THE OMAHA SUNDAY BEK: PKBRUARY 23, 1913.
10-B
Gossip
of Music
and Musicians
Principals in Wizard of the Nile
BY II ISN RtlSTT A US. UKKB.
t one time It itm the wrlter'a
I a 1 pleasure to visit a clans In
I llterat'.Tc under Prof- Richard
I1 I a. Molton. tho well known
professor of literary theory
IPdgy&J and interpretation at Chicago
university. This day It happened that
he ohoso for the subject of his lecture,
"The Plot" He bepui with the lowest
rorm of the plot, and It showed him In
literature even at the very beftfnnlnjr the
, feeling for form made Itself manifest.
'lie took up tho fairy story In which the
sense Is of little Importance, but the
form of story Is perfect, ire Illustrate!
two kinds of plots by moans of several
splendidly told tales, one In which there
were three sons set to do some wonder
ful task In order U win their father's
farm. Each went away and studied for
a year. "When they returned each was
to prove his skill. As I remember, the
first shaved a man during; a race. The
second made a suit of clothes in phenom
Inol time. At this point it began to rain,
and the third, son, who was a soldier,
swuns his, sword around his head so
rapidly that It kept them all dry and he
received the prlsn. ny this he Illustrated
those plots In which there are a first,
second and third Incident, bound together
by a little last touch that made them all
one. and a complete story. He Illustrated
another type of plot. In which one In
cident grows out of another lko the
llpks of a chain, and uses these two ns
the nuclle from which, all other plots
grew Passing on to other nnd more
complex types, he finally came to that
master of literature, William Shakes
pcare, nnd after taking up briefly the
main points of tho plots of one or two of
his moat famous plays, and showing how
there were plots within plots not one.
but many, each of which would make a
complete story In Itself, but all so deftly
woven and Intertwined that at the end
the sweep of the last final touch brought
them nil together and made them a unl
fled whole he mode this remark: "Wll
Ham Shakespeare Is In literature what
Johann Bcbastlnn Bach Is In music."
Bach In a corresponding manner takes
four or more melodies, each complete In
Itself (to which an accompaniment
might have been written), and Intertwlnoa
them through and around each other In
such a remarkable Vnanner that we find
all going at the same tlmo and the many
parts so fitted together that the result Is
a wonderful composition. In Shakes
peare's works there are usually at least
four plots going on at onoe In "Tho Mer
chant of Venice" there can be found six.
i hoa not been expected to nave a
muslo lesson that day, but tha more 1
thought about It the moro convincing It
seemed that hero ono had been unexpect
edly taught.. Since then It Is Interesting
to find other analogies along the same
lines between different authors and com
posers. It )s Interesting to look at muil
cat compositions and work out the, plots,
according to Prof. MouUon's clear, brief
outline. Thero are many that viewed as
a whola show tho first, second and third
Incidents, and; the final unifying touch,
and there are others that are just ai
clearly built upon tho chain Idea. There
are complex nnd simple one. There are
some that are traglo and some that art
not.
The comparison of Bach and , Shake
spoaro In this way gives to anyone w.th
a knowledge of tho one a great help tt
1 an understanding of the other. It Is
something like mountain climbing. You
see a mountain and are curious to know
what you can see from tho top, and what
Is up there anyway. If you are curious
enough you toll to tha top and look over,
nnd there you see on tho other aide and
around you other mountain topi, somtf
what similar. You know they aro simi
lar because you know what the one la
like. If you do not climb any of them
or even a foothill, how are you going tj
know what any of them arc like? After
the beautiful and clear Interpretations of
Shakespeare by Miss Marlowe and Mr,
Bothern. wouldn't It be nice to have
some Bach?
Lfcy,,,,.,r j
INEZ ZAZXFas CJeopsibra
Entirely new. costumes for all the char
acters In tho "Wizard of the Nile," the
comic opera which will be staged by th.i
Knights of Ak-Sar-Bcn at the Brandels
theater Wednesday and Thursday nights,
aro bolng completed by Oscar Ueban, and
new properties such as crocodiles and ani
mals have been finished by Qua rtons.
