The Omaha Illustrated Bee y NUMBER 330. Entered Second Class at Omaha rostoffice Published "Weekly by The Bee Publishing Co. Subscription, $2.50 Per Year. DECEMBER 24, 1003. Iowa's Beautiful State House and Its Artistic Interior Decorations With Especial Reference to the Work that Has Been Done Under the Direction of the State Oapltol Commission in Expending the Appropriation of the Last Legislature. v 'V. t w. x r V-Vv. , .;. 'A' "1 -.- - Vi... 'WESTWARiy'-TTTP! TEN'-TnOUSAXD-DOLLAU BLASnFIELD rAlNTINQ AT TOE IIEAD OF THE GRAND STAIRWAY IN THE IOWA STATE CAriTOL BUILDING AT DES MOIXES.-From a Photo by the Inalee Deck Company of New York; Copyright, 1903, by Edwlu II. Blashfield. UNTIL . the instructions of the Twenty-ninth General As sembly of Iowa were carried out, the corridors and rotunda of the Iowa state capltol building, the part moat seen by the visitor, were plain undecorated walla. In the cove above the grand staircase an attempt at decorative art had been made and some Indian figures were there presented with some other paint ings. A legend is retained about the state house that the painter who did the work received $1.60 a day, and a good Judge of art would say that he earned no more. In the rotunda of the building on the first floor there were four niches. Two of these were empty except for some benches piled in them. The other two were boarded up and were used by the Janitors as closets. They were eyesores to everyone who saw them. Down through the long corridors abso lutely nothing existed to break the monotony of the architectural lines. The wide cerridor of the entrance presented only white walla and with the Massive arches overhead gave one more or less the lmpresslea of being In a basemeat where the supports of the struc ture are allowed to stand out 1 all prominence. a ' Office Rooms Painted. chairman of the capltol commission, that the only thing that could be done In getting a great painting was to select a great artist, give him a commission and leave him to his own devices. This plan was followed. It has been the wish and expectation to have work by nearly It not all of the great artists of this time. The panel above the grand etalrcase is fourteen feet high by thirty-eight feet long. It is considered the most conspicuous place and the best place for a great painting that the state house affords. E. H. Blashfield was selected to paint the picture for this space. Where Blashfield's Painting Hangs. It was the first desire of the capltol commission and of nearly everyone else that this painting should in a way at least be typical of the west and should be a preservation In art of the growth and development of a great state from a prairie wilderness. It was realized that an artist must be given a free rein, that art cannot be controlled as la carpenter work, and that sometimes the best artists, falling to catch the inspiration, will fall short of expecta tions. Consequently when Blashfield was commissioned to paint the picture for which the state had appropriated $10,000 the commission offered up some silent prayers that he would be inspired to paint a masterpiece. Spirit of the Painting. The picture Is entitled "Westward." The most conspicuous figure in the painting is a great prairie schooner of the pioneer days, which is moving from the right to the left of the picture. In the front of the schooner sit two women and a child and drawing the schooner are two yoke of oxen. Men and women and children such as accompanied such trains in the pioneer days follow on either side of the oxen. Above the oxen and in front of the prairie schooner ore mythical figures. One carries the seal of the state of Iowa. Two others carry a basket of seeds which they distribute. Back of the prairie schooner come two other mythical figures, one carrying a The office rooms of the state house have been adorned with tnural decorations for years. The work for the most part was satis factory. The corridors, rotunda and spaces about the building were tho most glaringly deficient, so the legislature gave the capltol com mission an appropriation and ordered that the state house corridors be decorated, and gave the commission authority .to Belect the be3t artists of the country to paint pictures to be hung in suitable places. One such painting was ordered to be flaced in a panel fourteen by thirty-eight feet, Just above the grand staircase, and for this an appropriation of $10,000 was made. An appropriation of the same amount was made for six panels of smaller size above the gallery which overlooks the grand staircase. An appropriation