THE OMATTA SUNDAY BEE: OCTOBET. 31. 1P09.
AMVIKMENTI.
"What is Going" on in the Stage World Briefly Told
AMISEMEXTI.
At the Omaha Theaters
George M. Cohan Will Give Latest Comedj Three Nights at Boyd
Corinne to Twinkle at Boxwood in Viennese Musical Comedy-Orpheum
and Krug Hare Good Attractions Listed for the Present Week.
HEIIK Is a story, somewhat 1n
f f-r elegant but fairly forceful,
I I about ths sailors fed upon lady
I flntrers and whipped cream
!."'- who came to the captain In
I - ' J revolt. "W want," said they,
'ornithinic wih a llttlo more chaw to It.-'
Delightful as was the visit here of Mario
Cahlll and pleasing as was her comedy
with music. Its coming Immediately be
fore the visit of Mrs. Carter and Hen
rietta Crosman served to cmnhaelse ths
fact that even muslraj comedy of the first
clans, as was Miss Cahlll'a offering be
yond any cavil, does not altogther eatlxfy
the whole demand. Be It clearly under
stood that rmiKical comedy haa a decldd
right to be. In and for Itself, and Omnha
wunts not fewer, but more entertainments
like Miss Cahlll's. Yet till does not fill
the whole bill.
Occasionally something; with more blood
and sinew Is desirable. One can grow
weary, In time, of the loveliest ethereali
ties, and a craving comes for something
with more substance.
Consequently the visits of the two emi
nent women named was well timed. Mrs.
Carter was seen In one hopelessly bad play
and one at least fair to middling. Miss
Crosman was not In repertoire, but her
single offering will be generally kept In
mind as one of the genuine comedy suc
cesses of tho Omaha ' season of 1909-1310.
Mrs. Carter left Omaha with more ad
mirers than when she camo. "Kassa" left
In Its wake some dlsnppolntmcnt and some
failure to discriminate between play and
player. Hi"r other play pleased better
though, unfortunately was seen by fewer
people and It Is a fact that her acting
was better in this too.
Mrs. Carter's acting Is lacking chiefly In
an absence of the art of suggestion by re
pression. Bhe Is not open to the charge
of a need of restraint, but the difference
lies In this: Given the same part, MIhs
Margaret Anglln, for Instance, would pro
duce an equally strong effect with a good
deal less effort. How much suggestion by
repression can do for an actress Is vividly
Illustrated In the difference between Mrs.
Carter and another actress whom Omahans
had a good opportunity to see some months
ago.
But Mrs. Career Is one of the great ac
tresses of the country and It was good to
see her again even In a poor play and
better of course In the better drama.
Miss Crosman has genuine humor and
wit, flexibility, grace and magnetism, all
these qualities showing In her acting In
"Bham." The play Itself may not' be one
of the best aver written but It la In strik
ing contrast to many another comedy of
manners seen In recent years. It too has
bone and sinew compared to the spineless,
bloodless plays of th Clyde Fitch kind.
The week saw another comedy, "Going
Soma." It was a play fairly clever In
soma ' respects and well acted, but the
central Idea, while novel, was a little too
thin to spread out over four acts so that
the dramatic bread was thinly buttered
in spots.
The Orpheum which had a first class bill
did Its customary business and the Krug
attracted Its usual quota.
George M. Cohan, famous as a populaiiier
of musical comedy will head the company
of 100 players, which la to present the
celebrated young man's most successful
play, "The Yankee Prince," at Boyds',
Thursday, Friday and Saturday, November
4-6-, Cohaa'a aongs and his altogether
inimitable dancing form one of the big
features In the presentation of "The
Yankee Prlnoe," but his company have
also been provided with plenty of work,
o that from tha moment the curtain
goes up on the first aot of the big laugh
ing success, there is something of Interest
to catch the eye and please the ear. As
a writer and composer of musical comedies,
George M. Cohan stands distinctive, in so
far as America Is concerned. Cohan plays
are Invariably smart, happy eonoelts with
plenty of witty dialogue and innumerable
funny situations giving them plenty of
snap and sip, but they are always clean
plays without a suggestive line or vulgar
Insinuation in tha whole entertainment.
