r .... . . Emm m aT "V Ml M a WW K . 1 ir & nvywi . r -,-. iiF.i v v i ,v -v m. mi i - P-.Y V I JUL 4Mb ll llMr X I Fl IV? Tl tl...Cmi litter W. J7L HV V A HB " 8atanai." th " Dlavolos." and the " Crazos." who loop the loop and leap the gap. have been put to ahame In their daring by a young Frenchwoman who outdoes them In two ways first, because of the 8 shaped construc tion of the courae when ahe strikes the critical curve the track bends away and adds to the danger of frightful momentum dashing her to destruction; and. secondly, because she makes her daring descent not on a light bicycle but In a heavy auto car. Mme. Maurtcla de Thiers is the first woman ever known to attempt to loop the loop In an automobile. Only she does net call It an automobile. Her machine goes by the more 'striking name of ' autobollde." Ths act Is the reigning sensation In Paris. The boule vardler rress Is filled dally with descriptions of an act which has used up all such adjectives as " thrilling," " hair rais ing," "blood curdling." and the descriptive writers are searching the language for more superlatives with which to embellish their accounts of Mme. de Thiers' Strang flight through ths air. Wager on Her Death. Among sporting circles beta are being made as to the number of times the during woman will leap Into the air with her machine before she is killed. All agree that the first accident will be fatal. If the ponderous autobollde In which she makes the leap ever misses the guide rails which are Intended to hold It In Its flight. If she should faltor for the fraction of an Instant In steering the muchtne along the black line marking the center of the course from the alight ing point of her aerial flight, If a wheel slips, a cog or a chain breaks, or something snaps, the woman is almost certain to be crushed to death In the wreckage. Mme. de Thiers appears In the frightfully dangemus act at the Folies Bergeres every night. The autobollde la simply a powerfully built automobile with added weight to give. It llgld stability and extra strength to withstand the Impart after a forty-four foot leap through space. When securely sested Mme. de Thiers pulls over the starting lever Just suffi cient to give the huge machine a slight Impetus. This takes It to the head of a steep Incline. As the machine plunges down the steep Incline Mme. de Thiers shuts off the power. Danger in Turning Forward. Going swift as a flash of light, the car. with Its daring passenger, strikes the foot of ths first Incline and turns a half somersault not backward, as do the cars and bicycles that loop the loop but forward. The machine, In Its forward half somersault, strikes a curve under the toboggan slide around which, at a furious velocity, it runs bottom side up. Although Mme. de Thiers in this second stage of her Journey Is riding head downward, she sits In her seat, with her hand on the controlling lever, as securely and apparently as serenely as If she were taking a quiet spin at moderate speed along the Bols de Boulogne. But In reality the metal apron of the car extends up over her lap. so that by pressing her knees against the sides she cannot fall out of the autobollde, neither can the machine Itself leave Its track once It has struck the guide rails. This part of the Journey Is the real test of Iron nerve, for In her lightning dash down the Incline she must steer the machine so Its pro truding axles catch the guide rails before taking the curve, knowing death Is the penalty of the slightest miscalculation. Forty-Four Foot Leap Upside Down. As the autobollde completes the half somersault part of Its flight the audience Is thrilled more than ever, for there is a break In the track and the machine shoots out Into space, still upside down, and makes a clear leap of forty-four feet, landing on a reverse curve which gradually restores ths machine to Its correct upright position and launches It upon another plane with an upward incline. As the autobollde IN HER MACHINE "... t tv 5 strikes this upward Inclined plane Mme. de Thiers gradually applies the brakes ami the machine glides with ever decreas ing velocity Into the wlncn, wture It Is finally stopped. The audience breathes again, for It Is a noticeable fact that every one In the theater catches hla breath at the In stant the daring young woman begins her series of sensational flights, and not a man or woman In the audience takes anoth er breath until the huge machine elides out of sight behind the wings. Then a sound like a mighty sigh comes from the audience and It Is repeated with evident relief as the band relieves the awful tension with a burst of music. And yet. nlthouh It has seemed to the onlooker that the fearsome Journey from the highest point In the theater to the wings behind the stage has required minutes, as a matter of fact it has taken only four seconds. Adopts Strange Career by Accident. Mme. de Thiers has never ridden a bicycle and she cannot drive an automobile on a level stretch of road. She couldn't obtain a license to guide a machine through the Chicago parks, and yet she guides the ponderous autobollde over one of the most sensational tracks ever devised by man. She Is a handsome young married woman and never ap peared In public on the stage. Her strange career came to her by accident. The autobollde and Its dizzy flights of In clined planes and Inverted curves was devised by a man who happened to be an acquaintance. She saw the model work successfully and was so fascinated with It that she volun teered to take the first flight In the completed machine when It was Installed in the Folles Bergeres. She did so and has continued to take the leaps through space every night since. Next year she Is coming to the United States. 