:The Omaha Sunday Bee. Magazine Page - - . ii. i - t Copjrliiht, 1 : 1 1 . by Amerltan-Examlnsrs- Great Britain r.ichti Reserves. - -.v , J. A Charming House Gowf1 with Long Graoeful Lint, Adapted to a Subtle Bleu. Ing of Color. ..,.r ' -; -r V'-- t"-V v f . ..' "-.v t ?w7-. v- t V , - V i i :-,vVt,-i.. A -. .. - ' " H -. , . '. ..V A t . .' -. I,. ;. ,. . , i, .. ' 7 '-v-7.;:7: . .'" 7 7, .-" 7.. . . V. , ' vt ' ' t ;' 7,. .-. iW---1 ' -; A- ! 7iu 77." 7v7;'. ---, y 7' ,. f ' T- -. "r I ' it-V: ; 1 2 . v ' i - .. 1 ' ' - ' . , '. " ?? ; v '. i1 ; ''.,-:': vvC Worn with the New Winter Costumes They Supply a Novel and Fascinating Touch yj ADY DUFF-GORDON, the famout "Lucile" W of London, and foremost creator of fashions in the world, writes each week the fashion article for this newspaper, presenting all that is newest and best in styles for well-dressed women. Lady Duff-Gordon's new Paris establishment bringi her - into close touch with that centre of fashion. ' Lady Duff-Gordon's American establishment is at v No. I 7 West Thirty-sixth street. New York. By Lady Duff-Gordon ("Lucile") rHY should a muff remain a plain, ugly cylinder of fur rhile erery other acces sory of the Winter coatume ia de signed to pleas the eye, as well as for 'utility? The flat muff, and muffs' of satin and ribbons, fur lined, mere Improvements and .now I am submitting; as a further concession to the artistic what might be called the "twist muff." The Illustration shows how Its pliable construction of Yur-llned satin bound about with silk cord makes It a graceful addition to the costume whether actually worn as a hand warmer or carried on one arm. Shown with the same costume ia a new hat, very high, and with lta Urge, drooping plume having the appearance of a busby. Like the twist muff. It Is a. strikingly pleas ing addition to the Winter costume. That the tailor-made costume portrayed for-you here la some thing quite t new Is at once pro claimed by-for example the apron curves of the skirt front, the double braid-bordered tunic effect at the sides, and the belting of the coat to get a very high waist line. 8o It only remains for you to Imagine, as the material, a black cheviot striped with rather bright green, and well to note the exact position of the military braid which figures so prominently on both coat and aklrt, while you must not undervalue, either, the decorative importance of that aforementioned Sa hs y:::.: -;! 7tvf.iMI fit V- G,ov' ,-r . . t ,. . .. ' ) I 1 f l- Anatoml. W X:, '7 ? h.-sr in - Vt 'Uv" corr,et l! jJ4' Plaster ;; j ! jn.f '-.7' V v. A 7 :Jf'.;:,w.'-.. t i V; . - V- VN S. :, v5- W?. :'s:s : : &i :i: ;V' :&, Z:'? ft i sf7,7i ' .... C-xS1 J v h V ' belt as carried , out In black patent leather and white kid. the . two con trasting leath ers being Joined together in the bands of many little gold but tons, strengthened by a piping of green cloth and a line of gold cord. The other gown shown . here achieves Its effect, and success, by Its subtle blending of colors, and its long, graceful lines. The satin charmeuse Is shot with mysterious mauves, deep blues and purples, to each of whose soft tones an equal prominence la given by the arrange ment of the skirt draperies. Black chiffon, too, is utilised for the fashioning of the right side of the corsage, where Its nlmy folds are edged narrowly, first with flame color and then with vivid sapphire blue, beyond which again there comes just a glimmer of gold, while ewathed about the waist is a sash whose device of blue and gold is wrought on a background of bronze brown, one end of this we.rm-hued silk being taaselled with ornaments which bring together each and very one of the colors of the gown. And as the aklrt draperies fall apart with every movement they show Inner secrets and treas ures of color deep moonlight blue shadowed by a cloudy black chiffon and the gleaming gold and blue of the tissue underdress. !'!, i i How the Imperishable Concrete Body of the Zoo AnlmaJ of the Future 'la Made. 