Tha success achieved by Henry B. Harris
produclon of Charles Klein's latest drama,
"The Third Degree," which will be seen
at Boyd's the week beginning next Sunday,
brings to mind the fact that, too, few
our American dramatists display their
Shrewdness by availing themeselves of mat
ters of contemporaneous Interest for dra
matic material. Klein's adaptability to this
particular and valuable asset in play con
structing is remembered in "The Lion and
the Mouse," which enjoys a following
througout the country, not been equalled
in years. That he has again reached the
height of publlo approval of his older suc
cesses in "The Third i Degree," has ever
more firmly established his vogue among
theater-goers with the evils existing in
the bringing of a confession from a sus
pect uuder arrest.
Corinne will b seen at the Burwood four
nights, beginning this evening, in the
Viennese operetta, "Mile. Mischief." The
Shuberts have surrounded Corinne with an
exceedingly large company, as well as the
original production of the tuneful opera.
The talents of thla comedienne are said to
be peculiarly suited to the plot of "Mile.
Mischief." "Mile. ' Mischief" is alleged to
have a real plot. The part played by
. Corinne is that of a model. Rosette by
name, engaged to Claire an artist. Always
' full of adventure, ahe makes a wager that
she can remain In the barracks at Frem
tadt for twenty-four hours without de
tection. Chance gives her tha opportunity.
' Freddie Mellna, the foppish son of a
wealthy manufacturer, cornea to the studio
to take lessons. Koaetto dons the clothes
f one of the artist's mala pupils, steals
the pocket book and papers of young
Melius and presents herself to the recruit
ing sergeant aa the manufacturer'! son,
who bud been listed for military duty.
The colonel In oommand, a strict discip
linarian, believes that raw recruits should
be hardened, the hardening process, ac
cording to Ma idea, consisting of frequent
baths, baths hot and baths cold. By and
by the artist visits the barracks in search
of his aweetheart end is seised as a re
cruit. It la Claire instead of Rosette who
la then put through the bathing process.
The girl escapee by taking a lieutenant
Into her confidence, to whom she tells
fictitious story, towit; That she is the
elder Meilne's daughter and has to ap
pear aa a boy in order to inherit a vast
' fortune. The lieutenant, believing that he
can marry the girl, telegraphs the elder
Mellne that el son la held at the barracks.
When the manufacturer arrive he is ar
rested aa a spy and his son Is wholly un
able to explain hi identity, as well aa the
fact that he la a boy and not ft trl.
Rosette wins the wager, and Is reconciled
to her lover. A matinee will be played
Wednesday,
Heading thfl b!P for this week at the
Orpheum are two favorites In the realm
of vaudeville. They are the comedians,
Frsnk'vn Underwood and Miss Francis
Plossom In "Dobb's Dilemma." Something
njw In the way of a dancing act Is to be
presented by the six American dancers.
Three dainty girls and three men of skill
are featured In this number. Every move
ment of this clever sextet is said to be a
revelation of precision and grace, "Just
to Laugh That's All" Is the melange of
fun to be presented by Brown, Harris and
Brown. The act Is a combination of laugh
able nonsense and music. Still another
laugh producer will be offered by Walter
Sohrode and Lixxle Mulvey. Their sketch,
"A Theatrical Agency," presents several
singing and dancing features. One of the
most pleasing features of the bill wilt be
the droll London product. Griff, the Jug
gling Joker. His cleverness as a Juggler Is
combined with much comedy. This will
be his Initial appearance In Omaha.
Strength and skill will be exhibited In the
oomedy acrobatic act to be offered by the
Reed Brothers. Feats entirely original will
make this number one of the most striking.
One of the surprises of rare excellence will
bo the work of the transparent painter, J.