3 ; 7 LEAPING THE SAP. Uhc Chit Catb THOUGHT 1 needed Just 30," said Dora Bonn, the Christmas card girl, " but when I came to count It up it came to a great deal more. " I wanted to give presents to everybody, and you know how much It costs to do that! " I had spent my last cunt all girls have and I wanted to have some money tor Christ mas all girls do. And I got It all by myself. " How I earned my Christmas money may be a good lea son to other girls who want to get rich in a week and who do not know Just how. " There are glrla who have friends on the stock exchange, and by taking tips on the market they are able to realise a good thing. 1 know girls who have made fortunes over night lit this way, by buying the right stocks. But I had no friends on the stock exchange, and those I have aaid: 'Save your money, little girl. It Is the quickest way to get rich!' " Saving your money la all right. But If you haven't got l you can't save it. and I hadn't a cent. What Is worse, I nias in debt. I had been away visiting, and you know what .iai IIirailB. J JUOi nw,n unfurl. J v' .... j w visit And I found myself back In New York broke and Christmas coming on. What could I doT Asked to Pose for Christmas Cards. " You know, they call me the Christmas card girl! It be gan In this way: A long time ago, when I was quite young It must have been fully a year ago before I grew old I used to pae for hats. I was quite a famous hat model. Tou see I was only 11) then. " One day an artist walked into the hat shop where I stood with a Paris creation upon my head, and said: Don't you want to pose for a Christmas card? Tou have a Christ mas curd face.' " Well, of course, I was delighted to pone, and I went to his studio. Then I posed for other Christmas cards, and be fore I knew It they were calling me the Christmas card girl. 1 didn't like It at first, but my friends told me it sounded pretty, and I grew attached to it, " But we get tired of doing everything after awhile. And pretty soon I actually wearied of standing while they photo graphed my face for Christmas cards, and I got tired of pos ing for calendars. I did not want to pose any more, "Then, too, my mother, whom I dearly love, was ill' And. being tired of posing. I decided not to bo a Christmas card girl, but to go up in the country and rest J Gets Riches for tht Holidays. "And now here eomss the interesting part of my story, the part which will be readable to girls who want to make soma money for New Tear's and who do not know how to do It. " I oh me back to New York two weeks ago without a cent, and In a week 1 had earned enough money for Christ nuts and a great deal more. " My mother laughed when she said good-by to me. ' Tou will not be able to do it,' Bhe said, ' and you will be glad to come hack home. But,' she added, ' you can go to the city for a little while and see the stores and have a good time. But you will be glad when It la over.' " I laughed at her, for I well knew right down In my heart that a Christmas card girl could always earn money In the studios, but Just how much I did not know. " My rates as a Christmas card girl were f5 a day and $3 for half a day, with lunch thrown In. Any artist who detained me past the luncheon hour was expected to give m half a dollar extra for lunch. Finds Her Value Has Doubled. " When I came buck to town I doubled these rates, and I was a Christmas card girl with a full market value. I charged U for a full day and 13 for half a day, with lunch thrown In besides. " Then, If the work was for a colored front page or fof a full half tone puge, I charged extra. I also charged extra for those art poses that take so long. And I would not pose In mistletoe for loss than $10 a picture. " You see. It is hard work. You have to sit so still and look your best, and you have to smile, whether you feel like smiling or not. And you have to be Just as pretty as you possibly can. And It Is wearing son--times on your faoe and your temper. " Then you have to make up. And please note this, girls who want to make money qolekly as Christmas card girls or as New Year's girls, no matter how pretty you are, you must learn how to make up. You positively must know how to paint your lips a little and how to darken around your eyes, and how to dress your hair. It Isn't exactly making up. It is Just bringing out the high lights, as they do on the stage. " But, of course, you mustn't wear your makeup In ths