of $8,000 was made for the eight lunettes in the rotunda. Many other spaces suitable for paintings still remain and It is the Intention of the legislature to make additional appropriations for paintings for these spaces in time. ' Effect Sought in Decoration. In decorating the walls of the building the object sought was to cover up the harsh architectural lines. Instead of greeting the visitor on entering the state house with a barrenness, It was sought to so decorate the walls that a feeling of ease and comfort would greet one. The Iowa state capltol has been occupied for about twenty years, and one point to be avoided was that the paintings should not present such a newness and freshness that the building would look like an old building painted over to make It look new. The painting must be harmonious and Mr. Garnsey, who did the decorative work, has succeeded admirably in the Judgment of the best critics. Olives, old rose and sombre colors predominate in the decorative work. The bell of the dome is covered with gold loaf iind nbove it a deep blue to give a background for the gold. From the bell cf the dome to tho first floor isK3 feet, and the skill of the aitibt In decorating that enormous hole was no small task. It has been accomplished and tho blending of the colors from top to bottom la pleading- The architectural lines here, too, were the most difficult to cover up. This has been accomplished largely by a har mony of colors. The celling of the main east and west corridors of the first lloor has been decorated to give the soft Mosaic effect, and has been done with great success. The olives and old rose colors of the walls ure carried Into the celling Mosaics and give the same pleasing effect as though the decorations had always been there from the time the building was first erected. The decorations seem to be a very part of the building. As one comes from the main corridor to the rotunda he no longer sees the four niches which were formerly mere cubby holes. They are now Inclosed and are the receptacles of the battle flat's carried by the Iowa regiments during the Civil war. The cases lire scaled with a plate glass, covering the opening, and even the old battle flags to blnd nicely with the other decorations. Problems for the Painter. The nurrow corridors leading to the north and south were formerly daik and gloomy because barren. Artist Garnsey has ticcomplUhed wouders here by introducing the Pompeiian decora tions. Bright Pompeiian red has been used which, given an old effect under the skillful work of the artist, enlivens the dark corridors and fives a very pleasins effect. Tho same colors and effect in the main corridor 1 carried into the onst corridor. Perhaps the greatest skill of the artist was made necessary by the fact that tho building Is a museum of marble. One of the commissioners who built the state house was an authority on marble. He wished to display his learning on that subject and did so by Introducing marble from every quarter of the globe. It is asserted that heve was no marble of known fame and prominence up to the time of the completion of the building that was not used. The wainscoting-of the ofliee rooms us well as of the corridors is made up of an almost endless variety. Soon after the state house was completed a pamphlet was printed which was a guide to the marble used in tho finishing work and the pamphlet, which waa dovoted entirely to that subject, was of considerable size. Tho marble ia of every color of tho rainbow and some besides, and to put colors on the walls that would harmonize with all this color In tho marble and still give soft and pleasing effect was the chief task of the artist. Tho grand staircase in tho east corridor Is made of marble entirely, and tho glare of color in that end of tho build ing Is worse than anywhere else. Just above tho grand staircase ia the painting by E. H. Blash. field ot Nov York. It tu the contention of Senator 'A. B. Funk, V'-'? 'fy 1 W& : 4 yyy mi 1 M4'- i J i Wl 1 10M - mil" ! "v'-tii; L v tjf? ?JrM;i V',-.' j ..".j-,- ;y h- :. -. - v - i '.;.,- "u--. J'-- Vi''''. ' f '-e " '-r-j: XAy- j jh ar.f : 7, x. !f?;!?-i PWm Vmmr-; ksgk '-v ' -.' r. ! . V..-l. 