The daily Nebraskan. ([Lincoln, Neb.) 1901-current, April 22, 1999, Page 12, Image 12
■ mniiT on.uro AA »1M1 . . _ . . Heather Glenboski/DN UVMONT GRAVES, 22, RAPS free-style Tuesday afternoon at N-DA-MIXX music store, 2712 Y St. Graves is working with Kenneth Johnson,the store’s manager, who is producing a song with several artists in Lincoln. Hip-hop scene strives for unity By Diane Broderick Staff writer Lincoln and New York aren’t that different The R&B and hip-hop talent encapsulated in both places is considerable and comparable - but the degree of competition is what sepa rates them, said Tim Coleman, a Lincoln native working to start a record label. Coleman spent his childhood in Lincoln and attended UNL for a year, then went to New York where he worked as a Broadway per former, most recently on “Jekyll & Hyde.” He recently put the finishing touches an album in Texas, and now he’s back in Lincoln. Coleman is putting work into starting Stone Dancer, his upstart record label, in a city that he says is rife with hip-hop and R&B talent “I’ve met a lot of people who could survive with the big boys once they saw what the other side was like,” Coleman said. But Lincoln is secluded, and therein one problem lies. Competition is key to driving artists to be better, but it’s not plentiful in Lincoln. I could only understand a piece of that (before I went to New York),” Coleman said. Here, if artists are average, Coleman said, people will get to know them, like them, and their music will do reasonably well. It can be a good thing, but it leads to complacency. “In New York, if you’re kind of good, (the audience) can’t be bothered. You have to be great,” Coleman said “You work harder.” Lincoln’s hip-hop scene is actually quite diverse, and features a little bit of East Coast, West Coast and Midwest sounds, said Kevan Griffin, a member of local group Beyond. But not only does this differentiation pre vent the scene from standing as a cohesive whole, it works to distinguish the groups from one another so they aren’t directly competitive. Another problem is that Lincoln’s small size prevents it from having a large, thriving hip-hop scene because the demand isn’t there to call for it, said Arnell Watson of th^ Blackshirts, another local group. With notable exceptions, a certain amount of apathy is run-of-the-mill in Lincoln, said Kenneth Johnson, owner of local record store N-Da-Mixx. Johnson does what he can to energize the R&B and hip-hop scenes by organizing con certs and after-hours parties, usually at Temptations, that give the community a chance to hear local music and give artists a chance to perform. Community is very important to him, and Johnson strives to give back to it, donating pro 66 The alternative scene supports local music a lot better than the hip-hop scene does.” Kevan Griffin member of Beyond ceeds from his shows to Lighthouse, an organi zation for youths, and the Malone Center, a community recreation center, among other charitable causes along with working with local groups to help them prosper. “This is a good guy here,” Coleman said about Johnson. “He looks out for everybody. That’s not something you find.” Johnson spends most of his day in N-Da Mixx, where local artists come to him to work on projects. His store is small, located in the back of the Oasis Barbershop at 27th and Y streets, but its place in Lincoln’s hip-hop scene is vital. At any given moment, Johnson is doing about three things at once, ordering music for his store, organizing next week’s event at Temptations and producing a song that brings local artists together. Along with owning N-Da-Mixx and DJing, which he has been doing for about two years, one of Johnson’s goals has been to pro duce music, and he has been working with groups and “putting them out there” as well by acting as an agent. He works hard, he says, because Lincoln isn’t overly receptive to the hip-hop scene. “There’s a lot of people who don’t want to see you come up,” Johnson said. When people try to start clubs, often the required permits and regulations serve only to stifle anything that could have succeeded, he said. And though both Johnson and Coleman have their eyes toward leaving Lincoln and fur thering their careers, their intentions are to keep Lincoln close to their hearts. Johnson wants to move on with his career in producing and would like to open a club, but he plans on staying in Lincoln until he can build a strong base here, one that will keep art^ts in the hip-hop community working together and helping each other out. When it comes time for him to leave, Johnson plans to leave his store and the ser Please see SCENE on 13 Play s goal to reach, heal abused women .V ■1 '■ i u We want programs that show victims that its not theirfault, and that it's OK to stop being a victim ” Tolandra Coleman Women’s Center project assistant By Danell McCoy Staff writer One in every four college women has been sexually assaulted. The tragedy worsens as most of them do not seek help. On Thursday, the UNL Women’s Center is sponsoring the play “Womyn With Wings” in die hopes that the women of these statistics will see the production, come forward and begin the process of healing. “We chose this play because it deals a lot with healing,” said Tolandra Coleman, project assistant at the center. “We want programs that show victims that it’s not their fault, and that it’s OK to stop being a victim. We hope to get that message to the students through the play” “Wonayn With Wings,” written b> Janies Chapmyn, is a play that explores the trials and tribulations of three women from diverse backgrounds. One woman is a rape victim, cme is an inees) survivor and one is facing the horrible fear oftaeast cancer. The play presents each woman’; life and shows how die women deal wife their situations, evolving as friends and as survivors of their experiences. “This play deals a lot with sell acceptance,” Coleman said. “It’s ar expose of womanhood as we move inte die next century.” Coleman hopes that bringing this play onto campus will help people real ize that sexual assault is happening, and it does need to be addressed. _ “We want diem to know that these are people willing to help them,” she said. “It’s important to reach out to these women and let them know that they can get the help they need.” This is the first play sponsored by die Wbmen’s Center since 1997. Coleman said that toe center hadn't been very successful in bringing in speakers, so they decided to try a new medium to convey information. “We think that bringing in a play instead of a speaker will help because instead of having someone speak at you, you have characters that speak with you and take you through the emo tions of the ordeal.” What: WomynWith Wings When: Nebraska Union When: Today at 7:30 p.m. CoefcFpe The Skinny:The fives of three women Mends who grow from victim to smMvor Debrar Chapman, Coma Almon and Ay anna Johnson, all from the group Living the Dream, Inc., will be per forming the play. There will be a recep tion with the cast members following the play.