts lo mixed vllh the discharge from dis a.ed teeth. This further impairs the work of the stomach. Naturally the teeth and etomach having been unable to perform their proper functions the re sult ta a faulty nutrition and poor blood. Theae facts have been known to physicians and dentist fur a long time. Recently, in the last three or four years, a new danger has appeared, the blind, painless dental abscess. This little spectra has turned topsy turvy the members of the medical and dental professions. What Is a blind abscess? It la a little pocket burrowed in the boue by pus. It Is found at the end of the root of a dead tooth. What causes it and bow did it get there? it Is caused by germs whose pernicious activity results In pus. And the pus forms tbe pocket The serins may come in consequence of the natu ral death cf the tooth pulp (nerve). They also may come from the ineffectual attempt of the den tist to remove all tho pulp from the- root. An other source .' the faulty tilling of the root canal after the pulp or nerve has been removed. These germs multiply rapidly once they become estab lished I t tbe pocket. How may w? detect these blind painless ab will flud them out. Neither the patient nor the dentist has the slightest idea of this most danger oua condition, because these abscesses cause the patient no pain, soreness, swelling or local dla comfort. if we only knew It, how many beautiful crowns, fillings and pieces of brldgework are but the perl scopes of these sinister and dangeroua little ab sceaaea. . The unsuspecting patient, having no dis comfort from bis teeth wonders hv be is sleep less, tired and run down. I'osRitly he is suffering from one or more diseases caused by one or sev Neral of these tireless little abscesses, hard at work every minute of the day and night supplying dealy poisonous germs to the' blood. These germs get into the blood for the very simple reason that they can get nowhere else. They are sealed in the Jawbone, which they gradually eat away and then enter the blood on their mission of destruction. At the outset these germs may be few and weak; many are killed by the blood. Nevertheless lu time, they multiply In number and increase in strength. They then enter the blood In a vast army. Tbe ng continued fight against these deadly gei.4 gradually Impairs the resistance of the blood. It ts now powerless to stop their prog ress, and the blood only serves as a means to carry these enemies of health to various vital centres of the human body. They here entrench themselves and carry out their deadly work. Now that these germs have located In some other centre, they multiply very rapidly and may cause diseane and even death. These heretofore unsuspected germs have caused heart disease, arthritis deformans, nervous die eases, kidney, liver and stomach complications. 8ome surgeons claim they have even caused ap pendicitis. This disease hss been traced to the pernicious activities of these little germs emanating from the blind dental abscess. Of course, the blind painless dental abscess is not the only cause of heart disease. It la only one of many causes. However, it is a proven fact that these germs of the blind dental abscess do cause heart disease in many Instances. They are deposited by the blood in one of the valves of the heart They and, their secretions irritate the part to which they are attached, re sulting in the formation or a small ulcer. These ulcers will cause a breaking down of the valve tissue of the heart. The valve in consequence gives way. The vic tim has now what Is known as heart trouble. Small abaecsses are also charged with wrecking tbe nervous system. Sometimes only one nerve or a group of nerves la affected, such as the nertreB supplying the jaws, ears, eyes, hands or fingers, or it may even be theorem or the spinal cord. Nervous disorders arising from these same germs may be headache, neuralgia, lassitude, or great, fatigue and depression. A well-known business man of this city who for years possessed a rugged constitution, a wonder ruily cheerful disposition and a clean record for consistent good health, suddenly lost all interest in hia business, tired almost before he finished breakfast, and in a abort period developed melan cholia. Ills physician gave him a most thorough exam ination. . While he was unable to discover key or ganic or functional diseases, he noted upon ex amining his mouth that his teeth were seemingly iu an excellent condition. Nevertheless he saw two or three plecea of brldgework reflecting great mechanical ability on the dentist who made them. But this physician realised that brldgework and dead teeth were quite frequently associated. He realised tho possibility that one or more of these teeth ssupportlng these bridges might harbor a hidden blind abscess at the root. He was immed iately dispatched to bis dentist for a complete X-rsy examination. His suspicions were more than Justified. The X-ray pictures showed that not only one but every tooth supporting the bridgework was affected with a blind painless deutal abscess. The bridges were Immediately removed. The abscesses were either cured or the root removed. In a short period this patient regained his health and normal spirits. The blood may carry a few of these germs to the fluid of a Joint in which they rapidly multiply. This causes the joint to swell and become fixed fend stiff with attendant pain. rilie limbs are pulled into all sorts cf unrixtural position and the patient now has arthritis deformans. On the other hand, it may be possible for a per son to hare one or more blind dental abscesses and yet be freo from any of the above diseases. However, the blood is being overtaxed fighting these germs and Its resisting power is being lowered. This may continue for days, months or even years. Eventually these germs will find some weak spot in the body and cause bavoc with the subject's health. There is but one safe procedure when a blind or any other kind of an abscess has been discov ered, and that is to cure it. or if that is Impossible to remove the tooth. A few years ago an abscess, whether acute or chronic, outside of ita discomfort was no great cause for alarm. It Is only recently that its deadliness has been realized and pro ran. Copyright, Ills, by the Star Company. Great Britain Rlchta Reeerved. '"1 ) f T