Omaha daily bee. (Omaha [Neb.]) 187?-1922, August 06, 1905, COMIC SUPPLEMENT, Image 30
0 f i , k-y, V,. i 1 V'- . " a-- ;f . . . i . ' 7'-v.'-.. : ' :U , , . A- J j HOW TO HAVE YOUK FICTIKE TAKEN Or foe tx Loosr P c?j?-d OjvPomjt c7o CJ v 1 X J V 1 4 NTS. ' 1 v , ( ' I IS 4' i . ' - ". . ! ', ... iCiwr -f-- I 1 O ': ' I 3 . . n " -. V" - ' -. : r..:- r V - ... . ; - : f a ji L-o . , J t - s v " ".i . , . Vj "i'-;-"1.' . . . .. .7..' ...;:.-.:;;?;;,. j . ' ofOffiTMEf i 5 T HERK Is a man In New York who boasts of having been the photographer of Evlyn Nrs bitt. This young woniiin, who married and re niarrtt'd Harry K. Thaw of rittsburg, has been the heroine of many a camera pose. But all her other photographs combined do not equal in number those taken by this, her special pho tographer. For a long time It was his fad to photograph h. r daily. This photographer paints pictures and exhibits them. He is a knight of the camera only by courtesy. He takes pictures, but only because he loves to take them. When he saw Miss Nesbitt. a slip of a girl, he thought ah would make a good photographic subject. ' She has a camera face." he said. He asked her to pose for her photograph. Then, as he saw her talent In this line, he posed her again and again. " The art In taking a good picture," says this artist, " is to take the picture as slowly and carefully aa tf you were going to make a painting of it. Study your subject. Then pose her so that she tells a story. When you look at a pic ture you should see a story, for the best pictures are those that carry a story with them. " In posing Miss Nesbitt I noticed always that she gave me no trouble at all. Tell her what you wanted and that was sufficient. She is one of those persons who drop into a pose Instantly and hold it. The majority of people must lie placed In a pose. Tell them how to sit, or how to stand, and they Wjll do as they are told, but they will not do It successfully. "Then, in the matter of expression. Mere she was letter perfect. No one ever caught the expression as quickly as she, nor held It better. She could look mad or glad, sad or pleased, pensive or animated." -. Few Make Good Subieds. The art of getting your picture taken Is one that ought jo be studied by every wenan. You are away from your friends so much of the time that you inert photographs to keep you in memory. I'nlcss you can leave a good likeness of yourself you are Jost Indeed. When you go to a photographer's studio you should go In the same spirit In which you go to a painter to have your portrait painted. You should say to yourself: "This picture Is to look like me. Then-fore I must have plenty of color. It is a piece of color work, and 1 must exaggerate my tones and bring out my high lights a little in order that they may show up well." Keep this in mind and you will take a good photo. , When you go to the photographer's do not be In a hurry. Don't think you can step In and have It all over In a minute. Arrive ahead of your appointment and take plenty of time to get ready. Most people go to a hairdresser Just before having the picture taken. The result Is a stiff looking picture. Again, most people select white. Now, white Is the dread of the photographer. True, he dreads black still more. Hut of the two there Is little choice. White comes out badly; black comes out worse. White is unbecoming In a photo graph. But it Isn't anything to black, which looks like a pall. Wear a gown that comes out in two or three tones. A black and white magpie combination, such as one sees In a French gown. Is always good. That Is one reason why French photographers take such good pictures. French women know so well how to dress. They put on pretty com binations of black and white, or of red and white, which takes like black and white. An actress going to have her photos taken will wear her emeralds. They take dark: so do garnets, and so do rubles. Their color will be deep. Turquoise, on the other hand, take white, as do opals, topar, and diamonds. Wear your emer alds, your. pearls, and your rubies If you want effective pic tures. A necklace of green beads will take much better than a diamond necklace. Arrangement of Hair Important. As for h.iirdresing, It is much better to arrange your hair in some picturesque way. Wilhelmina fashion, with a little Duuli hat, is good. The rrlscllla type, with parted hair, is almost away becoming, and to some eyes it Is even angelic. 7 7 V1 1 r ' -y 0 You must widen your lips In the middle to make Ihem like a Cupid's bow. And 3 ou must make shadows at the cor ners to look like deep dimples. There must be a dimple paint ed In each cheek unless your style of beauty absolutely pro hibits, and you can even paim ,-. il.mple in your chin. Instead of the habitual ' lo c pleasant " expression you can laugh actually laugh. And your laughing pictures will be pretty. Eyes that are small may seem larger if the lids are sllcht ly blackened. Close the eyes, one at a time, and rub a lit tit black upon the upper lid, going over It entirely. This makes tht eyes seem larger. To give the eyes expression paint them at the corners. This is easily done, and the eyes are length ened In this manner. You can draw a fine black line at the corner of the eyes that will do the w,ork. The line will give the eye depth and make it glow. Finally, try to hold the expression. Nothing is harder than holding the expression. rr...:T-.,iJ"ni.".wf' , Ik ' v .? I ... il 1 r 9L. 'ill . .m... &0r06'AYWQJtAJv0(AZ)I'Z) Z3r VWrcuF&z oftjr ft u ' : t t .. - ' 3 Vv&0 - " it