Rubens. He paints a sunrise landscape
which changes to a winter scene, and all
of his work is characterised by striking
realism and glowing combinations of color.
Again this week the klnodrome will project
the latest motion pictures and the Orpheum
concert orchestta of fifteen musicians will
play several high-class selections at each
performance. Will M. Cressy and Mis
Blanch Dayne will be the headline attrac
tion at the Orpheum for the week starting
Sunday, November 7. They will present
"The Wyoming Whoop," which Is Mr.
Creasy.' new sketch. In writing this one
act comedy Mr. Cressy has enohewed the
yankee and gone Into the west for his
scene and characters.
Elinor Glyn'a widely read "Three Weeks"
which caused a sensation on both sides
of the Atlantic; the dramatic story, "The
Ringmaster", and Louise Gunning in the
newest musical comedy, "Marcell, are early
bookings at the Burwood.
. "Beverly", the dramatisation of George
Barr McCutcheon's successful novel of
that name,' the sequel to "Graustark,"
which will be the attraction at the Krug
for four days beginning today, Is a story
of real life told In a convincing manner.
It relates the exciting adventures of an
American girl, Beverly Calhoun of Wash
ington, D. C, while on a visit to the rul
ing princess of a mythical principality In
the eastern part of Europe, one of the
Balkan state. In staging the (reduction
the management, Delamater i: Norrls,
have endeavored to make every '.east pos
Music and Musical Notes
HE following remarks on the
dlfferer.oe between Classical
and Romontio muslo were In
cluded In one section of a leo
ture recently delivered at the
Young Women's Christian as
T
sociation auditorium by the mualoal ed
itor of The Bee. In response to several
requests tbey are here reprinted.
Classical music, pure and simple, Is
muslo which was written by men who
gave their attention to the study of the
laws of Art. Romantic muslo is musta
which was written by men who appeared
to disregard Classic law-and-form models,
and gave free course to the Imaginative
or emotional side of their musical nature.
It la again the old question of the Priest
and the Prophet. In Israelltlsh history,
the Priest officiated at the altar aa an
Intermediary between God and the people,
but always acting for tha people. The
Prophet aoted also as an Intermediary be
tween God and the people, but he acted
on the part of God. His utterance was
prefaced with the words: "Thus saith tha
Lord.
The Priest represents the Claaslo type
at the temple of Art. He Is making the
oblations at the altar with all regard to
form, and observance of law and rite and
ceremony. The Prophet represents the Ro
mantic type and Is the voice of one cry
ing In the wilderness "Prepare ye the
way."
The prophetlo type has gone after the
Inwardness of things and haa called out:
Hear the word of the Lord: Incense Is an
abomination unto ma: the new moons and
Sabbaths, the calling of assemblies I can
not away with: your new moons and your
appointed feasts my soul hateth: they are
a trouble unto me: I am weary to bear
them." (Meaning that wttnout the spirit
of the thing the forma were dead.)
Now that very priestly devotion to
form, ceremony, formality, ritual was the
hard ahell by which the living pearl waa
protected.
Without thla sever outside tha shell
tablets of the law, the pearl Inside could
not survive tha voracity of outside ene
mies. Now looking at the Illustration from the
musical aide we have the same parallel.
The classicists were the priests who by
ritual, form, law, mad possible the preser
vation of the pearl. But one In a while
the classicists would get so anxious about
the shells that the pearl would be neg
lected, and then a prophet would com
along and pry open the shell, force apart
the hard shells, as It were, and gave the
life Inside a chance to expand
It waa not until the Urn of Weber that
musicians began to discuss a "romantic"
aohoot. To this school or class belonged
Weber, Schubert, Mendelssohn, Schuman,
Chopin. (To the "claaslo" belonged Bach.
Handel, Gluek, Haydn, Moaart, Beet
hoven.) The great service of the Rom an tie school
has consisted In the fact that It prevented
the threatened danger of over-development
of the "Bclence of Muslo, at the expense
of the Art of Muslo.
