Demand for Models in Art Photography i I i 1 . ! ! j - ' ... i ! I 1'v... . -t . " --. vcnl'- , .-...V . x . j . " intf . yips FLORENCE NESBIT, A TOUTHFUIj MODEL WITH A PERFECT PROFILE. A CHILD MODEL WHO KNOWS HIS BUSINESS. - - : -X- : vl j : ' ' .V-t, , MISS ROY CILMORE. A MODEL OF NATIONAL FAME. WHO IS POSING FOR SEV ERAL STATUES FOR THE ST. LOUIS WORLD'S FAIR. MISS ELSIH FERGUSON, A NOTED NEW YORK MODEL. POSED AS A WEALTHY SOCIETY LEADER. (Copyright. 1303, by Allen V. GUlesplel) ID WIN A. ABBEY, the American P I artist who Is painting the cor- onsiioa picture, was unc utea by au almlrer what was the hardest part of his art. "To secure beautiful women as models," was the reply. Like Mr. Abbey, mho voiced the uni versal sentiment among painters, the photographer whose sole business is to supply the ever-increasing demands of illus trated publications and advertisement builders with likenesses of beautiful women, has to search far and wide and long for suitable subjects. The quest after modern Helens leads tha beauty photographers to do strange things. Ono man, after hunting for two months to secure the right sort of beauty for an advertisement for a champagne bouse, hung out cu his showcase a glaring sign, which read: "Beautiful women will be paid lib erally for posing for "photographs." Tho result was, according to the photog rapher, that every woman who passed by read the sign and then bolted upstairs into the studio. For two weeks his place was overrun with women who believed that they were dreams of loveliness and were Indignant and called the photographer a "mean, horrid brute" when he politely intimated that their stylo of beauty was not suited to the work In hand. It was on the morning of the day that the photographer, In despair, bad decided to give up the quest for the golden girl that a petite, sparkling-eyed, chestnut haired, roey-cheeked and vivacious girl of about 17 summers tripped gracefully up to the photographer and lisped in a frightened Bort of way: "Maybe Pd do?" (Continued oa Paso Thirteen.)