Arts The following is a brief list of events this weekend. For more information, call the venue _■ ■ t ■ CONCERTS: Duffy’s Tavern, 1412OSL (402) 474-3543 Sunday: Drive by Honkey with Swearing at Motorists $4 10:30 (alt rock) Duggan’s Pub, 440S. 11th SL (402)477-3513 Friday: FAC with The Heart Murmers $3 (blues) Friday & Saturday: The Rex Band$49p.m. -1 a.m. (rock) Knickerbockers Bar & Grill, 901 OSL (402) 476-6865 Friday: Project Wet with the Fonzerellies 9 p.m. (alt rock) Saturday: The Aaron Zimmer band with Mylow 10:30 p.m. 18+$5 21+$3 (alt rock) Pla-Mor Ballroom, 6600 W.O SL (402) 475-4030 Sunday: Sandy Creek and Cactus Hill 8-12 p.m. (coun try) Dance lessons 7- 8 p.m. $5 All ages show Royal Grove Nite Club, 340 W. ComhuskerHwy. (402) 474 2332 Friday & Saturday: Ceed with Code Zero (rock) The Sheldon Memorial Art Gallery auditorium 12th and R streets (402) 472-2461 Friday: JaquesThibaud String Trio The Zoo Bar, 136 N. 14th St (402)435-8754 Friday: Joanna Connor $6 (blues) Saturday: The Nick Holt Blues Band $5 THEATER: Lied Center for Performing Arts, 301N. 12th St (402) 472 4747 Friday. Aeros Mary Riepma Ross Film Theater, 12th and R streets (402)472-5353 Saturday and Sunday: YiYi 3 and 7 p.m. Students: all shows $4.50 GALLERIES: Doc’s Place, 140 N. 8th St (402) 476-3232 All month: Photographer Jim Reece Noyes Art Gallery, 1198.9th St. (402)475-1061 All month: April Stevenson, Bob Stevenson, Gabrielle Moscu, Mina Zczerbowska and Glenda Deitrich The Sheldon Memorial Art Gallery, 12th and R streets (402)472-2461 All Month: Irving Greines, Gontemporary Prints and Photography and African American Quilts i'. .' ■ ; :: I IJMMatklfeiMWhi “Dog tattwSaod" Former Pixies frontman, recorded live to two tracks. 4.m8ikvr wife laporn Hsm* Neutral Milk Hotel side project Former Pavement frontman’s first solo release. 4.UTipe*FroaiAM(takotMr. Lady” Continuing the “former”theme, this is Kathleen Hanna formerly of Bikni Kill 5“ ^Mm* ruA UM^ r;—lw JHKH i mwf llliw I HUH Self-produced and self-released, ? soft and pretty > HUP AXoatro Matte "SooMSaa fiilrrt if Soop/Mosic" Flaming Lips/Built to Spill/Death Cab for Cutie-esque dreamrock terpieces j 8.Evil Beaver “Uckltf” Lots of dirty rock noise from two dirty rock women Good old-fashioned guitar pop-rock IMMIMmImm "CoNelar Songs" Even more good old-fashioned guitar pop-rock Courtesy Art AEROS consists of fonner gold medal-winning Romanian gymnasts. The group formed in 1998. AEROS introduces a new art form BY BILLY SMUCK__ They performed with Destiny’s Child at the Grammys Wednesday night, and on Sunday, AEROS will be showcasing their gravity-defying acrobatics at the Lied Center for Performing Arts, 12th and R streets. In a show scheduled for 7 p.m., AEROS will feature 20 well-known gold-winning Romanian gymnasts who incorporate their athletic backgrounds into an unusual form of artistic entertainment. Praised as a truly unique show and the first in its genre, AEROS is not dance. Rather it is a form of entertainment that unites these athletes who use strength, equilibrium and harmony to revolutionize the dance scene. The troupe, consisting of 12 women and eight men premiered in the U.S. only a month ago, making their Jan. 11 debut in Los Angeles, kicking off a 60-city and 26-state tour that ends April 16. Originally titled “The Next Step,” the company was created in 1998 by choreogra phers Daniel Ezralow, David Parson and Moses Pendleton, who collaborated with Luke Creswell and Steve McNicholas from STOMP, all of whom have, in the past 20 years, literally thrown away dance conven tions. AEROS performer Cristian Moldovan said he was skeptical when approached with the idea of performing on stage. “The first time I heard about the idea, I wasn’t impressed,” Moldovan said. "I’m used to competing and doing my work. I wasn’t interested in performing on stage.” Along with the other athletes, Moldovan warmed up to the idea after the first few per formances received an overwhelming audi ence response. Moldovan said the reaction was very positive. It didn’t take long before they real ized they were a part of something fresh that was about to take off. "All of the sqdden it became clear that we were pioneers in a unique form of entertain ment,” Moldovan said. “This was the only show of its kind.” Moldovan said the transition was diffi cult for the athletes because they were accustomed to performing one to two minute routines, as opposed to an hour “All of the sudden it became ' clear that we were pioneers in a unique form of entertainment. This was the only show of its kind.” Cristian Moldovan AEROS performer and-a-half stage performance with one 15 minute intermission. Since the show is much longer than com petition, more stamina and a longer span of effort is required, Moldovan said. It also was different because they were performing in front of an audience and not a judge, Moldovan said, requiring the athletes to adjust to a different relationship with audience members. “We not only perform to show the audi ence what we can do,” Moldovan said, “but we also want them to know what we feel on stage.” Folk singer focuses on real issues ■ Dave Moore adds a touch of reality to the songs he writes and will perform tonight. BY CRYSTAL K.WIEBE Another lesser-known musician is coming to Lincoln. Folk singer Dave Moore will perform a house concert at 857 N. 42nd St. at 7:30 tonight for the Lincoln Association for Traditional Arts. Limited seating is available by calling 466-4775. The Iowa-born Moore’s musical interest began at age 21, when his mother jokingly gave him a harmonica for Christmas. Now