Musemwill display art stolen during World WarH ST. PETERSBURG, Russia (AP) — Eighty-nine art treasures looted by the victorious Red Army at the end of World War II went on dis play Tues- + * day at the •• Hermitage _7 . . Museum. 1 rllS IS CLTl Many of , the draw- artistic ings, litho graphs and event, not watercolors were be- a political lieved lost inthewar; event.” the Hermit age only re cently re- ■ vealed that MlKHAIL they had PlOTROVSKY survived Hermitage director and had been hidden 1 1 away in Russia for 50 years. The show, entitled “Master Drawings Revisited: Treasures from Prewar German Collec tions,” includes works by such masters as Paul Cezanne, Vincent Van Gogh, Francisco Goya and Eugene Delacroix. It runs through burr'll These trophies of war are at the heart of bitter disputes be tween Russia and countries like Germany, where special Soviet teams scooped up millions of art works, rare books and other pre cious objects. The original owners, which range from museums and librar ies to the families of private col lectors, want their treasures back. Russia has refused to return them, despite international prohi bitions against looting. Some ar gue the booty is Russia’s rightful compensation for the immense damage it suffered to its own cul tural treasures during the war. Hermitage director Mikhail Piotrovsky tried to keep the fo cus Tuesday on the art, not the ownership dispute. “This is an artistic event, not a political event,” he said, cutting a ribbon at the entrance to the or nate Nikolayevsky Hall. “We’ve fulfilled our duty, which is to dis play the art. The next step is for the lawyers to decide.” Wolf-Dieter Dube, a Berlin museum director and member of a joint Russian-German commis sion on trophy art, said other former Soviet republics have re turned wartime loot and Russia should follow suit. Otherwise, he warned, German public opinion could turn against Russia and jeopardize the aid Berlin has lav ished (Mi Moscow since the Soviet collapse in 1991. Russia, he pointed out, has yet • to reveal the full extent of its holdings of trophy art. That se crecy makes exhibitions like this one eagerly awaited events in the art world. Joan Kahn, a tourist from Washington, D.C., timed her vi^it to Russia to coincide with the opening. “They should just show the art,” she said. “Let the politicians take care of the other decisions.” Aaron Steckelberg/DN ‘English Patient’ cures love deficiency By Gerry Beltz Movie Critic Break out the hankies, ladies and gentlemen. “The English Patient” is one of those epic, romantic films that could make a cement block shed a tear. Granted, the film is over 214-hours long and could have stood a trim here and there without losing anything in the storyline, but then it would have lost its appeal as an epic romance. Forbidden romance is nothing new in the world of cinema, but bringing together the talent of Ralph Fiennes and Kristin Scott Thomas was a stroke of genius, and moves the film to a new level of subtlety and obsession. The film also follows two different time lines, so get your munchies be fore the film starts. It’s the time of World War II, and a plane is shot down over the desert. Only one person survives, but he closely resembles a victim from the latest “Texas Chainsaw Massacre” film. Eventually, because of the excruci ating pain from just being moved, he is left at an abandoned monastery with Hana (Juliette Binoche), a nurse who is recovering from some scars of her own. Everything that has led up to that point is told through flashbacks, cen tering on the torrid romance between the injured cartographer Count Laszlo Almasy (Fiennes) and Katherine Clifton (Thomas),, the wife of one of Almasy’s fellow map-makers. The connection between the two is instantaneous, but is fought for some time by Almasy. But do they eventually succumb to temptation? Heck, yeah! Where do you think the ‘R’ rating came from? Their romance, however, has doom following in its wake. People start dy ing left and right (the war doesn’t ex actly help, either), but these two have an obsession for one another that knows no ends. Back in real lime, Caravaggio (Willem Dafoe) has arrived with a mysterious agenda involving our bed ridden hero, and seems to know more about Almasy than he knows about himself. Director-writer Anthony Minghella (“TYuly, Madly, Deeply”) has come up with another masterpiece of cinema with “The English Patient,” but unfor tunately does very little work with the war-tom Hana. -He begins to develop the character, but eventually just leaves the character hanging with no place to Film: “The English Patient” | Stars: Ralph Fiennes, Kristin Scott f Thomas, Willem Dafoe Director: Anthony Minghella Rating: R (nudity, violence, adult situ ations) Grader Five Words: Intense forbidden ro mance spells doom go. The performances from Fiennes and Thomas are top notch, and hope fully the success of “The English Pa tient” will keep Kristin Scott Thomas appearing on American screens. An overall excellent film, go see “The English Patient,” and take a friend too. Lincoln libraries look to update strategic plans By Ann Stack Senior Reporter Users of the Lincoln Public librar ies now have a voice in the services they’re offered by providing feedback on the new preliminary strategic plan. Strategic plans are updated about every five years, said Barbara Hansen, administrative aid for Lincoln City Li braries. The libraries began the plan ning process, titled “Guide Us To The Future,” in December 1995. Strategic plans act as a guide for all the decisions made concerning the libraries, Hansen said. For example, she said if the economy should take a turn for the worse, a strategic plan would help dictate what to cut and keep. The main components of the pre liminary planning process focused on community input and library staff. “We did one-on-one interviews with 60-plus community leaders,” Haflsen said. “We did 27 focus groups with people of all ages and asked what they thought the key roles and goals M Outreach and collaboration is what people want. They want outreach programs with the community centers and with the public schools, and collaboration with departments like Lincoln Parks and Rec to present educational programs.” Barbara Hansen administrative aid for Lincoln City Libraries for the Lincoln City Libraries were.” Some goals identified by commu nity response as outlined in the plan are improved service collection and better youth services, she said, as well as community outreach and collabora tion. “Outreach and collaboration is what people want,” she said. “They want outreach programs with the community centers and with die public schools, and collaboration with departments like Lincoln Parks and Rec to present edu cational programs.” Another task set forth for the librar ies is keeping up with advancing tech nology and diversity issues. Hansen said a goal was to hire a more diverse and bilingual staff to bet ter serve Lincoln’s growing ethnic communities. Another facet of this pro gram would be to present programs in the various ethnic community centers, she said. Community members are being asked to provide feedback on the pre liminary plan by the Lincoln City Li braries. That can be done in one of four ways: • Complete a Community Feedback Form available at any library by Dec. 23. • Request that a member of the library’s Speaker’s Bureau attend a group meeting to review the plan by calling Evelyn at 441-8579. • Send written comments to Lincoln City Libraries, 136 S. 14th St., Lincoln, Neb. 68508. • Attend,one of four public forums offered: 1:30 p.m. today at Gere Branch, 2400 S. 56th St.; 7 pm Thurs day at Anderson Branch, 3635 Touzalin; 12 pm Dec. 10 at Bennett Martin Public Library, 136 S. 14th, 4th floor; and 7:30 p.m. Dec. 12 at Belmont Recreation Center, 1234 Judson, north nom.