The daily Nebraskan. ([Lincoln, Neb.) 1901-current, February 10, 1994, Page 5, Image 5
.11 KIMY I I r/JVV I KK K Shooting still stumping all of us I-—-1 First it was an accident. Then maybe it wasn’t. Now it’s up to the Lincoln Police Department and the Lancaster County Attorney Gary Lacey to find out what happened Jan. 30. Authori ties said a Nebraska football player allegedly fired two shots into a car at 17th and L streets that morning. Many theories have been suggest ed about exactly what happened. None of them seem capable of standing up to the light of scrutiny. The theories could probably be ig nored as mere speculation, but several came from Nebraska coach Tom Osborne. Osborne took it upon him self to conduct an investigation of the shooting— including examining the car and talking to the driver. He is close to the players involved and prob ably has some idea of what went on. But many of Osborne’s statements do not adequately explain what hap pened. Some of the things he has said have been contradicted by statements from the police and the county attor ney. The most celebrated of Osborne’s theories was his initial assertion that the gun may have been fired by acci dent. Did anyone in Nebraska believe that sto|7? To his credit, Osborne has given up on the accident theory. At a press conference Feb. 2, he said there were “a couple of things 1 stated a couple of days ago that were not totally accu rate.” Osborne said the information he gathered in his investigation helped change his mind. But he declined to say exactly what he learned. We can only hope the police have the new information as well, because there are many unanswered questions in this curious case. For example, everyone knows there were two separate incidents—one at the Residence Inn and one on 17th and L streets. But how are the two related? We know that on Jan. 30 two police Many theories have been suggested about exactly what happened. None of them seem capable of standing up to the light of scrutiny. officers were dispatched to the Resi dence Inn at 1:20 a.m. There was a party at the hotel attended by several Nebraska football players and recruits. According to the police, a fight took place when unidentified assail ants showed up at the hotel. Nebraska redshirt freshman Ramone Worthy was stabbed in the back, and wingback Abdul Muhammad was pushed through a window and also received lacerations to his hand. At about 2:50 a.m. that same morn ing, two shots were fired into a car belonging to UNL student Brooke Bohac at a stoplight at 17th and L streets. Lancaster County Attorney Gary Lacey filed two felony charges against Nebraska defensive back Tyrone Wil liams for the shooting. Lacey said Williams smashed a window of Bohac’s car and then fired shots into the car as it sped away. Williams’ attorney said he would plead innocent to the charges. Osborne said he thought the two events were related. He said the play ers in the car were agitated by what took place at the Residence Inn. A phone call they received on their cel lular earphone further bothered them. He said they “didn’t know what they were getting into.” But there are several problems with Osborne’s explanation. First, the players in the car were not the same ones involved in the Resi dence Inn fight. Lacey said Nebraska football players Ed Stewart, Kareem Moss and Tyrone Williams were the only people in the car. Osborne said the players in the car were taking Abdul Muhammad to the hospital or had taken Muhammad to the hospital. But Lacey said Muhammad was not in the car. The matter of the phone call is also curious. Osborne said the caller told the players “we’ve got you in our sights.” He said the players interpret ed the call as threatening. That is possible. But if the players thought they were threatened or in danger, why did they get out of the car? Lacey’s account of the call is dif ferent. He said a passenger in Bohac’s car made the call from an apartment before they went driving. Lacey said the call was a prank, and the caller initially identified himself as some one with the FBI. If Lacey is right, why did the play ers think they were in danger? If they didn’t know the call was a prank, as Osborne has suggested, then what did they have to fear from FBI agents? Not much of what has been re vealed about this case makes sense. The conflicting stories certainly do not. But people should keep asking ques tions in the hope that eventually there will be some understanding of what happened that morning and why. Fitzpatrick is a senior political science major and the editor of the Daily Nebraskan. the spenceRs and MostJ) February 11, 1994 ' 7:30 pm Nebraska Union Ballroom $3- UNL Students W $5-Public Tickets available at the door. For more information call 472-8146, or call The UPC Events Hotline at 472-8150. Fast-pall'd. Sophisticated state-of-the-art r entertainment...This is an act you will want to see! -The Birmingham News lncredible...an evening of 1 illusion we will never forget! -Kay Gilbertson University of Wisconsin For more information call 472-814b, or call lbc LPC. Flvcnis I Iodine at 472-8150 LArvive^sity PVo0Pam C-ouKvcil vUrvte^KvatioKval Tnlm Series IrebrtACtfy 13/ "1994 3/5/7 and 9 pm J'Acury Riepma Ross Pilm Xkeater* $3 tAAX 3fudenfs $5 Public Xicke+s available at +ke door*. K. Ill (.MI S SM WKS Comparisons only hurt people Making comparisons between two people can be unfair. Even when meant as a com pliment, a comparison can hurt peo ple’s feelings and damage the images we have of them. I think we make comparisons be cause we’re lazy. We use them to make quick and easy explanations. We tend to make hollow comparisons for convenience. Far too often we freely compare public figures without even thinking. Recently, I overheard a friend of mine singing. Having been a musi cian most of my life, 1 felt I could make a qualified compliment. She sang a short phrase. 