THE BEE: OMAHA. SUNDAY. SEPTEMBER 24, 1911.
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OR the dinner, the opera and the dance, Parisian
modistes have given to lovely womankind on both
side of the water some exquisite models for even
ing. Naturally, they have excelled their last efforts, for
the fall and winter are before us and the wearers must
be well dressed. There are some dominant features in
the new modes.
The effects depend upon a richness of material.
Velour faeonne," a combination of satin and velvet, and
brocaded aatin are materials favored by Atuyer,
Bianchini and Ferier. Mousseline de soie with a double
border in gold and silver is another novelty. Old roe,
black, sky blue, green and old gold are trimmed with g-old
embroidery; on apricot yellow, violet, gTay, white or old
blue, silver embroidery is used in the decoration.
The two colors favored by the designers are "vert
mousse," a soft shade of green, and "vieux or," old gold
Filmy materials in lovely color combinations will be used
extensively. Lace flounces, with little fullness, will be
the mode, recalling the styles of I860.
At the left there stands a figure exploiting apricot
crepe de chine trimmed with lace embroidered with
silver. An antique buckle fastens the front of the quaintly
shaped fichu that drops in straight lines at the side. From
the slightly raised girdle the folds of the skirt drop in
full lines, which are draped at one side.
Seated beside her is a lovely gown of bleu de roi and
gold brocade. Plain blue satin forms the underskirt, and
the bodice is formed of white tulle placed in a fichu line
over a chemisette of lace. Bands of ermine give the edge the cape. A gold cord has been used by Mme.
finishing touch of richness to the gown that depends Paquin to fasten the exquisite model.
greatly upon the gorgeous fabrics used in its making.
A young girl's evening frock is shown. White tulle
over white satin is reminiscent of grandmother's days.
Lace is gathered in a graduated ruffle over the shoulders,
with narrow pleatings of lace between the fichu lines.
On the skirt, straight but full, are ruffles of lace draped
in graceful lines. Satin or velvet bows hold the lace at
different points.
Fringe is the trimming par excellence this fall. It
is shown in the model with the short tunic of net embroid
ered in crystal beads and edged with fringe. The
crossed bodice is also edged with fringe, and the sleeves
are finished with the same graceful. trimming.
Black and white are combined in the evening cos
tume shown at the right. White lace is the robe de soir,
over which Is a soft lace wrap over white satin. Black
velvet forms the theater cap, on which are ospreys in
white ; white chiffon roses edge the brim.
The Paquin model of an evening gown is in "Bor
deaux clair," or light wine color, and the popular mousse
line de soie is used. Embroidery in beads is used on the
short tunic, which is held up on the bodice with a satin
bow. The chiffon drapery ends at the back in a straight
tab edged with beads. The long skirt chows silk and
bead embroidery, and a square court train follows this
gown to victory.
A new evening wrap is shown. It is of white veiled
with rose chiffim. and recalls the dashing cavalier's cape.
tmciroiaery u. goia is used to decorate the top and to
"Wrap of Htt,
eilcd in ro4.
Bead frmjt
and gold cord.
Model. by FQuia'
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colored nouMlin d tott.
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Modal by Papula.
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From the& styles, that are to be followed by the
well-dressed Parisienne, her American sisters can surely
tyoum Q-nrf lflrtzp
lan an outfit for fall and winter that will prove, thai
ne, color and general effects are more lovely than ever.
