0
TIIE OMAHA SUNDAY BEE: OCTOBER 10. 1909.
9
S
Dudley Buck His Life and Work
How a Boy Destined for the Law Triumphed. Over Hii Father'
Prejudicea and Became a Great Musician and Composer and
Made a Deep Impresi on Hii Day by Hii Devotion to Hii Art.
jr Buck. Enteral thii icor'.d March
1833. Left it October 6. 1909.
T IS with a f1in of genuine
regret that the musical editor
of The Uee mJrt begin the du
tlfi of the musical season by
chronicling the death of the be
loved and lovable American
t lposer, Dudley Puck. After a busy and
n life of work and fame and honor Dud
Buck, with the quietness of the falling
autumn leaves, gently and without warn-
K. fell asleep.
Wherever church music Is known
hroughout the length and breadth of this
United States the name of Dudley Buck Is
known and treasured. It may not be gen
erally known how very much of an Amer
ican Dudley Buck was. He had a lineage
which was of the highest. Away back
about Mayflower times the founder of the
nuck family In American history left the
shores of England and sailed for this coun
try, srttllng at Hartford, Conn.
In the veins of Dudley Buck there flowed
the blood of Wlnthrops, and Saltonstalls,
Dudleys and Adamses. The composer was
named after old Governor Dudley of the
Plymouth colony. His grandfather was a
lawyer of renown and In his law office
there was at one time, engaged in reading
law, the famous Daniel Webster.
Dudley Buck's father was a prominent
shipping merchant and the principal owner
of a line of steamboats which plied be
tween Hartford and New York; and It Is
Interesting to note that It was Dudley
Buck's father's steamboat which towed
the "Monitor" to Fortress Monroe before
Its ever memorable duel with the "Merrt
mac," that episode which marked a great
epoch In the world's history, which w-ss
pregnant with meaning In the development
of the United States, and Incidentally fur
ntsheA Inspiration for many Impassioned
similes and Illustrations In the flamboyant
orations of a generation gone by.
:hnTW Greene Hassard, the editor of
Joh
the. Nelr American Knoyelopedla, sometime
editor of the Catholic World, and Jit one
time musical and literary critic of the
New York Tribune, compares the boyhoo4
of Dudley Buck with that of the great
French wuslclan Hector fterlloi, In some
thing like the following words: "The
French composer was Intended for a doc
tor, and although his parents were willing
that he should amuse himself a little with
music they looked upon Art as a highly
objectionable career. Berllos taught him
self to play on an old flageolet, which he
found In an odd corner of the house; and
afterwards discovering some ancient books,
Ramoau's "Treatise on Harmony," he
spent many a night In the secret study of
Thoroudhbass; when his father, unable to
bear the shrieking flageolet any longer,
made him a present of a new flute' as a
palliative, the lad was already something
f a performer. . ....
Dudley Buck also borrowed a work on
Thoroughness (or as we would now say
on Harmony, of which thoroughbass- or
figured bass Is a part.)' This he secured
from one of the clerks In his father's em
ploy and at Us Intricacies he went to work.
He also managed to negotiate the loan of
a flute, and he. practised on that so dili
gently lils place of practice being up In a
cherry tree that when he did really get
possession of a flute, all his own, in his
thirteenth year, he was able to play quite
cridltably. Later he got a melodeon (for
pianos were not sold at SI a week then In
New England, and Musio and Art were not
honored with capital letters), and on this
melodeon he learned, without Any Instruc
tion, to play the accompaniments to some
of the Haydn and some of the Mosart
masses, and likewise the choruses of
Handel's best known oratorios.
He was 111 before his father overcame his
determination not to buy a piano, for the
young man to play upon, as he had re
marked, "It I had a daughter there would
be some sense In it." This Is quite Indica
tive of the attitude toward the musical
profebsloh on the part of those serious and
solid people.
