Lazer Vaudeville sheds light on traditional entertainment By Danell McCoy Staff writer The performers want people to know that what they do is different: They don’t put on just a laser light show. To make that clear, the cast of Lazer Vaudeville spells laser with a “z.” “We use the ‘z’ for a showbiz effect,” said Cindy Marvell, a performer with the troupe. “It gives the name a lit tle pizzazz.” A visual assault of light, action and eye tricks opens Friday at the Lied ^Center, 301 N. 12th St. It’s a mix of old and new, complete with the antics of old vaudeville mixed with high-tech lasers and black lights. The show is a modem combination of classic acrobatics, juggling and magic tricks, along w ith plenty of spon taneous humor. Lazer Vaudeville also uses rope spinning and the nearly lost art of hoop rolling. Classic juggling with balls, clubs and rings round out the show but a few surprises are always thrown in. “We have professional jugglers who come and watch us because we have so many different juggling techniques,” Marvell said. “Some of them are tech niques that most people have not had the chance to experience.” Lazer Vaudeville was founded in 1987 by Carter Brown. Brown had worked as a circus juggler, but after six years decided he wanted something new. Brown mixed his interest in laser programming and technology with his act, basically vaudevillian, and created the show. “We use the lights as set pieces,” Marvell said. “The black lights can bring certain things into focus and give the audience a better look at what is going on onstage.” It also keeps the audience from see ing what is happening onstage techni cally. While the black lights are on, troupe members may be moving around, helping with the next trick or getting things in place for future acts. With the aid of the black lights, Marvell said, the audience is able to focus on the current act instead of what is going on in the background. The show plays not only with the eyes of the audience, but also with their ears. Members use hand drums or other devices to add a rhythmic backdrop to the performance. The troupe also makes audiences active members of the show. And don’t think it’s just for kids. Adults may be asked to try to escape from a strait jack et or hold spinning plates. “We don't just pick on the kids,’’ Marvell said. “We have things for the adults to do. too. We try to take advan tage of whatever unexpected moment Lied Center The Facts What: Lazer Vaudeville Where: Lied Center for Performing Arts When: Friday at 7 p.m., Saturday at 2 p.m. and 7 p.m. Cost: $9 for general admission, $4 for students The Skinny: New art blends classic entertainment with modern technology. arrives.” The troupe is holding a free juggling workshop at the Lied on Friday at noon open to the public. _ Coi'RTESV Pli' iTO THE JUGGLING CLOWN is a favorite entertainer of the Lazer Vaudeville troupe. The show combines age-old circus tricks with new-age light effects. Dropped Notes The Facts I What: Peter Schickele and the Lark Quartet Where: Kimball Recital Hall j When: Tonight at 8 Cost: $22. $18 The Skinny: Nationally renowned composer makes Lincoln appearance Composer Schickele to appear in concert at UNL’s Kimball Hall Famed composer Peter Schickele will appear tonight at Kimball Recital Hall. Schickele is known as the man responsible lor discovering the lost works ol the mythical genius P.D.Q. Bach, a long-lost son of Johann Sebastian Bach. Schickele's work under this alias has been acknowledged as some of the greatest satire of the 20th century. He has appeared w ith such symphonies as the Boston Symphony Orchestra, the New York Philharmonic and the London Symphony Orchestra. He is appearing tonight w'ith the Lark Quartet, composed of Diane Pascal, violin; Jennifer Orchard, violin; Danielle Farina, viola; and Astrid Sclween. cello. The quartet, founded in 1985. has earned several accolades, including a gold medal at the 1991 Shostakovich International String Competition. It tours internationally and is in res idence at Ohio University'. The centerpiece of tonight’s con cert will be Schickele’s “String Quartet No. 2 ’In Memoriam.’” which was written for the Lark Quartet in 1988 as a memorial piece for Schickele’s broth er-in-law. 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