Omaha daily bee. (Omaha [Neb.]) 187?-1922, August 06, 1911, WOMAN'S SECTION, Image 14
THE OMAHA SUNDAY 13EE: 'AUGUST C. 1911. 0 FP1 .ATE ,UW 7TVT . TRs lARIS. Special Correspondence. 1 It la PI quite time to begin to talk about lingerie I dreaies, bathing suits, picture hats, and I various other details that go to make up the summer wardrobe. They are all im portant adjuncts and require thought and care In their selection, and it Is just as well to be provided with a certain amount of information as to what is really the latest thing In materials and colors, to say nothing of ' styles of gowns and hats. In the first place the lingerie frock of muslin, tucks, lace, and .possibly embroidery is no more, or if it is ' seen it is so veiled with chiffons, so bedecked with blossoms of every variety, silk, crepe, velvet, or what one likes, so trimmed with fringes, grellots, ribbons, and the many fancy motives that are now to be had that the simple frock, which the word lingerie suggests, ' is absolutely lost sight of. Parisian women have never taken kindly to crlipness in gowns and Infinitely prefer the clinging fabrics to those that stand tipon their own merits, or, 4n other words, that have enough dressing to give that look of freshness that Americans so greatly admire. There fore, If one haa a muslin frock made In Paris it is sure to be fashioned of any of the vBt list of ma terials that are quite without starch and hang limply to the figure. There is no denying that these have a plcturesqueneas that is all their own and also which Is a boon and a blessing to most women they do not require constant pressing and even laundering. The materials that are most in use this year for dressy lingerie frocks are marquisette, which has quite taken the place of batiste, voile, usually the cotton variety, and cotton crepe, a lovely fabric, especially In white. Of course there are other goods, crystalline, Indian, a material something like muslin, but with a ' silk finish; old fashioned mull, which Is' beautifully adapted to certain pronounced styles, and half a dozen others that might be mentioned. Marquisettes la so nearly allied to chiffon that it is only by looking close they can be told apart, but the former has far greater wearing qualftlea than the latter and lends itself much more readily to em broidery and to all the heavy trimmings that are so much In use. It comes, it would seem. In every oolor, ' but If a proper shade cannot be obtained then It may' be easily colored, taking any shade, no matter how difficult or vague. Marquisette gowns this season are being trimmed with niet lace and with point de Flandre, these two being more fashionable than the ever popular Irish or Valenciennes. Occasionally one sees frocks in which this last mentioned lace is combined with felt, the result being extremely good and naturally making a vast difference in the expense of the gown. Doucet (and Jeanne Halleev both noted for their exquisite lingerie gowns, are showing marquisette dresses banded about their lower part with old filet lace, that la nearly If not quite yellow In tint. In one model seen the material above this band, which was half a . yard deep, was lightly embroidered in cotton combined with silk In two or three ahadea of cream white. Above this embroidery, which was also in the form of a band, the skirt showed two other bands, both of Valenciennes lace, of a dainty pattern. The bodice of the gown had no embroidery, but was made entirely of the two laces, with Just a small bit of the marquisette on the under half of the sleeves and under arm, to serve as a back ground for the lac and hold it in place. Another model of this same material showed a tiny touch of color about the bottom' In the form of a straight told of apple green chiffon. Over this hung a flounce of point de Flandre and above this there were aome motives of Valenciennes lace set Into the skirt to take away the plain appearance at the top. As with the other the bodice was nearly all of the two laces, the point de Flandre being put on like a girdle at the waist line and again as a short yoke at the top. This frock waa entirely veiled with the thinnest of white moussellne, so filmy that all the lace beneath could be perfectly seen, and In place of a belt there was a sash of chiffon, knotted loosely at the left side, with long ends, the color being apple green to match the band of the skirt. Another novel change that Is being given to many f these thin frocks Is the wearing with them of three quarter length coats made of chiffon in some bright hade. These are simply made, showing edjcs finished with hemstitching with tiny grellots or with fringe, and cut in kimono fashion with sleevea that arc ample and that reach a little below the elbow. They ore loose, but the high wast line Is defined by cording or Ehlrrlng that holds the garment In place. Sometimes theso charm ing garments are embroidered in bands across