But all honor to the parents of Dudley
Buck, for when they saw the trend and tal
ent of the diligent and earnest youth they
determined that If he were to be the mu
slcluiv there should be nothing left undone
to iTke him a good one. To the parents
of Dudley Buck the musical world Is In
debted today for that splendid determina
tion. He made a great and good musician,
as they had hoped. And the first to show
any special aptitude for music In the Buck
family In Its entire hlatoryl ,
Time and space are insufficient to go into
the period of his European experiences and
study; let it ba said In passing that he
worked for years In Europe from 1868 to
114, returning to this country In December
of the latter year. Under the masterly
guidance of Hauptinann and Rlohter he
atudled harmony and composition; under
Plaldy and Moscheles he studied the art of
piano playing; and oroheslration ha pur
sued under Klets, who had been the close
friend of Mendelssohn and the latter's suc
cessor as conductor of the Oewandhaus
concerts. In Leipzig he had as a fellow
student, at the then famous Conservatory,
the man who afterward was known to the
musloal world as Sir Arthur Sullivan. He
went to Dresden to study Bach under the
great organ teacher Schneider, and to his
great delight In a short time Rlets was ap
pointed to the post of conductor of the
Royal opera and Symphony concerts In
Dretden. Through this fortuitous circum
stance he was ablo to keep up two great
studies with two great musters at the same
time.
Last month, as the writer of this music
column of The Omaha Bee visited again
and again the Royal opera and talked of
Dudley Buck with the proprietor of the
Hotel Weber. Herr Binder, It did not seem
possible that the first article In The Bee
from the mustcal editor would be In rela
tion to the death of that dear old man.
Dudley Buck loved Dresden: when a stu-
SINGERS BURN THE MONEY
Fortunes Won at the Footlights Van
ish Through Many Exits.
SPECULATION TAKES LARGE ROLL
dent he had the opportunity to study the
stage and the orchestra and the opera, as
he had entree behind the scenes as well as
in front of them. And he loved to go back
there to Dresden. Herr Binder spoke with
the deepest affection of .. the genial mu
sician who had been staying at his comfor
table old hotel all winter and told of hav
ing recently received letters from Dudley
Buck In Paris, where he was staying at the
Hotel Gibraltar.
So much for digression. After spending a
year In Paris, where he studied in addition
to other branches the practice of organ
construction, he returned to the United
States In 1862. '
Dudley Buck went to Chicago and stayed
there until after the great disaster of the
Chicago fire, In which he lost his house,
his music room, where his organ recitals
were a feature of Chicago musical life,
his library and some valunhle manuscripts.
He had been organist at St. Jnmes church
for several years. From Chicago he"went
to Boston, where he was organist at the
great music hall, at St. Paul's church and
later at Shawmut Congregational church.
In 1S74 Dudley Buck was assistant con
ductor of Theodore Thomas' orchestra of
New York, a fact not generally known, I
and musical director of St. Ann's church, j
Manhattan, remaining until 1877. I
Dudley Buck was then organist and con
ductor of muslo at Holy Trinity ohurch.
Brooklyn, where he ended twenty-five
years' srvlce a quarter of a century in
one church In 1102. After thai he went
to the Brooklyn tabernacle.
There was muih In the newspapers at
the time of Dudley Buck's departure from
the Brooklyn Holy Trinity church, and the
Inference was that the clergyman or clergy
men in charge wished to curtail the mu
sical part of the service. At any rate Mr.
Buck resigned, and a writer In the Brook
lyn Eagle at that time stated that It was
a "strange coincidence that Dudley Buck
should have resigned so soon after Gull
roant, the noted organist at Holy Trinity
In Paris, handed In his resignation, be
cause of a serious disagreement with the
rector of that church."
It seems pathetic to read, after twenty
five years of honorable art work, these
words from a great man: "I have resigned
because I was musically discontented, and
because of sdme mustcal limitations. There
Is no friction or feeling. I believe I enjoy
the friendship of all In the church, and
the vestry, during my long years of ser
vice, has been most kind and generous."
He missed only two Sundays In the period
of activity,
Dudley Buck's contribution to musical
literature Is too well known and too ex
tended to enumerate In this place at this
time. He was a unique figure In the mu
stcal history of America. His position Is
unquestioned as being In the highest ranks
of our composers," nfid "one of the first
American composers ., to obtain general
recognition.'.', says Mr. I.ahee In' his book,
"The Organ and Its Masters."
And so "full of years- and honors"
Dudley Buck has passed onward to mount
the heights, and' W are left to -mourn a
while In the valley at eventide. But In
the memory ef his music we will find
that "at eventide It Mmll be light."
THOMAS J. KELLY.
