SEMI-MONTHLY MAGAZINE Decorations for Walls and Ceilings The uic of Alabastinc tints for ceilings and walls Is becoming more popular. This popu larity is due to three reasons: First, the use of Alabastinc permits of great variety of effects in different rooms. It is easy to give character to a room with water colors. Alabastinc comes in a great variety of shades and tints, and by mixing these shades and tints an almost unlimited variety of color schemes can be procured. Second, Alabastinc is inexpensive, conse quently each year it can be renewed, or the tints in the different rooms changed, if desired, A third and very important reason is that Alabastine is very sanitary. Kalsnmincs arc temporary, and when the action of the air be gins to disintegrate the glue the tinting rubs off or "chalks." The pastes with which wall paper is applied to walls forms a breeding place for germs, and it is therefore barred from many schools and hospitals by Hoards of Health. Dining Room Interior Alabastinc, while applied in a similar man ner to kalsominc, is chemically different and mixes readily with cold, warm or hot water. It will not rub off, and it is particularly well adapted for use on new walls, because after the walls have cracked, or settled, another coat can be put over it without washing it off. But it can be washed off readily if it is desired to change the tinting on the walls or ceilings. Alabastinc is made from alabaster, and it has been manufactured for more than twenty five years. It has stood the test of all sorts of climatic conditions, heat and cold, moisture and dryness. As a rule new walls should be treated with a coat of site, or otherwise prepared for the receiving of the finish. In a new building there is almost certain to be a settling of the walls, which causes cracks more or less conspicuous, and it is a good plan to place on the new walls a coat ing that can be easily removed. Alabastinc, being a water color, can be easily removed when it is desirable to take' the color all off down to the wall itself. As Alabastinc is not expensive it is recom mended for use on walls and ceilings of new buildings. Any competent painter can use Alabastinc effectively. It comes in dry pow der ready to mix with cold water, according to directions which are on each package, and applied with an ordinary wall brush. Flat paints on walls arc all right, if the walls arc in perfect condition, but should it scale in places to get the paint off of the wall it be comes necessary to burn the paint off, which is, a very expensive operation. The cost of flat paints is considerable and when washed the results obtained arc not satisfactory for living rooms. There arc many places, how ever, where a washable paint is desirable, such, for instance, as bath rooms, kitchens, below the plate rail of dining rooms, along the stairways, or in other places where the walls are likely to be soiled by placing the hands against them, or brushing them with damp clothing. In such places a flat wall paint, such as Alabasco, which is made by the Alabastine Co., can be used in connec tion with Alabastine, using Alabastine for the upper walls and ceilings, and the color scheme maintained just the same as though the work was all done with Alabastinc. The manufacturers of Alabastine give free stencils to users of their goods and with the use of these stencils a jjreat variety of attractive border effects arc obtained. Alabastine and Alabasco arc made by the Alabastine Co,, 80 Grandvitlc Ave, Grand Rapids, Mich., and the company has just published a handsome book showing 40 color plans of interiors in actual colors. It is a guide to correct color schemes "and up-to-date harmonious, water color effects. The booklet is sent free to anyone who writes for it. FORMALITY VERSUS INFORMALITY T"0 you want your Homo to express I-your individuality or don't you really care a rap about Its Individu ality or expression one way or tho other? There Is the woman who said, "I want my house to express me!" and the woman who answered, "I don't care what my houso expresses so long as It pleases." Both view points are worthy, and both are nat ural. We have tried In the Ideal Houso to furnish fertile ground for expression; the seal of Individuality Is easily Bet upon It, whllo as It Is, It is completo In pleasing qualities. If more dignity or formality Is re quired, an Iron gato In the hedge, a tiled roof, bronze leaders, and moro severity In tho garden will glvo tho desired effect. Greater Informality may be obtained by the use of a Dutch door, wooden shutters on tho lower windows, settles on the porch, and less labor lavished on the up keep of the grounds or moro happily a slight disorder observed. Wo bellevo that tho Ideal Homo strikes a happy medium between In formality and formality, both In room arrangement, Interior furnish ing, and In the exterior where the slight conventionality of tho street frontago blends off Into the Intimacy of tho rest of tho grounds. Indoors, tho walls and woodwork of the living rooms are treated to give a rich and yet restful effect; a neutral and har monious background for the acces sories that make up a home. Tho bedrooms arc designed to Impress you with their dainty simplicity, and tho porches with their great possi bilities for open air comfort. The big room is all informality with its cen tering flreplnce, its long tablo