Arts The fallowing is a brief list of events this weekend. For more information, call die venue. CONCERTS: Duffy’s Tavern, 1412 OSL 474- 3543 Sunday: Teriykis, Sound of Rails and The Lepers Dugganls Pub, 440S.11th Sl 477-3513 Friday: Lil’ Slim Back Alley Blues Band Saturday: Boss Philly Knickerbocker's, 901 OSL 476- 6865 Friday: The Davenports and Cool Riddum Saturday: The Mediums, The WT and Project Wet Pla-Mor Ballroom, 6600 W. O St 475- 4030 Sunday: Blackwater and Sandy Creek Royal Grove, 340 W. ComhuskerHwy. 474-2332 Friday: Jessie James Dupree Saturday: The Darlings WCs Downtown,1228PSL 477- 4006 Friday: Citrus The Zoo Bar, 136 N. 14th Sl (402)435-8754 Friday and Saturday: Lil’ Ed and die Hues Imperials THEATER: Studio Theatre, Temple Building, 12th and R streets 472-2073 All weekend: “Bad Giris” Mary Riepma Ross Film Theater, 12™ and R streets 472-5353 All weekend: Chuck and Buck The Star City Dinner Theatre and Comedy Cabaret, 803QSL 477-8277 Friday and Saturday: “ Kevin Cutaoka” GALLERIES: DodsPlace, 140 N. Eigjith SL 476-3232 All weekend: Kameron Becwar Haydon Gallery, 335 N. 8th SL475-5421 All weekend: Dave Stewart Noyes Gallery, 119 S Ninth Sl 475-1061 All weekend: Gretchen Meyers, Kaori Schimzu, Tom Bold, Chris and Pat Donlan The Sheldon Memorial Art Gallery 12th and R streets 472-2461 All weekend: Prints of Robert Mangold, “The Jam Portfolio” by S.C. Wilson and Jon Gierlich; Conrad Bakker IB^oIkrnu) f.ftow(Mtr *SBCM9lUMliC0MMr Recorded Including its rare singles from the past two years The poems to come ere for you and for me and are not for mostpeopte - it's no use trying to pretend that mostpeopte and ourselves are sMce. Mostpeopte have test in common with oureeiwastftantfte ■quern rootofminusone. You and i are human bainga; mostpeopte are snobs. Take the matter of being bom. What does being born mean to mostpeopte? Catastrophe unmitigated. Soctakevototion. The cultured aristocrat yanked out of his hyperexclusively ultravoluptuous superalazzo. and dumped in to an incredibly vulgar dstonfloncamp swarming with every conceivable species of undesirable organism. Mostpeopte fancy a guaranteed birthproof safetysuit of nondeatructible selflessness, tf mosfoeopto were to be bom twice they’d improbably call it dying - you and I are not snobs. We can newer be bom enough. We ate human beings; for whom birth is a supremely welcome mystery the mystery of growing: the mystwy which happens only and whenever we are faithful to ourselves. Ybu and I wear the dangerous looseness of doom and find it becoming, life, for stomal us, is now; and now is much too busy being a SOte more than everything to seem anything, catastrophic inciuded Life, for mosfoeopto. simply isn't lakstoesocaAedstandardottring. What do mosfoeopto mean by 'firing'? They don't mean firing. They maan tha latest and closest pfurai approximation to angular prenaiai passivity wntcn science, in is finite but unbounded wisdom, has succeeded in aeAng tieir wives, if science could fafi, a mountain’s a mammal. klosfipeople's wives can spot a genuine delusion of embryonic omnipotence immediately and wfil accept no substitutes. - Lucfcfly tor us. a mountain is a mammal. The ptusorndnus movie to end moving, the strictly scientific pariourgame of real unreality, the tyranny conceived in misconception and decficated to the proposition •tat every man is a woman and any woman a king, hasn’t a wheel to stand on. What their most synthetic not to mention transparent majesty, mrsandmr collective foetus, would improbably cal a ghost is walking. H isn’t an undream anaesthetized impetsone, c actor interprets cummings' poems In the 1940s, 50s and 60s, the poetry of-e.e. cummings broke the shell of conventional poetry and gave young writers something to aspire for and inspiration for poetic rebellion.That independent, refreshing view of poetry has led Emmy Award-winning stage and screen actor Anthony Zerbe to create a dramatic presentation of cummings’ poems. The presentation, “It’s All Done With Mirrors... an avalanche of e.e. cummings,” will be performed at 2 and 7 p.m., Sunday, at the Johnny Carson Theater, 11th and Q streets. After the first per formance, UNL stu dents are encouraged to share their poetry at the “Student Poets’ Cafe,” which will be held in the Lied Center for Performing Arts’ Steinhart Room. It's been two years since Zerbe last per formed in Lincoln with Roscoe Lee Browne, as the two-man cast per formed “Behind Broken Words” at Kimball Recital Hall. This time, he’s doing a solo, national ly acclaimed perform ance that molds dif ferent types of acting, said Ann Patrice Carrigan, Zerbe's agent “The perform ance is an uncom mon mix of theater and salon,” Carrigan said. “The heart of the show is this 1 charismatic actor performing poetry and prose on stage." UNL English Professor Greg Kuzma said cummings’ writing provides special inspira tion. While studying at Syracuse University in the 1960s, Kuzma came to love cummings’ daring and bold poems. He said he was curious just how the poems would be interpreted on stage. “(cummings) used a lot of speaking and dia logue in his poems, which could be captured or cho reographed on stage,” Kuzma said. “His poems are so exciting and ener getic that you can’t make them worse no matter how you interpret them.” Zerbe’s “inex haustible energy” should fit the poems well, Carrigan said. The pro duction, which features cummings’ poems about Paris, New York, the moon, spring and first loves, was Zerbe's cre ation. He breaks tradition because he doesn’t play a particular role. The audience should be able to get into the per formance because Zerbe has requested being as close to the crowd as pos sible, said Charles Bethea, executive direc tor for the lied. “Zerbe will be speak ing directly to the audi ence and wants to be as close as he can to them,” Bethea said. Zerbe will remain in Lincoln for a week after his perform ance for a residency called “Off The Page,” in which he’ll work with 12 selected UNL students on an indi vidual basis. Each will select a written piece, and Zerbe, who has appeared in movies, TV shows and on-stage theater, will help them interpret it "He really wants to engage with students and work with them in inter preting the written word,” Bethea said. The fact Zerbe is plac ing such an emphasis on the students is an hom age of sorts to cummings, Kuzma said. “He was a freak in a way,” Kuzma said. “He was very open about sex ual things and presented his work in a very stylized way that made young people gravitate to his work, while teachers were turned off by it” In an ‘ age ..?■ n&aty gewtaezhae'. 9. «s»5fr»4 r t r ' d&rAte 09 4Hfer64fr sftsfST osr&’-tsiees&9 V 4V>//&OSs>» .■e&pmt> on? where poetry was deemed scholarly and academic, cummings broke the rules by making it enjoyable and free, Kuzma said. His poems were writ ten predominantly with lower case letters with the usually short words arranged haphazardly on the page. “A lot of professors thought that poetry shouldn't be that enjoy able, but it should be crit ical and studied,” Kuzma said. “It was too playful, too easy to like. Academics thought cum mings was too much like TWinkies or bubble gum, sweet but not nourish • _ w mg. Nonetheless, cum mings’ impact can’t be ignored. “I read him so early that it might have had a big influence on me,” Kuzma said. “His work was like twisted nursery rhymes, and I think I absorbed it like Mother Goose stuff.” * yf&gKGi&:2a*X'.AwS&fj&xi *•? >CT j&teatMt-. -s&K&mr y~ cosmic comfortsUrtion. or a transcend mentaflysterfaed lookiesoundie f a a I I a &. tastiesmeflie.He is a healthily complex, a naturefly homogeneous. citizen of immortality. The now of his each paying tree imperfect gesture, his any birth of breathing, insults perfected inframortafly mMermiums of slavishness. Ha « ^ a Ms mors than everything, ha is democracy; ha is aflve: he is oursetves.Miracies are to come. Wflh you I leave e remembranoe of miracles: they ere by somabody : ^ ttim^ttaand^a^^nllnuMy saro to aioee near firm, when ms angers wrouu not how a brush Tt expo nty handr*, ^ ? nothing provkflng or sk* or partial. Nothing Mss, nothing dMoulgf easy <>r smal or colossal. Nothing onflnary or extraordinary, rafting amp»ad.pi-fl|fldL.iMi,«M»Mflfe-,.