. Haaleal Notes.
Madame Gadskl. the destlngulshed so
prano, one of the few great singers, will
dellirht local musio-lovera next Thursday
night with the following program, which
has been sent to this office by Miss
Hopper, local manager:
Part One. (Old Encrllsh and French
songs) My Mother Bids Mo Bind My
Hair. Haydnn; When the Roses Bloom,
Relchardt; Mlnnet d'Exaudet, Venei Agre
able Paintemps, eighteenth century; PhlMIs
Hath Such Charming Graces, Young; The
Lass with the Delicate Air. Arne; Piano
Solo: a., At Evening: b. Whins; o. Soar
ing, Schumann, Mr. Edwin Schneider.
Part Two. Ungeduld. Schubert; The
Message. Brohms; With a Water Lily,
Grieg; The Swan Bent Low, MacDowell;
Bird Raptures, Edwin Schneider; Zuerlg
nung, Richard Strauss. Piano Solo: Con
tinue d'Amour, Lisst. Mr. Edwin Schnieder.
Part Three. Traume, Wagner; Liebestod,
from Tristan and Isolde, Wagner. Mr.
Edwin Schneider at the piano.
Monday Evening First rehearsal of Men
delssohn choir, assembly hall Edwin Crelgh
ton Institute. Ladles, 7:46 p. m. Gentle
men, 8:14 p. m.
Tuesday Evening -Flrst rehearsal of May
Muslo Festival society, under Mr. J. H.
Simms, Its new conductor, Schmoller &
Mueller auditorium, 8 p. m.
Some Also Are Pradent and t.mr By
Competence Msne. atl the
nirhest of All the Prima
Donnas.
Connterfelt Coin of Great Valne.
The unusual occurrence of a counterfeit
coin bringing rar more than the value It
was originally Intended to represent by its
maker took place last week when a spuri
ous Spanish doubloon of Charles IV of
spaln, dated 1901, was sold for tbO at a sale
of old coins at the Colleotors' club In Philadelphia.
The coin was of excellent workmanship
and there was really no striking difference
between It and the genuine, but Instead
of being struck In gold It was composed of
platinum of the purest quality, which had
Deen guaea.
The intrinsic value of the Spanish doub
loon counterfeit neighs iJ) grains, which
at the prevailing market rate of 96 cents a
pennyweight for platinum would give this
piece an Intrlnslo value of 117.60. Philadel
phia Inquirer.
Waiving; a Precedent.
The Judge looked down at the condemned
man.
"Prisoner," he said, "I am going to set
aside precedent and tradition, and instead
of sentencing you to be hanged on Friday
I'll make It "Monday."
The prisoner seemed greatly gratified.
"Thank you Kindly, Judge." he said. "It's
very good of you. You see 1 come of a
superstitious fam'ly, an' none of us ever
believed in startln' any Important business
on a Friday. But Monduy will do first
rate." Cleveland Plain Dealer.
Measnrn for Mensnre.
The milkman presented a hill for 11.
"All right." said the customer, tender
ing some change.
"This la only 75 cents," the milkman de
murred. "That's one view of the matter, yes." re
joined the customer, "but while three of
your quarts make a gallon, three of my
uarters are solus to make a dollar, and
don't you forget It."
Naturally, this led to an argument too
long for detailed record. Philadelphia
Ledger.
And many other painful and
distressing ailments from
which most mothers suffer,
n r k Kr ft el rt m
I I Mir'! W B V U1ULU VJ uo mi 4
iriif ftinthar'a r-eiand Tria rm
wET) 1 1 edy is a Qod-send to expect-
nViii-y fln mnthrr cart-vino- thrm
an n a wna wa nsn- m ef tsr
through the critical ordeal with safety. No woman who uses
Mother'! Friend need fear the suffering incident to birth; for it robs
the ordeal of its dread and insures safety to life of mother and child,
leaving ner in a condition t-t tTst&JC
more favorable to speedy re- y iff Y 1 M
covery. mc cnuu is aiso nv) IVNy M li 111 J
Healtny, strong ana ruou
natured. ft'.'KS "TrTYTTTV
fjMhy writing U I I J
AlUata, Ga
i i. . inn
11 Lrzill uy
In
N
Mme. Melba's reported loss of fortune
Is attributed to the great expenses of
her way of living rather than to specula
tion, the usual means by which operatic
savings disappear. She had a house In
Park lane. London, which she biillt with
out regard to cost, and a home In Paris.