spread with books and magazines, and Its easy Inviting chairs placed so con veniently near tho numerous lamps and lights. The dining room, on the other hand, has a slight air of for mality, of dignified, limited use; Its orderly remoteness as noted by tho casual caller serving to give tho formal note. Porches should proclaim a decid edly unconventional stand. Tho cov- cred porch of tho Ideal House is reached through tho central hall, and Is cut off from any formal approach clearly Intended as a placo of In timacy and retreat. Hero should bo tho ever delightful Gloucester Ham mock, a porch rug of woven grass, easy wicker or hickory chairs, and many pillows, n low table for tea or sewing, and large mouthed Jars for flowering branches. The chairs should bo of a sort that ono could leave out In a rain storm without harm, and tho other accessories easily moved Indoors. A suggestion of formality may bo observed In the guest room (not nec essarily tho choice room of the houso); but not to the loss of the personal touch that makes for homey, ness, the true essential of every house. THE CAR-ACE piIAT good-tlmo car of yours will need a housing. You have learned ero now that you can avoid consid erable expense by keeping It at home. You havo seen how your neighbors havo crowded In little portable shacks just back of their houses and you havo felt, with us, that the garago should bo part of tho general scheme of things and considered at tho start. Our Idea Is chiefly this: sightliness, economy of construction, utility and simplicity of up-kcep. Tho Ideal Garage costs, according to actual estimate five hundred dol lars complete. It Is constructed of the same material as the houso: stucco on metal lath and sheathing, Continued on Page 9) How We Decorate the Ideal Home (Continued from Page 7) mals, sailing ships, little Dutch figures or a Kate Greenaway design, might be placed, not too high, and yet high enough to bo out of reach of tiny trac ing fingers, not always over clean. Little shelves put up hero would hold tho favorite toys where they could al ways bo seen and reached down by tho elders to waiting hands. A ma hogany high-boy to hold the crisp lit tle garments stands near the window and opposite the other room door. Tho bed or cribs are of wood enameled whllo and slatted. A night stand, chairs, a chiffonier and a big closet complete tho furnishings. A screen to cut off draughts would bo an excel lent addition and might bo made very Interesting by a repetition of tho same Btenclled pattern. Tho rug would be a largo homespun affair In plain tones of buff with a giddy little border on each end, of cottages and windmills, clouds and green hills. 'T'HE kitchen and pantry have a color A scheme of delft blue and white, very simply carried out by means of blue cooking utensils and china ngalnst the whlto walls. A blue and white china clock, a few Jars in the samo ware, marked for dry groceries, dish towels of blue cross-bar and little white cheeso cloth sash curtains give tho desired effect. The owner's bathroom has a pale green tint on the upper walls. The lower walls of cement marked off Into tiles, Is mado washablo and whlto with enamel paint. HpHB front bedroom facing tho gar- den boasts a color effect at once simple and exquisite. This room, dedi cated to some member or members of the family, (possibly two boys or two growing girls) has a soft old blue wall treatment. Tho woodwork and furni ture is creamy whlto enamel. The room is so largo that tho white bed, dressing tablo ami chair or chiffonier, if the occupants bo of tho malo sex, occupy an alcove, leaving tho greater part of the room frco as a sitting room, boudoir or study. A comfortnble loungo is drawn across tho foot of tho bed, providing space for n chum over night possibly, and at any rate a cosy loafing placo near tho window seat where one might also stretch at ease. A tea table stands here, or a smoking stand, as the case may be. A desk tablo beyond, gets tho light from tho big window. Tho dressing room or closet Is an admirable placo to tuck away nick nacks. Three easy chairs and a bookcase, hedging tho chimney, complete tho furnishings. The .rugs nro deep blue with whlto fringe. Tho hangings are a Japanese crepy fabric in blue and white. Tho lounge is cov ered with plain blue with some pil lows of the same, and some of the crepe. A lamp on tho desk table has a shado of whlto rice paper a blue blotter, blue cups and saucers, old blue sun-fast silky curtains at the book case, and a cast or two mako up a dainty and utilitarian bedrom. T'HE guest room in ambers and yel- lows has an inviting and cheerful effect. Tho yellow walls and white woodwork, tho white furniture, the flower-sprinkled cretonne In a quaint little pattern of tiny roses and twin ing green leaves, bring a feeling of sunshine and happiness. The twin beds are heavy and simple, and spread with white. The arm chairs are natu ral willow. The rouch under the slope of tho roof is covered with flowered stuff. Tho low table near tho window holds a dark bronze lamp with an amber shade and a book rack of read ing matter selected to conform to tho tastes of tho guest. A dressing table of whlto enamel with a little stool to match, that slips under It, Is grouped near tho bed, as Is also a tall white chiffonier and an easy chair near the window. 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