Their Introduction will be mado at tho
theater tomorrow night, when tho last
rehearsal, with all characters In full
drt-ss. will bo held. Tho costumes and
scenery of the show are declared to be
finer and moro elaborate than thooso of
the original production when Frank Dan
isle started on the road with the show.
Lichen Is donating tho use of tho cos
tumes to the company and the expense
of the production will be materially les
sened thereby.
The seats for the two performances are
meeting with ready sale, and the huatllng
committee whloh has this work In chanro
anticipates crowded houses pn both nlgats,
..Li. ......... . . m . ( 1 :
i.w. ..inn lumcu away, 'ino first
twelve rows ore marked at $1.60 a seat
and tho remainder of the house, with the
exception of tho gallery, wi sell at ft
a a.at. 'iftf prjoe has yet boon placed on
gaiiery seats, tlie hustlers dcslrlnir iu
wait until the others are sold. The boxis
of the theater foe the first night al
ready have been taken, and many of the
choice seats In tho first dozen rows also
. . i
iiatu ucen soia.
From, a monetary as well as an artlstto
standpoint "Tho Wizard of Tho Nile"
David Blspham presented some rather
Interesting views in an Interview In tne
last number of Musical America. He
spoke of the musical conditions as sein
throughout tho country on his latest
tours. In the west and southwest he no
1 1 ceii a significant advance In concert
conditions, but In some other cities where
the women's cluhs devoted themselves
exclusively to muilo they now are trying
to get the most out of all the correlated
arts literature, drama, painting and
music which makes the concert artists'
audience a little more difficult to attract.
Mr. Blspham .believes that these changing
conditions' are partly the cause of Joint
recital tours, as well as the variety tuoh
a program affords that a single artist
could not supply, and the rejlef from
fatigue It gives to the artists themselves.
Mr Blspham expresses particularly strong
views on what is termed the "unsexlnz"
tt-f certain vocal numbers, which for vari
ous reasons seem to belong to one gender
rather than the other.- "For Instance
there are numbers whloh, although ths
text contains nothing which could not bo
sunr by either sex, were definitely In-
tended by the composer to be delivered
by & man or woman, as the case mica.
be. Yet because these numbers are grate
tui ana appealing- to audiences, acme
singers Insist upon offering them against
the expressed wish of the composer. Tan-,
'an oratorio passage which, although It
is supposed to represent the words t thi
prophet Jeremiah, the composer con
cetved as belns most effeotivoly sung by
woman, wouia It not be Inartistlo for
singer to place such a number on his
program In direct-deflanco of the. co.n-
poser? It would bo Just as If r should
sing 'O, Itest in the Lord,' or a cpntralto
should prpgram 'It la Enough.' Bad taste
Is again found in tho prolamine by au
artist of songs whloh typify the passions
or the opposite sex." Blspham startled
one young lady about to put Strauss'
Cecllle' upon her program by suvlnir
that any woman that would knowlnclv
sing such sentiments deserved to be called
"brazen huzzy." To another singer who
was determined to put Schumann's 'Ich
Qrolle Nlcht" upon her program becauu
she liked It Mr. Blspham pointed out thd
Inconsistency of a, woman's singing thl
text and recommended some of the sami
composer's "Ftauehllebe." In speaking
of his successful variety in program mak
ing Mr. Blspham said: "I strive t6 In
elude no two songs of the same mood,
nor In the same key, but while I would
be the last to adhere unduly to conven
tionality in the order of songs, I do not
care for that overlapping of chronolosl-
cal sequence which places a Bong of the
Noah's ark age beside a number of the
uiaitanls, period."
lr Sanatorium
This Institution Is the ooljr one
In tho central vest with, separate
baUtUncs citnatod In their own
smpte crotutde, yet entlrelr dis
tinct, sad rendering It passible, to
cltEifr cs6ft. Tue. oao building
txilnr filled for and devoted to the
treatment of son-coat&gjotu aad.
soswDc&tsl diseases, as others be
lar xdraltted: the ether Rest Cot
tage beiny tjestgnr-i for aad &s
vsl&i to xbe jcxTjIsjHb treatment
4 wdsct caes refjufrlac
f i. tisf watchful care and 3pe-
Is expected to bo the best show the
knights have ever staged.
Performers Are Qualified.
