2000 SUMMER SESSIONS SPRINT INTO SUMMER! Pre-Session May 15-June 2 * 8-Week Session May 15-July 7 , First 5-Week Session June 5-July 7 Second 5-Week Session July 10-August 10 Need a course to graduate? Want to get ahead? REGISTRATION BEGINS MARCH 6, 2000 Summer Sessions Bulletins available at 107 Canfield Administration Building Class schedule and daily updates online at: ELECT Jason Wiggins CBA SENATE Platform ^ Publish Teacher /Course Evaluations J Cut the “Red Tape” in the Advising Office JExtend Coe Lab and CBA Facility Hours Most of all, I just want to keep it real. ASUN Student Goevemment Elections March 1,2000. Pumpkins resurrect rock By Josh Krauter Staff writer It’Otot easy to be a Smashing Pumpkins fan. In the early 1990s, the four-piece Chicago band released two soaring rock epics (“Gish” and “Siamese Dream”) that proved there were still new possibilities for guitar-based, noisy rock. Then things got rough. The Pumpkins put out a double album with an incredibly stupid name, “Mellon Collie and the Infinite Sadness,” that sounded half-finished. It contained some good ideas and a handful of great songs, but was large ly a collection of weak, under-devel oped tunes marred by muddy produc tion. Shortly after this disappointing, but financially successful album, singer-guitarist Billy Corgan started making grandiose, pretentious state ments in the press proclaiming the death of rock. He also shaved his head and became the owner of the sil liest chrome dome in music, which resembled either an albino bowling ball or a dimwitted Nosferatu, depending on the lighting. The band fired drummer Jimmy Chamberlin shortly thereafter for his role in the heroin-related death of touring keyboardist Jonathan Melvoin. It was tragic, but utterly too predictable. The heroin-in-rock story is one that has been told too many times. What made this tragedy even worse was Chamberlin’s skill as a drummer. He was an integral part of the band’s sound, and his rolls, fills, crashes and booms supplied much of the music’s charm. The Pumpkins’ post-Chamberlin album, “Adore,” was a subtle, melan choly collection of pop songs that sounded boring and slight the first several listens, but accomplished the near-impossible feat of growing bet ter with time. Still, it was missing something, and it looked like the band was never going to get it back. When the first track off “MACHINA/The Machines of God,” ^ The Smashing •^Pumpkins TITLE: Machina/The Machines of God LABEL: Virgin Records GRADE: B FIVE WORDS: The old sound’s almost back. the Pumpkins’ new album, kicks in, it’s obvious that Corgan and Co. have been rejuvenated, thanks to its old drummer. Chamberlin wrested him self from the smack and is back in the fold, giving the band a bigger, meati er sound that has been missing of late. The first track, “The Everlasting Gaze,” is a fuzzed-out, drum-heavy scorcher of a rock song that sounds like the natural follow-up to “Siamese Dream.” The second song, “Raindrops + Sunshowers,” is a suc cessful synthesis of’70s classic rock, ’80s new wave and early-’90s alter native rock that the band has been fudging with for a few years now, but this time it works completely. These two songs are the album’s best, and the rest of “MACHINA” is lesser. But Chamberlin’s powerful drumming and the strongest singing and playing from Corgan siijce “Siamese Dream” keeps the album from saffffine. The record is definitely not with out its problems, though. The band has drifted too far out to sea since “Siamese Dream” to ever completely return, and Corgan still has a fond ness for electronic noises and pro grammed drums that he really needs to shake, though he fortunately keeps it to a minimum. The band is at its best playing loud guitar rock, but Corgan still wants to be The Prodigy sometimes. A few tracks have processed drum sounds that nearly overpower the song, which is incomprehensible and foolish, considering the Pumpkins have one of the best drum mers in rock. The Pumpkins also seem to share the same misguided belief as the committee that picks the Academy Award nominations, namely, that length equals depth. “MACHINA’s” 70-minutes-plus running time could have been trimmed to less than an hour without damaging the better songs or album continuity. And Corgan is still pretentious and full of ego, in love with the arti fice of rock maybe even more than the sound. This is evident in the silly album title, some faux-meaningful lyrics and a telling moment on “Heavy Metal Machine” in which Corgan sings the words “rock and roll.” When Corgan wraps his strangely feline voice around the phrase, it sounds hollow. It’s rock and roll as performed by Las Vegas Elvis, not Sun Studios Elvis. But that s OK. Corgan has always made it clear he wants to be a big rock star, and he is one. While the rest of his friends were at Black Flag con certs, searching for sellouts to berate, he was in front of his mirror, playing air guitar to a Boston album, imagin ing a stadium full of teen-agers hang ing on his every word. “MACHINA” is a big rock album, louder and beefier than the two albums preceding it. Corgan and Chamberlin are rumored to have played nearly every instrument, leav ing bassist D’Arey (who has since left the group) and guitarist James Iha only a few parts to play, and the two work well together. It’s not a classic by any means, but it’s a nice surprise. Not bad for an egomaniac, a drug casualty and a couple of non-entities. The a-team Voters' Guide THE A-lEilM All other parties On the aboli tion of credit-card solicitation on campus. The A-Team is the only party that supports abolishing credit-card solicitation on cam pus. No position. On the use ofpicto graphic symbols to communi cate with aliens. tiri •□❖m. e &lon(We love you alien brothers and sisters!) Win Mi er£L* (And we enthusiastically surrender to your army of cannibalistic androids.) Are unable to communicate. On the establish ment of On-line voting for student elections. the A-Team is the only party that supports the creation of an On-line voting process for ASUN elections. No position. On the environ ment. The A-Team is the only party with a plan to implement ecological cost-saving measures that will protect the environment and lower student fees. No position. On Ricky Martin's decision to leave Menudo. The A-Team is the only party that has regis tered its disapproval of Mr. Martin's solo ca reer. The A-Team casts a suspicious eye to wards any entertainer that regards himself as being «too good" for Menudo. No position. This is a paid advertisement of the A-Team Party. ASUN Student Government Elections March 1,2000. Hey UNL, there's another UI Ircibfonx in town & its OtTflie Sun lannervj] {_.: March Ultrabronz introductory Special Buy 1 UHrcibroftz tan at regular price & receive a 2nd at 1/2 price {or 5 Traditional tans for $1 each) Tanning Lotion Special Thru 3/12/00 30% off all sample sizes 1101 Arapahoe On So 10th & Arapahoe ^ In Arapahoe Center Next to Fast Bucks \ Design Your Own Newspaper • \This Summer summer editor Daily Nebraskan Applicants must^|P^ have one year of newspaper experience, preferably at the Daily Nebraskan, be enrolled in at least six credit hours at UNL this spring, summer or fall, maintain a 2.0 minimum G.P.A., and not be or academic probation. Applications are available at the Daily Nebraskar office, basement of the Nebraska Union, and must be returned with up tc five clips by noon March 8.