Kim Stock ■s** Problems take back seat to glory A recent photo, appearing in an April edition of “Time,” sym bolizes a sick display of inhu manity. In this photo a young boy, under the age of 10, is sprawled out on a desert floor. He is so malnourished that his body consists of dark skin and sharp bones. His little face shows the pain of not only agony, but of hope lessness. Flocking around the boy, not more than four feet away, is a vulture carelessly watching the boy and obvi ously wailing for his next meal. Be low the picture reads this caption, “A million southern Sudanese face star vation. Here a child falters cn route to a feeding center while a vulture hoovers. Disturbing? Yes. Gross? To say the least. But, the worst thing about this photo is not the picture itself, but the photographer who look the pic ture. Think about it. The first instinct of the photographer was not to help this starving boy gel to the feeding center and prevent his death, but rather to set up his camera to take a picture. I’m not saying that the photographer didn’t eventually help this boy. Maybe he did, but it was after he could capture the boy’s moment of defeat. What is wrong with us? We arc so engrossed in pointing out the problem that we forget to come up with a solution. We would rather set up our video cameras, wailing for a tragedy to occur so we can tape it and then send it to ABC. We love to disturb, we lovelocause commotion, but, when it comes to picking up the broken piec es, we run like scared bunnies. Hmm. It’s just like what comedian Bob Goldthwail said in one of his routines, “If you see me getting beat up by 10 police officers in the inter state, pul down your damn vidcocam We are all scared of change. We all love to point our fingers at the problem, but we don't like solutions. era and help me.” Pointing out the problem is one thing, solving it is quite another. It’s like the rappers you see on MTV who make money from phras ing rhymes about how bad it is in the ghetto. I’m not saying it isn’t bad in South Central Los Angeles, but after the rappers arc done in the studio, South Central is a world away from their cushy homes and BMW’s. Of course Ice Cube says that for him, “Today’s been a good day.” He gets to pul down his plastic gun, take off his costume blue flannel at the end of the day and relax on a bed made of satin. Yeah, we know how lough it is for you. Isn’t it ironic Dr. Dre, that after you’re done with your performance where you pretend you’re “putting the chrome to the dome of a while Sox hat,” you get to sip Asti Spumanti, while the kids from Watts leave your conccrtandgohomc to what you were rapping about. Then again, Oprah, Sally and Phil arc guilty of the same crime. They invite their troubled guests to their shows, sit them in a semi-circle in front of their audiences, and probe their troubles. After the guests have spilled put their guts on national tele vision, audiences both in the studio and at home cry, the guests, of course, cry, and Oprah, while she sheds a few tears, gains some more weight and makes a nice 100 grand. Has this all helped the troubled guest? Probably not. But, we at home arc satisfied, because at least our life isn’t as bad as the guest. Of course, Oprah is satisfied because she has more money to buy jelly doughnuts. Herc’slhcclinchcr.Tobclibcral is to want change. To be conservative is to oppose the changing of the status quo. However, in the end we’re all the same. All the liberals who work for Green Peace, sing about problems, and cam paign for the big house on capital hill make money off of pointing out the problem. Yes, they disturb people. But, these liberals make a mint off of people’s agony. How is that any dif ferent than Rush who goes after peo ple’s mistakes as if they were his prey? We’re all scared of change. I mean that, we arc all seared of change. We all love to point our fin gers at the problem, but we don’t like solutions. Every one of us, me includ ed. Have I done anything in this col umn but talk about the problem of pointing out the problem? Where’s my solution? I want to disturb you, but help you? We’re all running away. By the way, the photographer who took the picture of the starving boy with the hovering vulture, won some photography award for it. Right now he’s probably basking in the glory of respected status and a nice raise in his paycheck. As for the boy, who knows if he was half as lucky. Slock is a sophomore secondary educa tion major and a Summer Daily Nebraskan column 1st. . VYhai Doks L'NL Think? Do you think prayer should be in reinstated into UNL’s com mencement ceremonies? “I think that in a country that is founded on Christian principles, that prayer ought to be allowed. Mark Larson Junior Psychology “We have such diverse religious backgrounds, thai il would be hard lo make sure lhat everyone was satisfied with whoever was giving the prayer. Il doesn’t seem like, in that amount of lime, they could representevery body. A moment of silence gives everyone an opportunity to reflect in their own way. It seems the most fair.” Jeff Gordcr Senior French “I don’t think they should. A col lege institution is where you go to get an education, and if you get an educa tion, you should realize that most religions arc just superstition. They can pray in church.” Troy Park Senior News-Editorial —Compiled by Brian Sharp Ill | KRS Id IHI EDI IOK Great Plains films Why did your paper give no cover age to the Great Plains Film Festival at the Mary Riepma Ross Film Thc ater during the last two weeks? I am an employee there, but some of our pa trons have wondered the same thing. I know a newspaper is always gelling grief from everyone under the sun lo cover their events, but this festival was a major event taking place in this town and on this campus. During ihc last two weeks, the Film Festival showed some of the best new films of last year, some of which have not yet been shown anywhere else, as well as bringing several important artists lo speak lo Lincoln audiences. Appar enlly, ihc DN found it more important to run reviews of mediocre films their readers had already heard loo much about (do you really think nobody will hear of Hocus Pocus if you don’t write about it?). Not that there were no good arti cles, but why would you give an an nouncement of a local filmmaker’s auditions if you refuse to cover the only venue for showing local film makers? Docsn ’ t this seem rather back wards? Even if you had some aversion to local filmmakers, we invited inter nationally known film and literary artists like Michael Apted (dircctorof Thundcrhcarl and 7 Up series), Joy Harjo (Native American poet pub lished in many college literature an* ihologics) and Joan Micklin Silver (director of Crossing Dclancey). These arc not unknown people, and their films were some of the most talked about in the years they were released. What rocks have your editors been hiding under? Of course, I don’t know why I am bothering to complain about this, ev eryone at UNL already knows that the DN is the Lcs Nesman of newspapers. This is just one more reason to give you the coveted Silver Sow Award, you guys deserve it. 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