The various roles In the. piece have
been assigned with special attention to
the qualifications of the many actors
recruited and the result has been a do
light to the promoters. Frederick C.
Froemantel earnestly declares tho or
ganization Is the finest singing body
with which he over worked. Ho Is tho
director of the musical portion of the
production,
Tho cast of characters follows:
CAST OF CHARACTERS.
Kibosh, a Persian maglcan, making a
professional tour of Egypt
Oscnr O. Ijtcbert
Abydos, his apprentice. .Mrs. C. II. Boylcs
j'loietny, icing of Egypt II. W. Dunn
Ptarmigan, Cleopatra's music teacher
M. T. Swarts
Cheops, tho royal weather prophet....
a H. Hamilton
Odollsk, captain of the lloyal Guards
A. J. Alvord
Molbls, Egyptian gendormo
Douglas Mclchcr
unuint. jsgypuan gendarmo
, S. P. Conover
Chop Chop, headsman E. A. Blerman
Chop Urn, headsman O. F. Drcfold
special Guards to Ptolemy
What ...-..! R. Tl Johnson
Ho Bert Miner
My , U IT. Hart
uuarrt . B. K. Johnson
A Priest F. U Hinklcy
Cleopatra, a princess who knows
naught of lovet. Mlsslnez Latoy
Dimoona, noiemy a second wire
Mrs. Will O'Donnell
Notrn. a natrc... MIssDorret Arndt
Merza, n dancer Miss Qeorcla Gideon
Pages and Maids of Honor Miss Maud
Davlcs, Miss Bss Latey, Mrs. 3. S.
Hamilton, Miss B. Smith, Mis oBatrice
Hougton. Miss Mattlo Smith, MIbs Kthol
Kstes, Miss Alio Gideon, Miss Nolllo
MerKiin. miss b. Keiiog. Mrs. m, T.
Bwartz. Miss Florence Melcher.
Musical director, Frederick C, Frecman-
lei.
fHatre director. Oscar G. I.Ieben.
Assistant stage director, C. Doucherty.
mnge manager, tr. ii. iioyies.
Dancing director, W. Chambers.
SYNOPSIS OK SCENES.
Act I Public sauare in Alexandria.
Act II. Terraco roof of the king's pal
ace.
Act III nterlor of the king's prlvato
TwrnmM.
ltoyal uuorua . jtronfisa, j. xj. douv i
Moore, J. Sorenson, Georgo Blerman,
nininlmli ntllnn. Bert Loll roil. K. Hatch.
Importers and Citizens J. j. Bceproft,'
a. . . TT .1 T 1. rt-ti.in.Ti. I
son, Harry Felber, William H. Hunt,
George Itelfert, Cecil Withnell, H. J.
Dooms. .
Slaves ti. Eadon. F. Meek, Henry
'Tlmmninn. F. W. Nelson.
Ltidfes In Waiting Miss Ora Mous.:,
Mrs. Bertha Chapman, miss Jismer nor.
Hon. Mls Cossle Blerman. Mrs. It, K.
Johnson. Miss Mable Cole, Miss Erma
711 nh. hIIrh Iterances Melcher. Miss Kaih-
oririf. Fitch, Mrs. O. O. Lleben, Mls
Gladys Jones, Miss Ada Bridges, Misj
Helen Cunningham. Mrs. W. B. Cady,
Miss Florence Hoye, Miss Blanch Man
ning. Miss Mario Scoflcld, Miss H. Mar-
tilt.
Mr. Richard Aldrlch. -n the New York
Times speaks of tha fatlure of program
musia to give exact expression to tho
composer's Intention. He cites a Berllos
Bymphony recently performed In that
city as an Illustration, In which the
muslo Is a representation of the real
episodes In the artist's life and In what
is supposed to be his opium dream. He
also qoutes from the recently publlshd
volume of essays by Wetngartner called
ArKorae, an amusing Illustration. A
listener went to hear a performance of
locnard Strauss' symphonic poem. "Kin
Heldenleben." armed with the wrong uio-
gram nook and thought he was going to
hear the "Symphonla Domestlca." He
hears the work and Interprets It by
means of the wrong book and might find
nothing to disturb his admiration for
the skill nnd resource of the composer .to
make If so well express what he wis
picturing. Mr. Welngartner uses this to
show that orchestral composers are not
yet any n oarer the goal of the extreme
programltes In depletion of things by
muslo as they can be depicted by speech.