Under It, forma became more and mora
elastic, capabilities and capacities of vari
ous Instruments became more and more ex
tended and understood: painting In tones of
r h colors began to aursed drawing In
black and whit.
Romano took the place of ritual: Imag
ination dethroned Images: love relaxed tb
stern features of lawi tenderness softened
tenet; and devotion 19 tb Soul of muale
(
sible detail true to life and it Is only nec
essary to add that they have been aided
and advised by that master of stage craft,
David Belasco.
In selecting the cast the management has
been equally careful. It contains such well
known people as Ray Beverldge, said to be
one of the most beautiful woman on the
stage, and formerly with Mrs. Patrick
Campbell, Mme. Rejane, and Henry M.
Savage; Edith Shayne, last year leading
lady In the Savage production of "The
Devil", and for three seasons previous with
Margaret Illlngton In 'The Lion and the
Mouse"; Hattle Carmontelle, for many
years end man with Billy Rice's minstrels,
last season with the Brooks a Dingwall
production of 'The Sins of Society"; Ray
mond Whltaker, for the past two seasons
leading man with Blr.Tiche Walsh; Thomns
V. Morrison, for twp years leading heavy
with Mrs. Leslie Carter, Esra W. Graham
and others.
Life on the frontier Is graphically de
picted In "On Trial for his Life", the latest
A. H Wood's military play, underlined as
the next attraction at the Krug, three days
beginning Thursday, November 4. During
the play's stirring four acta and twelve
scenes, there Is not a dull moment The
action moves swiftly and the Incidents,
situations and thrills that develop are suf
ficiently engrossing to hold the attention
of the audience from the rise to the final
curtain. In point of construction, It Is
asserted to eclipse any melodrama In years.
While In scenic display, the piece can com
pare favorably with any similar offering
outside the popular price circuit.- Forty
five people are In the cast and all the
rolos are In capable hands. There will be
no Increase In prices and the usual mat
inees will be given.
"Jack and Jill," the musical "Peter Pan,"
In which Ada Meade and company will be
seen at the Burwood Thursday, Friday and
Saturday, Is replete with musical and song
numbers. Ray L. Goetx and Robert It.
Kciser are the composers of the song and
music In this falryesque musical extrava
ganxa. Mr. Goeta' wrote Miss Anna Held's
greatest song success In "Miss Innocence"
and the "Midnight Sun," and was also
responsible for the music of the "Folllos
of 1P09." Mr. Kelser, as was disclosed In
recent actions at law, is the author of the
songs of Miss Mabel McKlnley, including
"Karama" and "Anona."
The opera "Jack and Gill" Is based upon
the nursery rhyme tales of those Utile
folk the Fairy Queen, Simple Simon, Old
Mother Hubbard, Ravenseye the Pirate,
Old Witch Grundy, Little Bo Peep and
other familiars of childhood days. The
story Is considerably embellished for tTTe
purposes of this musical comedy. The first
act In front of Mother Hubbard's cottage
Is a mountain scene, showing the snow
capped peaks In the distance; the sec
ond, on board of Raveneye's pirate ship
Crossbones; the third In the throne room
of King Artel's palace. The scenery Is
beautiful, especially In connection with the
brilliant electrical effects. This Is partic
ularly true In the second act aboard tho
Crossbones, where one sees clouds rolling
In the skies, the moon passing with Its
silvery beams among them, and, as the
storm appears, lightning playing ln the
star-decked canopy of heaven, finally, amid
wind and thunder, striking the mast of
the ship, rending It asunder and wrecking
the ship. Matinee Saturday.
succeeded obedience to the laws of its
body
Side by side with the Romantic, must be
considered the imaginative. (Now, It Is my
Idea that these two branches are not
clearly defined In the minds of many stu
dents.) Romantic Music: Imaginative Music: The
one deals with the things which are visible,
and the other with things which are In
visible: the on Is along the Una of per
ception or recognition; the other with emo
tion or revelation :the one la objective, the
other is subjective.
