Local musicians pool efforts on cassette .. ■■■_ ... - ———r— 1 ' ■ . T'!!””"! "'«I ' 1 1 ■ I > > --- - * Jeff Haller/D N Richard Rebarber, left, Charles Lieurance and Lori Allison are all involved in the making of a tape, “Floating Opera,” which features all local talent. 1 I I I I I WET T-SHIRT CONTEST I Every Monday 1 10:30 p.m. I 1823 W Street j^^JNOCOVER^^ Female-dominant ‘Opera’ works If you accept the premise that a song is simply “bad poetry set to music,” “Floating Opera” may push the limits of your definition. “Opera” is, in fact, pretty good poetry set to music—and pretty good music, too. The list of contributing musicians on the liner notes reads like a who’s who of Lincoln music intciligensia: Tammy Van de Bogart, John Toblcr, Ron Albertson, Lori Allison and tons of others; a kind of dream team, re ally. The result owes something to the subversive tunefulness of Kurt Weil and something to the kind of melan choly, alcoholic, white male (heir to Irish princes) music that comes bub bling out of the underground again and again in this country. The lyrics orbit in a kind of para lyzed fascination with the ghosts of a personal past—around a baleful femi nine sun: *‘In the nurscry/picturcs taken of me. Pretty blond baby/and the mother who frowns.” All this is made something like hermetic by the female vocals that dominate the album. “Opera" is a trip, then, through a world of male anxiety and dread, with a cushy pillow and a window seal. — Mark Baldridge Take Your Degree One Step Further BECOME A PARALEGAL Increase Your Employment Potential Four month full-time program • Prominent attorney faculty Approved by the American Bar Association 1-800-525-1446 • 214-385-1446 5440 Harvest Hill • Suite 200 • Dallas, Texas 75230 Ball! It’s just what we like to do, and every chance we get we like to take it. — Allison, lead singer of The Millions These days I spend every moment of my free time on music. — Richard Rebarber, producer, Floating Opera By Heather Sinor Staff Reporter Local talent, a love of music, a little spare lime and a lot of hard work form the motivation behind the newly released cassette, “Floating Opera.” The cassette, produced by Richard Rcbarbcr, a UNL associate professor of mathematics and statistics, and Charles Licurancc, a UNL alumnus, was recorded in the upstairs studio of Rcbarber’s home. The 18 musicians and two artists featured in the record ing arc all local. Rcbarbcr said Licurancc came up with the idea of beginning the project. Lieurancc gave him the lyrics, written mostly about his “screwed-up child hood;” Rcbarbcr wrote the music. Rcbarbcr received some formal musical training in college, but he said his ability to play the piano was more important. “Most people who can play the piano can write music,” he said. “But, as I started recording, first of all I didn’t want to sing on it, so I wanted to get Lori Allison involved,” he said. Allison, the lead singer of The Millions, has one of the best voices he has ever heard, he said. Two of the songs on the cassette are Allison’s originals. She had writ ten them for herself, but never per formed them. “Lori’s music fits in,” Rcbarbcr said. Finding talent was not a problem. “Lincoln has a very tight-knit mu sical community,” he said. The musi cians were all "very interested in help experiments with college rock abound on Loud Family album its sprawling, enigmatic album “Lolita Nation.” Six years later, you either haven’t heard of Game Theory, or you are still trying to f*gurc out the signifi cance of the reference to Nabokov. To make things difficult, Scott Miller is back with a new band (The Loud Family) and a new album (“Plants & Birds & Rocks & Things’^ that is packed with more references than a lost episode of the Dennis Miller Show. “Plants” continues the cinematic sequcnccof experimental college rock deeper in Miller’s mind. It explores the individual in our modem world: poor, inundated by marketing mes sages, unable to connect meaning fully with anyone for very long. If you are graduating soon—faced with the opportunity to become a humorless corporate slave — this al bum may touch you deeply. Scott Miller and the rest of The Loud Family are one of the few bands that can take nifty, digital studio toys and make sonic art that transcends vacuous computerized dance. The result is an album so sideways that you will have to explain it to all of your friends. Buy it if you can find it. —PohiLongsine DANCE FOR JOY! Featuring Ul w 1 fe»r; 5; M 5? THEATRE ARTS N DANCE (402)472-2073 sis—\ Box Office: ( C^/pJ First Floor, Temple Building, 12th & R Streets W University of Nebraska-Lincoln ing out.” “It’s just what wc like to do, and every chance wc get wc like to take it,” Allison said. The music on the cassette is a lot different from what The Millions usu ally play, she said. “It’s a good change.” Rebarber wrote the basic arrange ments, but some performers added their own creativity. “I prefer it if somebody can change the part, or improvise,” he said. “One of the songs on the cassette, ‘The Nursery,’ was not intended lobchard driving, but Ron Albertson (the drum - mer from the band Mercy Rule) had a really insistent sound that made the song.” Although everyone was very co operative in devoting time to the re cording, Rebarber said the whole project took about two and one-half years to produce. Each song took 50 to 100 hours to perfect, he said. “These days I spend every moment of my free time on music,” he said. The cassette is being sold in most local music stores for around $6.95. For those interested in the music, but unsure of a title with “opera” in it, Rebarber said that the word “opera” should be taken lightly. He said it meant opera in the sense of a collec tion of people, and “floating” was in terms of no fixed group of singers. From the artwork on the cover to the lyrics to the vocals to the music itself, contributors really gave their best work, Rebarber said. “Thai’s what’s really interesting about this project.” Tonight — Big Daddy, Royal Grove; Lucky Peterson, Zoo Blues Bar (through Satur day); Dixie Dregs, Ranch Bowl. Tuesday — Isaac Stem & Friends, Lied Center for Per forming Arts; Fugi’s (Ethnic Dance) at the Red & Black Cafe; Big Daddy, Royal Grove; On the Fritz, Ranch Bowl (through Saturday). Wednesday — Uretha Franklin/Ritual Dcvicc/Unsane, Duffy’s; Cosmopolitans, Pla Mor Ballroom; Big Daddy, Royal Grove. Thursday — Too Smooth, 9th Street; Loopholes/Rooscvclt Franklin, The Edge; Randy Mollncr/Julius Nevis, Red & Black Cafe; Ripcord, Rockin’ Robin; Big Daddy, Royal Grove; Omaha Symphony, Orpheum. Friday — Sonny Rollins, Lied Center; The Wrex, Duggans Pub; Duggan & Doyle/ King Fish, 9lh Street; Strong Bam, The Mountains; Clay face/ Pullout/Nonc with Guns, Red & Black Cafe; Hat Trick, Rockin' Robin; Big Daddy, Royal Grow; The Confidential, Howard Street. Saturday — Hexagon, Sheldon; Loud Sounding Dream (LSD) from Kansas City with Nerve Thang, The Edge; The Wrex, Duggans Pub; King Fish, 9th Street; Strong Bam, The Mountains; Emerald Fyre, Rod & Black Cafe; Hal Trick, Rockin’ Robin; Big Daddy, Royal Grove; ThcConfidcnlials, Howard Stroct; Omaha Sym phony, Orpheum; Whilccross with guest rapper, ROC-T, York High School in York. — Compiled by Jill O'Brien