"As long as It la necessary to Inform
the listener In anyway what ha ought to
hear In music. It Is practically admitted
that muslo Itself cannot express It com
pletely.
There are but two ways to solve the
problem, either by composing music
solely for Its own sake, or. effecting a
real union of two arts la the song, tho
oratorio or the opera. Personalty If music
expressed rrrythlxrg as tt could be de
picted, by speech, the writer fears that
pootlo type. If our beloved Francota
thought of pastures green or. stories cr
poems that served him as an Incentlvo
to composition, at least the thought does
nbt appear on the title page, which bears
tho modest titles of mazurkas, preludc.i,
Impromptus, and tho like. This leaves
the listener free to follow out his own
fancies In his own Interrpetatlon. The
many excellent biographies of Chopin will
furnish a few hints to some of his in
terpreters that may bo Interested, such
as the Idea of the Raindrop prelude, and
how ho happened to write It, Coming
back to Mr. Aldrlch'a article, he closes
It with this clover satire upon tho ex
treme programlo composer.
It Is an old Joke that the program mu
sician should bo asked to compose a sym
phonic poem describing how an English
man took a trip to the continent, changed
his religion and lost his 'umbrella, ihe
Implication was that this Is Impossible In
muslo. It would bo perfectly possible In
tho kind or conventional sign language
used In the most advanced program
music. Begin with a well dunned raig-1
llsh tuno and a quotation from "llna.
fore," "He Is an Englishman." thus es
tablishing the nationality and residence
of tho subject. The sea has often enough
been represented In muslo, and a short
transition passage, rough or smooth, as
might bo preferred, could Indicate the
crossing of tho channel. Iandlng In
France plainly calls for a representation
of smiling landscape, also on old musical
devioa, and a determination of French
local color by a mrencn tuno. unange or
religion. Lt the hero's original Angell-
canlsm be denoted by somo sound selec
tion from tho hymnal or a quotation from
"Jackson In F," probably both, which
should then, by wholly familiar devices,
be made gradually to poae over to an
equally uncompromisingly cauiouo hymn.
say -Aorsto t-iueies." ana a passage oz
plain cong. There should be an umbrella
memo. Tins ought not to be difficult:
thus, find a theme that could bo made
to extNUid or contract bv nuirmiintatlnn
or aiminuition, cy aynamio changes or by
HiKciuuus nurmonia devices, mus suffir&Bt.
Ing the most obvious action of an um-
oreiia. Tnen let this theme fade away.
Such is the crude outline of a Dotentlal
masterpiece from the hand of ana ilc.
compllshed Iu the manipulation of themes
In the modern manner. It could even be
put forward at first to t iutnii tn
"for itself alono, purely as music, wlth-
uui an exiu&naiory program.-' as has
boon nnn-U'trh iwitlnllv mnintav ., .
poetic program symphonies before. But
ii wouia oe wen to see tnat copious an
alvtlcal notes wnrn rlrculnt,! in-ims.il
ately afterward In time for the next and
u ouutcqutni perrormanccs.
You'll miss something If you do not get
season tickets to the Mendelssohn choir
and Thomas orchestra concerts In April.
I am In the choir, so I know. They can
be obtained from any member of the
choir.
Gtoeose.
Heard at the Mendelssohn choir:
First Contralto Now, we're going to
sing. "Hey. Nonlno" again. I think
these are the ellUest words to this song.
I wonder who wrote them?
Second Contralto William Shakespeare.
The dclosratcs of the Katkmal Federa
tion of Musical Ctuba trill assemble for
Introductory Sale of 26
McDougall Kitchen Cabinets
on Co-operative Club Plan
Mrs. Housewife, this is a Bale you can't afford to ovorlook if you ever expect
to own a good Kitchen Cabinet.
