• V \ ; ' § • , i * * p HONA APPLE “* Tidal S9.88CD Although Fiona Apple is first and foremost a songsmith, her piano and haunting, dusky voice are the ultimate vehicles for her art. These are songs that can rock you with only the merest suggestion of guitar, bring you to your feet with delicate danceability and quicken your pulse through implacable strength. 4 The Connells are one of the most important alternative rock bonds of the decode. Their edgy mix of introspective rock and melodic power pop have ouffived innumerable trends and fads and a consistently young fan base grows with each project. Bom of the fertile Southeast rod scene, The Connells have a fanatic? following throughout the South, AAkKAlkmtic, Mid-West and Mountain regions. The band's most collaborative effort yet, this afcum has a more direct, live'sound than previous releases. ^ \ * • • • •• I Can You Feel Me $11.88 CD The Mock of the Year is back with his long awaited follow-up to 1995's Explicit Game. Can You Feel Me will not disappoint combining hardcore gangsta rhymes with the most danceable funk since Bootsy Collins' days. The album features guest performances by platinum artists the Luniz and LY. tracks produced by veritable Who's Who of Oakland's hottest products. Come Find Yourself TaSSST $9.88 CD Fueled by the funk of it and a deep seated desire to never work another lame day gig, Fun Lovin' Criminals' debut album marries hip hop's aggression, punk's insanity, the swagger of the blues, obscure literary references, demented plot twists that would give Hitchcock hives and the sweat of a honest to god live band. «# I 1/ I > i at - > CjJA nllnftinn *1_L >010 rnc0s 0TT0CTIY0 Tnrovgn October 17th, 1996 \ . ^ * -i. mW : ■ * i * The It Girl $108 CD Led by the outspoken Louise Wener, Sleeper's edgy PopPunk and subsequent U.S. medio ond concert tour kid a solid foundation lor what comes next. The It Girl is 12 ftocks of melodic aggression, Sleeper-style. The bond wrote ai of the album's songs witha newfound musicol moturity, a superior production sense...and a bunch of really loud guitars. 4 '■ • r~" • • » •’J . * , .- 1. . • „ 4'- * j it . .. M. *» *4- . ® • r ’• **. . . • ^J • -w,. £• • *» >.'•'« . *. * • • .. • • - . • , '. • • ,r - *" 'i- •« i *, -ft r . ;• .U. I r ( •• » .'. -4 . *■ * * w • - * -. .. - b - I T • • i , - * » * « • B * - ■ • , ^ 4* ' -v"- ;-v *• v* " «*• • - ♦* , ^-4^;:- - • \ -x* v t • -4. ’ . 4. . - . • t .1 * # IA V - * «• • . — w •••> ■ * * r •* # # ♦' % V • r • V * . * 4 «• lit S ♦ 811.88 GO • • v-*i .WgfiP&gSF A seamless mix of brilliant songs from start to finish, Umbo is a career highlighr for Thramring Muses. Long recognized as underground icons, the hand has been responsible for some of the most compelling music around. Their intricate sang structures, driving guitars and memorable rhythms win them fans wherever they go. - •• 1 ■■ ■1