^^s>^^te^ rafting faabla and known or dumay and gussssd. Everywhere flnls chBdraning, ianpoaotv^g^g spontaneous, bus. Nowhere possfcly what flesh endimposslWy suche garden, but actually flowers which breasts jbm®**® are among the very moufts of -dtart*** , “fl«- Nothing befleved or '‘***f,*!* doubttd; brain over heart rv; surfaoe: nowhere haflng or to fear; only each ofter bufcflng stays (flMnct eetveeofmutuNenflMy opening: only alive. Never the murdered finalities of whnrniarhnnand ^ yeeno, impotent ^ wrongright end rtghtwipng; never tg^^y . gain or pause, never the soft , ^ adventure of undoom, gready anguishes aad^^-^’-t:*- cringing sctfafies of • insxtstsnce; raver^w.* ■ -aw- to rest end never ta > Always the hedutffuf moretieeutrfufquesran. 51ny fry Dane Stickney and Silly Smuck Ait fry Melanie Falk 8fM TfWtrmvf* fry e.e. cummings Troupe brings humor to tense political times BY DANE STICKNEY While many politicians are electioneering across the country, a group of former congressional staff members are coming to Lincoln for a different reason. Capitol Steps, a troupe of 22 cast members, will provide a break from the election madness with its political satire. The show will be tonight at 7:30 at the lied Center for Performing Arts. Using one-liners, skits and songs, the former Congressional staff members poke fun at their former employers. Capitol Steps members put their partisanship aside, parodying Democrats such as President Clinton in “Livin’ Libido Loca” and Republicans such as George W. Bush in “Son of a Bush.” In an interview with the Los Angeles Times, Capitol Steps pro ducer and co-founder Elaina Newport said the goal of the troupe is to fairly parody an issue. “We try to present both sides of every issue, sometimes within one song. Mostly, we want to get everyone together and have a good time.” The troupe began in 1981 when three employees for Sen. Charles Percy were planning entertainment for a Christmas party. It created song parodies and skits based on political headlines of the day, won over its audience and launched a nationwide pro duction. Charles Bethea, executive director for the Lied, said theater fans are lucky to see the “hilarious” group so close to election time. But he said that timeliness is no coincidence. Tonight's show has been planned for more than two years. “It will be fun because this is the best time to see them,” he said. "Their act is very timely and updated frequently. I really can’t imagine what they’re going to par ody." Bethea has seen Capitol Steps perform and said he was amused and impressed. “They're really talented and extremely funny," he said. Capitol Steps is surprisingly intellectual for a comedy troupe, Bethea said. “They’re there to entertain people first, but they are also edu cational,” he said. “They have a different way of viewing and reviewing the political j process, and they bring up ,,\ M interesting ques tions.” With this year’s presi dential elec tion taking on such a serious / tone, Capitol Steps’ refresh ing view on ' politics is wel comed, Bethea said. “We all think that politicians take themselves too seri ously,” he said. “This performance is a good way to show it’s not the end of the world if a certain candidate wins or loses. It can be laughed at" Because of the show’s timeli ness, close to Ttiesday’s election and on Homecoming weekend the night before a Husker football game, Bethea said the show is dose to sold out But those who do get in the theater are in for a treat, Bethea said “This is one of the funniest shows on the road right now,” Bethea said. “It should be a great time.” (t Scott Eastman/DN