street. You must take something and wash It all off before you go out. The Christmas card girl who would wear her makeup In the street would lose her Job as a sweet, desira ble, pretty girl. It would not do at all. J J Home with a Bank Roll. " Well, I dashed down upon New York, stuld a week, and came home with a bank roll. I did it in six days, and they were short days, for I did not get to town until Monday noon and I left early Saturday afternoon. " I swooped down, as I said, and by doing what the con ductor calls a ' step lively ' I made a lot of money. It seems to me that it la a little fortune, but by the time Christmas is over it will bs all gone, I suppose. What will I do then? Why, I will earn more, for I will pose as calendar girls, and you know they can always get good, steady work. I do not worry about ths future. I am too happy with the present. " I want to say, before I go any further, that I earned my biggest money sitting for the mistletoe picture which accom panies this article. I was invited to go to ths photographer's trl studio and to wear my prettiest evening waist. It Is a loft muslin, draped across the shoulders In old fashioned surplice style. There Is a plain round skirt. " I was told to drees my hair naturally and like a mistle toe girl of the olden days. I dia so. " Taking a strand of my hair, I coaxed I Into long curl, which I swung over my left shoulder. Then, oombing my hair rapidly until It lay In waves all over my head, I tossed It down upon my neck and gave It a great big loose twist. Tying it In a knot, where its soft coils would show, I prepared to be a mistletoe girl. How She Posed fof Mistletoe Girl. " 'What pose shall we take?' said the photographer, look ing at m smilingly. " ' I don't know,' I said. " ' What Is your Idea of a mistletoe girl?' he asked. " 'O, If I were to furnish an Idea, I would say give me all the mistletoe I can get. I would bury my head In It so the boys could not find me." I said laughingly. " ' Well,' said he, ' bury your head In it and let ma see how you look.' " I did so, and he was charmed. " ' In the words of President Roosevelt, I am do-llghted,' said he. " And when I saw the picture I, too, was de-llghted. "If you want to be a mistletoe girl Just try to think of something that Is new, girls. And If you want to be a Christ mas card girl. Just try to think of something novel. Don't be ridiculous. Don't think you are such a raving beauty that you need not try to be pretty. Just keep on trying and you will succeed. Don't think that you can be a Christmas card girl and earn money If you are not willing to try. Keeps Engagement Book Well Filled. " Well, I was telling how I made my little fortune. One of my first acts the day I arrived in New York was to go to a telephone pay station I never sponge my telephone mes sagesand there I called up all ths photographers, one after another. 1 also called up all the art companies, and all the magazines, and all ths fashion studios, and the picture card establishments. " The tonversatlon I had with them was something like this: " ' Hello, art company.' " Hello.' " ' This la Dora Bonn.' " 'How do you do, Miss Bonn? " ' Very well, thank you. Bee here, Mr. Blank, I am in tewn for a week and I want to earn a lot of money. Can I pose for you today V "And ths answer would com baoH: Ysi. Come to the studio at 11 o'clock.' "Then the next one would engage me, and so on. I kept a little book, in which I Jotted down my engagements, and it U to my credit that I say l never broke an engagementand fe P toy 4 11 111 fmM was never lata at one. I kept every engagement on the minute. " Th art companies would reply with good pay. But the fashion papers are the poorest pay of all, for the reason that It takes so long to ch&nge your gown, and there Is so much delay waiting for the goods to come, and so much fuss get ting them on right and making them look as though they were built for you. That Is why no model likes to be a fash ion model. It is too slow work. It Is better to poBe for Christ mas cards, and calendars, and art pictures. J Chance for Any Pretty Girl. "I see no reason why any pretty girl cannot earn Christ mas money It she knows how to poke. It she doesn't, why, of course,. she cannot do it, - "I saw a pretty little mouse of a girl come .creeping into tin) studio. Her hair was not waved, and she looked scared. 'She will never be a good nnxlel,' I said to myself, 'until she learns how to comb ber hair prettily and how to show her teeth In a nice smile. That Is the way to be a model.' " Well, before the week was out 1 hud earned my I'tO and a greut deal more. And I went home with a lot of Christmas presents ami a bank roll that simply paralyzed my mother. " ' It la clever of you, my daughter,' she said, ' but stay at home with your mother. Phe needs you, and the world docs not" f"And so I am home again. But this little Christmas tallc Is tv girls who huvo no home, and who want to be Christmas card girls, and New Year's girls, and an girls, and who du not know how to go to work at it. " It is eauy to be a Christmas girl." I