The one tells you a story In which he de
scribes all the scenes, personages and de
tails so completely that you see It with his
eyes.
Tho other tell you a wonderful fairy
tale or weaves you a dream of mystic un
reality, and unless you can share his emo
tions, understand his fancies, be prepared
to enjoy am to sympathise with his reve
lations, they are not for you.
On may show you the beauties of nature
while the other Is taking you through field
Elyslan.
One may tell you of the Erlklng, while
another may depict Death and Transfigura
tion: one may glv you a ballad of the
Lorely, while the other will play you
Trauemerel.
And so in literature: there are many peo
ple who can enjoy the romance, but yet
cannot re the vision. There are many who
could appreciate the "Golden Legend" of
Longfellow, who ar not yet ready for
Browning's "Paracelsus."
If you cannot enjoy the Imaginative side
of muslo, which belongs to tha realm of
the mystical, you oan certainly find great
Joy and delight from the purely romantic
side, which take you to legend, lore, fable
or natur.
You may not b abl to appreciate th
wonderful beauty which some of us see In
Beethhoven's A-mJor symphony, number
T. Small blam to you. Although Beethoven
oonaldered thla one of his very best works,
he left not th slightest vestlg of a hint
as to its meaning. Critics of eminence have
disputed and argued over this interpreta
tion: but it dtflea Interpretation: it is a
revelation of hidden things, but without
explanation. W ean ' feel it, though we
may not comprehend It.
But don't let that discourage you. Her
movement wiil appeal to you aa being a
musical depicting of "cheerful Impressions
exalted on arriving in the country:" no
on will hav to tell you, any more than
your note at the head of th second sec
tion, that your ar perceiving a brook,
babbling, and building and prattling on for
ever: In the third movement you will not
fall to recognise th Peasants' morrymak
la what you can do: you can bear tha
Sixth symphony of Beethoven, and the first
Ing. If you den't know a not of music
you will know that th fourth movement
Is a thunder storm, and look out for Hght
nlrg. And If you have an ear at all, you
cannot help hearing th Shepherd's song
and tb "glad and thankful feelings after
th storm," In th closing portion of this,
on of th world's great symphonies.
Now hav I mad myself clear? Pleas
not that thea two work were not written
by separata men, one much greater thau
th other: they wer both written by on
man, on of th few Giant In Music: th
on U entirely In th realm of th Roman
tic, th other ia In th realm of th Imagin
ative. You might not understand or appre
ciate th on and yt you might revel In
the other. And they ar both by Bee
thoven! That U w hy vm peopi say they
New Theater
Percy Mackaye, Governor Eughes, Elihu Root, W. K. Vanderbilt and
Pierpont Morgan Will Be Leading Figures on Formal Program, Which
Will Be Followed by Brilliant Cast in "Antony and Cleopatra."
RRANOEMENTS for the opening
Jk 1 ceremony at th New Theater
I at Central Park West, Blxty-
vtrCTJiiu I1U CMAiy-lliii u Burns,
on the afternoon of November
C have been practically com
pleted. Th vent will be a notable
one. The door of the theater will
be opened at 4 o'olock for the recep
tion of Invited guest. The entire theater
with Its appurtenances will be ready for
Inspection, Including the foyer, tea room,
smoking room and bar, etc, which com
bine to make the theater the most beauti
ful and complete structure of. Its kind In
th English speaking world. About 6
o'clock the entr'act bells will ring and the
gueets will assemble In the auditorium.
On the stage will be seated between thirty
and forty prominent Invited guests and the
founders of the theater, about thirty In all.
with their president, Mr. William K. Van
derbilt, and Mr. J. Pierpont Morgan, who
will be their spokesman on this occasion.
Governor Charles B. Hughes and United
Btatea Senator Elihu Root, who are to
make the principal addreasea of the day,
will also b upon the stage.
