The daily Nebraskan. ([Lincoln, Neb.) 1901-current, February 01, 2000, Page 11, Image 11
Fop culture, fine art revolutionaries examined in NETV documentaries By Jason Hardy Staff writer The history of American pop culture is, for the most part, relative to who’s telling about it. For millions of young people, watching Elvis shake his hips on national television was one of the greatest moments of their lives. For millions of older people, ^^ it was a sure sign that <mL- / the United States of 1Wp j§» America was specifi- \ m cally pinpointed for ^ oblivion. y' “Culture Shock,” a jfiSl two-part series of docu- ^pPl mentaries on the MB£ Nebraska Educational Television Network, J| takes an in-depth B look at some of B America’s proudest and most despised • moments in pop-cul ture history. The series started oR| Sunday, Jan. 30, with RR “Born to Trouble: wS Adventures of R| Huckleberry Finn” and Pi “The Shock of the Nude: | - Manet’s Olympia.” The 1 series continues this Sunday \ with “Hollywood Censored: 1 Movies, Morality and the I Hollywood Production Code” 1 and “The Devil’s Music: 1930s Jazz.” Each episode is one hour long and addresses the social acceptance and implications of these artistic endeavors. Ronald Hull, special advi sor to Nebraska Educational A lelecommumcations and a professor of broadcasting at the University of Nebraska-Lincoln, said it was important for people today to see how the arts have struggled for acceptance in the past and the present. “That’s the way it was, and people should know how it was,” he said. “It makes a wonderful point about cul ture and human beings. “The arts are there to entertain us. But if they’re true art, they enlighten us.” Tom Larson, an instructor in jazz history at UNL, said people today could learn about how to react to art by looking at the past and seeing that not everything feared ends in tragedy. “Jazz was very closely tied in with the gangster scene,” Larson said. “Since this coincided with prohibi tion, there was a very clear sentiment of jazz being the devil’s music. Everywhere it went, it was closely associated with gambling, prostitu tion, drinking, crime and gangsters.” Like a lot of fads, it wasn’t too long before the taboo surrounding jazz gave way to a nationwide frenzy. “Around the mid- to late ’30s, dancing became more popular, and jazz bands started adding more mem bers just because the music was j|jj[ David Jane/DN evolv ing,” Larson said. “The bands got big ger and more exciting and, all of the sudden, everything just clicked. “That became the thing to do, and it just affected everything. It was mainstream America. So at that point, it kind of lost its association with being something negative.” Larson said analyzing the history of pop culture was important “simply because it makes us realize that change is good, and we have to be tol erant to new ideas and new things that come along.” “If there were certain people in charge of this country, there wouldn’t be any National Endowment (for) the Arts and there wouldn’t be any National Public Radio,” Larson said. “It takes these people to break down barriers before some things can be accepted” Hull agreed the social impact of art and pop culture went far beyond the perimeters of entertainment. “I think we’ll see that the coun tries that succeed are the countries who applaud and recognize diversity and take chances withideasHull said. “Art fixes those things in time “The Shock of the Nude: Manet’s Olympia” “The Devil’s Music: 1930s Jazz” The entire series will run on EduCabie on Wednesday, Feb. 2, at 1:30 p.m. The final two episodes will run on NETV at 5 p.m. on Sunday, Feb. 6. for us. We’re able to capture that art and look at it from all angles. And if it’s good, it will instruct and inspire us.” shop online at mall.dailyneb.com it is so much easier this way It’s a connected world. Do your share. For 30 waj-s to help the environment, write Earth Share. 3-iOO International Dr., NW! Suite 2K (AD-i). Washington. DC 20008. y. m Earth Share. Z a 0 § < a w a 3 o 13 “f UJ $ (/> I | I 1 d S z S 2 " I “I § J 5 a Study at the Union Open until Midnight Sunday - Thursday Extended Hours E-mail Terminals 12 midnight Information Desk 11:30p.m. t Caffina Cafe ' ' 10 p.m. * Rec Room 10 p.m. Burger King 9 p.m. Student Involvement (TWR) 9 p.m. (MF) 5 p.m. Copy Center 8 p.m. NU Market 8 p.m. Computer Lab 24 hours New Services: Lap top computers available for check out at the Information Desk. Free with valid student ID card. New Nebraska Union Hours Monday - Thursday 7 a.m. - 1 2 a.m. Friday 7 a.m. - 11 p.m. Saturday 9 a.m. - 11 p.m. Sunday 12 p.m. - 12 a.m.