the musician’s reper toire also includes the guitar and accordion. A 1985 government grant allowed Moore to hone those accordion skills under legend FredZimmerle. Moore became his own songwriter.in 1986 and has since released three albums on Iowa’s Red House Records. Still, Moore has received lit tle acclaim outside of the folk world. He was a regular on Garrison Keillor’s "Prairie Home Companion” National Public Radio program, where he often performed with fellow folk musician Greg Brown. LAFTA board member Patty Hogue said like a lot of folk musicians, Moore’s sound was hard to define. Hogue said she liked Moore’s music, though, because of its variety. Please see LAFTA on 9 -—rs Courtesy Art The Jacques Thibaud Trio will perform the at the Sheldon Memorial Art Gallery on Friday. ✓ String trio brings unique sound ■The group performs songs not usually heard in concert at the Sheldon Gallery tonight. BY MAUREEN GALLAGHER Names can certainly be deceiving, and the Jacques Thibaud String Trio is a case in point. Despite the French name, the trio is actually from Berlin and will be performing at the Sheldon Memorial Art Gallery auditorium tonight at 8 p.m. The trio, brought to town by the Lincoln Friends of Chamber Music, will be performing three pieces tonight, including Arnold Schoenberg’s String Trio, Opus 45. Joe Kraus, president of the Lincoln Friends of Chamber Music, said that the Schoenberg Trio was a rare treat. “This is a piece that is not typically heard in concert,” Kraus said. Schoenberg used the 12 tone technique in this trio, a way of composing in which there is no pitch center and all the notes are equalized in importance, Kraus said. This technique creates a tense sound in the music. String Trio, Opus 45 was written after Schoenberg suf fered a near-fatal heart attack in 1946, and this piece depicts the onset of his illness, his heart attack and his miraculous recovery. In addition, the trio will per form pieces by Beethoven and Mozart. Tickets are $25 for adults and $5 for students. UNL pro fessor Clark Potter will present a lecture about the concert at 7:30 p.m. in the auditorium. The Jacques Thibaud String Trio is made.up of Burkhard Maiss on the violin, Philip Douvier on the viola and Uwe Hirth-Schmidt on the cello. The trio, which formed at the Berlin School of Art in 1994, takes its name from French vio linist Jacques Thibaud. Thibaud, born in 1880, devoted himself to chamber music and died in a plane crash at the age of 73. In contrast to the serious nature of their name, the trio revealed their humorous side in Please see TRIO on 9 Montes' writing revisited ■The professor has found that characters in her stories return in herfurther work. BY SEAN MCCARTHY When Amelia Maria de la Luz Montes writes about a character, don’t expect that person to go away. Instead, expect the charac ter to loom around in the cor ner and pop up in another story. To Montes, a University of Nebraska-Lincoln profes sor, her characters are like spirits. “They come over and tap my shoulder,” Montes said. One particular character already has been featured in iwu licuon anthologies: “Hers3” and “Circa 2000: Lesbian Fiction at the Millennium,” both pub lished by Alyson Books. lhey can be monies found in the UNL authors section of the University Bookstore. The latest anthology, “Circa 2000,” features the short story "R is for Ricura.” The story is about Ricura, a confident 16-year-old, and her mother as well as an intriguing neighbor named Pepita. Montes said she felt close to the character. “She’s in the world partak ing of a banquet of pleasurable sensations,” Montes said, “but she is also coming to under stand her own pleasures.” This is Montes’ second semester at UNL. She teaches both Introduction to Late American Literature and American Novels Since Dreiser. Before coming to UNL, Montes earned her bachelor’s degree in Spanish and English at Loyola University in California and earned her master's in English and Ph.D. in American litera ture at the University of Denver. Stephen Hilliard, acting chair of the English depart ment, said Montes brought a great deal of experience in Chicano literature to the department. "She’s a most welcome addition to our department,” he said. Montes grew up in Los Angeles. Her family emigrated to California from Mexico. She learned the language and the culture of Mexico in her household while she went to American schools. Each day was an exercise in living a dual culture, Montes said. “When I look back on my childhood, it was like leaving Mexico and walking into the United States,” she said. Initially, the character Ricura was part of Montes’ master’s thesis. While she was developing the short story for her degree, she kept tinkering with the story after she received her master’s degree. She later sent Ricura’s story to Terry Wolverton, one of the editors of the “Hers3” antholo gy "Circa 2000” and “Hers3” both feature lesbian fiction by lesbian, bisexual and straight authors. While Montes said she professed a love/hate rela tionship with anthology series, she felt proud to be in both. “They serve as important voices to be seen and heard,” she said. When it comes to drawing inspiration, Montes said she relied on reading other short stories or poems for inspira tion. Short story writer Beth Nugent and authors Carlos Fuentes and Pablo Neruda are some of Montes’ favorite writ ers. To combat writer’s block, she faced the task like a bas ketball player would. "You may not want to play basketball that day," Montes said, “But you put on your jer sey, you start exercising and start bouncing the ball.”