B
TALK WITn BEERBOHM TREE!
New Actor Knight Rp.ngre from Wit
' to Philosophy.
TITLE NOT YET REALLY IN USE
At the Omaha Theaters
THE OMAHA SUNDAY PEE: AUGUST 1, 1!09.
3
Two idrlirri Mho Help Oat the In
taTTlw Keenly Interested In
lkrirriirri, bat Not tare
of Amrrlm Plana.
William Morris AN.tit to Ilienk Into Omaha will) Another
VauOevlIle Thratr "Silent Drama nt the Boyd, MUed
Program at the Ilunrcx! nod !rana at tlio Alr-Iotiip.
w
HEN William Morris began hlj tire gamut from comely to drama and
wild career as a buster of th'1 travel to Industrial and educational. Daisy
vaudeville "trust." he Imor- HimjIiis has secured In "When the Band
porated himself .and then began . Plays" another catchy song with beflttlns
to dot the prairies with new. colored Illustrations. From William M,,r
LONDON, July 24 There la an air of " theaters. Morris has secured rl' circuit of vaudeville come the Hereu-
great oigmty about Hla Majesty's theater, I t"",ro1 r houses In New 101k. Chirnso. lean gymnasts. De Lano hroUiem, who wll
"'"" porter, a resplendent per- m me oiiit iare rms. wnrre exhibit some stunts In hand balancing said
tonage whom you mistake In the beginning n,n" of vaudeville that is to he truly manelous. The two IngTams
lor one 01 the Royal Fualllers at least. " " rp.M even ine aovancea' type will contribute to the Ions bill their act
aavises at your departure a taxi rather V" v'"w nurnea meir consisting of dexterous manipulation of
loan a hansom with a manner that would rew montha ago. He Is now busy ; odd objects. They are said to be unusually
grace a court function. English women ! Wlth vaudeville acheme that shall belt! clever, tit ill another novelty on the Dro-
who ahop In the forenoon with trains to
their gowns drop them when they approach
the bit of pavement that fronta the estab
lishment ao as to get Into the picture
,l ...1 t
..,luu..cr. mat ne nas inea - gram la the yodellng violinist, Chrl
ir. rnougn io permit h)m sending an act Christopher, who, aside from possessing a
on a world-girdling tour, booked solid from fine voice. Introduces much comedy along
... u. i.aving new iurK to the re- with his trick v
turn. All
i lolin playing. A s rlea tf
projerly. Messenger boys going by tllt!,., . . ... ', lnLIUU""a scf nes dep ctln scenes in foreign clime
tnelr foolish little caps more raklshly over
their big ears, and chauffeurs tuot trium
phantly. In the delicate frigldness of the Empire
reception room stage Ingenues ask each
other It It la really true, aa Wilde said,
that a woman who would tell her age
'would tell anything and when you
mention the reason for your appear
ance to one of the employes he
atuttera "Sir-Mister Tree," for the new
dignity haa not reached the facile utter
ance of everyday utterance. Incidentally
you learn that while It la quite proper at
thle moment to Bay "Tea 8lr-ee" when
Sir Herbert addresses you he will not be
Invested with his new honors for another
week, having been merely formally noti
fied of hla coming reward, after whteh he
will be welcomed to all court ceremonies
and levees, an honor which baa been be
stowed from time to time upon Squire
Bancroft, Henry Irving, John Hare and
Charlea Wyndham.
Radical that he Is, one of the members
of the Tree company said that all the
bonora lumped together did not amount to
the O. M. (Order of Merit) which George
Meredith had and that really "so far aa
I can see the only good a "sir" does an
actor la the knowledge that It pleaaea
mother." It certainly pleases as well the
corps of theater attendants, whom It lias
Invested with a halo of superiority.
On the W ay I p.
' So far as can be discovered In a casual
Inspection the only weak point In the
magnificence of the whole establishment
la the possesaion of a tiny elevator, which
la Introduced aa an "American lift," and
which you work yourself by means of a
pressed In thumb. Tou don't know why,
but it stops when It gets there, which may
be the reason It Is called American. The
termination of your Journey is ,h!gh up
for London, the sixth story, and you wait
Sir Herbert Beerbohm Tree's word of wel
come In a charming corner facing an oak
door studded with big black nails. Tou are
visibly Impressed, and if It were not that
. you are allowed another moment's respite
in the dome you would feel yourself abso
lutely unequal to the occasion.