Tho cabinet illustratod below is tho latest production of tho McDougall make
a cabinet made to sell regularly at $35.00, and is the best cabinet in tho world for thnt
prico. But during this sale we will place 25 of these
935.00 McDougall Cabinets dJQrrSO
Special at only P &
Rcrvab teaffrnetil
China, closet of amjsle
i
Extra thelf in china
I . . . K
RjppJed gnscdoora
Claw Sugar Bin-
McDugall daiV
Large rootny.wer
Rack for extract battles,
i "i -t
Glass, cereal and spice
Rack for spice jars
Molding board of proper
IFull sliding table
Devp divided cutlery dra
i
Extralong Bnea. dr&vrer
Rack for towcla. etcv
Sanitary wire sEdiosr
Dig: rweasy u t ensiL oboardpsc
Rack fisr tolling
Metal breed and cak ebratrar.
Samtey fey ef ftroger height
Ceyisecfernde leg bindings
(jBallbearirigcatcr.
top-nicUla plated, MSSgaff
i ' Jr BM
Calsiitttt SfS?!: $27.80
Join the McDougall Co-operative Club
TERMS $1.00 PER WE5K TO CLUB MEMBERS
. Wo aro organizing a McDoubhU Club for tho benoflt of yourself, your neighbors and friends. This
Club makes It easy for you to own a MoDou&all and novor mlea Its coBt. The Special Price of $27.50
to Club members makes It a bier bargain, and you get it on easy Club Terms besides.
Only $1.00 Required
Pay us $1.00 and we deliver your McDougall
at once you then pay tie balance in small,
easy amounts pf $1.00 a week while using tho
cabinet. You have it all that time to work for
you save tlmo, labor and money.
Pays for Itself
A McDougall will soon save enough supplies,
etc., to pay for Itself. At $1.00 a week it will
almost save enough to make the payments.
Tou'vo long wanted Just such a, labor savor '
now hore's your chanco TAKE IT QUICK.
ONLY 25 MEMBERS CAN JOIN
Beaton (SI Laier Co
415-17 South Sixteenth Street
son. "It Is not because I am his mother.
Mr. ftOKcrs, that I describe his voice as
beautiful," she explained. "He has been
heard by many musical people and they
all agree In telling mo his voice Is an
exceptionally lovely bass cantata." Per
haps, with cultivation, mused the bari
tone, such a voice might develop into a
sacred oratorio, Musical America.
Musical Notes.
Mr. Frank Mach will nresont his pupils.
Olca Bltner (a younp prodigy), Ieo Ura-
viroff and Fred M. Freuerlcksen in
violin recital, assisted by Miss Florence
Peterson, pianist (pupil of Mr. Borglum),
on tho evening of March 4 at 8:30 p. m.
Miss Eltner will Play a Beethoven minuet.
Danola's Fifth Air Varle Serenade, Schu
bert, and Fantasle. by Mollenuauer. Air.
Uravlroff will give "Chanson d'Armour."
Helmund-Sltt; "Torch Dance Henry
VIII," German; Dvorak's "Humoresk"
and "Hungarian Dance.' Haesche. Mr.
Frederlckson will contribute "Obertass
Wlnnlawskl. "Leirendn." Bohm. and the
Mendelssohn concerto op. 61. Miss Pter
son's part of tho program will consist of
the Chopin u minor uaiiaae. Airs. a. ii.
Andreson, accompanist.
DmsJia Svmnhnnv Stlldv orchestra, will
give its tnird annual concert 'ruesaay
evening. February 26. Henry a. cox, con
ductor.
Dr. Frederlo C. Frcemantel will give a
sacred somr recital at the First Congre
gational church on sunaay evening
March 1 Mr. Freemantel will have the
assistance of Miss Nanoy Cunntngham
at the organ and Mrs. Freemantel at
the piano. Tickets of admission, wnicn
ara free, can be obtained from the
church, or any member of the church, or
at Mr, irreemaniera sraaio.
Mtaa Vera Allen, the soprano in the
"Countess Coauette." Is the Omaha girl
who appeared here with the Abonv com
pany last year. ne has been me recip
ient of a groat many press notices com
plimentary to her splendid singing.
The musical department of tho Omaha.
Woman's club will meet Tjiursaay. eD.
niarv sr. at 2:15 d. m.. when Mrs. J. A.
C, Kennedy will have charge of tho pro
gram, wwcli win d aevotea io uie cum
txMltlons of modern Russian composers.
