< • — • I % * *Tf I T'f'T • •» *• f t • ^ —l ITfl ^ ▼' -TT *T* ... • Life of Agony Ugly BOAD&l Pop # 4 I ■* :• • ■, * * 4 Take That IHobody Else JJUSGOr With Ugly, Life Of Agony have expanded their sound in both playing Over the past few years, the five members of Take That have perfect and songwriting, while their ability to lyrically channel the frustrations ed a pop vocal sound that has vaulted them to the top of the charts in of their fans has been honed razor sharp. Far more than a metal almost every international territory. i band, Life Of Agony have made a record that speaks to a generation. Soul groove theory L Indudlnfl: I * TELL ME /10 MINUTE HIGH I ~ RIDE / HELLO ITS ME . I Groove Theory I Groove Theory % COLUMBIA * T ■ ■■■■'■ "■ Seven Mary Three American Standard * [Includes HEAVENJT'S SUCH A SHAME, *<*)H |and WHERE DO U WANT ME TO PUT IT. Solo Solo *,S Mellow Grooves with Phot beats. Sade meets loose ends, hip-hop mar- Raised on the college and club scene around Virginia's College of The group Solo debuts "new classic soul" on the first release. The ries light acid jazz.. .This is the sound of Groove Theory. Amel's William & Mary and solidified on the Orlando, Florida club circuit, the incredible vocals delivered by this group can be attributed directly to breezy voice and Bryce's keys and production makes this CD twice as rock quartet's widely praised live powers have spread the word on the genetics - with Sam cooke and The Drifters as family members, how nice. band's thought-provoking, emotive and groove-laden organic sound. could they go wrong? 1 i I I r *• I Alternative Alternative Alternative i • • ■ * * . i ,( «ti .l ~ # ' • I ^ ’ Polyphemus Stonehouse |; [ Sundial Acid Yantra t Alternative * 11 With influences that range from the Beatles to Toad The Wet Sprocket, Depechc Mode to Sarah Mclachlan, Nashville-based Jars Of Clay have delivered a debut release rich in songcraft. ! ' I Prices effective thru: November 30th, 1995 I .. v _ m , t* • * . ' . i.1 ■ • *' . 13 , * . fiH