The formal part of the program will be
gin with an overture by a full orchestra
from the Metropolitan opera house. Then
will come the ceremony of the delivery of
th keys from the builder of the theater to
the architects, Messrs. Carrer & Hastings.
The keys will then be transmitted by the
architects to Mr. Morgan, who representing
the founders, will speak a few words of
acknowledgment. He will then declare
The New Theater" open to the publlo.
Th key were specially designed for th
occasion. They ar of sliver gilt, bear th
theater' sear and were executed by Mrs.
William C. Demlng, granddaughter of
Nathanlal Hawthorne. Following the ac
ceptance of the keys. Mr. Morgan will ln-
troudce Governor Hughes and Senator
Root. After the addresses the full chorus
of the Metropolitan OpeTa company will
sing an ode written for the laying of the
cornerstone of the New theater by Percy
Mackaye, the dramatist. The pretty and
do not like Beethoven: they hav simply
not heard their side of Beethoven."
THOMAS J. KELLY.
Musical Note.
Mr. Martin Bush, organist and Mr. F. G.
Ellis, baritone, will resume the Sunday af
ternoon recitals which they began last year
and which were enjoyable. This serins
will . begin Sunday afternoon, November
14th, at First Congregational church: the
plan Is to glv one the second Sunday of
each month.
Miss Evelyn Hopper Writes as follows:
Not withstanding circulating reports, I
certainly expect to keep entire faith with
my subscribers and the publlo by present
ing the list of artists announced at th be
ginning of the season.
The date for Alloe Nlelson has been
changed because I felt the town could not
support three great artists In less than two
weeks and I could not afford the loss. This
action wss taken before I knew the out
come of Seoul's plans and data will be an
nounced later.
In the series there will be absolutely no
change and Carreno will open Monday,
November 8.
Prattle of the Youngsters
Mrs. Neighbor "Some one said your
little baby brother was slok. What Is th
matter with hlmT"
Small Sadie "Oh, nothtn' much, I guess.
He' Just been hatchln' some teeth."
0
"What shall we name baby, sister, dear?"
asked mother of her little 4-year-old daugh
ter.
'Call her 'Early,' mamma," replied the
little miss, "then when she get bigger
she'll be th May Queen."
"Don't you know, little boy, that It is
wrong to try to shoot your neighbors
cats?"
'I got to, ma'am. Maw won't let m
plsen 'em."
t
'Tommy, do you know why I have kept
you In after school T"
"Yes'm; you want to find out what was
In that note I slipped to Kitty Jones. It
was to let her know that she mustn't make
eyes at me any more, 'cause I don't love
nobody but you, teacher."
An exact definition of a gentleman ha
been tried many times, never perhaps with
entirely satisfactory results. Little Sadlo
had never heard of any of th definitions,
but she managed to throw a gleam of light
on the subject, albeit on touched with un
conscious cynicism. The word was In the
spelling lesson, and I said:
"Sadie, what Is a gentleman?"
"Please, ma'am," she answered, "a gen
tleman's a man you don't know very well."
A Cleveland minister frequently called
out of th city, had always arranged for
FREE ART
"The .Gonqnesf i Prairie''
Latest masterpiece in oil
by Irving EL Bacon,
which won high honors
for him at Munich last
year.
'ourt of the Bee Bldg.
ALL LOVERS OF ART ARE INVITED TO
LNbFEOT THIS MAQNIFICKNT FICTCIUJ.
Opens Soon
unique ending for the ceremony has been
arranged. When the curtain has finally
descended upon this the audience will rise
and sing America and leave the theater
to reassemble at 8:30 o'clock, when they
will witness a dress rehearsal of Shakes
peare's tragedy, "Anthony and Cleopatra,"
which will serve to open the playhouse to
the publlo the following Sunday night. Tho
rehearsal will be In reality a complete per
formance of the play, tho only difference
being that the auditors will all be Invited
guests.