In recent years she has associated with
titled aristocracy of England, and that
costs money even In the case of a famous
prima donna. t
There she has not sung so frequently as
In former years, although her expenses
continued to Increase, notably after the
marriage of her son to the daughter of
an English general, a marriage that senn
ended In the divorce courts. How much
Mme. Melba's expenditures on the British
aristocracy helped her was shown by the
alacrity with which society establlshel
her rival at Covent Garden.
It has always been said that Afred Roths
child, who did the same for Adelina Pattl
had Invested Mme.
hor In the most advantageous way. Her
. V. .
iiirr, a. contractor In Melbourne, Is rich,
so Mme. Melba will never know want.
Her career was different from that of most
singers In that she nnvnr
v . nt.vn yut.ll,
Nllason'a Ample Fortune.
Mme. Pattl in nerhnn. h. .1.1 . ....
singers, although Christina mii..
sold her BoBton real estate several ' years
ago and Invested the nn..H. i c-,.j.
has an ample fortune. It was surprising
..am years ago that Edouard de
Reszke, who received mnr th.n .
much as any other basso during the su-
pie'imcy 01 nis brother, was so much in
,cr" 01 money that he had begun to teach
.naon. 11 was not unusual for Edouard
Resxke to sine- flvn tin. .
the Metropolitan, and as he never received
wan i.w, his earnings were large
He used to threaten Mr. nr.,. i.k
n61 !. K.hCn that astute mnKer tried to
....... .... appearance to a normal number.
nai Deen in financial difficulties
1 spite of his economical way of life In
ew York, while ri .... ...
- ...vn, in. omer
basso of the company during the Grau
a man or sufficient wealth to live
with comfort In France fur h. ... - n.
days. He was a bachelor ahn v.,.j
ae ueBzke was the father of five daugh-
Reszke lost money In unfort
unate business speculation and in the at
tempi 10 larm In Poland.
It was during the Russo-Japanese war
ma misrortunes In this particular be
gan. His best servants werA Aran .
me army and his best horses taken with
uui compensation bv the .
ment, which Is none to considerate of Its
i-onsn subjects. The result was that he
had to go to London to teach after Oscar
iiammersteln cancelled his tentative con
tract with the Manhattan.
Jean de Reszke might have had little or
noimng when he retired, as keeping up a
racing stable and entertaining t?,
grand dukes are expensive pastimes. He
came out all right, however, as his wife
has some fortune, and for ten months of
the year he earns 250 a day teaching.
Mme. Lehmann, who Is said to have
wiuea an her fortune to the Society for the
Prevention of Crulty to Animals In Berlin,
made her substantial fortune here aithn1.
she has not been In this country for seven
years. She must earn between $10,000 and
sio.uw a year by her appearances in Ger
many. After she came to sing In thii
country her success at the Metropolitan
iea ner to Dreak her contract with th
ttoyai opera house in Berlin. She lost
nothing by being expelled from th n.
houses In the Cartel Vereln, however, for
ner earnings In America during one season
exceeaea what she could have made Ir
ten years at the Royal Opera house Ii
Berlin.
She saved her money. Invested In rent
tate, never speculated, and has always
uvea wun the greatest simplicity. So s
car. well afford to give all the proceeds
ner concerts nowadays to charity. This
Is her practice.
Emma Calve got ahead of her relatives
by buying a fat annuity, so she will not
be one of the prima donnas to be eaten
alive by her poor relatives. LIUl Lehmann
am mat to her knowledge Lola Beeth
whose career ended much esriur v..
should have done, largely because she
was worried to death about financial mat
lers, usea to support an entire village
relatives in Poland.
Mme. Nordlca did not get Into the list
01 me nign-priced prima donnas until much
later than many of the other singers. Dur
Ing the later years of her career her earn
ings were large.
HI ,1 ...