the bot tom, which of course gives them a much more elabor ate appearance, without really making them any pret tier, and sometimes they have bands of lace of a dif ferent character from what Is employed upon the gown, and this is put on the underneath side like a facing. " These last are most attractive. Frequently three or four coats are made to accompany the some frock, the colors most in use being purple, bright green, cerise, and mandarin, and as the frock are always white one may have by this a number of changes with small ex pense and little trouble. This season's cotton crepe Is much prettier than any that has been brought out before, being wonderfully fine In texture and soft and delightful to the touch. A great many gowns of this are being combined with English embroidery, ut not the heavy sort, the new kind being fine and almost transparent. Crepe gowns show tunics of thla embroidery, with bands of the same about the bottom of the skirts, and these tunics and bands are sometimes lined with brilliant shaded chiffons, or with brocaded silks that are vividly colored. Other are embroidered with wools having all the tints that are to be found In tapestries, for It Is In tapestry designs that the work Is executed. Most of the trimming Is on the skirts, for the bodices of most of the soft lingerie gowns are such small affairs that - there la little room for decoration. Another embroidery that Is frequently employed for crepe and for voile as well Is an Imitation of that which Is seen on old India work, embroidered shawls, gowns, and the like. It Is one of the most effective of any that Is used, being done In coarse cotton and somewhat raised, but In fairly small designs. A favorite method of using it la la panela, a single one In front, or two narrow ones at the sides, or In the abape of a tunic, the bodice and klrt being fashioned toother and then embroidered to give thla semblance. (V ' -v.v r 0- ' M a," k r r 1 1 if K'ni 8 Gown of white crepe, showing puffs on the skirt and embroidery on the bodice and sleeves. Touches of deep purple velvet on dceves and at the neck. Model from Paquin. In colored lingerie gowns there are some marvelous two tonoil effects being shown, and if not two toned, then some combinations that are quite as pronounced. One model seen at the races won of voile, the lower part of the skirt being of huge black and white plaid, while the upper half was of equally noticeable stripes, also black and white. The plaid half extended to the knees and opened over an underskirt of apple green chiffon, the opening being In front and also to the knees. The striped upper half was finished down tho front with a series of strtps of black satin, an Inch or two wide and three Inches long,, either end of each strap being caught with green buttons. The stripes of the skirt went round the figure, but the bodice of the same showed them going up and down, with sleeves to match the' skirt. The finish of all was black satin with green buttons and chiffon, and worn with a black and white hat It stood out conspicuously among a great many other conspicuous toilets. Another black and white frock was also striped, and very wide ones, and showed a skirt that was quite plain but for superb bands of point de Flandre lace to finish the bottom. The yoke was of the same lace and so was the lower part of the sleeves, which were long enough to come down over the hands. There was little to say or dscrlbe about the general make of the gown, but It was made noticeable by being lined, lace and all, with cerise chiffon and being worn with a large hat and bag to match. The former waa of dead waits straw, with the brim covered with lace and the crown trimmed with a wide band of cerise velvet, tied in a big flat bow at one side, while the latter showed the lace covering red chiffon, or silk, and hung onto the arm by long red cords. This having the bag made to match the cotttume Is the newest thing In bags, and they are being carried now made of every sort of material dotted foulard, crepe, silk serge, lace over chiffon, lace 4w V '-' v X 4t 5T t4 1 rv v u it i i 1 Ull visas1 Rriprik rn1 PifPH rhifTnn vp?1?nr svViit mull Prnnt A T?1anr 1a trims fit futtttm of the tunic and the sleeves. Velvet sash ends embroidered in silver. Model from. Lafaire. Gown of yellow filet lace over cerise colored . marquisette. The underskirt is plaited. Bodice of tulle and lace with taffeta fischu of cerise color and sash ends in back. Model from Martial and Armond. rimmed chiffon, linen, llnon, and. In fact, anything and everything that can be thought of. All, without re serve, are suspended from long oords. and these may oe of a color, of velvet r;bbon or of gold or silver cords. Parasols, too. must now absolutely match the cos tume, and for this reason there has never been such a variety seen, both as regards materials and decora tions. The latest shapes show long handles and much curved as