'Fixing" Our Wild Animals for the Zoos of 2000 A. D. Caliph"- the Preserved Hippo, in Life Long an Attraction at the Central Park, New York Zoo. Hi Hide, Covering a ',' Plaster Body, Is Now Used as an Educational Figured One of the Forerunners of the Inhabitants of the Futirfe Zoo4 When All Wild Animals,. Will W VlTtMUVIIS .1 w An Original Now Winter Cestume with Hlgh.Bslted Coat Showing Also the "Twitt Muff" . Plumed Hat. Both Photographs Are from Exclusive "Lucile1 Models- nd High i 'HAT will the. sooa and menagejrlea have to offer the public when all the wild 'animals the elephant, lion, , . ., tiger, hippopotamus, sebra, giraffe , become extinct? ' For that la bound to hap pen, so naturalists agree, at the rate they are being killed off by hunters for pleasure and for profit. ... These animals cannot be bred successfully In captivity, and It la estimated that another hundred years, or less, will aee the 'last of them. Are our great-greatgreat grandchil dren to know about them from books and pictures? . ' Fortunately, this threatened deprivation hai been ' foreseen, and there Is an Interesting new handicraft which ta already preparing to etock the xoos of 2000 A. D. with specimens as nearly lifelike as human ingenuity can make them. Externally skin, hair, horns and tusks they will be the real thing; the reit will be plaster, modeled from life. The specimens already ahown are very much more reallstlo than those-tamed out In -the ordi nary way by "the taxidermist, besides being virtually Indestructible.' Instead of depending upon photographs, which invariably prove unsatisfactory, giving false perspectives and distorted ehspes, the Idea is to work direct from life. With the intelligent and spirited' tebras posing only within a few feet, the sculptor is able to incorporate Into his model the minut est detail of proportion, the characteristic, natural pose, and particularly to catch all the delicate gradations of muscular anatomy 5 ' .' J .which are dUtln gulsbing traits and the real charm of the finished mount ed figure.. In the case of the ebra of the. The Zebra Poses- for the Statuette. Inn nf 2000. AT) with the limb Preservation of Wild Animal Types bones, the skull for the Museums, and the pelvis put Into position on a temporary framework, the wet clay is applied and the anatomy and form of the tebra is gradually worked up to the finished state. Each figure la modeled, of course, as the animal will be without the skin. This takes Its place finally on a manni-, kin cast. The akin Is temporarily tried on at inter vals, and the figure .can' be immediately altered at those polnta whera improvements are thought necessary. From the finished ' sculptured form, a plaster mould la obtained from which a thin mannlkin cast ii made, having a lining of burlap introduced," to com-' bine strength and durability with a minimum of wtlght. ' '- On becoming dry this is given several coats of taxtrlne to make It waterproof, when the fkln Is permsnently fitted on. The finished ' male sebra mannlkin weighs a little over luO -pounds. . One of the most commanding of African mammals Just mounted is Caliph the hlp popottamus which for thirty years was the" leading attraction in Central Park menagerie,- ... 1 The First Stage in the New York. It was twelve feet long, fourteen feet in circumference and weighed four tana when alive. O.wlng to the great bulk of the hippopotamus and the peculiar difference of . texture of the akin of a water-living animal, it required a different scheme to adjust the skin. .The working , of the huge skin into the many folds and wrinkles, especially around the massive head, neck and leg, which axe all marvelously brought out in the mannlkin. is a most difficult task. The great skin weighed 1,200 pounds when first removed from the body, and in some parts was six to eight Inches thick. The akin was shaved down to only alxty-etght pounds for final use. This required the service of six men for four days. The skin contained 100 square feet of surface and was from one-quarter to one-half Inch in thickness when ready for It'j final place on the mannlkin. The accompanying . photograph Indicates irow Caliph will look In the boo of 2000 A. D., aurrounded by school children lifelike, but no longer to be feared.