Sanchez to spice up Lied with Latin, mamba music By Josh Krauter Staff writer This weekend, a hot Latin hybrid of sounds that has pleased audience^ in locales as varied as Arkansas and Thailand will take the Lied Center stage. Poncho Sanchez and his Latin Jazz Band will perform a percussion-heavy blend of Latin jazz, be-bop and soul music, complete with cover songs and originals Saturday night. And though Sanchez and his band have played all over the world, this marks their first visit to Nebraska. “It’s the only state we haven’t played in,” Sanchez said, though a few seconds later, he said his group might not have played in North Dakota and Wyoming, either. Sanchez said he has played so many shows that he can’t remember. One gig fresh in his mind, however, was in Thailand. Sanchez and two of his band members were invited to jam with the king ofThailand last week. The king plays saxophone and trumpet and want ed to play with Sanchez. Another big show was this year’s Grammy Awards. Sanqhez picked a best Latin Jazz Performance Grammy for his album, “Latin Soul,” and per formed on the television broadcast with the Buena Vista Social Club. He previously had been nominated as a solo artist three times, and had won twice as a member of other musicians’ groups, once in 1980 as a member of Cal Tjader’s band and the other in 1982 as a member of Claire Fisher’s band. In addition to the Grammy Award honors, Sanchez and his band have released 19 albums and will celebrate their 20th anniversary in May. “There are three original members still, and most have been in the band for at least 10 years, so it’s a pretty good gig,” he said in a telephone interview. Sanchez’ varied sound came together early. He was bom in Laredo, Texas, but moved to Norwalk, Calif., a suburb of Los Angeles, as a young Courtesy photo Pancho Sanchez and his Latin Jazz Band will perform their brand of be-bop soul music at the Lied this weekend. The band knows more than 200 songs, and Sanchez said they never play the same set list twice. child. The youngest of 11 children, Sanchez was inspired by the music his six sisters and four brothers played around the house. “My sisters started liking the first wave of Latin jazz and mambo,” he said. “Every day I heard it around the house.” His mother and father, originally from Mexico, played Tex-Mex polka records, but it was the Latin jazz music favored by his sisters, and the jazz records of Dizzy Gillespie and Charlie Parker, played by his brothers, that real ly inspired him. In the ’60s, while Sanchez’ friends were rocking out to die Beades and Jimi Hendrix, Sanchez was grooving to the soul sounds of Sam and Dave, the Temptations and James Brown, in addi tion to his jazz influences. Sanchez, a conga player and vocal ist, said all these sounds have a good chance of coming out at the Lied show. “I’m going to mix it up a little bit with jazz standards, a few ballads, and ^ancho bancez .atin Jazz Band WHERE: Lied Center for Performing Arts, 12th and R streets WHEN: Saturday, March 8 Pre-performance talks begin 55 and 30 minutes before the show. COST: $32, $28 and $24, half price for students THE SKINNY: Latin jazz, mamba and blues swing on the Lied Center stage. I’ll spice it up with a little hot salsa. We might even play some funky stuff if the mood strikes us,” he said. Sanchez said his band has a reper toire of more than 200 songs, and he never plays the same set list twice. “With 200 tunes, you’d be a fool to play the exact same songs every night,” he said. Tonight the Nebraska Repertory Theatre and the University of Nebraska-Lincoln Theater depart ment are set to premiere a story that hits very close to home. “Match Play,” the Nebraska Premieres production for the 2000 season, is a three-character play cen tering on a busy newspaper with a budding love story underlying the rigmarole of the journalism business. The play’s author, William McCleery, graduated from UNL in 1931 and actually spent time as editor of the Daily Nebraskan and as a reporter at the Omaha World-Herald. “Match Play,” which features Sasha Dobson, Kristopher Kling and Joel Story, a local Equity actor, cen ters on a family newspaper in dire need of financial backing to avoid being taken over by an corporate newspaper. The production, which is being put on in the Studio Theatre at UNL’s Temple building, is directed by visit ing professor Ken McCulough and opens tonight. Other performances include Saturday and March 21-25, and all shows start at 7:30 p.m. Thefollowing is a brief list of events this weekend. For more information, call the venue. CONCERTS: Duggan s Pub, 440 S. 11th St. (402)477-3513 Friday and Saturday: The Gratefiil Dudes Knickerbocker's. 901 OSt. (40*2) 476-6865 Friday: Project Wet, Heroic Dose Saturday: Bastard Son, Oil Seventh Street Loft, 512 S. Seventh St. (402)477-8311 Saturday: Bach’s “The Musical Offering” - ' •. Lied Center for Performing Arts, 310 N. 12th St. (402) 472-4747 Saturday: Poncho Sanchez/Latin Jazz Band Royal Grove, 340 W. Comhusker Highway (402) 474-2332 Friday: Nine Live Cats Saturday: 2 Live Crew The Zoo Bar, 136 N. 14th St. (402) 435-8754 Friday: James Solbeig Saturday: Curtis