Arts Williams's new CD will be short-lived BY ANDREW SHAW As Chumbawumba once put it, "We’ll be singing when we’re winning.” Robbie Williams is taking those words to heart. Williams realized bis success with last year's release of “The Ego Has Landed” and the pressure that comes with a follow-up album. He seems to be taking it all in stride with “Sing When You're Winning,” his second major,U.S. album, which was released Tuesday. Williams made a timely move in 1999 with the release of his hit single “Millennium” at the height of the New Year’s hysteria. The British pop star appealed to his older, sappier audience with the single “Angels,” an Elton John like ballad. After gaining a diverse following, Williams seems to have thinned out his latest album, providing one or two songs for each section of his listening base. The overall sound of “Sing When You're Winning” displays the talents of Guy Chambers and Steve Power, the album’s two producers, more than Williams’s own talents. The synthesized instruments, string ensembles and elec tronic beats overshadow Williams’s con tributions, but this problem is nothing new in pop music. The light-hearted energy ofWilliams is captured in the album's first single, “Rock DJ,” though the album doesn’t include the silliness factor that the pun filled “The Ego Has Landed" does. In “Rock DJ,’’Williams makes a feeble attempt at white British rap, which ends up sounding more like the British ver sion of “Patty Cake.” But the song has such a careless groove that the poor per formance in the verses is forgotten by the end of the song. To see the true colors of Williams, one must see this single’s video. He was created to perform with his entire body, not just his voice, and the music video shows him doing just that. As Williams is surrounded by beauti ful women, he feels compelled to strip. But after his clothes are completely absent, he proceeds stripping, starting with his skin, then ripping off his mus cles until all that is left is a happy dancing skeleton. This is how Williams must feel after the success of “The Ego HaS Landed” - everyone wanting to hear more and expecting more - and he is willing to rec ognize the pressure publicly and pass it off in a joking manner. The most enjoyable song on this lukewarm album gains praise for its nov elty. “Supreme” has a string loop, which at first sounds strangely familiar but later sounds deliberately so. The basic chord progression is a mirror of “J Will Survive,” the disco hit by Gloria Gaynor. The lyrics play with the structure, placing words that rhyme with “survive” where the word would appear in the original song. Finally the song succumbs to its shoplifted base with an instrumental solo exactly like the original. It’s this kind of musical playfulness that makes "SingWhen You’re Winning” worth listening to once or twice, but the songs lack any staying power, just like Williams’s previous work. i Schedule change lets Lied patrons out early ■ Now that 8 o'clock shows start at 7:30, theatergoers can get their 40 winks at home instead of falling asleep at the show. BY MAUREEN GALLAGHER The Lied Center for Performing Arts hopes to have found a solution to the prob lem of eyelids drooping during long per formances. The curtain time for Lied performances this season will be a half-hour earlier than in the past. Performances will start at 7:30 p.m. instead of 8 p.m., but Sunday shows will pre serve their 7 p.m. curtain time. Charles Bethea, the Lied’s executive director, said earlier starting times are a trend in the theater business. “Most of the organizations in the com munity are moving toward earlier start times," Bethea said. “We were one of the last organizations to start performances at 8.” Bethea said the earlier starting time will result in shows ending earlier, which will benefit most patrons. “Sometimes our events run late in the evening, lasting for more than two and a half hours,” he said. “It makes quite a late night, especially during the week." The Lied began considering the change from the traditional curtain time last year, Bethea said. “We polled our advisory board and sev eral support groups and got a positive response,” Bethea said. Bethea said the move will especially benefit families with small children, stu dents with early classes and patrons from out of town. Carolyn Taylor, a Lied patron from Friend, a small town west of Lincoln, said the earlier curtain time makes the 40 minute commute easier to bear. ‘Tve gone to many years of performanc es at the Lied Center and, being from out of town, this is really nice,” Taylor said. The new curtain time should also bene fit students who patronize the Lied. Maggie Blomgren, a sophomore architecture major who tries to attend several Lied perform ances each year, said the change would help ease her busy schedule. “It will be much easier to attend per formances during the week, especially when you have an early class or a lot of homework,” Blomgren said. So far this season, three performances have begun at the earlier start time, and Bethea said there have been no complaints. “The majority of people are probably glad to get home a few minutes earlier,” he said. Outlet Editors try to get the word out to more students BY MELANIE MENSCH Put those college essays, poems, short stories and other various scribblings to work after class is over this semester. "Lauras,” the University of Nebraska- Lincoln English depart ment's literary magazine, gives undergraduate students a chance to publish their writings or art work. Available each fall semester, “Laurus” has served as a creative, public outlet for more than 25 years. “Laurus” used to publish the works of only graduate students until English Professor Greg Kuzma took over in 1994. Since, the creativity of under graduates has filled the literary magazine's pages. This year, 30 student writers contributed to the 168-page edi tion. Readers can buy the maga zine for $5 at Barnes & Noble, die Nebraska Bookstore, the University Bookstore and A Novel Idea, 118 N. 14th St “Laurus” tends to contain the written words of just English majors, but the editors for next year’s edition hope to broaden its authorship to include students from other departments. Sean Murray, a senior English major and “Laurus" editor for next year, said many students outside of Andrews Hall have never heard about “Laurus.” “Its nature as an artistic jour nal floats below the radar screen of many students,” Murray said. “The dilemma is that not enough people know about the ‘Laurus.’ We want it to be a broad inclusive of all colleges, not just the arts and sciences college.” To entice more students from other departments to submit writ ings, next year’s six editors will ask professors to encourage students to submit exceptionally written class assignments. “Students don’t seem to want to do a lot of writing outside of class, and that’s understandable,’’ Murray said. "This way, if students hand in the best student assign ments, it goes somewhere other than the professor.” This year’s edition relies heavi ly on poetry, Murray said, because many of the contributors came from Kuzma’s poetry classes. Next year, the new editors want to include more than just poetry. Other writings, such as political essays, short fiction sto ries and chunks of novels can fill next year’s edition. Joe Fraas, also a senior English major and a new "Laurus” editor, said he also hoped the writing selection of "Laurus” would expand beyond poetry. "We want to get die word out on what kind of writing goes on here at the university/' Fraas said. “If it’s well-written, powerful, entertaining, original, submit it If you’ve written something (for class), the work is already done. Just submit it” Students can submit entries for next year’s edition in Room 123 of Andrews Hall. The new editors are planning a Web site so stu dents can e-mail their works to “Laurus.” M Murray said the editors are taking an aggressive approach \ through radio, posters and adver tisements to promote “Laurus” submissions and readership. “We want to up circulation and publicity, maybe through mass media,” Murray said. “You’ve got to shout a little to be heard.” 4