-3 The .Omaha Sunday -Bee Magazine Page Wtaf kmihhUse fj "My Wife Is a Show Girl; She Cannot Sing, Cannot Dance, Cannot Act She Only Fills Space. What Earthly Use Is a Show GxYl"--By Mr.' Ignatz Jacobson, Who Married a Show Ctrl I 1 A--7 A- -.7 7V;-v . A ' ..." ' :- y : a:a: 'y:w-:& " . - " '"' , : ;. . . ... . ' ' .: ' ' a v ' . - k ; ' ' , ' - :' ' '"" ' ' ' ' '; "i ," ' '--' ' V" ''"S .'. . ' s . ! .. $I4'V '7A7AA. A' . ) v:-:-; 1 . ' y - A ' - .' : y : ;v. ' . ;.; f.. - - I - y J '. - .' ' ' ' - . ' i ' J ' , . ! ? - ' ' ' ' ; ' ;;' ' I ...: , ':""-;-;,:;---7 v . V; ' ' ' '; . 7 - ! ' - A 7.; 17- 7 -. ... . ' "I Invented the Show Girl. She Has Turned Out a Disappointment. It Is True .That a Show Girl Is No Earthly Use. Let Me Explain." By Florenz Ziegfeld, Jr the Father of the Show Girl Idea. "Listen to Me. I'm a Show Girl. I'M Tell You What a Show Girl Is Good For. Pay No Attention to My By Mrs. Jacobson, a Show Girl Who Wants a Divorce Husband. 99 AJiOTJO tfct court ptpm la th mtrt isonlal fqnabblB between Mr. Ignats Jkoobson, of New York, and bli wife, who ! a Bhow Girl with on of Mr. Florenz Zletfeld'i tUgt productions, Appe&ra this interesting sworn statement: "My wife Is a Show- Girl; she cannot sing, ah cannot danee, ah cannot act she only fills space. What earthly use la a Chow Olrir Tor th answer to this poser a statement as first sought from the young lady herself the Show Girl wife of Mr. Jacobson. k And that Is printed below on this page. - Pursuing this entrancing line of investi gation still further the question was carried to Mr. Ziegfeld himself, for he is the In ventor, creator, patentee and father of the Show Girl Idea. While historians may bare some doubt as to, who began the war, there is common agreement among the vest living authorities that Ziegfeld began the Show Girls. The original manuscript of Mr. Zlegfeld's utterances on this profound sub ject has been filed In the Library of Con gress and a copy sent to the British Museum to be kept for the benefit of dramatlo historians of the future. Read it below on this page. One very remarkable discovery has been made by Mr. Ziegfeld that big girls have small brains. Like big shaggy dogs, they can't be taught cute tricks. After years of patient experiment Mr. Ziegfeld has found that short girls, small girls, girls whose" brains are closer to the ground are the best material. .1 .. .. . .. "'A'.y J "I'm the Show Girl. Now Listen!" t By Mrs. I gnatz Jacobson., V, I am a Show GlrL Now, listen. I will tell you some thing about Show Girls, ray no attention to my bus band. He says I cannot sing. Of course, he means he does not like the way I sing. I know people who do not like grand opera and cannot appreciate Caruso My husband belongs in that class. He says I cannot dance. Wen, 1 cannot dance with him because he does not know how. And I cannot act! Well, I cannot act to suit him. and that Is one of the reasons the divorce suit of Jacobson against Jacobson Is before the courts. But the main thing that Interests me Is his state ment that "she only fills space." Ah I ' What a pro found thought! An exquisite diamond cannot sing, cao not dance, cannot act it only fills space. The dictionary does not sing, nor dance, nor act it fills space, although I have heard some of my friends object to the dictionary as tiresome reading because ft changes the subject so often. The Golden Rule doe not sing, nor act, nor dance, nor does it fill much space. I am willing to take my position alongside tne brilliant diamond, the worthy dictionary and the Golden Rule, and rest my vcase at this point You ask'xne "What earthly use is a Show GlrL' Ask any of the men who have recently married them. Better ' yet, let Mr. Ziegfeld, the father of the Show Girl, answer this. I am so modest! Head of 1915 Model Show Girl Showing: What Is Claimed to . Hold Some Brains and Mouth that Is Designed to Speak a Few Words Coherently and Even Sing a -Little. C The Real Truth Revealed by the Inventor of Show Girls A Dy Florenz Ziegfeld, Jr. s I The .mproved 1915 Model jf Show Girl WJich Is Designed INVENTED the Show Girl, and, therefore, like any other inventor, am qualified to discuss and analyse the child of my brain. Some Inventions are a blessing, such as the telephone, elevators and bread. Others, like the fountain pen. cigar lighters and patent leather shoes, do not contribute much to the general welfare and uplift I confess that I shall have to place the Show Girl in the latter category. She. Is a bitter disap pointment She was a novelty for awhile. For a while the 8bow Girl was a hit The tired business man came to my theatre to get his mind off hit. work, and after he had seen my bevy of bouncing, - blonde and brunette beauties It was hard for him to get his mind back to his work again. But he got onto them the same as X did," and why?. For the very reason that Mr. Jacobson givesthey cant act can't clng can't dance, but they can EAT. When all was said and done and the novelty had worn off, those -down front de cided that they'd rather hear a pretty voice or see a little, vivacious, piquant pretty minx aim at and HIT a chandelier with her tootales than see a lot of Roman Senators walk In slowly along the back of thestage like twelve good men and true coming In with a verdict of guilty. Inventors have their troubles. ' Belh Morse and Fulton had nothing on me. 80 give me credit You take a larga girl whose chief accomplishment Is dispensing "ham and" to the multitude, or taking things oft the dumbwaiter, and try to Invest her with what we call "stage presence" and you hare a Job that makes the laying of the Atlantlo cable look like a day off. Most of them when they start In 'their, new training do not know what to do with their arms. They act as though there ought to be dishes In them, and they walk as if they were answer ing the front doorbell, with all the grace of a daschund. 