to the ribs, more In style like the old fash ioned Dlrectoire shapes than any others, and there la nothing too elaborate for tho trimming of ta, from real lace to flower or pearl frlnae. or from m to puffs of tulle or changeable silk. But to return to lingerie gowns, or rather now to those of somewhat heavier materials w'oh are Intended for morning wear. There Is for the moment a perfect rage for frocks of natural colored pique and for all the shadea bordering on the yellow tones, some being distinctly this and quite brllllont These show me skirts of pique with tunics or little sleeveless coats of English embroidery la the color of the gown. The Lmbroldery again, the line or the waist is marked by Fomo em broidery .Jone in colored cottons, with a tourh of the same on the bodice beneath. There is always some sort of a dainty little Jabot, or a knitted tie of satin or chiffon, to finish the low cut collar at the throat, and occasionally a touch of Home lovely lace appears at neck and wrists. The.se little gowns are thoroughly practical and are cool and comfortable. The skirts are nearly always ankle length and nar row, and If they are trimmed at all It is with a narrow band of embroidery, or an equally narrow Insertion of English work. When a sleeveless bolero Is used Instead of a tunlo the under bodice is generally of a contrasting color, or It Is of tulle embroidered In color or trimmed with lace. These boleros are cut away In front, showing some sort of handsome ribbon girdle, or a sash of chiffon, the ends of which are finished with tassels or embroidered motives. Worn with a smart hat In black or white, boots of the same shade a the dress, and accompanied by a parasol and bag to match, the effect of these costumes Is of the very best. In bathing suits one may aay there Is little that Is new and different to tell of, but It Is a alngular fact that with the advent of the culotte costume the culotte bathing suit has disappeared. Now every one la made with skirts and those of a more than -moderate length. Borne reach quite well over the ankles, and these show the slit up sides such as are to be seen upon many tailored suits. In fact, the bathing costume of today does not differ greatly from those planned for street wear, except, possibly, as to their material. They show tho close fitting culotte. knee high or to the ankle .as one pleases, beneath; a narrow skirt, scalloped or slashed and trimmed with flat folds or bands. The bodices are short walsted. with cords to mark the line, or with neat belts of leather In a color, or In black or white combined with a color. Kevers finish the fronts, and sailor collars, or vestment shaped ones, aa the case may be, are seen falling over the back. Most of th4 costumes are In plain colors, dark blue, black, deep red, blue and gray, and the materials are generally taffetas, silk serge, or satin. There are some alpacas to be seen, but they are not nearly so well liked and the actual cost of theee is nearly as much as the others. Changeable silk In dark colors Is also much used and makes some chic looking bathing dreBses. It Is doubtful If the real picture hat of this season has yet arrived, for thest! usually do not appear until summer frocks of the lightest description are being worn. There are, however, many large hats being worn, any one of which Is sufficiently picturesque to be attractive. The shape so far most seen, is slightly wider on the left side than the right and raised the least possible bit. White straw Is decidedly preferred to bhsck or any color, and many of them are trimmed all In white or In the palest colors. There are myriads of flowers to be seen, and they are apparently tossed onto the ha pi without regard to size or color. Some of these com binations .are charming, because they look so unstudied and also because the flowers are the most beautiful that ran be Imagined. Crepe and velvet flowers are combined together, and there are some made of tulle that are simply delightful, so delicate and fragile look ing are they. Tulle In various ways trims a number of large hats, some showing the crown quite covered with many little upstanding frills, or with puffs, through which ribbon Is drawn. Then there are Imitation ostrldi feathers made of tulle, aigrette that are as light aa thistledown, huge bows dotted over with tiny flowers, or with seed pwarls, that are very dainty looking. Most of the trim ming la arranged at one side, or well toward the back, and all Is made to stand as high aa possible. There are some glorious ostrich ylunies being used on big hats, some of .which aro about the crowns, or Stand nearly 'erect In groups at the back. Both the willow plume and those showing only a slightly droop ing feather are fashionable, but shading has quite taken the place of those In single colors, no matter how handsome they are. The shading are not always of one coloring, but combine two sjjJ sometime mora. -