The dome oonslsta of a suite of rooms,
terminating In the aanctun sanctorum of
"Sir Herbert," where he works and re
ceives guests and professional compatriots.
It Is a pleasant room with a semi-workaday
aspect, big easy chairs and leather cov
ered couches. The writing table has a
fresh bouquet and la peppered with coro
nated envelopes. There is a tiresome tele
phone very much In evidence, which rings
continually the Information that there Is a
line of Impatient people watting to stand In
your footsteps. While it Is being told with
rare patience that Sir Herbert Is "fright
fully occupied," you note the small Inner
suite beyond the reception room, whej-e
during the busiest season Sir Herbert lives,
never leaving the theater, day or night.
On Feat are of the Dome.
There Is one artistic feature of the dome
which deserves special attention and which
la later pointed out to your notice by Its
admiring owner. This is the line of wall
panels, representing in the outer room
scenes from the tragedies of Shakespeare
and In the Inner a corresponding number
from the comedies. Behind his chair Is the
Falstaff, by some critics designated as
Beerbohm Tree's best bit of work. The
mural decoration was done by Charles
Buchtel, whose paintings of Tree as King
John, Malvollo in "Twelfth Night" and
Isadora Isard in "Business Is Business"
are masterpieces of clever portraiture. The
originals of these aro in the actor's posses
sion, and he also calls attention to a
water color by a well known Japanese ar
tist, representing a typical London crowd
of first nlghters. pit and gallery, watched
by sealous bobbies, entitled "Outside His
Majesty's Theater."
It is during the busiest of the busy sea
son, when the fifth annual revival of
Shakespearean plays, with a new one every
night, is on the docket, preceded and
succeeded by two weeks of 'The School
for Scandal" series that has been Lon
don's most popular success that the
few minutes' Interview is accorded
and It Is natural that the first
Impression of .Sir Herbert is that of
a very tired man, which even his great
height and generous sited figure does not
counterbalance. He Is not essentially dlf
ferent from the Tree who visited America
twelve years sgo and today admits with
a sigh that he "only got as far aa Chi
cago." H atands six feet one inch and
bas lost all right to play the lean and
melancholy Dane, Judging from physical
proportions alone. He is clean shaven. Is
slightly bald, has pale eyelashes, which
shade very remarkable eyes, of the color
of turquoise matrix normally, whioh change
expression and tint, from the sapphire of
a pleased hospitality to the gray green of
cynical outbursts against the submerging
tenth who believe themselves fitted to be
playwrights because they own a bottle of
.Ink, toward whom he Is particularly bitter,
riaywrltlaa Not Eaay.
It Is of them he says some time during
the interview, "It Is only the smaller thlnk
era in literature who imagine that they
can turn out a play as eaaily as they cover
a sheet of paper with scrawls. When the
play is produced they recognise what an
undertaking it Is and that you don't often
find a good one any more than you often
see a comet, a great poem, or a great paint
ing. Playwrltlng 1 the . most difficult of
all arts. Tou can afford to try experi
ments in America perhaps, for you have a
theatergoing pubKc drawn from a popu
laf.'f iV of eighty or 100,000.000." A poetic
linking young man has drifted In and
Colled himself eerpenttnely in a deep chair.
If you have committed the mistake 'men
tally of looking upon the pre-Raphaelltlsh
One as an Intruder you blot out your er
ror, for frequently at your questions Sir
Herbert tnrns with childlike trustfulness to
him and asks "What do I think about So
and 8o?" and the poetlo faced states with
out a moment's hesitation Just what Sir
Herbert does think, and Sir Herbert says
that he does think It.
