The daily Nebraskan. ([Lincoln, Neb.) 1901-current, September 09, 1994, Image 13
Nebraskan PREVIEW For the weekend of Sept. 9-11 Give it a shot > Blue Sunday — Lincoln Action Program is sponsoring this blues festival to help low-income families in Lancaster and Saunders counties. It will be held at the Antelope Park Bandshell from 1 p.m. to 9 p.m. on Sunday, of course. > U nivcrsity Singers — Th is UN L music group will perform Sunday at 7 p.m. in an interdenominational matricu lation service at the Cornerstone, 640 N. 16th St. Plot slaughtered in ‘A Good Man in Africa’ By Gerry Bettz Staff Reporter The tools were there, the talent was there, but it was all for naught. “A Good Man in Africa" just doesn’t come together. It’s notasthough there wasn’t any potential, cither. Any cast that includes such talented and award-winning performers as Sean Connery, John Lithgow and Louis Gossett Jr. seems almost sure of success. Then again, some predicted a big comeback for the Village People, too. “A Good Man in Africa” is based on Will iam Boyd’s novel, of the same name, and the book has been highly acclaimed, but the film version may end upbcingdisclaimcd by anyone involved. Australian talent Col in FricLs—Americans have seen him in “Class Action” and “ Darkman” —plays Morgan Leafy, a British diplomat who is looking to get out of his assignment in the newly independent African state of Kinjanja. Leafy isabutt-kisscr and a yes man; he cares only about sex and alcohol and is willing to bend over backward to please the people over him, always fearing that one iota of failure on his part will result in a permanent assignment in Kinjanja. Leafy hears opportunity knock when his boss, the extremely stuffy and racist High Com missioner Arthur Fanshawc( Lithgow), arrives in Kinjanja. He instructs Leafy to sway the favor of soon-to-be-elected president Sam Adekunlc Quik Facts Movie: “A Good Man In Africa” Rating: R Stars: Scan Connery. Colin Fricls, John Lithgow, Diana Rigg, Louis Gossett Jr. Director: Bruce Beresford Grade: C Five words: A stellar cast completely wasted (Gossett) toward the British side, because of oil and mineral deposits that have been discovered in Kinjanja. However, the favors continue to pile up, and hands start washing other hands, all cumulat ing with a talk with another one of Sean Connery’s all-knowing, all-wise characters, which gets Leafy to sec the light. This entire film is incredibly dreadful and marked by barely passable performances from everyone involved. Friels is a virtual newcomer to the screens, and it is unfortunate that this is his big debut film, but it is hoped he will have other opportunities. Sean Connery, left, and Colin Friels star in “A Good Man in Africa,” a . Gramercy Pictures release. The only good thing about Lithgow’s per- “A Good Man in Africa” isn’t funny enough formancc is his attempt at having a stuffy to be called a comedy, and it doesn’t carry British accent. Gossett could have faxed in his enough interest to be considered a drama. The performance. film is very... blah. Improvisational saxophonist to jazz it up at Westbrook From Staff Reports Jazz up Sunday night with saxo phonist David Murray, who will ap pear with the Ncll/Roberty/Edwards Trio in Room 119ofWcstbrook Music Building at 8 p.m. This may be the first time the trio, consisting of pianist Bob Nell, bass ist Kelly Robcrty and drummer Brad Edwards, has played at the Universi ty of Ncbraska-Lincoln, but Murray has performed here often enough to know his way around. The last time Murray came, he appeared with Kahil El’Zabar, an avant-garde percussionist, said Ron Bowlin, director of Kimball Recital Hall. But what stands out in Bowlin’s mind is the first time Murray and the World Saxophone Quartetpcrformed at UNL. “It was a wild event,” Bowlin said. “It was supposed to have been scmitradilional Ellington stuff, but the Quartet forgot their stuff and had to do a four-part improv.” Spontaneous improvisation is Murray’s style—he makes the mu sic up as he goes along. And what pours forth frain his sax is an assortment of intense emotions, influenced by his religious roots in the black church and his African American lineage. Concert tickets, available at the Lied Center box office, are $10 for general admission and $5 for stu dents. ‘Blizzard’ new addition to frontier bronze exhibit From Staff Reports Herb Mignery wanted to be a cowboy, but he captured the heart of the wild prairie through a differ ent medium — art. Mignery.who specializes in cre ating bronze sculptures depicting scenes from Nebraska’s history, will be in Lincoln on Sunday for the unveiling of his new sculpture, “Blizzard of’88.” Mignery’s sculpture depicts a couple and their horse caught in the mounting drifts of the devastating blizzard that hit Nebraska on Jan. 12.1888. “Blizzardof’88" will accompa ny a new exhibit titled “Sculptures by Herb Mignery” as part of the Great Plains Art Collection. A native of Bartlett, Mignery grew up on a central Nebraska cattle ranch that had been home steaded by his paternal great-grand father in 1878. He majored in industrial arts at Wayne State Teachers College. In 1961, he was drafted into the U.S. Army and served as illustrator of training aids. After his discharge, he worked as a sign painter, car toonist and rhythm guitarist in a local band. He began working in Hastings as a commercial artist with tnc Comhusker Press in 1965, and it wasn’t until 1973, when he re ceived a birthday gift of sculpting tools and clay, that he found his true love. Mignery focused on bringing out the true nature of heroic West erners like settlers, farmers and Event: Opening of new exhibit, “Sculptures by Herb Migncry” Time: 3:30 p.m. Sunday At: Love Library, Room 205 Comment: Artist will appear and talk to audience cowboys. He was able to combine his love of sculpting and his dream of be coming a cowboy when he served as president of the Cowboy Artists of America in 1992-93. M ignery has cast more than 100 editionsofdiflferent subjects in var ied sizes. “Trails Home” is a7.5-foot sculp ture of a pioneer family that com memorates the 150th anniversary of the Oregon Trail. “Heritage” shows a settler family pi anting trees, and “Prairie Odyssey” depicts a heroic frontiersman. Other topics for his work in clude settlers fighting a prairie fire, cowboys managing their animals, a rancher and his wife conversing and two boys picking an apple. The exhibition opening and unveiling will take place Sunday at 3:30 p.m. in Room 205 of Love Library. Migncry will give a brief talk and answer questions from the au dience. In conjunction with the exhibit, noted poet Ted Kooscr will read from his book of poems “Bliz zard Voices.”