""' vaasKis tour years outside the
operatic barriers must have decreased her
uusii sne is a popular singer
in concert, and there were never any signs
that she felt It necessary to decrease the
numeer of her automobiles or the hospl
tallty of her home. Olive Fremstad s earn
...a. piBuuuaiiy oegan when she came to
the Metropolitan opera house and her con
tract there made by Helnrlch Conreld
lor rty representations at Jl 000
each. This was one of the Conreld con
tracts that it was found Impossible to earry
out, so Mica Fremstadt consented to take
nan tne numDer of her guaranteed ap
pearanoes In concert, and it I. nn. nvh.
ble that she lost anything through that
change.
Mave. Sembrlch's Start.
Mme. Sembrlch, who has had a long
career and was at the top of the ladder
from the start, laid the foundation of her
fortune nhen Henry E. Abbey paid her
$150,000 and her expenses during her first
tour of this country. Since that time she
has been one of the highest paid of the
prima donnas and has sung every season
but one. She has invested her money and
is the prlclpal owner of a factory In Ger
many that turns out thousands of postal
cards and other prints that are smarted
to all parts of he world.
Emma Eames repaid the money advanced
for her musical education and stayed off
the stage altogether for several seasons,
but she had been so well naM f..r .v..
two or three seasons preceding her retire
ment mat she win always be beyond the
need of singing again unless ah .
And ske declares that she does not want to.
It Is not the singers who receive the
highest saiarles, haggle and scrap with
me managers over every penny and
squeeze out the last droo that and with
the largest amount of money. Sofia
Scalchl, the contralto, was never one of
the high-priced singers of the opera house,
dui sue managed to save enough to live
In comfort In Turin and educate for th.
bar her son. who Is a successful attorney
now.
Viator Maurel. mho has alwava remv
the largest salaries paid In Europe, began
to teacii so soon as he had lost his voice.
That used to be the way of all the singers,
as Mme. Msrlmon, Etelka Gerster and
others of their day proved. Clara Louisa
of
Kellogg saved ample money for her needs,
and now passes her time In comfort at her
Connecticut home and In Europe. Minnie
Hauck, first of the Carmena to make a
furor In New Tork. has her summer home
In Lueoerne and usually spends her win
ters traveling In Egypt or the Orient.
Mini Farrar Lives Economically.
Oeraldlne Farrar paid $80000 last seasm
to her former benefactor, and that prob
ably used up a large part of her earnings
for the year. She lives economically,
takes, her meals In the public cafe of the
hotel "in which she lives and shows no
tendency to extravagance.
Mary Gardner also settled some similar
Indebtedness Isst winter, and she Is prob
ably beginning Just now to earn enough
to save money, her salaries In Parle before
she came to this country hsvlng been
very smiill In comparison to the $1,100 that
Oscar Hammersteln pays her.
Probably the. largest outlay that the
great singers have la for their personal
ccstumes. and there are few of them that
do not have big bills with the Paris dress
makers.
Sig. Caruso's earnings are enormous
since he sings with the Metropolitan
opera company, and his contract calls for
approximately $100,000 every year. Yet he
has recently complained bitterly of the
large amount he was compelled to dis
burse on his family and more remote relatives.
It Is a characteristic of the high priced
singers ta be always waiting for the time
when they have paid off all their out
standing obligations and are going to
start In to save money. Somehow this
time never seems to arrive until after their
voices have begun to go and they are
compelled to crowd all the available pos
sible engagements Into the short time left
to them.
Rearing; Large Families.
Contraltos never receive as much as
the sopranos, but both Mmes. Hooper and
Schureann-Helnk have lived prudently
enough to save their money. Invest It in
real estate and buy homes In which they
are rearing large families. Another singer
who has accumulated a comfortable fortune
Is Slg. Scottl, who has not only been pru
dent in his expenditures, but well ad
vised In his Investments,
Andreaa Dlppel never had a salary like
Caruso's, but he was always very well
paid and had put aside a comfortable for
tune by the time he stepped Into a salary
of $30,000 a year as conductor of the Metropolitan.