80 I bad to work, plead, pray, Implore, threaten at rehearsals, and even then I nearly gave up hope of making them appear artistic. But I stuck to it I felt that the time had come for a novelty, and I was con ' vlnced that my new Show Girl was the in novation to fill the bill. ' My star at the time was Anna Held, petite and pretty. I wanted a good background for her. I was sure that if I could train a line of tall girls to act and wear clothes well It would serve as a pretty backdrop and make her all the more petite. . So I advertised: v "Wanted Girls 6. feet 8 inches or more In height of ' smart appearance. " Apply at office of Florens Ziegfeld, Jr." , The next day my office looked like an in telligence office. There were over 250 of them waiting for me. ; With my hopes run ning high I hurried Into ' my private room and gave word for the procession to start It was an astonishing experience for me. Halt of them started to flash references on . me; some wanted to know how many chil dren we had and if we kept a dog; while " six of them Insisted at the start of the In terview that they would, expect to have Thursday and Sunday afternoons off and 'would have to "sleep in." They apparently had not got the idea. ' If the fellow who wrote "I Lot the Ladlea" had dropped in about that time I would have asked. "Why?" WelL anyhow, out of the 250 Amasons I ' selected eight . Now, these did not come from the Old Ladies' Home In Brooklyn. I have been accused of getting my Show Girls ' there, but I never did. I have restrained myself. I have never bad any inclination to break home ties, especially Old Ladles' Home ties. - After looking over those 250 heavyweights I was tempted, but I didn't yield. -1 picked out the' most promising eight an eight that would make the eyes of Billy Wray, the Harvard crew trainer, open In admiration. They were big, ungainly creaturesr so big that I was constrained to be respectful to -them, but I could picture them In handsome gowns, properly fitted, walking majestically across the stage, and I remained optimistic. Many a time during rehearsals I was dis couraged. . I was at the point of driving the tall pelicans into the obscurity whence they came.. "Let . those ladles go back to their cooking and scrubbing," I said to my stage manager, but countermanded the order. I ' persevered. "Don't try to sing," I commanded, for when they opened their ' mouths they sounded like a bunch of pheasants. "Don't try to dance." I ordered when I saw -that that, too, was Impossible. - "Don't try to act Just walk where you're told and when you're told. Make yourselves . up to look as well as you can." When the dress rehearsals came 1 was almostIn tears. "Try to carry your gown as though you had worn one once!" I shouted. That made them mad. Their heads shot up a yard or so in the air. The effect pleased me. "Keep yeur heads there!" I yelled. "It you lower them an inch I'll fine you." The result was satisfying. The critics balled a novelty. The publio welcomed the. big, near-gawky girls, that somehow had had some statellness drummed Into them, though it had cost months and tears and almost bloodshed to do It t called them tha Sadie Girls. 1 The Show Girl became an Institution. No body expected her to dance nor sing nor act. If she looked well and wore her clothes well she served her decorative pur pose. And she commanded a better salary than did, the hard working girls of the chorus, who were ready to strike because of the Innovation. And I didn't blame them. For $18 a week they were doing real work. They were dancing and singing and acting. But because they lacked Inches they earned half what the waving palms In the picture hats received for "standing around and try- lng to look swell," as a rebel put it But the Show Girl whom I made the - fashion dropped out. To tell the truth I dropped her. She has gone where she be longs, to dressmaking establishments, to wear handsome gowns and ehow dumpy women how they won't look in them. Th Show Girl has found her level. I don't deny that my conscience troubles me, not about theS Show Girl's end, but hei beginning. I shouldn't have done it and I apologise. It was a wrong to the girls ol the chorus, who are the backbone of a pro duction. During my experiment with the Show Girl 1 made an important scientific discovery. Big girls are not clever. It is the little, not the big, girls who can be taught to work. The Show Girl can no longer nwrely ol' space. In these days of snappy aancing and demand for chorus work the Show Glr; finds herself backed "vff the boards" by the chorus girl. ' The Show Girl, like that other well-known bird, the dodo. Is extinct The new 1915 model is not a show girl "she fills space,"' of course, but she can also sing, dance and talk. jr. 1 4 it - - ii : -ill. :-j-r- -i :.-4 V . .'. - i 3 - t i r ., v I A fx - ,C 7-K7VV- y 7 : , - r .7 7 .;V H - ' : s ' . : . :.. y- y " -vv .A-r - ', a : 7 ' 'XyrA; ' 7, Original Show Girls at Invented and Patented by Mr. Ziegfeld These, Ha Confesses, Were V Copyright ltla, by the etac Cemsasr. Orwt Britain ni(iiu Kutrrtl