Having adjusted him to the scheme o!
the In tar lew, you start anew when the
doer epejoa a4 ntwcoaier OU UjnaeU
. I U, J I
...n u.., nuu MIS auvanceiw I fl .,, I. nmnh. rn the Krr.-n
notice, say he ha, a house in Omaha. All, Tomorrow evening. In addition to the re
rlfcht again, only no one In Omaha knows, u,ar performance, the customary half hou,
V Bl? l r- f,om , B:30 be devoted to a vocal
J. , ,: ",u,u"" Ior r. Morn, advance and pipe organ recital, during which Hen
fin. .Li. . . OI ou,mln "t"lbach m render on the big Instrument,
...... in Winona, sometning tne like
oi which we have never bleu. Definite an
nouncement of the Iqcatlon and other de
tails will be made later. All right. Air.
Morris will find Omaha a live wire on ths
vaudeville proposition, Just aa Mr
by special request, the Intermezzo from
"Cavallerla Rusticana," by Mascagni. ll.t
other number will be "Miserere" from "Ii
Trovatore," by Verdi. Miss Higglns will
I sing during the recital "The Angel's Sere
didn't If he can get his shows in here, he
will find plenty of people ready to fall for
them. They haye stood for about every
thing that can be offered in the way of
"supper acts," "song pluggers," "chasers,"
and the like, and one or two more will not
make much difference. But Mr. Morris will
have to hurry If he Is going to get his new
theater ready to open by January 1, 1S10
Omaha Is already hooked up on one propo
sition of that kind.
"The Silent Drama" Is still drawing the
ilU,... i v .. . , .
did. and M..r. o,.ii.... 7... - " ""gn, "a nouwr ol "r uwn
- u.ni nn b .-iitiaiiitnn . , . . , . .
other entire change of program la prom
ised for the last half of the week, starting
Thursday,
The Hlllman company will have two
more weeks at their summer theater, corner
KlKhteenth and Douglas streets. The coin
pany Is now complete for the winter tour
on the road and the new members art
working hard to catch up In study; the
last week the company will endeavor to
play a new bill every night. This week.
crowds, and proving that the neoule reallv I eommencing tonight, the company will be
do like that sort of entertainment. Pictured Been in a comf,d' drama, entitled. "The
of a high order are always welcome, and I Mtt,d of tlle wnl-" The "cenes are laid
when they show real folks doing ' real 1 1,1 fVnn,i'1 anla an(1. while the play lb
things, they become doubly Interesting. The!mole of a con"'dy ,han a drama, it con-
pictures shown last week had a number lttlns a VM Pretty neart story and
that were of uncommon Interest, including I abounds ln lliril""8 climaxes and dramatic
the first pictures of the Wright bi others at sl,uatos- Hiram Flint Is determined to
their areoplane experiments at Fon t Myer, i unlte " lars ",eel Plant lnt0 "e bl8
the big automobile race on the Indiana! consolldtion, but Peter Sterling refuses to
track, and others of, that nature. Then the
dramatic pictures, shewn were also ex
tremely good, one of western life being
especially reallstlo. The program tpr today
go into the scheme, as It would bring ruin
to over two-thirds of his employes. At a
very critical time Flint causes Sterling's
arrest for counterfeiting by placing some
will be in keeping with the past, and. In a ' Plutes 'n his laboratory. This Is done
cool and comfortable seat at the Uuyd the
spectator will witftess a show that he will
never regret.
What Is said to be one of the best ar
rangements of the popular summer time
brand of vaudeville that is drawing such
fine crowds to the Burwood this summer
la the program prepared for the first half
of the week, starting this afternoon. In a
moving picture way there will be many
new films displayed and covering the en-
ln hopes that during the Investigation
which would necessarily follow the Ster
ling mills would have to be closed and
Peter Sterling would lose the government
contract for steel. Flint's plans are frus
iraiea oy sue sterling, wno obtains a
promise from the men to return to work
under her management until her father
should return a free man. The comedy is
furnished by Slmonidea, a colored servant,
and Michael Malone, who can do most any
kind of work, but not too much.
squarely Into the chair on the other side
mtA 111 ,1. ll. hlma.lf .an In II ' Intn I. a
versstlon. He Is in a way as important "We are sadly deficient in that regard
an aid, apparently, as the pre-Kaphaellte
youth, his keen wit acting aa pacer to that
of Sir Herbert's. His name is mentioned.