Angelo Maslnl, the great Italian tenor,
who came Into European Importance first
In 1876 when. he created Rhadames In the
production of Verdi's "Alda" In Paris, wont
back to St. Petersburg to sing two years
ago, although he was well over 60. The
reason was the entire loss of his
large fortune, which he had In
trusted to a friend for Investment,
only to see It fade away within a few
months. Italo Campanlnl, who earned a
fortune here, lost It In unsuccessful oper
atic speculation, largely through his pro
duction of "Otello" here, and Slegmund
Mierzurnsksi, who died the other day in
Paris, spent all his money In his way of
living and was all penniless when his
vole suddenly failed him. Yet for a
while he was the highest paid tenor in
Europe. '
Emello dl Marchl had almost the same
experience, and for the years from 1S9J to
1900 .received enormous sums In South
America and dpaln, where he sang with
Hercla Dardee, He got $2,000 a night when
he was here with Colonel Mapleson In 1896.
Nowadays, however, he is singing In
obscure companies at an obscure salary.
Had His Brother for Valet.
Francesco Tamagno probably left a for
tune, as his compensation had been large
the world over and his enonomles were re
markable. He had his brother for a valet.
used to try to sell the two orchestra seats
that went to him by his contracts on the
nights ho sang, and was threatened with
suit by a hotel for the damage ha did to
the bath room when he cooked macaroni
there. He never lost any of his money
through extravagant living.
ihe actresses of an older generation
seem to have been much more fortunate in
their Investments than some of those who
succeeded them. Maggie Mitchell has lived
for more than twenty years in retirement
on the fortune she made and kept while an
actress. LotU Crabtree Is Just as rich.
and Henrietta Chapman, who died on her
New Jersey farm the other day, has kept
ner lortune.
Mrs. Barney Williams, who died in her
home on the upper west side a few years
ago, left the fortune that belonged to her
and her husband- Mary Anderson had.
when she retired from the stage to marry
a rich New Yorker, most of the thousands
she had earned during her career.
Fanny Davenport used to be accounted
the richest of American actresses, but she
left nothing. Richard Mansfield's fortune
was much less than it was supposed to be.
Joseph Jefferson left behind him an estate
said to be almost $600,000. Helena Modjeska
had scarcely anything but a few personal
trinkets to leave behind, with the excep
tlon of her estate in California. Most of
that had been sold, moreover, long before
her death.
Hortene Rhea died In absolute poverty,
and both Mrs. D. P. Powers and Charlotte
Thompson were successful stars for years,
although their careers closed In very hum
ble financial circumstances Boston Herald,
Rules of the Air.
A committee Is engaged in formulating
rules for the aerial speedway. Its work
l as not been made public, but the members
uu not aeny mat me lollowuig essential
regulations will be adopted:
Aviators to turn to the rlarht whan hl.
can be done without turning turtle; other-
'a., iu uum,
No balloonist without plenty of sand shall
make an ascension.
Wind not permitted to blow while avia
tors are aloft, or aviators to blow after
they have come down.
Heavler-than-alr machines obligated to
uuueo uBuuuus or oe responsible for the
puncture and Dav for the v..
Hirds alighting on gas bags to be rulod
off as foul.
i.o aviator to engage in a church steeple
Machines taking fire wnlle in flight shall
... uu-iiip rpoi.
Cows and tarniers to be dragged at
anchor roDea at thnlr nu n i-i.lr
Wireless messages Intercepted by accident
in no raua Pflunl . j . - i
DUCUBBlUn a tO mpHlM fit (tlff.r.nl
rLmfn.fo,b'dden i auiiud
.u( ,vw m.
People who shoot at balloons, biplanes
monoplanes or Just aeroplanes, to be put
bl'lt"kll. and their names published
The mischance of being caught In a
storm and struck by lightning not be to
held as reflecting upon the skill of the
aviator. Philadelphia Ledger.
is r m .nw m
--.nana--
ar-
Sanatorium
This institution u the only one
Id the central west wltb separate
buildings situated In their own
amule (rounds, yet entirely dis
tinct gad rendering It possible to
classify cases. The one building
being fitted for and devoted to the
treatment ot noncontagious and
nooiuental diseases, no others be
ing admitted. The other, Rest
Cottage, txslng designed for and
devoted to the exclusive treatment
of select mental cases, requiring
(or a time watchful earn ana spe
cial nursing.
..ii i in 13 i. ." ' '. ii 1 '' i "im i i .i .,ui. i n-n ' ..a 1
I1 i ii i , ' .-. -' -, . , ,n X mi
I'll
"- w
I .
WHEN your heel clicks on the street, wcf-tat
ored clothes will help to make it click more
confidently. They lend a swing to the shoulders
and a tilt to the chin.
