Omaha daily bee. (Omaha [Neb.]) 187?-1922, September 25, 1910, WOMEN, Image 40

Below is the OCR text representation for this newspapers page. It is also available as plain text as well as XML.

    M
M
M
in.
M
M
M
M
M
M
M
M
M
M
M
a
M
M
M
M
M
M
3
THE OMAHA SUNDAY BEEi 'SKPTEMHEH 2.'.
'Jfe HINTS''' FOR; THE HOME WOMM. :lKJSA
o
11 ii
una .Gks)B
TJZJD9'
By" MAHV EEEANOR O'DONNEM.
'v.
4
w n
aW f .j 1 ami I I I I l hi l... . r aK- l 0 1 I II 11
iu '
- V-
hpi&& &ryz&r ......
v '
k-yfkk Ma
Hi; halrdreulnc tyl for fall and winter
jl I are atronrly Inclined to the youthful
1 I niodee; In fact, aome of the colffurea
JL I might almont be called Infantile.'
Everywhere curia rule. The crown of
the hair la aurmounted with puffs and
curia, with rlngleta falling over the
templea and concealing the ear a.
' The simple calotte or turban mode has disappeared
entirely and when the coronet or, according to Ita new
name, the tortlllon la used. It la colled higher about
the head and tighter, though not symmetrically.
In all the new atylea of halrdressing there la no dt
creaae of the use of falae hair. In fact. If anything a
grater amount of it la required. What haa been dis
carded la the stiff And unnatural upholstered look,
thus giving way to a greater flufflness In the arrange
ment of the hair. The hair net haa been abandoned,
however. In the new modes.
More frequently than otherwise the hair la parted In
the center. If the natural hair la not sufficiently thick
to permit this flat adjustment a false piece Is worn.
Often the first banding of the head la done with a
flat twlat or spread of the long hair. '
From this point the dreaslng Is built up In a suc
cession of tiers. Sometimes there la s fancy bandeau
of ribbon or metal band, and above this the loosely
plaited awttrh. The crown piece la omitted. Ringlets
fall over the eara In the quaint old faahloned style.
The short forehead bang or fringe ' la still slightly
worn.
In soma of the most extreme expressions of sim
plicity In halrdresslng the hair la cut short and curled
In ringlets all over the head, the aame style, of hair
dressing that was used some years ago. Worn thua the
coiffure la entirely free from ornamentation, not even
a band of ribbon being used.
Thla la a style that la only affected by those of the
younger Bet. who aim to be up to the moment In all
the vagarlea of faahion. Wigs of thla type are frequently-
worn and are said to be popular
The last few weeks there has been a great tendency
towards using bandeaux of dark colored tulle with
evening dress. Dark reds, blues, grays, and black are
used. Broad bandeaux of white tulle are also fashion
able. They are put on exactly the same way as were
the broad ribbon bandeaux that were worn last a'um
mer. Wands of metal and passementerie are also used
In elver and other metallic effects. These bandeaux
re four or Ave Inches wide and when adjusted almost
cover the head, leaving only the curly crown visible.
Beautifully embroidered and jeweled metal bands of
thla type uaed by mllllnera on lists are also used for
this purpose.
This season has brought out no particularly new
style of hairpins or combs. The extra wide bandeaux '
and the curled headdresses used for evening preclude
any other form of elaboration. -. Some use, however, la
made of the spiral screw pins with ornamental heads
In real and In Imitation shell, In metal. Jeweled and '
carved. i
Although brown tonea are most desired In hair thla
winter there Is no especially affected rotor.' Red, how
ever, la no longer fashionable, and the extreme blond
type, artificially produced. Is now considered In ex
tremely passe taate. A high luster Is regarded as
essential for both blond and brunette hair thla sea
son and great pains are taken to produce It by brush
ing frequently and other care and. where necessary, by
the use of applications.
Large, loose wavea are the proper thing, not the
atllted. atlff markings of the marcel Iron, and about
the faoe should be aeattered a few tiny curia. Curia
about the face give a wonderfully aweet, softening
effect and will do much towarda making leas notice
able the tracings of age and the fret lines of worry.
A beautiful and above all a becoming mode of halr
dresslng will transform a woman like the touch of the
fairies from unattractive plainness to genuine beauty,
and every woman will And It well worth while to study
herself carefully before adopting a hair mode.
Just how one must dreaa her hair Is a question that
aha muat settle for herself. One's neighbor may look
chlo with her hair dona in a certain way and you may
look like the moving heads on clrcua wagona with It
dressed Identically the same way. The only way to
find how to dress your hair la to experiment until you
And the secret.