Mr. Comyns Carr and by the help of
his mots and the mnemonics of the other,
the Interview goes on to its legitimate
conclusion.
American Plays In Ensjland.
Sir Herbert has been asked why It is
that ao few American plays succeed In
Englsnd, and responds at once before the
pre-Raphaellte one can tell blm what to
aay:
"Tou people ln America think nothing of
traveling. Tou come here with as little
care and thought aa a New Tork man.
would cross a ferry to Brooklyn Is It?
The consequence la that you are more or
less familiar with our life, and when we
send plays to you they do not depict con
ditions that are absolutely strange. But
we don't go out there very much. We
make our wills and take leave of our
friends when we do. Tou know a lot
more about us than i do about you, and
the purely American play that we do see
invariably depicts realities with which we
are absolutely unfamiliar. It is a play
of conditions that have merely local sig
nificance." "They don't get outside the cab radius,"
Interpolates Mr. Comyns Carr, and the
pre-Raphaellte murmurs: "Just within the
shilling fare."
Tou venture a suggestion that realities
are supposed not to be local, but are cor
rected Immediately by Sir Herbert.
"That Is the unfortunate part of realit
ies; they are so essentially local like or
ganic diseases. Ideals, on the contrary, are
not, and when the American playwright
begins to send us plays with more Ideal
istic tendencies, perhaps, who knowa? we
may understand them better."
Then courteously, as If the alleged Ignor
ance concerning matters American may
have wounded, Sir Herbert asks concerning
the one fact that apparently haa lmpreased
Itself on the English consciousness.
Interested In Skyscrapers.
"Tour skysorapers," he asks, feelingly,
"are they er taller tban when I last
heard?"
Tou try to remember, having been away
a month, and venture thirty-odd stories at
random.
"Only thirty-odd." he asks In a disap
pointed tone and repeats to the pre-Ha-
phaeltte One and to Mi: Carr. But the
farmer compensates for the grief of his
companions by stating a newly acquired
fact ln aerial architecture. 'I'understand
they vibrate when you get quite a bit up "
He looks to you fdr emphasis, and with
a smile at the thought of the office staff
of some of the downtown buildings held in
place by overhanging straps while they
work you admit that the Interesting Item
bad escaped so far your catalogue of com
prehensive facts. He answers the challenge
of that smile with quite an American alert
ness. "Of course I didn't mean that they
bow and scrspe to the ground," he ex
plains, "but Just, well, wriggle a trifle In
a high wind, like the Campunlle."
Mr. Comyns Carr puts up a protesting
finger. "Don't destroy the Illusion I was
picturing an arcade of skyscrapers bending
and courtesying all over the place "
Sir Herbert Interpolates: "I am contln-
sltous duke's bill." '
"It ought to pass," continues Sir Herbert.
It
reminds me of a repartee made by an
American woman of my acquaintance,
Someone said to her: 'Ah, but you Amer
icans don't understand what blue blood
gives.' 'No,' she said, 'but we understand
perfectly what it takes away.' Quite
clever, wasn't it?"
When the laugh subsides Sir Herbert be
comes the serious and Impressive manager
actor once more. For a little while he has
been the brilliant phrasemaker who says
sharp and witty things so quickly that you
cannot recall them, one verbal nail driving
out another; he has been the Beerbohm
Tree, who as toastmaster at the Gultry
supper given a few nights before com
menced his speech by saying: "When a
pretty woman shows you her pretty rings,
why, what can you do?" who, tired out by
the importunities of his creditors when as
dramatic sportsman he was plunging heav
ily, said languidly, "I shall soon be able
to retire on the blackmail I have not paid,"
who said to a friend that he could Imagine
a man ln lively middle age praying, "Oh,
God, give me back my enemies," and once
upon a time corrected the mood of a neigh
bor at a dinner party, who had gained a
few laughs at the expense of his friends by
saying. "Why not palliate the pangs of
conversational vivisection with the chloro
form of courtesy?"
When He la Serious.
In the serious mood he gives It as his
opinion that, as one of those who stand
at the top of the profession, he does not
attempt to read the public mind prophet
ically. He has no Inclination, no accom
plishment ln that direction. He gives what
he is Impelled to give, that is all.