"HIGH ART CLOTHES" V
are attuned to the buoyant spirit of to-day, possessing sightliness and spright
lincss dash without flash elegance and ease drape and shape.
Slio into a "HIGH ART Garment at your clothier's. Notice how it
settles to your shoulders clings to your back moulds itself over your chest
without pulling or puckering. This is BALANCE; balance is FIT, and fit
1
is only possible if every part of the garment is tailored, with the thought, that
it must be perfect in itself to achieve perfection in unison,
"HIGH ART CLOTHES" are sold by good shops In nearly every city
and town. The name of a "HIGH AK1 dealer, it you dont know one,
will be sent for a post-card request,. '
STROUSE & BROTHERS
Makers of "HIGH ART CLOTHING"
BALTIMORE. MD.
fOU SALE BY ALL LEADING CLOTHIERS
Write for Fall and Winter StyU Album
y:', ,.. .a,, m in'.n i i hi wit h h ....h..i.. .. ... r. .....i.m..
."'.VS., tt.Ti UWWI
IN DN -ELASTIC:
::. .'M'tairt-'. .i'lUl-'b" .i w.'.rfr
r 0 1 .L 'jiiiiiiiil . .ilinin.'1'J'l ih !
.C?i,,.Vf t&
r-,cseT5 At 13- And Upwato
KflP3 Are Finished With
f A ST If cop 5
Hose Supporters
Which Are Guaranteed Ta Outwear Any Corset
;l II 352 '!
:;: Back-Resting ii
(E5TIND
: ; ;! !! Sill I
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n, mi In 'I .'li. Mi iMi!h ii i , I Ii I
.,, m.......,jh,, I
,;:'::r:!!!:::,: !!:'i Vr:! :
You May as Vcll
Have the Best
There's no reason why you should
buy an inferior corset when the best
will cost you no more.
Whether you are stout and need
reducing; slenJer and need reshap
ing; or tired and need support
Nemo Corsets
Aro tho Best
Every Nemo Corset is hygienicaUy
perfect, delightfully comfortable,
' and absolutely up to date in style.
There's a Nemo model for every
figure stout, slender or medium.
Every Nemo Corset will outwear
any other corset selling at the same
price that's economy.
THE NEW HOSE SUPPORTERS
THAT DON'T WEAR OUT
Lastikops Hose Supporters, with
patented non-elastic top, are guar
anteed to outwear any corset.
They're on all Nemos at $3.00 or
more without extra charge.
That's MORE economy.
"Back-Resting" Corset-$3.50
"It Rets Your Back"
For slender and medium figures; a mar
Tel of ease, comfort and good style.
MriM-FI ATire
A VfssBVa Tl .... aaaaSksal a una a sr-r
. a. 1 "a . "I r I
mi
403
$4U
delf-Reducing
!,.:;!Tj:ji:!u;j!!!i;!!j;'!::ir
'I1' '! .i I'l'l '!'!
JM'iiliiij!.!,,!'.:,!
'. '4 (Q 1 f 1 1 "NEVER HAD A RT
g belt-Reducing y-ygj
NEVER HAD A RIVAL"
00 and 110
"rjTjpssf Slsst Flisrs
The new No. 403 ha3 a low bust, extra-long skirt,
and the new Nemo Relief IiandaLOO.
No. 801 is a luxurious new model, similar to No. 403,
but made of fine white mercerized brocade $8.00.
! i1
Si !i.!ll!!iM;i :::
trfiwrni'jfli
5oldIn Good StdresThroudhdutThe World
K0PS BROS., MsBsfsctnrers, Fsarta A, ana 12tk StJCtw Tsrfc, U. S. A.
ESBfisSSssnl
cam
CLUBDING OFFER
Daily and Sunday Bee $6,001 Our PrlW
McClure's Magazine 1.50 1 ltC
Woman's Home Companion 1.50 ONLY
Review of Keviews . : 3.00
Regular price for all one year. . .$12.00 $8.90
THE OMAHA DEE, Omaha, Ntb.
i i
Call Us
by 'Phone
Whenever you want
aomsttlnj call Vbona
Douglas :I8 b1 msk
It knows tbrcusU
Uea Wast Ad
91