1 was impressedby her Phoebe Snow-like or Deniece Williams-like vibrato. Without thinking 1 blurted out, “You sound like a sister.” A black woman. I suppose if she were black I could have said something 1 ike, “Damn girl, you sound like Phoebe.” But my flawed intention was based partially on race. 1 didn’t even catch my error until she asked what my next column would be about. I replied, “It’s about what I just did to you, actually. It’s about how we make mindless comparisons — how we take shortcuts, especially when making race-based comparisons.” Flippant comparisons also deny a person’s individuality and ability to stand out. What is intended to be complimentary may actually be con descending or belittling. Comparing an upstart figure in a particular field to an already estab lished figure tends to diminish the overall significance of both parties. One person’s hero may be another person’s anti-hero. In our haste to explain things, we rush to describe one person using an other person’s accomplishments or failings. No matter how you slice it, one or both lose. In most comparisons, neither party really has a chance to defend them selves. Unless someone says they as People deserve protection from sweeping summations of them by others. This protection comes by giving every individual credit where credit is due. pire to the accomplishments of the other person, he or she may get defen sive. People deserve protection from sweeping summations of them by oth ers. This protection comes by giving every individual credit where credit is due. I once heard an interviewer ask Spike Lee about how it felt to be called “The Black Woody Allen.” I won dered, “What does that make Woody Allen, the Jewish Orson Welles?” Lee retorted that it was not reason able to be compared to Allen. Sadly, Allen hasn’t had the opportunity to say what he thinks. He’s been busy in court. Lee said Allen didn’t have any people of color in significant roles in his movies. That was true when Lee said it. However, Allen’s most recent film stars A1 fre Woodard, who is black. So much for that comparison, huh? What would Spike Lee be to the “film” industry without Woody Allen? What the hell kind of question is that? Besides, there is no guarantee that their fans think Lee and Allen belong in the same category anyway, or even the same planet. Good Lord, they are two distinctly different and signifi cant filmmakers. Period. Here are some other comparisons of public figures. You be the judge. Rush Limbaugh and Kenneth Hamblin are both well-established media figures. Limbaugh is white, from Missouri and well-known for strong political views. Hamblin, who is black, grew up in Brooklyn. He has a twice-weekly Den ver Post column and local radio show. Similarities between the two begin and end with the fact that they are controversial media figures. It’s high ly likely both men would prefer their reputations to stand less on how con troversial they are and more on their convictions. The fact they make a living pissing people off all the time is just a coinci dence. Hamblin says he hopes to motivate the black and Hispanic communities of Denver by saying “things that a white pe rson couldn ’ t ge t away w ith. ” It would be suicide for Limbaugh to incorporate racial justification into his message. No comparison, I say. Hamblin started as a photojournal ism Limbaugh’s father owned a radio station. Again, comparing Limbaugh and Hamblin is not fair. The other day, a friend of mine compared Tom Osborne and Buffalo Bills coach Marv Levy. He thought they were two peas in a pod just be cause they are both highly educated and have recently lost bowl games. But what does that have to do with their coaching styles or personalities? It shows how some comparisons are made and the damage they can do, especially when they are made to ful fill some self-serving bias or meant to let out frustrations. Either way, it isn’t fair. And we need to cut it out. Shanks is a graduate student and a Dally Nebraskan columnist. On February 12, 1994, join the University Program Council for an evening with KIMN&WISEMffflm* THE yt •< GRIOT 1 TAKE A JOURNEY THROUGH MUSICAL TIME: FROM AFRICA, TO SPIRITUALS, GOSPEL, CLASSICAL, VAUDEVILLE A JAZZ, KIJANA WISEMAN Feb. 12, 1994 • 7:30 p.m. GREAT PLAINS ROOM NEBRASKA EAST UNION S3 UNL Students 55 Public Tickets available at the door |jFoi^TiOTXMnfonTiahonjjal^ CRIIIfioCO RO(K N CRAIG N COMPANY March 5, 1^94 2:30 P.M. Centennial Room Nebraska Union Craig first storied recording for children in the early 00 s when he made a special visit to his wife s nursery school class Since that time-. Craig has earned a CINE Golden Eagle Award for video excellence for his ..original songs and lyrics in Songs For Us, Craig presently hosts a children show on the Disney Channel called Craig n Company