"We are the playthings of Fate. We
know what we are Intended to do. No one
of us Is essentially deceived as to the
meaning of his life, do you think so? We
must express that which Is In us seeking
expression.
"As you study the ssllent facts of life
far below the surface we see that there
is a certain force, indefinable and per
sistent, which is the keynote of the man's
conduct. He obeys it oftentimes ln spite
of educative influences. He answers to
its demand although It would often seem
that in doing so he was turning his back
on his best Interests. We look on and
often oppose or advise, but he has the
profound knowledge which puts to shame
our lighter reading and proceeds onward
to the goat of his desire.
"Apply this reading to dramatic matters.
Why does an actor scoff at the roles for
which ln the public opinion he
ently fitted In order to produce something
for which there 1 apparently ileum i ..o
mand nor understanding? He does It be
cause he must. He doesn't look from
his watch tower to discover whether the
public eye Is turned ln the direction of
romantic drama, of problem plays, of so
cUl comedy. He doesn't care where they
sre looking. His art demands the sacri
fice of this idle Indecision. It demands that
he be himself at all hazards.
On a New French Play.
"Just at present I am deeply interested
ln philosophic questions and their ex
pression in a new play by Biieuz's called
'La Fol,' which 1 shall produce here in the
autumn, the translation of which is to be
made by J. B. Fagan, author of 'The
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one Ooiiasr Pooi Sale
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ONE DOLLAR DOWN SALE comprises every article in our Furniture, Carpet and Stove
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Take advantage of this special opportunity anticipate your wants get what you
need now, remember One Dollar Down is all you pay and you get the goods right away.
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These rugs are 129 feet In site and are the
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SPECBAL TOiBP3
Saturday, August 7, 1909
IVIako Your Arrangements Mow
Special train carrying the state commander and staff will leave
Omaha August 7th, at 4 P. M.-arriving Salt Lake City Monday, August
9th, at 8:20 A.M.
Arrangements may be made to join this party at Omaha or at any
point on the main line of Union Paccific in Nebraska.
LOW RATE OF ONE PARE
FOR THE ROUND TRIP
Tickets on Sale August 5th, 6th, 7th and 8th, 1909.
Return Limit thirty days from date of sale.
Liberal Stopovers allowed on G. A. R. tickets.
Stopovers at Salt Lake City allowed to enable holders of through
tickets to Pacific Coast points, to attend the G. A. It. convention..
Electric Block Signals
Dining Car Meals and Service "Best in the World."
Dustloss Roadbed Perfect Track
Everything that Contributes to Ease of Mind, Bodily Comfort and Economy of Time
r
For descriptive literature and Information relative to rates, routes, reser
vations, etc., call on or address
CITY TICKET OFFICE, 1324 FARflAM ST., OMAHA, NEB.
PHONES BELL DOUG. 1820 AND IND. A-3231
F.arth." which Mr. Hairts Is to bring out
ually hearing that. 1 am fjjni to America j ln merica in the fall, I understand. 1
this fall. If anythins could Induce me. he- ; don t know whether the public's Interest
sides of course the pleasure o" meeting my j ln follow mice or not.
former American friends. It would be the j tfrleux did the splendid play called
thought of arriving, say. In an October or Maternite' which wan given here with
November gale and having the skycrapr I marked success. I be'leve this one to
saluting me as I rode up from the steanv't". the greatest that he has yet aii.ten. Ai
What a-vlsion of hospitality that presents.
What an original and satisfying manner of
making an entry Into a strange city '
One ob the Dakes.
Mr. Comyns Carr shakes his head as one
who recognises his limitations. ''Not being
an actor or a duke, i am aenarrea mat
privilege, but I understand that there Is
to be a bill presented to Increase tha Dum
ber of tha aristocracy for asportation to
nvartna. It la to ' be called "Tha necei-
any rata. II Is full of interest', to me and
has taken me Into many bypaths of rprc
ulatlve thought. It sweeps aside the usual
hypocrisies that govern stage craft in a
very subtle way, applying the cor.dltl.ms
of ancient Egypt to modern life, and In
doing so making It possible to sptak with
the greatest candor of the central fact
and the questions of conscience which re
late to it.