The New theater has announced the
cast of Shakespear's "Antony and Cleo
patra." with which the playhouse will open
Its first season ' Monday evening. Novem
ber ft. E. It. Southern will play Mark
Antony, a role In which ie has never
appeared, and Miss Julia Marlowe, Cleo
patra, a rart new to her. A. E. Anson,
an English actor, will bo the Octavius
Caesar, and Rowland Buckstone, tho
Aemlllus Lepldus. Bextus Pompelus will
be played by Ben Johnson, Domltlus
Enobarbus by William McVay, the clown
by Ferdinand Gottschalk, and Enos by
Charles Balsar. The role of Octavla will
be assumed by Miss Beatrice Forbes
Robertson, and that of Charmlnn by Miss
Jessie "Busley. Iris will be Impersonated
by Leah Bateman-Hunter a young English
actross. Others to appear at the premiere
Include Messrs. Henry Stanford, Albert
Brunlng, Jacob Wendell, Jr.; Fedro de
Cordoba, Lee Baker. Howard Kyle. Wil
liam Harris, Marry Mellck, Reginald Bar
lowe, Robert Vivian, G. F. Hannan-Clark
and Albert Cross. The tragedy will be re
peated Tuesday, Wednesday and Friday
evenings and .Wednesday and Thursday
afternoons. Thursday evening "The Cot
tage In the Air," a new modern comedy by
Edward Knoblauch, a young American
author, will be given its first appearance.
"The Cottage In the Air" will be In quite
a different vein from Mr. Knoblaugh's pre
vious play, "The Shulamlte," In which Miss
Lena Ashwell appeared hero and in Eng
land. The comedy will be repeated Satur
day afternoon and evening.
some one to stay with his wife and little
girl during his absence. Recently, how
ever, he was called away so suddenly that
he had no opportunity of providing a guar
dian. The wife was 1 very brave during the
early evening, but after, dark had fallen
her courage began to fall. She stayed up
with her little girl till there was no ex
cuse for staying any longer, and then took
her upstairs to bed.
"Now go to sleep, dearie," she said.
"Don't be afraid. God will protect you."
"Yea, mother," answered the little girl,
"that'll be all right tonight, but the next
time lot' make better arrangements."
Cleveland Press.
AMUSEMENTS.
iONM
5UfiH4
INCLAW.V
ADVANCED VAUDEVILLE
Week Starting Matinee
Today
MATrtTES EVEBT SAT 8:18,
EVERT MIGHT 8:15
Franklyn Underwood and
Francis Slosson
Presenting the Comedy Playlet
"Dobba' Dilemma."
Fliwt Time Here of the
SIX AMERICAN DAKCERS
A sextet of Stylish Steppers
BRIO, HARRIS and BHQUil
in
"Just to Laugh That' All"
SGHRODE AND MULVEY
In Their Comedy Skit
A Theatrical Agenoy"
First American Tour of
GRIFF
London' Favorite "Juggling, Jest
ing Johnnie," Assisted by George
THE REED CTOTHERS
Unique Gymnasts A combination of
Strength, Skill ,nd Comedy
First American Appearance of
J. RUBENS
Novelty Transparent Painter
KINODROME
Always th newest In motion pictures
New Musical Feature Extraordinary
ORPHEUM CONCERT ORCHESTRA
15 Talented Artlsta15
Frio 100, 85o, 50o, 75c
EXHIBIT
! iliiiwii I
THE BUCKLE OF
TO II I G EI T
MON.. TUES.
WED. NIGHTS
Wodncsday Mat.
SAMS. AND LEE SHUBERT"
PRESENT
COMNM&
IN
MILE FHSCffl
A Tlnn Operetta in 3 Act a 00 Tim at Caaln and Lyrlo Theater. H. T.