'H fvif-'i' '.rrlftfVrtnl I - 1 41-1 f -i.'f ' . :H?r'-'jE. ' ' v; ; ; J w MANf FLOOR r TnE ItOTfNDA OF TTTE IOWA CArtTOU SHOWING TFIE GRAND MARBLE STAIRWAY, AT THE HEAD OF WHICH THE BLASHFIELD PAINTING WILL HANG. WEST FRONT OK THE IOWA STATE HOl'SB, TUB MOST IIAKDSOllJD rUBUO BUILDING UX ALL THE WEST AND TUB i RIDE OF ALL PATRIOTIC IL4WKEIES. miniature locomotive and tho other a miniature dynamo. Towards the right of the picture and near the rear of the prairie schooner Is a corn field with watermelons and other signs of civilization and a man on horseback and three others on foot. Thus from the ox team at the left of the picture in the lead to tho corn field and the figures carrying the locomotive and dynamo at the extreme right there is represented the progress of civilization, the "westward" trend of civilization and the reclaiming of the virgin soil to cultivation and civilization. Looked Upon as a Masterpiece. Great paintings are recognized as such only after they have been exhibited long enough for the public to become elucated up to their merits. It Is the belief of the members of the capltol com mission that they have what they hoped for a masterpiece and there Is a belief that the painting will be recognized as such by the public aa soon as it has had the opportunity to study the work, for the first view Is never as appreciaUve aa the one- hundredth In the case of a treat painting. It ia certainly trwo with the Blashfield painting that there Is a rare harmony of color and balance to the painting. It is suited to the building and the place in which It Is hung and adds very greatly to the beautiful architecture of the state capltol. Decoration in Large Chambers. The supreme court room and the hall of tho house of representatives were both badly damaged by fire two years ago, and decoraUug has taken place here. The bouse chamber has been rebuilt. It might almost be said. The fire so damaged that part of the building that the entire interior of the room is now new. The ceiling and walls and all the furnishings are new, and as it is today, on the eve of the convening of the legislature, the house chamber is more beautiful than It ever was be fore, "fhe supreme court room was merely smoked a little aud soiled with water, and all that has been done there was to redecorate the walls, which has been done very artistically. But in the house the scagiolia columns have been replaced with columns of a lighter color. The celling is far more beautiful than the old one and the deco rations and all are lighter and more modern. Hundreds of incandescent electric lights will Illu minate the room. Tho chandeliers In the new furnishings are made of incandescent lights cov ered with an Inverted bell of small pieces of cut glass, and when the lights are on the effect Is very pleasing and very dazzling. Story of Its Construction Iowa people are proud of their state house. They are proud of the fact that it waa built by a commission and that after seventeen years, after a most rigid investigation, the commission was found to be off in its accounts only $3.77. In re ality four separate commissions have conducted the work of erecting and completing the Iowa capltol building and tho fourth is new only com pleting the building, the foundation for which was first laid in 1871. The first commission consisted of the governor, who was made ex-ofliclo president of the board, and eight members selected by tho house a ml senate. They were to receive $5 a day for the actual time they put in and also their ac tual traveling expenses. The men who really built tiie state house were Maturln L. Fisher, R. S. Finkblue und Peter A. Dey, the last named being the only one now living. Under the provision that the rate of taxation could not le Increased the erection of the state house wus a slow process, and seventeen years later, when tin legislature suddenly abolished the commission, though the building was occupied by the state oflVhiM, it was not completed. The gov ernor was Klveu a Kiim of money" to complete the building nnd he mailt such temiwrary arrange ments hs were necessary and the building re niHhied in much that condition till the twenty elghth general assembly in 10UO created the cap ltol Improvement commission and charged It with making an investigation of the building with a view to completing it. Thia commission consisted of Peter A. Iey. a uiemlx-r of the first commis sion; Prof. C. A. Cuininlng of this city anil Henry S. Josselyn. Thin commission did considerable work and the next legislature provided for tho commission, now putting ou the finishing touches. The original intention of the legislature was that the capltol should cost not to exceed $1.50, UUO. I'p to 1KS7 the General Assembly bad ap propriated at different times aud there had been expended on the' state house $2 871.300, Frneo then the legislature has appropriated over quar ter of a million and the rest of the completed building will bo at least $3,250,0001