"The central fact of life la of course
hv, la Ultra any real doubt concerning
thnt? Ambition is a tremendous motive
power naturally, but for those who have
the real sense of values there can be
no doubt ln this regard, I think. In actual
life, as on the stage, the love Interest
must predominate.
"Do I really believe that hypocrisy gov
erns the stage? Don't you? Hasn't It al
ways done so? Do we fsce the truth boldly?
Do you In America, or do you chop and
change to suit the scruples of a sham
sensitiveness?
"What do I think the American state
needs most? Why. Tree, of course."
The pre-Raphaellte One hopes that you
will not put that remark in with the
usual parenthesis of the Interviewer, say
ing that Sir Herbert, with a pompous
couh. stated, etc. You promise that you
won't or that you will, you forget which,
and then the conversation drifts- toward
the history of His Majesty's Theater, fir
Hubert gives some Interesting facts con
cemlt.g It, one of them being that, unlike
the majority of English houses, there are
no fees to pay in his place for the privi
lege of checking coats and hats or for
programs.
GERTRUDE LTNCH.
PHONES Bell, Doug. 15Q6;ind. A-I506
If you have anything to sell or trade
and want quick a'ilon advertise It ln
Tha Bee Waat A4 column,
We've tx-on made
crazy by the
HEAT
-crazy enough
to offer a half a
dollar show for a
dime. It's up to
you to take ad
vantage before
we cool off.
Glance at This Lay Out for the First Half of This Week
to :30 r, at.
The Kercaleaa Oymnarts, Tha Todeling Ylollnlst,
DeLano Bros. CI1RIS CHRISTOPHER
Slreot from Win. Morris
Clronlt. Draws a Tuneful Bow.
The 8wot Singing Sing stress The Wimble Vlngersd Pair,
DiISY HiGGlNS Two Innrams
Everybody Joins ln the The Juggle Things rsath-
Chorus. ere to Flows.
Union Labor Men Xilstsn, Our Of Educational Esoellsnoe
MOVING flCTUK.ES TRAVtLOGUES
Are of Independent Make Xerolo Rise aad Superbly
Wot Trust Made. Colored.
cathedral" pTpeo'rga HcurrKalf Show (J c
A (8,000 rsatura la Itself. Esllrc Cliensc Tksrt. 5a.
M. Sains hours on Sunday, ripe Organ Recital every Moadaj
Come aa? time and cool off; stsy aa long aa you Ilka.
Chicago Film Exchange
America's Foremost Film Renters
Omaha Office
14th and Douglas St.
Our Exclusive Film Service can be soen
at the ELITE Theater every afternoon and
evening, dally change of program, two
Uiousaud feet of films each day.
HILLMAN STOCK CO.
SV:k "The MaidT of the MM"
sat Weak Sherlock Solmea In i Study
la Scarlet.
Admission. 10s sad BOo.
BOYD'S, 11)8 COOL Theater
BTEBY SAT AMD WIGHT.
Performances, 1 O'clock to 6.
Night Performances. 7 O'clock to 11.
"THE SIX, SWT DRAMA."
Positively the best moving picture
exhibition ln the city theater cool
snd absolutely fireproof. Non-ln-flammuble
films used.
Price, 10c Children Accompanied by
Barents, 6o.
Nebraska Traction & Power Co.'g
Seymour Lake
Intorurban
Through rains now running betwen
Kth and Howard streets. Ralston and
Seymour Lake Park.
Z.EATSS leth and Howard 7 A. M.,
t A. M., 11 A. M-, 1 T. M., 3 F. !., ft .
m., t r. m., a r. u., n r. m.
Z.EATZS aalston A. M., II A. M., 10
A. M-, 18 M., a P. M., 4 P. M., 0 P. M.,
a P. M., 10 P. M.
Ixical service between 4 4th and Q Sts.
South Omaha, and Ralston every li
minutes, beween a. ni. and (.16 p. m.
Every 16 minutes between 6.15 p. ru. ao4
11:46 p. m.
t