Salgado THEATER: Mary Riepma Ross Film Theater, 12th and R streets (402) 472-2461 All weekend: “Tumbleweeds” Star City Dinner Theatre, Eighth and Q streets (402) 477-8277 All weekend: “Driving Miss Daisy” Studio Theatre, Third floor of the Temple Building, 12th and R streets (402) 472-20736 Friday and Saturday: “Match Play” GALLERIES: Burkholder Project, 719 P St. (402) 477-3305 All weekend: John Nollendorfs, Avery Woods, Richard Terrell Haydon Gallery, 335 N. Eighth St. (402) 475-5421 All weekend: Nancy Palmeri Noyes Gallery, 119 S. Ninth St. (402) 475-1061 All weekend: Nebraska Mothers Association Annual Creative Arts Exhibition, Tony Guido, Jeanette Nakada Rotunda Gallery, Nebraska Union, 14th and R streets (402) 472-2631 All weekend: Undergraduate Studio Art Survey Exhibition The Sheldon Memorial Art Gallery, 12th and R streets (402) 472-2461 All weekend: MFA Portfolio: “Past and Present,” “Visions of the Prairie” The Venue, 1247 S. 11th St. (402)475-8368 All weekend: “Taste of Kansas City:” Barb Wishnow Jacobs, Jane Booth, Tera Dawley Balloon dance, musical dominate Lied Center ■ Campus cultural events opening during spring break vacation. By Josh Nkhols Staff writer Gigantic inflatable balloons and an American musical masterpiece don’t seem to have anything in com mon - and they don’t. Except for the fact that both will grace the stage next week at the Lied Center for Performing Arts. If you couldn’t swing the cash for that exotic spring break vacation, the Lied may have some alternative enter tainment to soothe that stuck-in Nebraska spring break depression. Next Tuesday and Wednesday, the Fred Garbo Inflatable Theater Company will do a show at 7 each night. The show is a theatrical perfor mance consisting of objects similar to what UNL students have come to love in the UNL inflatable mascot Li’F Red. Characters in the performance, played by Fred Garbo and partner Daielma Santos, include a gigantic dog named “Puff, the Air-dale” and “Fred Zeplin, The Inflatable Man.” Incorporated in with these tunny, fascinating objects is juggling, danc ing, tumbling and humor. In a telephone interview, Garbo said the performance is a difficult one to describe and that one must actually see it to understand the artistic beauty and humor involved. “It’s not like anything you’ve ever seen,” he said. According to the Fred Garbo Web site, the show begins when a 10-foot cylindrical, worm-like object slithers onto the stage. Before long, the blown-up shapes on stage begin to expand, retract, shake and bounce all over in an array of bright colors. After a while, Santos, a ballerina, dances onto stage. The skirt she is wearing begins to grow and grow until it has become a gown. She is then engulfed and car ried away by one of the gigantic bal loons. Garbo described the performance as one that keeps the audience con stantly amused and a little confused. “The audience is constantly sur prised by the illusions on stage,” he said. “It is magical, but not a magic show.” ■ • •• Garbo, who was Barkley the Dog on Sesame Street in the ’80s, has been inventing inflatables and traveling with Santos for the past ten years. Santos has performed throughout the United States and Europe as both a performer and a choreographer. The show is being promoted as part of the Lied Center’s family series, but Garbo said their show usually is done for adults and by no means is directed at children, although it is a show that children are sure to enjoy. “It works for everyone,” Garbo said. Later in the week, after the bal loons have floated, the classic musical “Show Boat” will be performed all weekend at the Lied. The musical, which premiered on Broadway in 1927, is based on the Hawkes family and spans four decades. It begins shortly after the recon struction in the deep South and goes into the 1920s. Matt Morrison, who plays Steve Baker, an actor on the showboat, said it is a story about two people who meet and marry on a showboat. The two people are Magnolia Hawkes, the daughter of a riverboat owner, and Gaylord Ravenal, a gam bler and actor. The musical spans forty years of the life they share, but the two eventu ally split up because Gaylord loses all of their money gambling. This play was originally created to deal with the issue of unhappy mar riage and racial prejudice. Morrison said his character is an actor on the showboat for a short time but is kicked off because of his mar riage to a half-black, half-white woman. He said his character’s situation was characteristic of the times, when black people were free by law but still dealt with constant prejudice and seg regation. Morrison also said the script for this tour has been reworked and tight ened somewhat from the original Broadway performance. But what hasn’t changed, is the classic music that includes such songs as “OF Man River,” “Can’t Help Lovin’ Dat Man” and “Only Make Believe.” The music in the performance was composed by Oscar Hammerstein II and Jerome Kern, two of the most successful composers of the 20th century. Talks will be held in the Lied’s Steinhart Room at 55 and 30 minutes before curtain call. 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