After all good taate In dreaa and In beautifying one
self Is but knowing how to bring out the good and
gloaa over the poor points
In selecting your coiffure first consider ' the . shape
ef your face. There Is absolutely no perfect face.
t;.i!;:,:
TSl
showiwg zrszr of
HAW SorY, $
,4V, i
'J
Is
f . f -
Every face haa aome Imperfections. Ask yourself
what- your imperfections are and how can you best
gloss them over.
8o much of beauty la fitness, the general harmony
of appearance, the tactful adjustment of fashion to
one's ownnceds these are the things that create pleas
ing effect not fashion simply because it Is fashion.
It Is well to remember, too, that there are few im
perfections of features that cannot be remedied or at
least mollified by the halrdresslng, and few, too, that
if misapplied it cannot ruin.
Take into consideration the shspe of your rbln Is
It square and inclined to be angular? An approximate
ly square outline, aeen full face, of the arrangement
of your front hair will mIMgete this harshness of line.
Whether you wear a pompadour .or part your hair
you will be wiser to keep It flat on top, and while
allowlng.lt to atand out on either aide do not allow
It to flare. The arrangement ahould be freer and
softer In proportion as the face la long and thin. Kx
aggerating the looaeneaa emphasises hollow cheeks.
Just as they are .made prominent by too aevere treat
ment. ..'
la the chin noticeably tapering and . do the cheek
bonea by compartaon seem unduly broad? .Then this
effect must be corrected. A low, flaring pompadour or
broadly waved hair will correct thla . defect and by
contrast appear to diminish thla breadth In the uppir
part of the face, and narrowing thla apace has the
effect of lessening the sharp point of the chin, which
consequently to- the eye becomes more blunt and round.
An exceedingly round face Is best treated by a halo
pompadour. A definite semicircle above the face, in
being larger and more striking than the strong curve
of the chin, renders the latter more delicate.
All haa not been accomplished, however, when the
hair haa been arranged to ault the shape of the face.
Indeed, there are numerous other considerations. One
must remember that In halrdreasing It Is not a quea
' tlon of framing a flat surface as In a picture, but in
arranging the hair we are, framing the face framing
an object In the round.
After the shape of the-face one ahould notice how
her head is aet on her shoulders. Is the neck short
and the distance from shoulder to crown short also?
Then length must be gained by dressing the hair high.
Ia the neck long and thin? This will be overcome
to a certain extent by dressing the hair low a.nd by
accentuating a horizontal line of the hair both In
front and at the sidea. In any case it is most ad
visable where one has a long, thin neck to dress the
hair at the aide of the head horlsontally, as It seems
to keep the features In better relation to one another.
If the hair seen in profile makes a sharp diagonal
line from brow to neck' It la likely to thrust the chin
forward, while a perpendicular line, eo common In
connection with a pompadour, makea the nose promi
nent. Half the charm of the graceful Psyche knot
lies In the long, wavy horlxontal lines over the ears.
It Is almost Instinctive to heighten a low forehead
by a straight, fairly high pompadour, and to lower a
high one by either a fringe or an overhanging pompa
dour. Sometimes the latter treatment Is most effec
tive, for to bring the hair down on the forehead Is to
Intensify the expression of the face. Sometimes a
rather Insipid countenance la rendered more Interest
ing by this simple device.
The coiffure has been planned this season so ex
clusively to ault millinery that the hair seems to be
an Integral part of the hat One almost fancies that
to lift one it must be necessary to remove the other.
"What will I do with my hair?" wrote a correspond
ent to me the other day, "when my hair is bound
down flat to mv head and then smashed under the
present style of millinery? When I take off my hat my
poor head looks like a pancake. It has been so flattened."
The answer la that women will have to be extremely
careful about the hair line this season. Women are
apt to forget that the hats are ao big that they cover
the hair line proper, and the only piece of hair , aeen
la the atrip that runa around the face. Thla Is the
hair Una this season.
Then there are the little curl possibilities that He
at the nape of the neck. Here are hollows that may
become beauty spots If one knows how to ringlet
them. ' Hairpin curls usually give good effect at the
I
'
J
ft - v
nape of the neck, and there are also barreiua siiuwn
with curia attached that are helpful.
Thea there are the spots back of the ears the bare,
ugly spots that will make any one look ancient unless
these are properly attended to. If the love locks ore
well managed they will curl over the ears. Ears are
seldom ornamental and they ahould be covered as
much as possible. .
The halrdreasing this season . requires time. One
should go at It slowly and take Infinite pains with It,
and then when It is dona up it ia done for tbe day.
' -; WrV' v.
t t A
mm-
f
9 S
8&QAD BuWD4. V OlZMASfZJVrjD,
1
4 1
i v
9- x
vim jpvyrjs
V
I .!. ',
"-. '.
I