Mrs. Kennedy also will read a paper on
the subject. Mr. Berryman will play an
nriitntai ohantasle. entitled "Isiamar."
by BaJakircff. Miss Madge "West will
contribute a sranade by Oalkln. Noc
turne, Karganoff (b) Etude, Arensky, will
be given by Martha Murphy. Miss Ger
trude Miller wlU slug (a) "flonr of the
ShflDhard." LehJL from the opera "flne-
gourotchka," by Rytnsky-KeirsaJtow, and
(b) llopaK, AiousaorgsKy, x no prosrnun
will close with the "Danoe of th Elfs."
rr Sauellnlkoff. M1sa Helen Bennett. The
accompanists are Misses Elotse West and
Nina Oamtt
Our Prescription
Departments
Are exclusively In charge of state
registered men who always use
the purest and highest quality
drugs and chemicals that money
can command and never substi
tute that' h why Omaha's lead
ing physicians Invariably direct
that you "Take It to a Sherman
& McConnoll drug store."
Sherman & McDonnell Drug Co,
Four Stores.
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YOUNG REMEDY COMPANY
603 Control Bank Bldr. SJsnver, Colorado,
V I 7
for the Winter
Tt's the outdoor life in '
Sunny San Antonio that appeals to all
"After a day on the links, at polo, motoring or any of a dozen out
door sports that fill your hours here, it is certainly great to be able ta
wind up the day by dining out of doors. It counts for health and hap.
' piness, and then some." - . ,
YouH write just aa cnthusioatieally if you come to San Antonio this winter.
Pr free booklet and any information about hotels, write
Chamber of Commerce, Ban Antonio, Texaa.
The way to go is via the Katy
Limited trains from St. Louis and Kansas Oity -
"Ihelfe&r and 4tIhfllfetyrfefX" cover the distance in th
rmiokost time, with the greatest comfort. , ,
Th, tndn. kto eaulpped trtth aU th. Utert Itauriea ofjelectilej
lighted saeapsra, ehalr cr. extra roomr "l
b.r luuzr tn musl. might -. U-rr.
2& cf vtnt U camposvr Is trrtor to
socimt. H probaktr aalpvd Ms t tkltet
ifctl to step osd tnrnk- about tha sascrie
i t csotbltaatftnta, bat samsttntes tt bt
vkC to atop axaX think about tits trmalff
f Cfteplta. tt ts not cxasttr piograta
miistf-. ttu rathiir comantla nxusia at the
Ctt) arsanluxl rossU lervrs ta Anwica.
cr seme z rlula. T&sry svr to-.
gthr vtth boi os shT)ct ta Tr isu
httsrsmzt cJL mrfn I camffrfaag la.
AuutcicSjM
A tteir wwtits cgsr Fraoe&r Bosits: vw
sollad tip sat Uut paaua by a. puuutt ttroUiar
xrha raa ssaklns: adrlca ta tticusl to
tha buiidl&e vacaJ, taloct at oar jauuarl,
Eeed Goes East to
Study Trade Schools
C. E. Reed, assistant principal of the
Omaha Illph school, has none to Phil
adelphia to attend a mooting; of the
superintendents division of the National
Education association, from lhloh ho
will tro to Toledo to study tho trades
schools there. lie 'Will also spend some
tlmo studying Philadelphia technical
schools. He 'will report to the Board of
Education on his return feore as to the
work done br thee schools, Tbs Board
of Bducattoa her wttt ask tho people to
roes t3J!.NU to build, a trades school, be
H' tag tha success of such Institutions
dbawbaro Jurtlfle ths ojcttctiua at such
ohm la Qmnhs.
wmm.W&yxm'ii&zr n double tho Dleurure ol tbe trip.
For irtntor tourist
fares, and other
trartl tnXarma-.
ties, writ
W.S. ST. GKOItGC
VScaanU Passoacu
Aircat,
(M. LtuU, Mo.
or, Oe.' A. MoNattk
District ruBiBnjfeTr
Arnt. 80S Walnut
lit., Kansas City,
Ho.
Bay "Katr" to tho.
A Brent he'Jl usta
JB& ISA
4
i