EVOS,, 23c t SI. SO. WED. MAT.. Best Seats, 7So4 St
4 NIGHTS .'!." THURS., NOV. 4
TXB MUSICAL EDITION OT "PETEB PAJP
Inlrodacing tbe Prima Dennt,
ADA MEADE
Supported by Jack Henderson
Hot These Barg-sin Prioest
APA Orohestra Choirs A 1
3iU (first 14 rows) at $1
Balance of Orchestra 75o
Bntlre Balcony BOo
Kear Baloony 85c
SATURDAY If ATI If
Wa Starting- Monday, Hot.
Olyn'a sensational and world-wld
mm matt 'm
BOYD'S THEATER
THURSDAY, FRIDAY, SATURDAY
V A
Music Ya'n
Whistle,
Soagi Yo
Will Slag,
Asd a Play
Yaa'll
Remember
Till Way
Next Spring
A GALE
BEST
Girl,
26
o
.ak SUNDAY, MOV. 7 SSSiR
Be
HENRY D. HARRIS Presents
tie mm wsm
Tha Grea'e;! Dramatic Success
Sitta Company Identified New York and Chicago Success.
SEAT SALE OPENS THURSDAY.
THEATER
15-2S-SO-7SC
FOUR DAYS STARTING MATINEE TODAY
THE OBiaiBAX. STUOEBAXES THEATEB, CHICAGO ODTJOTIOS
EVE ELY
PBAMATISED
BEVERLY OF GRAUSTARK
A STIBBIira SOMAHCE OF LOVE ABTD XiATTOHTEB
THREE DAYS STARTING THURSDAY Mai. Saturday
A. H. WOODS, Present THE OBEATEST KIZ.ITABT PLAT,
OM TRHAL
FOR
MIS LIFE
BT OWES OATI8
Thrilling Situations Startling- Climaxes SparkUna Comedr
IB TOOK ACTS TWELVE Scl'MUS '
Sunday KAUST,
PfllliCESS THEATER
14th and Douglas.
Commencing today we will Rive a
change of program Daily.
New and up-to-date pictures.
Pathe, KdiHon, Gouinont, St-llg, Bio
graph and other.
Best Illustrated songs by Mrs. Jean
ette Urown Vlllard, Kimball Hall, Chi
cago. CECIL Vf. BERIW.1A!
I'upll of August M. Borglum
PIANO RECITAL
Assisted by Miss Hazel Hmlth. Contralto.
1 hurluy Kveiting, Nov. 11.
8climuller & Mueller Auditorium
Adji.Uslon by Invitation.
OMAHA'S AMUSEMENT BELT
CATCil CORIKNE'S
COMELY CHORUS
(MPANV OF 70
TT TT TT 39
IMTCA rAIRTIBQUE XTmATAAITA
nUIL BIO CIOBDl OP PBITTT OXKLB
XE BEST SEATS 75c and 60c
8 Prntation In dramatlo form of Elinor
raad novel, "THBEE WEEKS."
Tb Bhakespear of mnslcal
oomedy,
Th Warner-of onT, that'
th rage;
Th Bpenoer of alang-jr phil
osophy. Th Barnam of things of
th stag-.
GEO. M.
(Himself)
y
LOHAN
HIS
ROYAL
FAMILY
AND AN
ALL-STAR CAST;
"THE
YANKEE
PRINCE"
OF MERRIMENT
can t STOP liUGHINB
MUSICAL SHOW YOU EVER SAW!
lOO PLAYERS
Girls, Lots of 'Em Sing1 Born Dane
Like th Dickens.
AUGTJMENTED ORCHESTRA !
ID1T7
By Charl) KUIn, Author of
"Th Lion and tho Mouso"
WAT. WED. ASAT-
io-aa-aoo
TBOM THE VOTEX.,
Gen. Clias, F, Manderson
Will Ke'ate HI
Espertenoe ana Impression
of
Lincoln
Presenting an enlarged Portrait of tk
latter to tlis association.
Sunday 3:30 P. U.
FOR ALL THE NEWS THE
OMAHA BEE
BE3T IN THE WEST